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Organum Arrangements of the Salve Regina by Mark Emerson Donnelly

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About two months ago, we shared a Renaissance polyphonic version of the Regina caeli arranged by composer Mark Emerson Donnelly, director of music at Holy Family, the FSSP parish in Vancouver, British Columbia. Now that we are in the last and longest part of the liturgical year, the time after Pentecost, the daily Marian antiphon has switched to the Salve Regina, and we thank Mr Donnelly once again, this time for sharing with us his two arrangements of it.


(Tenor/Bass & full choir, sung by OFFERTORIUM; for a PDF of the score, click here. Performance notes in the description on YouTube.)

From his recent newsletter: “After the Ave Maria, the most famous and well-beloved prayer to the Blessed Virgin Mary is the Salve Regina. As with the Ave, the Salve is both recited by Catholics in their native tongues and also sung in Latin to medieval Gregorian melodies. Though beautifully set to some very ornate, solemn and monastic tunes, the Simple Tone of the Salve Regina is, by far, the most popular.

The Salve Regina is the last of the four seasonal Marian antiphons sung over the liturgical year, prescribed for the Time after Pentecost. In that respect, it is kind of the perennial Marian antiphon, as we live in a perpetual time after that first Pentecost.

Although the Simple Tones of the four Marian Antiphons tend to be syllabic (one note per syllable of text), the ‘O dulcis’ at the end of the Salve provides a rare opportunity to employ a bit of polyphony in my Organum Novi Mundi style.

Since the Salve is the longest of the four, I chose to alternate two-part organum with four-part sections. My original thought was to alternate tenor & bass with full choir. However, if some ensembles wish to sing SATB throughout, I have doubled the tenor & bass parts in the soprano & alto. It is also possible to sing alternating SA with SATB, as below.


(Soprano/Alto & full choir, sung by OFFERTORIUM; for a PDF of the score, click here. Performance notes in the description on YouTube.)

On a curious note, it wasn’t until I was writing this newsletter that I realized I wrote the Organum Novi Mundi for two of the Marian antiphons, Ave Regina Coelorum& Regina Caeli, in the same year, 2001, and the remaining two, Salve Regina & Alma Redemptoris Mater, also in the same year, fifteen years later in 2016.”

A Digital Reconstruction of the Shrine of St Thomas Becket

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Two days ago was the 800th anniversary of the translation of the relics of St Thomas Becket from the crypt of Canterbury Cathedral to a splendid new shrine in the main body of the church. This was one of the major religious events of the era, celebrated in the presence of King Henry III and many leading churchmen; in the Use of Sarum, it was commemorated by its own feast on July 7th, with the feast of the Holy Relics assigned to the following Sunday. It was of course the presence of St Thomas’ relics that made Canterbury such an important place of pilgrimage in medieval England, famously noted in the prologue of Chaucer’s Canterbury Tales:“And specially from every shire’s ende / Of Engelond to Caunterbury they wende (went), / The hooly blisful martir for to seke (seek), / That (t)hem hath holpen (helped) whan that they were seeke (sick).”

Because Thomas had given his life to defend the independence of the Church from undue interference by the civil power, King Henry VIII had the shrine destroyed in 1538, and forbade all devotion to him, even requiring that every church and chapel named for him had to be rededicated to the Apostle Thomas. The place within Canterbury Cathedral where the shrine formerly stood has been empty ever since. In the last couple of days, a number of articles have popped up noting this very nice digital recreation of the shrine, which was originally posted to YouTube in February. Like the nearly contemporary shrine of St Peter Martyr and several others, the casket with the relics rests on top of an open arched structure so that pilgrims can reach up and touch or kiss it from beneath, without damaging the metal reliquary itself.

The same source provides another video which shows sick persons praying at the original burial site in the crypt, which continued to attract pilgrims even after the relics themselves had been moved to the upper church. (The same is true of the church of San Pietro in Ciel d’Oro in Pavia, where the original sarcophagus which held the relics of St Augustine is kept, although the relics were long ago moved to the main sanctuary.)

Reflections on Liturgical Language

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Lost in Translation #7
Cicero Denounces Catiline, by Caesare Maccari, 1889

The other day I stumbled upon an old article by a priest critiquing the 2011 English edition of the Roman Missal. He used three criteria: exclusion, catechesis, and poor theology. (In case you were wondering, the orations of the Roman Rite “border on the heretical” because with their talk of merit they regularly contradict “our fully signed up [1999] agreement with the World Lutheran Federation on justification by faith and grace”!)

But it was the author’s argument about “exclusion” that caught my eye:
Only people of a certain background and a relatively high level of education can make any sense of [the new translation]. In your ordinary congregation, many are excluded: the young, people whose first language is not English, people whose education stopped after primary school or early in secondary school. Also excluded, as far as the responses go, are people who attend church only for baptisms, weddings and funerals. It has pushed some people finally to stop attending Mass at all.
I would love to see the good father’s empirical evidence of his final claim, and I hardly think that the entire worship of the Catholic Church should be specifically tailored to those who “attend church only for baptisms, weddings and funerals.” But what struck me most of all by the argument is the implicit assumption that elevated language is exclusive. Is it so?

In her 1938 study Rhetoric in the Sunday Collects of the Roman Missal, Mary Haessley writes that the three purposes of classical rhetoric--teaching, delighting, and persuading--are on full display in the Church’s liturgical prayer:
…all these devices of the art of language are necessary for us, for they enable us: (1) to grasp clearly the lessons embodied in the Prayers (docere); (2) to make these lessons more acceptable to us through the charm of diction and structure, in a word, through their appeal to our aesthetic sense (delectare); (3) to persuade us (movere) to mold our conduct in accordance with the principles of faith set forth in the Prayers. This explains why rhetoric is, and must be, found in the liturgy: it is to dispose us to pray “ut oportet,” as we ought to pray. (5)
And it is often through making diction and structure somewhat complex that that “charm” is produced. The complexity may, of course, engender some initial frustration, but that is intentional, for a little frustration goads the reader or listener to push on and figure it out. And when it is figured out, there is an “Aha!” moment that brings a delight greater than that which comes from understanding something easy. If adults only used baby talk, it might be effective, but it would not be delightful. “What is sought with some difficulty,” St. Augustine writes in On Christian Doctrine, “is attained with more pleasure.” And what is attained with more pleasure, we might add, has a deeper impact on our souls. The rhetorical goal of delighting is intimately bound up with the goal of persuading, of “molding our conduct.” And since one of the purposes of sacred liturgy is the formation of souls, liturgical composers are wise not to neglect this connection.

Used properly, then, elevated language does not exclude but extends to all an invitation to understanding, just as the dense imagery of poetry is not meant to rebuff but to awaken in the reader a deeper meaning. And just as poetry is not for the few (even if few today, alas, pay it any attention), neither is liturgical prayer, which by its very nature is solemn, public, rhetorical. There is something condescending about thinking of either poetry or sonorous public discourse as the purview of the elite.

Of course, if the entire liturgy were nothing but fancy rhetoric, it could become overwhelming. But the beauty of the Roman Rite (and the other apostolic liturgies) is its linguistic diversity. The Scriptural passages that comprise the Propers tend to be simple in diction and structure--with the possible exception of the Epistles of the rhetorically-gift Saint Paul. The Offertory Prayers, composed in the Middle Ages, betray a medieval love of elegant precision. And the Canon and Orations (Collect, Secret, and Postcommunion) are examples of courtly rhetoric at its finest. The Church employs an array of linguistic tools in an effort to catch and form souls.

But to follow a “lowest common denominator” approach and flatten all language during the most important and solemn act that man can make is both mystagogical suicide and a sin against the great gift of the tongue with which God has endowed us. It is also to deny the so-called uneducated an experience of beauty on the grounds that they are “too dumb” to appreciate it. That, to me, is the ultimate exclusion.

The Solemnity of St Benedict 2020

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Let us all rejoice in the Lord, celebrating the solemnity of our holy father Benedict, * whom God blessed with every spiritual blessing, and through whom many shall possess a blessing as their inheritance. V. For he will shine forever like the sun with the just, both now in the Church, and then in the kingdom of their Father. Whom God... (The 7th Responsory of the Solemnity of St Benedict in the Benedictine Office.)
The Triumphal Way of St Benedict, by Johann Michael Rottmayr, 1722; fresco on the ceiling of Melk Abbey in Austria. (Image from Wikimedia Commons by Uoaei1; click to enlarge.) - The pomp of the world is represented on the left side by a book full of alchemical symbols, two demons, one of which holds a censer, and a figure with a theatrical mask, being speared in the throat by an angel. (The censer refers to the pagan sacrifices which St Benedict found still happening on Monte Cassino when he moved there, and to which he put an end.) On the right, a figure with a Cross and a whip drives away two other female figures, one bare-chested, the other holding rich clothing and a crown; below them, a figure with thorny branches drives away another demon, a reference to St Benedict’s conquest of the vice of lust by rolling around in a bramble. Underneath St Benedict are angels holding a miter and crook, used by the abbot of Melk, a book with the opening words of the Rule, and a glass with serpent emerging from it; the last refers to an attempt by some very bad monks to poison St Benedict, who made the sign of the Cross over the glass, “which broke as if he had thrown a stone.”
R. Gaudeámus omnes in Dómino, Solemnitátem celebrantes sancti Patri nostri Benedicti, * quem Deus benedixit benedictióne spirituáli, et per quem multi benedictiónem hereditáte possidébunt. V. Ipse enim perpétuo fulgébit sicut sol cum justis, et nunc in Ecclesia, et tunc in regno Patri eorum. Quem Deus...

St Benedict died on March 21 in the year 543 or 547, and this was the date on which his principal feast was traditionally kept, and is still kept by Benedictines; it is sometimes referred to on the calendars of Benedictine liturgical books as the “Transitus - Passing.” There was also a second feast to honor the translation of his relics, which was kept on July 11. The location to which the relics were translated is still a matter of dispute, with the Abbey of Monte Cassino in Italy, founded by the Saint himself, and the French Abbey of Fleury, also known as Saint-Benoît-sur-Loire, both claiming to possess them. This second feast is found in many medieval missals and breviaries, even in places not served by monastic communities. (It was not, however, observed by either the Cistercians or Carthusians.). The second feast was in a certain sense the more solemn in the traditional use of the Benedictines; March 21 always falls in Lent, and the celebration of octaves in Lent was prohibited, but most monastic missals have the July 11 feast with an octave. In the post-Conciliar reform of the Calendar, many Saints, including St Benedict, were moved out of Lent; in his case, to the day of this second feast in the Benedictine Calendar.

Pontifical Mass of Our Lady of Mt Carmel in Newark, New Jersey

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On Thursday, July 16th, the feast of Our Lady of Mt Carmel, His Excellency Arthur Serratelli, bishop emeritus of Patterson, New Jersey, will celebrate a solemn Pontifical Mass in the traditional rite at the parish of Our Lady of Mt Carmel in Newark, New Jersey, beginning at 7pm. The church is located at 259 Oliver Street. Tickets are available for free via Eventbrite; seating for those over that number will be available in the piazza in front of the church, which will be set up with outdoor speakers.

Roundup on the CDF Decrees on New Saints and New Prefaces for the TLM

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St Andrew Kim Tae-gŏn (martyred 1845); St Charles Lwanga (martyred 1886)
The decrees from the Congregation for the Doctrine of the Faith Cum Sanctissima and Quo Magis — the former opening up the possibility of celebrating saints canonized post-1960 with the traditional Roman Missal, the latter introducing into that missal seven prefaces, of varying degrees of authenticity — have generated a fair amount of discussion.

For the convenience of NLM readers, here is a roundup of all of the articles I have noticed, with an attempt to categorize them across the spectrum of opinion. If I have missed anything at other blogs, please let me know in the comments.

Decrees and Official Commentaries

Decree Cum Sanctissima [Latin] (February 22, 2020; released March 25)
Decree Quo Magis [Latin] (February 22, 2020; released March 25)
Vatican Presentation of Cum Sanctissima [English]
Vatican Presentation of Quo Magis [English]
(Curiously, there seems to be no English translation yet of either decree.)

Texts of the New Prefaces

These may be found in various places; Rorate’s post is probably the most useful.

(Unfortunately, I have not yet seen the Prefaces set to chant notation. If there is an enterprising Gregorio programmer out there who has mastery of how the Preface tones work, it would be immensely helpful to produce sheets with at least the common and solemn tones, in a format that would allow their ready insertion into altar missals. Please send PDF and JPG to Gregory DiPippo or me, and we will post them at NLM.)

News

Christopher Wells, “Recent Saints and new Prefaces added to 1962 Roman Missal
Hannah Brockhaus, “CDF issues new Eucharistic prefaces, optional saint feasts for extraordinary form of Roman rite

(There are other news reports, but they all say basically the same things.)

Canonical Commentary

Fr. Albert P. Marcello, III, “Canonical Commentary on the New Pontifical Decrees On Saints’ Days and New Prefaces in the Traditional Missal

Enthusiasm for the Decrees

Fr. John Hunwicke, “‘New’ Saints in the Old Calendar
Idem, “Old Mass: New Decrees: Prefaces (1)
Idem, “Old Mass: New Decrees: Prefaces (2)
Idem, “Old Mass: New Decrees: (3) The Calendar

Acceptance with “let’s wait and see”

Peter Kwasniewski, “Vatican Issues Two Decrees: More Prefaces and Recent Saints in the TLM
Dom Alcuin Reid, “The older form of the Roman rite is alive and well
Anonymous (FSSP), “Bede, Augustine, and Gregory on 21st Century Liturgy

Concern / skepticism

The International Federation “Una Voce” Press Release

Hostility

Brian McCall, “Vatican’s New Attack on the Old Mass: Take Your Hands Off Our Liturgical Lifeboat
Andrea Grillo, “Open Letter on the ‘State of Liturgical Exception’
Concerning Grillo: Peter Kwasniewski, “‘Cancel the Decrees!’: High Dudgeon from Progressive Liturgists”; idem, “Limericks on Liberal Liturgists

Analysis of Seven Prefaces

NLM’s editor Gregory DiPippo has recently completed a series of in-depth analyses of the seven new prefaces:

The New Prefaces of the EF Mass, Part 1: The Preface of the Angels
The New Prefaces of the EF Mass, Part 2: The Preface of St John the Baptist
The New Prefaces of the EF Mass, Part 3: The Preface of the Martyrs
The New Prefaces of the EF Mass, Part 4: The Preface of the Nuptial Mass
The New Prefaces of the EF Mass, Part 5: The Preface of the Blessed Sacrament
The New Prefaces of the EF Mass, Part 6: The Preface of All Saints and Patron Saints
The New Prefaces of the EF Mass, Part 7: The Preface of the Dedication of a Church

See also Sharon Kabel, “How New Is the New Traditional Wedding Preface?

Tentative Judgments

I think it is fair to say that the decree allowing the celebration of saints canonized after 1960 has been widely accepted in the traditional world as rectifying a truly strange situation where it was not possible to celebrate Mass in honor of many saints who spent their entire lives worshiping with the old Roman rite or some analogous traditional use or rite, and, if priests, celebrated it themselves — and I include in this category not just saints who lived more recently, such as Padre Pio, but also those from centuries ago whose canonizations were not completed until recently.

There is, needless to say, anxiety that either a well-intentioned but clueless celebrant or a clever and subversive cleric might try to use this provision as a “Trojan Horse” by which to force upon traditional congregations the veneration of putatively canonized individuals whose sanctity is surrounded by controversy and scandal. Only time will tell whether or not this is a real threat and how it will be dealt with “in the wild.”

Reception of the decree allowing seven more prefaces has been decidedly more ambivalent. While no one questions the legitimacy of adding a preface from time to time, in practice the Roman rite has been characterized for many centuries by a limited number of prefaces and an extremely conservative mind when it comes to expanding the repertoire. Adding seven at once is an upward bump with no historical parallel. Moreover, the sources of the texts have been tampered with, as compared with their actual ancient precedents — some more so than others, as Gregory DiPippo demonstrates in his article series.

It seems to me that the use of the prefaces will have to be a matter of ongoing theological and pastoral discernment. In any case, the utmost caution may be recommended: it would not do to take all of the prefaces on board at once, and whenever any such preface is to be used, it seems advisable to make the Latin text with a translation available as a handout, incorporate it into a worship aid, or print it in the bulletin.

A more refined objection to the two decrees concerns their “ad libitum” status. It is often said, and indeed I have said it frequently, that the old Mass is characterized by a stability, fixity, and objectivity that leaves no room for sacerdotal arbitrariness or subjectivism. This is quite true, but we should not forget that there is a tightly-defined sphere within which choices are allowed and indeed required. The old liturgy is a foe to creativity or spontaneity, but not a foe to ordered liberty. As this matter is of some importance, I will be dedicating next Monday’s article to it.


Visit Dr. Kwasniewski’s website, SoundCloud page, and YouTube channel.

Which Evangelist is Which? The Answers

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Last week I posted images of four stained-glass windows, and asked “Can you identify the four Evangelists?” Well, as a result of readers’ contributions, I think we have the answers. First, here are the original images, with the Evangelists unnamed; they date from 1915 and were made in Chicago by German artists.

Counter-clockwise from the top right: Matthew, Mark, Luke, John.

A number of people used a deep knowledge of sacred art to deduce the answer. Here is one example from Alex P:
I am most certain about John. It is not uncommon to see him younger than the others, simply because he was younger, and the image of John resting of Christ’s breast indicates a degree of immaturity. The other sign is the red hair, another frequent trait in Western art. Leonardo has him beardless and red-headed. Yes, that is John. The Deacon is right that St. John is typically old and bald in icons, but exceptions exist, e.g. by Dionisius, no mean iconographer. 
I am fairly certain about Matthew because of the evident old age; the parted and very long beard is often a sign of wisdom. That is consistent with iconographic tradition. Mark is often younger and square-faced. Remember him running away naked? This thought adds agility to his image. The image on the stained glass also shows square, strong face. That is Mark. 
Of Luke I am less certain, but he is now identifiable by default. He is shown in contemplative mood: the book is closed. Might that point to an artist observing the features of Mary? Another hint is that he looks less Jewish; the window-maker gave him outright Nordic look, which of course wouldn’t match his Greek ethnicity, but indicates some ethnic distinction.
The clincher comes from another reader, Susan, who sent me the following photos of windows in Saint Joseph’s Catholic Church in Central City, Kentucky, in which the Evangelists are named.
St Mark, left; and St Matthew, right.
St Luke, left; and St John, right.
Q.E.D. – Thank you for your contributions!

The 450th Anniversary of Quo Primum

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Just a brief note that today is the 450th anniversary of the Missal of St Pius V; the bull Quo primum by which it was promulgated was issued on July 14th, 1570. Te Deum laudamus...

The frontispiece of a Roman Missal “restored by decree of the Most Sacred Council of Trent, and pubished by order of Pope Pius V”, printed at Cologne, Germany, in 1573. (Bayerische Staatsbibliothek, Res/4 Liturg. 432 m.)

Dr Scott Hahn on the TLM: An Assessment by Mr Matthew Roth

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I am sure that many of our readers have already seen this interview with Dr Scott Hahn, published a few days ago by Cameron O’Hearn as part of his Mass of the Ages documentary project. A long time reader and Steubenville alumnus, Matthew Roth, was inspired to share with us his thoughts about what Dr Hahn says here, for which we thank him. Mr Roth is experienced in assisting with the celebration of the traditional Roman liturgy, and is especially interested in the history of the traditionalist movement in France, where he currently lives.

What Dr. Scott Hahn’s Public Support for the Traditional Liturgy Means
By Matthew Roth
Virtually all students of the Franciscan University of Steubenville are asked by practicing Catholics among their friends and family if they have ever taken a class with Scott Hahn, or if we have at least read his books. Sometimes, the answer is in fact negative. When I was an undergraduate, Dr. Hahn and I were only on the same campus for three semesters in the three years on the Hill in the post-industrial gem which is Steubenville, Ohio, and as a history major, I did not take any biblical theology classes with him, preferring theology electives that fit neatly into my interests.

Surprisingly, I have never even read his books beyond the footnotes of A Father Who Keeps His Promises (written for an academic audience, whereas the book was more popular, I found). But Dr. Hahn was of course a prominent figure on campus, as a mentor in prayer and faith, and is one of the most prominent Catholic biblical scholars and apologists in the English-speaking world. Therefore, when he speaks, he has my attention.

Dr. Hahn’s attendance at the traditional Mass at St. Peter’s in downtown Steubenville was consistent, so his preference is unsurprising. That he gave an interview on the subject is a surprising but a welcome development. Without diving into internal Franciscan University politics, that Dr. Hahn is able to say this reflects that the traditional Mass is popularly entrenched among Catholics, thirteen years after Summorum Pontificum. Incoming freshmen are now young enough to have spent all of their formative years attending only the traditional Latin liturgy, between the haphazard indult chapels and Masses which began after the motu proprio.

Pontifical Mass celebrated by His Eminence Raymond Card. Burke at the church of St Peter in Steubenville.
Second, Dr. Hahn is generally correct in his dispositions. The Church’s worship is fundamentally prayer and sacrifice, giving God that which he is owed. We must never forget that religion is primarily about the virtue of justice, not a series of beliefs with which we agree, and faith is by grace anyways, not pure reason. It is necessary to argue for the traditional Latin liturgy–– how else can we convince our pastors to celebrate it and our friends to attend?–– but polemic ought to be as measured as possible, as only “being all things to all people” will attract souls to the traditional Mass, and more broadly, to Christ.

We have a duty to nourish our souls, and it is hard to argue against going to great lengths to attend the traditional liturgy, but if we have no choice when fulfilling our Sunday obligation, then the Mass is the Mass. This is all the more reason to attend the traditional Mass frequently in order to increase in divine life while reducing the obstacles that impede growing in charity.

A little game of pretend is helpful here. A priest of a traditional community, and very dear to me, explained to me and my family that he and his confrères generally do not talk about the “new Mass” from the pulpit. To do so is an easy temptation, because most of us seek out the traditional Mass on purpose; few discover it by accident and stay without also going to the Novus Ordo.

But that the church of Rome herself has two liturgies in common and in widespread official usage is an anomaly; they are not analogous to the variant usages of the various papal basilicas, because the Novus Ordo was expected to totally displace the traditional liturgy. When this didn’t happen, Pope Benedict XVI created a unique legal status, which allowed as many priests as possible to celebrate the traditional liturgy without the interference of the bishops.

A traditional Mass at the chapel of Christ the King on the Steubeville campus.
So what does this mean for the priest? It means that in preaching, he should treat the traditional Mass and Office as normative, with limited qualifiers. Then the flock will come to believe that this is the faith, and eventually, the traditional liturgy will return in its plenitude. We have already seen this at work with the traditional ceremonies of Holy Week and slowly but surely with the pre-Pius XII rite of the Mass; perhaps one day, the breviary will be prayed as it was prayed from time immemorial.

This said, American Catholics tend to throw out the baby with the bathwater. French Catholics attached to the traditional liturgy are second to none in their efforts to preserve the liturgy of our fathers, but still sing the Laudate Dominum omnes gentes of the Taizé community and the Je vous salue, Marie, comblée de grâces made popular by the Communauté de l’Emmanuel, a charismatic community to which Mgr Dominique Rey belongs. The bishop of Fréjus-Toulon is the most traditional bishop in France, celebrating traditional ordinations for his diocese and traditionally-oriented communities alike, and is a self-described “tradismatique,” a portmanteau of “traditional” and “charismatic” that works equally as well in English. There is something to be said for integrating such prayers and songs into our life of prayer, without falling into the trap of the four-hymn sandwich or the necessity of the vernacular, which Dr. Hahn nimbly argues against in discussing participation.

It might be true that France was rural for so long into the twentieth century that these songs are more organically connected to traditional music and ways of life, or that Americans and other English speakers are broadly cut off from our past in such a way that renders these melodies cheap or saccharine, but to embrace this possibility is to open up another way of being spiritually healthy, without constantly seeking to mark oneself as different from other Catholics. In short, pick your battles. By way of conclusion, I offer this periphrasis, again borrowed from the French. Catholic Scouting today shows us that we are not made for this world, as the Scouting movement revolves around the liturgy, to which all activities ––pilgrimages, spectacles and variety shows, camping–– are anchored. However, while we are in this world, we ought to strive for a society which reflects divine and natural law, one which promotes peace, supports families, and most importantly, provides for the right worship of God. To this end, the Roman liturgy is the means for most baptized Catholics, as well as being an end in itself, and it provides the nourishment that lifts the reason of the most intellectual and orders the senses of the most sentimental, so that we might be filled with the grace of the Spirit in every moment; something to consider in this sublime season after Pentecost when such themes predominate in the propers of the Mass.

If you take no other lesson away from Dr. Hahn’s conversation and my reflection, then take this one, in order to weather the storm and emerge in triumph behind the royal banner of Jesus Christ the King.

The Scattering of the Propers: A Case Study in the Mass Formularies of the Ordinary Form

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The corpus of prayers found in the post-Vatican II Roman Missal is very different from that of the preceding liturgical tradition. This is not a new observation, but it bears repeating every now and then, as it seems that, whatever pages one turns to in the Missal of the usus recentior, one is guaranteed to come across several major differences with the equivalent pages in the usus antiquior. Particularly in the tempus per annum, it often feels like the reformers took each oration in the existing corpus of prayers, threw them up in the air, and then assigned them to where they happened to land, thereby scattering them throughout the liturgical year.

What, though, is the reality of this situation? Can this suspicion be justified? I thought I would attempt to answer this question by looking at the sources of the Mass propers for last Sunday, the 15th Sunday per annum, principally in terms of the corpora (i.e. the Mass formularies) from which they have come.

Reference will be made to the volumes of the Corpus Orationum (CO), [1] which lists, in alphabetical order, the orations contained in over two hundred extant manuscripts from before the liturgical reforms carried out after the Council of Trent, and makes it possible for one to determine how widely a given prayer was used, when it was used, in what contexts, and whether there are any textual variants. These volumes are an essential tool in this kind of research!

The Missale Romanum, editio typica tertia emendata (2008)
CollectCO 1582)
Deus, qui errántibus, ut in viam possint redíre,
veritátis tuæ lumen osténdis,
da cunctis qui christiána professióne censéntur,
et illa respúere, quæ huic inimíca sunt nómini,
et ea quæ sunt apta sectári.
O God, who show the light of your truth
to those who go astray,
so that they may return to the right path,
give all who for the faith they profess
are accounted Christians
the grace to reject whatever is contrary to the name of Christ
and to strive after all that does it honour.
(ICEL 2011)
This text can be found in the 1962 Missal, where it is the collect for the 3rd Sunday after Easter, and has the word iustitiae after redire. The omission of iustitiae from this oration in the post-conciliar Missal is a text-critical decision made by the Consilium, following the Gelasianum Vetus.

The Corpus Orationum cites a total of forty-six manuscripts that contain this prayer, in two groupings and with some overlap:
  • CO 1582 A cites eleven manuscripts, dating from the 6th to 16th centuries, that use this prayer in various ways, though always as a collect. In the oldest of these manuscripts, the Leonine Sacramentary, it is given in an alia missa in the month of April (note also that only the Leonine is unique to this group of manuscripts). Six other manuscripts assign it to the 4th Sunday after Easter or equivalent, with the other four using it variously as a collect pro cuncto populo christiano (two), for the 1st Sunday after the dedication of the basilica of St Michael the Archangel (one), and as a prayer of preparation for the Divine Office (one).
  • CO 1582 B is by far the larger group, made up of forty-five manuscripts dating from the 8th to 16th centuries where this collect is used on the 3rd Sunday after Easter. In forty of these manuscripts, it is used with the same secret/super oblata and postcommunion prayers. [2]
It is clear that the orations that make up this Mass formulary for the 3rd Sunday after Easter have a very long history of being used together as a set. It is also worth noting that, even in the handful of times where the collect is used apart from the other two orations, it still has a very strong association with Eastertide. Four manuscripts do utilise this collect outside of the Easter season, but in all four this is a duplicate usage: i.e., the oration is used in Eastertide in addition to elsewhere.

By assigning this prayer to the 15th Sunday per annum in the post-Vatican II Missal, then, the reformers doubly severed it from the liturgical tradition. It has been detached both from the history of its seasonal usage in Eastertide, and from its grouping with two other specific orations. [3]


Super oblata/Prayer over the Offerings (CO 5085)
Réspice, Dómine, múnera supplicántis Ecclésiæ,
et pro credéntium sanctificatiónis increménto
suménda concéde.
Look upon the offerings of the Church, O Lord,
as she makes her prayer to you,
and grant that, when consumed by those who believe,
they may bring ever greater holiness.
(ICEL 2011)
This oration can be found in the 1962 Missal on the 3rd Sunday after Pentecost, formerly (pre-1955) the Sunday in the Octave of the Sacred Heart. It is extant in a total of forty-four manuscripts, in two groupings with overlap, similar to the collect above:
  • CO 5085 A is the main grouping of forty-three manuscripts, ranging from the 8th to 16th centuries, where this secret/super oblata is used on the 4th or 5th Sunday after Pentecost. In almost all of these (forty-two), it is used with the same collect and postcommunion in the same Mass formulary. [4]
  • CO 5085 B is a much smaller group of five manuscripts from the 9th to 11th centuries, where the prayer is used on Low Sunday (dominica albis depositis), with exsultantis in place of supplicantis. In four out of the five manuscripts, this a unique use, with the remaining manuscript (Sacramentarium Triplex) also part of group A.
We can again see that the prayers of this Mass formulary have a long history of being used together. Where this super oblata is used separately from its corresponding collect and postcommunion, it is in a rather small number of manuscripts, spanning only three centuries. By the 11th century, at least on the extant evidence that we have, this oration does not occur apart from the other prayers in its post-Pentecost Sunday Mass formulary. [5] So although the traditional season for this prayer was preserved by the Consilium, the set that this prayer was an exclusive part of for the best part of 900 years has been scattered across the reformed Missal in a novel and previously unknown way. [6]


A page from Thomas Jefferson’s “Bible”, The Life and Morals of Jesus of Nazareth (1820), a rationalist cutting, editing and rearranging of the Gospels.
Postcommunion (CO 5641)
Sumptis munéribus, quǽsumus, Dómine,
ut, cum frequentatióne mystérii,
crescat nostræ salútis efféctus.
Having consumed these gifts, we pray, O Lord,
that, by our participation in this mystery,
its saving effects upon us may grow.
(ICEL 2011)
This prayer occurs twice in the 1962 Missal, on the 4th Sunday of Advent, and on the 2nd Sunday after Pentecost where it begins Sumptis muneribus sacris. These uses are the two groups attested in the Corpus Orationum:
  • CO 5641 A comprises forty-six manuscripts, ranging from the 8th to 16th centuries, and in all but one it is used as the postcommunion for the 2nd or 3rd Sunday after Pentecost. The sole manuscript where it is not used in this way, the Gelesianum Vetus, assigns it to the Sunday after Ascension, where two other manuscripts duplicate it. In one other manuscript, it is duplicated for the Mass pro peccatis. The word sacris is added after muneribus in five manuscripts. The same collect and secret/super oblata are used with this oration in forty-one of the extant manuscripts. [7]
  • CO 5641 B cites thirty-eight manuscripts, again ranging from the 8th to 16th centuries, and in all of these it is used as a postcommunion in the season of Advent. Two manuscripts assign it to the 4th Sunday before the Nativity, in one it is used for alia missa de Adventu, in four it occurs on the 1st Sunday of Advent, and the rest (thirty-one) have it on the 4th Sunday of Advent. Note that thirty-two of these manuscripts are also in the first grouping above. Sacris is added as above in only two of the manuscripts in this group. In twenty-seven of these thirty-eight extant manuscripts, this postcommunion is used with the same collect and secret/super oblata. [8]
When compared with the collect and super oblata assigned in the OF to the 15th Sunday per annum, it is clear that there is a little bit more variability with this postcommunion in terms of the other prayers in its Mass formularies, particularly in group B. Nevertheless, in a majority of the extant manuscripts, it is still associated with a specific collect and super oblata. The liturgical tradition is also nearly unanimous in its use of this oration only in Advent and Time after Pentecost.

Given that one of the aims of the post-conciliar reformers was that duplicated orations were to be avoided, [9] it was always going to be the case that one of the long-standing uses of this postcommunion would be eliminated. Still, just as with the collect and super oblata above, the orations historically associated with both occasions where this postcommunion is used in the liturgical tradition have been scattered across the reformed Missal. [10]

General Observations

This examination of one of the per annum Sundays in the Ordinary Form of the Roman Rite would appear to bear out one of Lauren Pristas’ observations about the collects in the proper seasons, that “the post-Vatican II revisers did not adopt an antecedent tradition of usage. They produced something unique.” [11] For the Sunday we have looked at, the Consilium took orations from some of the well-attested Easter, Time after Pentecost and Advent prayers, and created a new, unique Mass formulary. This process of reform could almost be seen as a kind of liturgical “greatest hits” album, with the reformers having taken what they considered to be the best orations from across the entire liturgical tradition, and collected them into one corpus of prayers. Of course, this is not a completely accurate metaphor, as, at best, the reformed Missal could only be partly considered a “greatest hits” album. Within it, there are also a sizeable number of “re-recordings” (edited orations) and “remixes” (centonisations), as well as completely new compositions - not things that people tend to buy “greatest hits” albums for!

This rather cavalier approach to liturgical reform is not without its serious problems. Ultimately, it treats the liturgical tradition as a vast body of texts that can be freely deconstructed and reconstructed, like a giant piece of plasticine able to be remade in a completely different shape at the whim of the one moulding it, without any necessary reference to what it was before. No previous liturgical reform had been carried out like this; the 1570 Missale Romanum largely took up a corpus of prayers that, at the time, had been in use for some 800 years, making only very minor changes to it.

A slightly tongue-in-cheek reconstruction of the offices of Coetus XVIII bis
And the key word here is corpus. For it is easy to point at single prayers in the post-Vatican II Missal that date back to the 8th century or earlier - indeed, this is the case for all three of the orations for the 15th Sunday per annum that we have examined. But all three of these prayers have been, to a greater or lesser degree, separated from their traditional contexts and associations, and are now part of, in the words of Cardinal Ratzinger, a “fabricated liturgy”. For good or ill, the sets of Mass propers contained in the ancient missals and sacramentaries have been separated into their individual parts and scattered across the reformed Missal, by the Consilium. What effects this has ultimately had on the liturgical formation of the faithful of the Roman Rite is a question that requires further attention and diligent study.

* * * * *
NOTES

[1] E. Moeller, J.M. Clément & B.C. ’t Wallant (eds.), Corpus Orationum I-XIV (CCSL 160-160M; Brepols, 1992-2004, 14 vols.).

[2] Secret (CO 2912): His nobis, Domine, mysteriis conferatur, quo, terrena desideria mitigantes, discamus habere caelestia. Extant in forty-four manuscripts, in two groups. The first group (A) is made up of forty-three manuscripts where this prayer is used on the 3rd Sunday after Easter. The second (B) is a smaller group of nine with various uses: ordination of monks (one), 1st Sunday after the dedication of the basilica of St Michael the Archangel (one), Mass of one Apostle (two), and the 4th Sunday after Easter (five).
     Postcommunion (CO 5145 a): Sacramenta, quae sumpsimus, quaesumus, Domine, et spiritualibus nos expient alimentis et corporalibus tueantur auxiliis. Extant in forty-eight manuscripts, of which it is used on the 3rd Sunday after Easter in all but one of these. A variant prayer (CO 5145 b) is extant in forty-five manuscripts, used universally as the postcommunion for Wednesday in Week 4 of Lent (with duplicate uses in two manuscripts).

[3] In the reformed Missal, the super oblata has been moved to Tuesday in Week 1 of Lent, a move in keeping with the Consilium’s (arguably erroneous) interpretation of Sacrosanctum Concilium 109: see Lauren Pristas, “The Orations of the Vatican II Missal: Policies for Revision”, Communio 30.4 (2003), pp. 621-653, at pp. 642-643. The prayer was also slightly edited: habere becomes amare, which is a variation seen in the textual tradition but not in the older witnesses (such as the Gelesianum Vetus). The postcommunion is not used at all in the post-conciliar Missal, which is perhaps surprising given its frequent attestation in the extant manuscripts.

[4] Collect (CO 4745): Protector in te sperantium, Deus, sine quo nihil est validum, nihil sanctum, multiplica super nos misericordiam tuam, ut, te rectore, te duce, sic transeamus per bona temporalia, ut non amittamus aeterna. Extant in forty-five manuscripts, of which it is used on the 4th or 5th Sunday after Pentecost in all but three.
     Postcommunion (CO 5300): Sancta tua nos, Domine, sumpta vivificent et misericordiae sempiternae praeparent expiatos. Extant in forty-six manuscripts, in two groups. The first, larger group (A) is made up of forty-four manuscripts, where this oration occurs on the 4th or 5th Sunday after Pentecost in forty-three of them, the sole exception being the Gelesianum Vetus (plus one other manuscript where the oration is duplicated elsewhere). The second group (B) comprises nine manuscripts with various uses: the Chair of St Peter in Antioch (one), various commemorations of Apostles (three), and alia missa tempore mortalitatis (four). Seven of these nine manuscripts are also in the first group.

[5] The one manuscript in CO 5085 A where this prayer is not used alongside CO 4745 and CO 5300 A dates from the 8th century.

[6] The collect of this Mass formulary was assigned to the 17th Sunday per annum, with a change to its ending that is not attested in the textual tradition (sic transeamus... aeterna becomes sic bonis transeuntibus nunc utamur, ut iam possímus inhaerere mansuris), while only the first half of the postcommunion makes it into the Common of Pastors (V. For Missionaries, formulary 3).

[7] Collect (CO 5346): Sancti nominis tui, Domine, timorem pariter et amorem fac nos habere perpetuum, quia numquam tua gubernatione destitutis, quos in soliditate tuae dilectionis institutis. Extant in fifty-two manuscripts, in two groups. In the first group of ten manuscripts, this oration is always used on the Sunday after Ascension, uniquely so in seven of them. In the second, larger group of forty-five manuscripts, in all of them it is used on the 2nd or 3rd Sunday after Pentecost.
     Super oblata (CO 3604 b): Oblatio nos, Domine, tuo nomine dicanda, purificet et de die in diem ad caelestis vitae transferat actionem. Extant in fifty-one manuscripts, in two groups. In the first group of eleven (bA), it is nearly always used on the Sunday after Ascension, with one exception where it occurs on Saturday in Quinquagesima; five of these eleven manuscripts are unique to this group. For the second, larger group of forty-six manuscripts (bB), this oration is always used on the 2nd or 3rd Sunday after Pentecost. A variant of this prayer (CO 3604 a) exists in three manuscripts only.

[8] Collect (CO 2550): Excita, Domine, potentiam tuam et magna nobis virtute succurre, ut per auxilium gloriae tuae, quod nostra peccata praepediunt, indulgentia tuae propitiationis acceleret. Extant in forty-four manuscripts, always in the season of Advent, nearly always as a collect (with two exceptions).
     Super oblata (CO 5205): Sacrificiis praesentibus, Domine, quaesumus, intende placatus, ut et devotioni nostrae proficiant et saluti. The Corpus Orationum gives twelve (!) distinct usage groups for this oration; the first three groups (A-C) are quite small (one, two and four cited manuscripts respectively), but the others (D-L) each have around 20-30 manuscripts cited. The majority of its use is in both Advent and Lent, but it is also well-attested in the months of July and August, as well as numerous saints' days and the occasional Sunday post Pentecosten.

[9] Cf. Schema 186 (De Missali, 27), 19th September 1966, p. 1. The content of this schema, along with the Latin text and English translation of its introduction, can be found in Matthew P. Hazell, The Proper of Time in the Post-Vatican II Liturgical Reforms Lectionary Study Press, 2018).

[10] For the prayers associated with CO 5641 A (see note 6 above), the collect was assigned to the 12th Sunday per annum, and the super oblata the 14th Sunday per annum. For those orations linked with CO 5641 B (see note 7 above), the collect has been preserved in the Advent season, on Thursday of Week 1, but only its first half (Excita... succurre), while the super oblata is now located on Thursday of Week 5 of Lent, with a couple of transpositions and changes (devotioni becomes conversioni, and totius mundi is added before saluti). Though the transpositions occur in a small number of the extant manuscripts, there is no text-critical basis for the other changes.

[11] Lauren Pristas, The Collects of the Roman Missals: A Comparative Study of the Sundays in Proper Seasons before and after the Second Vatican Council (London: Bloomsbury, 2013), p. 208.

“Their Sound Is Gone Out” - The Division of the Apostles

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July 15th is the traditional day for the feast known as the “Divisio Apostolorum – the Division (or ‘Dispersion’) of the Apostles”, a feast which was very popular in the Middle Ages, and continued into the Tridentine period on many local calendars, but was never on the general Calendar. It is the liturgical commemoration of an ancient tradition that some time after the Ascension, (Durandus says twelve years), the Apostles cast lots for which part of the world each one of them would take, and spread out from Jerusalem to preach the Gospel in the various nations. The common Office of the Apostles refers to this idea repeatedly, as, for example, in the first antiphon of Matins, taken from Psalm 18. “Their sound hath gone forth into all the earth: and their words unto the ends of the world.”, and likewise the third antiphon from Psalm 44, “Thou shalt make them princes over all the earth; they shall remember thy name, O Lord.”

The earliest reference to this specific feast is a sequence which was well-known and widely used in the Middle Ages, written by one Godeschalk, a monk of Limburg abbey in western Germany, who died in 1098. It is written in the earlier and freer style of sequences like the Victimae Paschali, with less rhyme and structure than later ones such as St Thomas’ Lauda Sion or the Stabat Mater. It makes frequent use of the Patristic interpretation of the first words of Psalm 18, “The heavens proclaim the glory of God”, according to which the “heavens” are understood to be the Apostles, as St Gregory says in the Breviary. (Common lesson of the 2nd nocturn of the Apostles.)

The Sequence “Caeli enarrant gloriam” in the Mass of the Division of the Apostles, starting towards the top of the second column here. (Click to enlarge.) From the Missal according to the Use of Augsburg, Germany, ca. 1510.
Thus the prayer which concludes it, (as is typical of the genre,) reads, “These are the heavens, in whom Thou dwellest, the Angel of great counsel, whom Thou didst call no longer servants, but friends, to whom Thou makest known all things which Thou hast heard from the Father. / Keep undivided, and in the bond of peace, the flock that was gathered by their division, that we may be one in Thee, as thou are one in the Father. / Have mercy on us, Thou that dwellest in the heavens.”

The Gospel of the feast is that of the Ascension, (Mark 16, 14-20) but with the first verse left off, “Jesus appeared to the eleven as they were at table: and he upbraided them with their incredulity and hardness of heart, because they did not believe them who had seen him after he was risen again.” This omission is entirely appropriate for the common use of the feast among missionary congregations, since it celebrates the mission of the Apostles and their fulfillment of the commandment which Christ gives them in the verse which now opens the Gospel, “Go ye into the whole world, and preach the gospel to every creature.”

There is a tradition known from the 4th century that the baptismal creed now called the Apostles’ Creed was composed as a rule of the Faith by the Twelve before this dispersal, with each one of them contributing an article. This is often represented in art, as here in the border of this page of the famous Hours of Catherine of Cleves, ca. 1440. (In the center is depicted the legend of the Ten Thousand Martyrs, represented symbolically by ten figures.)


It is also seen here in a Carthusian Breviary ca. 1490, (starting near the top of the right column), in which the name of an Apostle is printed in red before each article of the Creed.


Like many of the traditions held dear by the medievals, it was called into question by some of the scholars of the Renaissance, particularly at the time of the Council of Florence in 1438. As the Council wrestled with the question of reunion between the Eastern and Western churches, the issue of the Creeds, and especially the Latin addition of “Filioque” to that of Nicea, was of course one of the most important topics of discussion. The Latins, who recognized three Creeds used in the liturgy, the Apostles, the Nicene, and the Athanasian, were unpleasantly surprised to learn that the Greek delegates had never heard of the first of these.

Fr Nicholas Ayo, C.S.C., in a book on St Thomas’ Sermons on the Apostles’ Creed, beautifully summarizes why we may still refer to it by this name. “With the Apostles’ Creed we have the teaching of the Apostles as passed on by authentic apostolic succession. … The Creed summarizes the Scriptures, which in turn summarize the teaching of the early Church by the Apostles, who in turn were taught of Jesus, who was taught of God.” (Sermon-Conferences of St. Thomas Aquinas on the Apostles’ Creed, p. 175)

A Recent Ordinariate Mass in North Carolina

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On Sunday, July 5th, St Barnabas Catholic Church in Arden, North Carolina, hosted the first Mass to be celebrated in that area according to the Ordinariate Rite in Divine Worship: The Missal. Because of the ongoing COVID restrictions, the Mass was held outdoors, but the organizers did good job in setting up a very nice temporary altar. A group of the local faithful hopes this will be the first step to the establishment of a permanent Ordinariate parish, and so priests of the Ordinariate will be traveling to the area to offer the Mass in this form over the course of the summer. To learn more or sign up for local updates, call or text Joshua Johnson at 828-748-6251 or email him at johnsotics@gmail.com; our thanks to Mr Johnson for sharing these pictures of the Mass with us.
Getting ready - tradition will always be for the young!

“Catholicism in a Covid-19 World”: Latin Mass Society Online Conference, Saturday, July 18th

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An online conference “Catholicism in a Covid-19 World” will be hosted by the Latin Mass Society this Saturday, 18th July, from 12 noon (GMT +1) until 4.45 pm (GMT +1), featuring speakers Bishop Athanasius Schneider, Fr Tim Finigan, Fr John Zuhlsdorf, Dr Joseph Shaw, Archbishop Thomas Gullickson and Mgr Gordon Read. The event will be hosted by Dr Shaw and Sebastian Morello and will begin with High Mass in the Traditional Rite from St Mary’s Warrington.

Joseph Shaw writes “I am delighted to be taking part in the Latin Mass Society’s first online conference with a wonderful selection of speakers. I hope that many people will be able to join us on the day.”

This event is being held online for free and can be viewed on the Latin Mass Society’s new YouTube channel. To bookmark the LMS YouTube channel go HERE.

The direct link for the Conference is HERE.

No registration is necessary, although to sign up for updates before and during the event, go to HERE.

A recording of the day will remain on our YouTube channel.

Programme (Subject to change)

12 noon Introduction from Dr Joseph Shaw, Chairman of the Latin Mass Society and Sebastian Morello, Formation Adviser for the Archdiocese of Southwark.

12.10pm High Mass Live from St Mary’s Warrington. Celebrant Fr Armand de Malleray FSSP

13.25 Archbishop Gullickson, Apostolic Nuncio to Switzerland and Liechtenstein and Bishop Athanasius Schneider, Auxiliary Bishop of Astana, Kazakhstan

13.45 Fr Tim Finigan, Priest of the Archdiocese of Southwark

14.15 Mgr Gordon Read, National Chaplain to the LMS

14.45 Fr John Zuhlsdorf, President of the Tridentine Mass Society of Madison and Blogger: Covid-19: What are the implications for Tradition?

15.45 Dr Joseph Shaw, Chairman of the LMS: After the Plague

16.15 Live Q & A with Dr Shaw, Fr Tim Finigan and Sebastian Morello

16.45 End

The Feast of Our Lady of Mt Carmel

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Seen above is the central panel of the altarpiece painted by Pietro Lorenzetti (ca. 1280 - 1347) for the Carmelite church of his native city of Siena, San Niccolò del Carmine. The altarpiece is now dismembered and removed from its original frame; most of the surviving pieces are in the National Gallery of Siena, but the two narrower panels originally on either side of the central one are in the Norton Simon Museum in Pasadena, California, and a smaller piece from the top is at Yale University.

To the left of the Virgin stands St Nicholas, to whom the church is dedicated; to the right is the prophet Elijah. On the scroll in his hands are written the words which he speaks in 3 Kings 18, 19: “Nevertheless send now, and gather unto me all Israel, unto Mount Carmel, and the prophets of Baal four hundred and fifty.” The Carmelites have traditionally honored the prophet Elijah and his disciple Elisha as their founders; in the liturgical books of both the Old Observance and the Discalced, they are each given the title “Our Father”, as is St Dominic in the Dominican Use, St Benedict in the Monastic Use, etc. Both orders also add the name of Elijah to the Confiteor, the Discalced even before that of St Theresa of Avila. Their feasts were kept with octaves, a traditional privilege of patronal feasts, even before an octave was given to the feast of Our Lady of Mount Carmel on July 16th.

The tradition behind this is recorded in the lessons of the Roman Breviary for the latter feast, with the cautionary parenthetical note “ut fertur – as the story goes” added at the beginning. In the Books of Kings, there are several references to a group of holy men called “the sons of the prophets”. They foretell to Elisha that Elijah is to be taken away by the Lord, although Elisha already knows this, and afterwards bear witness that “the spirit of Elijah resteth upon Elisha,” who then works several miracles on their behalf. The traditional Carmelite legend claims that a group of men dedicated to God remained on Mount Carmel until the days of the New Testament, when they were “prepared by the preaching of John the Baptist for the coming of Christ”, and “at once embraced the faith of the Gospel.” They are also said to be the first Christians to build a chapel in honor of the Virgin Mary, on the very spot on Mount Carmel where Elijah had seen the “little cloud”, understood as a symbol of the Virgin Mary.

One of the two pieces now in Pasadena shows St John the Baptist; it was originally placed to the right of the central panel, so that he would be next to Elijah, since John went before the Lord “in the spirit and power of Elijah”, and the Lord Himself said in reference to him, “Elijah has already returned.” On the left was the panel of Elisha, looking very much like an Eastern monk, despite his Carmelite habit; on his scroll is written “Elijah went up by a whirlwind into heaven. And Elisha saw him, and cried: My father, my father, the chariot of I[srael, and the driver thereof.]” (4 Kings 2, 11-12)
Even for an age in which the veneration of the Virgin Mary may truly be described as omnipresent, the city of Siena stood out as a place of particular devotion to Her. In 1260, before the crucial battle of Montaperti, the city placed herself by a special vow under the protection of the Virgin, and proceeded to heavily defeat her long-time rival Florence, whose army was nearly twice as large as her own. Both the cathedral and the city hall were prominently decorated with famous paintings of the Virgin enthroned, of the type known as a “Maestà”; the former had that of Duccio di Buoninsegna, commissioned less than twenty years before Lorenzetti’s Carmelite altarpiece, and the latter that of Simone Martini from just twelve years before. When Lorenzetti’s work was finished, the mendicant Carmelites could not afford to pay for it, and so the artist’s fee was provided by the city itself.

Despite all this, the panels at the bottom of the altarpiece are not dedicated to the principal subject of the main panel, as they would normally be, but rather to the prophet Elijah. In the first, an angel appears to his father, with a prophecy of his son’s future greatness, just as an angel would later appear to the father of St John the Baptist.
In the second, we see hermits in the desert around a fountain, which was said to have been built for them by Elijah. These would be the spiritual ancestors of the Carmelite Order, men who lived as monks in the Greek tradition in the Holy Land, before being organized under a rule during the period of the Crusader kingdoms.
The striped mantle which they are wearing is part of the habit worn by the Carmelites when they still lived in the Holy Land; because of it they were often called in Latin “fratres barrati – barred friars”, or “fratres virgulati – striped friars.” A tradition of the medieval Carmelites held that these stripes represented the tracks of the chariot that took Elijah into heaven, and had been inherited as part of their habit from Elisha.

When the Carmelites were forced to abandon the Holy Land at the fall of the Latin kingdoms, they brought their traditions, including the habit, with them to Western Europe, where the striped mantle was considered completely outlandish for religious of any kind, but especially for medicants. Many of the universities refused to admit them dressed that way; hence, the decision of a general chapter held at Montpelier in 1287 to replace it with the white mantle still worn to this day. This was a matter of some controversy within the order at the time, and the prophets are shown by Lorenzetti in the “new” habit probably as a gesture to persuade the friars to accept it.
In the central panel, St Albert of Jerusalem, Latin patriarch from 1205-14, presents to the Carmelites the rule which he has written for them at the request of their superior, St Brocard. (click to enlarge) The fountain of Elijah is shown again, but now with a church right next to it, indicating that the hermits of Mount Carmel have now been officially organized into an order.
In the fourth panel, Pope Honorius IV (1285-87) grants the Carmelites their new habit with the white mantle.
In the last panel, Pope John XXII (1316-34) confirms the decisions of previous Popes, shown above him among the angels with bulls in their hands, recognizing the Carmelites as an approved religious order.

Fruit, Free Will, and Providence: The Seventh Sunday after Pentecost Collect

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Lost in Translation #8
It is tempting to call the Seventh Sunday after Pentecost “Fruit Sunday”, because both the Epistle and the Gospel use fruit as an important metaphor. In the Gospel, Our Lord warns of false prophets and tells us how to recognize these wolves in sheep’s clothing: “By their fruits you shall know them.” In the Epistle, St. Paul speaks to the “infirm” Romans (newly converted and not yet fully formed?) in plain and simple language. When you worshiped idols, he tells them, the effect or fruit was death. When you serve God, the fruit is holiness and everlasting life.
Paul is also ironic to the point of sarcasm when he writes, “When you were the servants of sin, you were free from justice.” Talk about an empty liberty. It reminds one of Psalm 87, 5-6: “I am become...free among the dead, like the slain sleeping in the sepulchres, whom Thou rememberest no more.”
The Collect of the day does not mention either fruit or free will, but its subject provides a fine framework for understanding these two themes: divine providence.
Deus, cujus providentia in sui dispositióne non fállitur: te súpplices exorámus; ut noxia cuncta submóveas, et omnia nobis profutúra con­cédas. Per Dóminum.
Which I translate as:
O God, whose providence in its ordering never fails; we humbly beg Thee to put away from us all harmful things and to hand over all those things which are pro­fitable to us. Through our Lord.
In sui dispositione is not easy to translate. In post-classical Latin, dispositio refers to ordering, management, or direction. God’s providence does not fail insofar as God is able to arrange everything to have a providential end; He is able to move the pieces of the cosmic chessboard around, so to speak, to bring about His plan of salvation. God can even use evils providentially despite the fact that He does not cause or will evils, but only allows them to arise. Finally, He is able to do all these things without violating our free will. Indeed, because God knows past, present, and future as present, He is able to take advantage of man’s freely made decisions to bring about a providential end. Rather than providence and free will being antithetical, the Christian notion of providence incorporates or subsumes the free will of men and angels.
And because God’s Church knows these things, she prays on this Sunday that God in His providence will take away all harmful things and give us all helpful things. There is a nice contrast here between noxia (noxious, harmful, criminal, guilty) and profutura (useful, profitable, advantageous beneficial). Profutura was often used to describe medicine, and so it also ties in well with today’s Postcommunion, which refers to the reception of Holy Communion as God’s “medicinal act”, and makes a similar plea to unshackle us from our perversities and to lead to what is right.
The Collect also has an interesting verb for giving, which we have translated as "hand over." Concedere means to concede or relinquish and has an edge to it in a way in which dare, the most common verb for giving, does not. It is as if the author were saying, “Come on, Heavenly Father, don’t hold out on us! Hand over the good stuff!”
And why do we not want our Father to hold out? Because we know that we can only bear good fruit with God’s grace. We want our “wages” to be holiness and eternal life rather than death. We want to be frugiferous, not barren.
Finally, the Collect takes on a new dimension in a time of pandemic, when things harmful to the body float invisibly through the air, threaten our health, and through a vast ripple effect no one could have predicted, bear the fruit of great social and even sacramental disruption. And so we pray: in the midst of uncertainty and chaos, may your Providence bring about a speedy end to this chastisement, for we know that your Providence does not fail in its ordering.

An Early 16th-Century Roman Missal

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While looking for an image earlier this week to go with the notice of the 450th anniversary of St Pius V’s bull Quo primum, which promulgated the Tridentine Missal, I found another really beautiful edition of the Roman Missal on the website of the Bibliothèque National de France. This was made by two illustrators, one named Jean Bourdichon (1457 ca. - 1521), the other an anonymous contemporary of his known as the Master of Claude of France. It was commissioned by Jacques de Beaune (†1511), bishop of Vannes and dean of the chapter of St Gatian in Tours, a member of one of the most prominent families in France. I have here included almost all of the major illustrations, and given a few samples of the minor ones; all of the work throughout the book is of the very highest quality, and shows the strong influence of the Italian Renaissance.

The calendar page for July. Each page of the calendar is decorated with a blue field at the top with the sign of the zodiac that begins in that month (in this case Leo) and below, an image of an agricultural activity typical for that month. The pages with major illustrations have one or two elaborate candlestick decorations at the sides; the writing is typical of the style used by Italian humanists at the time.
The Mass of the First Sunday of Advent, with the Mass of St Gregory. This motif will certainly have been chosen because of the tradition that St Gregory composed and set in order all the traditional chants for the Mass, which is commemorated on this Sunday by the singing of the trope Gregorius praesul before the Introit.
Many Masses (more than I can show here) are decorated with an image in a square that fits within the column of text; as a sample, here is the one for the Midnight Mass of Christmas. The book is also filled with illuminated letters of varying degrees of elaboration.
The Day Mass of Christmas
The Circumcision
The Epiphany
Palm Sunday
The beginning of the Canon. Here the artists have broken with the convention of making the first T of Te igitur into a large image of the Crucifixion, but in compensation, have filled the border with the instruments of the Lord’s Passion, including a sarcophagus at the bottom.
Some particularly nice illustrated letters for the names of the Saints in the Communicantes.
Easter Sunday
The Ascension
Pentecost
Trinity Sunday
Corpus Christi
The Conception of the Virgin, represented by the meeting of her parents at the Golden Gate of Jerusalem.
The Purification
The Annunciation
The Visitation
The Assumption
The Nativity of the Virgin
All Saints
Illuminated letters in the common Masses of several Martyrs.
The Requiem Mass
The very elaborate decorative binding, added by a later owner in the mid-16th century.

A New English Translation of the General Rubrics of the Tridentine Missal

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Gerhard Eger has just posted another resource on Canticum Salomonis which I am sure our readers will find useful and interesting, a new English translation of the General Rubrics of the Roman Missal as revised by the authority of Pope Clement VIII. This was first promulgated in the year 1604, and remained in use until the rubrical revision of 1960; later additions from the Divino Afflatu reform of Pope St Pius X, which were officially incorporated into the body of the Missal with the new typical edition of 1920, are included in italics. The document is very attractively set, and can be downloaded for free here: https://sicutincensum.files.wordpress.com/2020/07/generalrubrics-2.pdf

The Minor Options of the Old Rite and How They Avoid “Optionitis”

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The most frequently repeated criticism of the new CDF decrees that allow priests ad libitum use (albeit under clear conditions) of new prefaces and the feasts of saints canonized after 1960 has been that the decrees introduce or risk introducing into the celebration of the usus antiquior an unwelcome and indeed uncharacteristic spirit of “optionitis.” Critics will say that the classical Roman rite is known and loved for its objectivity, stability, and fixity — these being the qualities of any perfected liturgical tradition — and that the clergy should not have options at their disposal.

While I agree that the classical rite has these desirable qualities, I think we should be careful not to exaggerate our case by speaking as if options do not have a longstanding place within it — a highly circumscribed place, to be sure, and one that does not threaten the integrity and “predictability” of the rite, but still, at the end of the day, options.

I will look at several examples: alternative readings; votive Masses and Masses pro aliquibus locis; multiple orations; some minor matters; and, paraliturgically, the style of vestments.

Alternative Readings

Unlike the new lectionary, the old lectionary, built into the missal, almost never gives an option as to what reading is to be used on any given day or for any given Mass formulary. However, there are a few instances in the Commons of “alternative readings.” For example:
  • in the Mass Me exspectaverunt for Virgin Martyrs, the Gospel is Mt 13:44–52 or Mt 19:3–12;
  • in the Mass In medio ecclesiae for Doctors, the Epistle is 2 Tm 4:1–8 or Ecc 39:6–14;
  • in the Mass Salus autem for several martyrs, the Gospel is Lk 12:1–8 or Mt 24:3–13.
It gets really interesting with the Mass Laetabitur justus for a martyr not a bishop, where three epistles are listed: 2 Tim 2:8–10 and 3:10–12; Jas 1:2–12; and 1 Pet 4:13–19, as well as two Gospels: Mt 10:26–32 and Jn 12:24–26.

There is a rubric in the Commons section of the Missal — first appearing, I think, in the 1920 edition — that states that the Epistles and Gospels printed within one of the Commons can be used ad libitum for the Mass of a Saint, unless the Mass formulary directs otherwise. In the Sanctorale, there is either the minimal instruction to follow the Common or, more rarely, additional directions to use a specific Gospel. A rubrical expert I consulted had never seen diocesan ordines specifying these in any way; he has a collection of about 50 which, though differing greatly in style and content, make no reference to the choice of pericopes where several are given. We should see this as a small example of liberty within the otherwise (blessedly) monolithic old missal.

In my admittedly limited experience over the past few decades, priests rarely avail themselves of these alternative readings. It seems they follow the principle articulated by a friend of mine: “Whatever text will be the least trouble to read is the one that is likely to be read.” (He initially came up with this principle to explain why, with the new lectionary, priests so rarely break out of the mold of the lectio continua that plods along from day to day, even though for almost any of the saints they could choose a more appropriate reading if they wished.) Yet hand missals always print these alternative readings right alongside the other readings for the Common, so it is hard to see why they should not be used, at least occasionally. This is a case where admirable Scripture readings already given in the old missal are being neglected.

Votive Masses and Missae pro aliquibus locis

We take it for granted that any time there is a feria, when the Mass of the preceding Sunday could be said again, a priest is also free to make a choice of any of the Votive Masses contained in the Missal. There is a longstanding custom to use the Mass of the Most Holy Trinity on Monday; that of the Holy Angels on Tuesday; that of St. Joseph, the Holy Apostles Peter and Paul, or All Holy Apostles on Wednesday; that of the Holy Ghost, the Blessed Sacrament, or Jesus Christ Eternal High Priest on Thursday; that of the Holy Cross or of the Passion of Our Lord on Friday; and that of the Blessed Virgin Mary on Saturday — but this is merely a custom and does not have any obliging force.

Beyond these popular Votive Masses are a host of others that some priests use quite regularly and others seem strangely unfamiliar with or uninterested in: Mass for the Sick (I have never actually been present when this formulary has been used!); Mass for the Propagation of the Faith (interestingly, this one has an alternative Epistle, 1 Tim 2:1–7; the Epistle listed first is Ecclus 36:1–10, 17–19); Mass Against the Heathen; Mass for the Removal of Schism; Mass in Time of War; Mass for Peace; Mass for Deliverance from Mortality or in Time of Pestilence; Mass of Thanksgiving; Mass for the Forgiveness of Sins; Mass for Pilgrims and Travellers; Mass for Any Necessity; Mass for a Happy Death. (I would add that when a priest is going to celebrate with one of these formularies, he should somehow announce it to the people, either in the bulletin if he has decided it in advance, or on a sheet posted near the inside church door, or in a brief mention after emerging from the sacristy and before starting the prayers at the foot of the altar.)

Moreover, altar missals usually feature a section towards the back called Missae pro aliquibus locis, Masses for certain places. Like Votive Masses, these too may be chosen under certain conditions. My 1947 Benziger altar missal, with a commendatory letter signed by Cardinal Spellman, has quite a substantive “M.P.A.L.” section: page (131) to page (196). It includes such worthy feasts as The Translation of the Holy House of the Blessed Virgin Mary on December 10, the Expectation of Our Lady on December 18, the Espousal of the Blessed Virgin and St Joseph on January 23, the Flight of Our Lord Jesus Christ into Egypt on February 17, the Feast of the Prayer of Our Lord Jesus Christ on the Tuesday after Septuagesima, and many others.

All of these feasts share in common the trait that they are not normally prescribed but allowed to be used when there is no other impediment. Therefore, they must be chosen; they are, in that sense, options.

Multiple Orations

One of the worst casualties of the 1960 rubrical revisions was the loss of multiple orations (collects, secrets, and postcommunions) at Mass and the Divine Office. This runs contrary to the Roman tradition in the second millennium, when multiple orations were a universal feature.

The history of the question of how many orations were allowed is quite complex and I intend to write more about it another time. Here it suffices to speak of the period after 1570, when it was normal for the priest to say the oration of the day, followed sometimes by a commemoration of a saint, other times by a required seasonal oration or required prayer (oratio imperata), and concluding with a third oration at his choice (ad libitum eligenda). There is a magnificent corpus of orations printed in the Tridentine Missal for precisely this reason, so few of which have remained in use after the draconian limitations imposed by the Roncallian rubrical reform.

We can see here, once again, that Holy Mother Church recognized a certain “ordered liberty” on the part of the celebrant, who was thus able to pray liturgically for his own needs, for those of the local community, or for those of the larger world.

Minor Matters

Five other areas in which a choice is required are:

1. Whether to precede the Sunday High Mass with the Asperges, or to start with the entrance procession accompanied by the Introit antiphon;

2. Whether to remain standing or to sit down during the Kyrie, the Gloria, and the Credo;

3. Which tone to use for the orations, readings, and Preface;

4. Whether or not to use incense at a Missa cantata;

5. Whether to observe an “external solemnity” for Corpus Christi and/or the Sacred Heart of Jesus, to enable the maximum number of faithful to participate in the Procession for the one, and devotions for the other. It is important to recognize that here we are looking not as an obligatory transferral, where the feast is simply packed up and moved — an aberration possible only in the Novus Ordo — but at a separate additional celebration of some feast, which has already been celebrated on the correct day.

It is true that the foregoing choices are limited and the things being chosen are entirely defined (no room for creativity or extemporization). Nevertheless, they constitute options.

Gothic vestments
“Roman” vestments
Style of Vestments

While this final example does not concern something in the liturgical rite as such but only something associated with it, it is (oddly) one of the most controversial among traditionalists: I refer to the simple fact that the celebrant has, in theory, the option of wearing either Gothic vestments or Roman vestments. (I say “in theory” because not every sacristy is equipped with both kinds.)

As far as I know, while Eastern Christian vestments vary a great deal in quality of material and ornamentation, they do not vary as regards the fundamental design: there are not radically different “styles.” In the Western tradition, on the other hand, the original vestments received their aesthetic perfection in the so-called Gothic period, but, over the course of the Renaissance and the Counter-Reformation, a strikingly different style emerged, known (more or less accurately) as the Roman style. The difference between a Gothic conical chasuble and a Roman “fiddleback” chasuble could not be more pronounced.

Some, especially in the Liturgical Movement which first sipped the chalice of medieval romanticism before drowning in the cup of modern rationalism, insisted that the Roman style was an outrageous corruption; for others of a reactionary bent, it has become a shibboleth of Tridentine identity. One still occasionally hears enthusiasts explaining to their neighbors at the coffee hour (at least back when such things existed) that “at the Novus Ordo the priest wears this full draping kind of chasuble, but at the Latin Mass he wears the old-fashioned Roman fiddleback.” If I overhear something like that, I share with them photographs of glorious traditional Masses from Australia, where Gothic is practically the only thing in existence, whether architecturally or vesturally.

Personally I think there is room for both styles. Noble vestments have been created along the entire spectrum; aesthetic preferences are not only allowed but inevitable. Again, to my knowledge, the Church has never specified that one or another style of vestments must be used, as long as every essential piece is present (including the amice and maniple); she allows an ordered liberty of choice.

St Thomas Aquinas: fittingly honored on March 7, even in Lent
Concluding Thoughts

The decree Cum Sanctissima permits, among other things, the observance of saints during Lent whose feasts were always impeded and reduced to commemorations by the 1960 code of rubrics’ insistence on privileging every feria of Lent. No one disputes that the Lenten ferias are absolutely wonderful, and they deserve their prominence. But it was poor thinking that allowed for no flexibility with regard to celebrating, even during Lent, feasts of saints who enjoy a particular prominence in this or that community. Surely for Catholic schools, St. Thomas Aquinas may get his full due on March 7; surely for seminaries and religious communities, St. Gregory the Great on March 12; surely for the Irish, St. Patrick on March 17. The CDF decree restores a reasonable flexibility, with the feria always commemorated. (The Novus Ordo runs into intractable difficulties because it has abandoned the wisdom of commemorations: when two things conflict, both should somehow be liturgically present, rather than one of them simply being dumped. The same problem, it must be admitted, already affects the 1962 missal to some extent — yet another reason to return to the 1920 editio typica.)

In regard to the foregoing examples, I would say that clergy and laity are so accustomed to the choices involved that perhaps they do not even notice that a choice is involved. What I mean is that we expect a priest to have the freedom to choose a Votive Mass on a feria, and everything else about the Mass is so predictable that it all seems inevitable, but a major choice was made beforehand to do the Votive instead of repeating the prior Sunday.

Not every choice need be construed as, or need have the psychological and pastoral effect of, the deservedly decried optionitis of the Novus Ordo. In the Tridentine rite, all options are safely folded within the dominating unity of its architecture and the exacting prescriptions of its rubrics, and therefore acquire the same rituality. In the Novus Ordo, in stark contrast, the options are so numerous, and concern such basic elements of the liturgy — its opening rite and penitential rite, the readings of the day vs. those of the Commons, whether the offertory is said aloud or silently, which Eucharistic prayer to use (!), what and when to sing, etc. etc. — that the rite itself can barely hold on to its rituality and becomes, in a sense, a giant Worship Option. This, it seems to me, is the fundamental difference between the usus antiquior, even with the new options placed at its disposal, and the usus recentior.

Visit Dr. Kwasniewski’s website, SoundCloud page, and YouTube channel.

Marxist Iconoclasm: Why Smashing Abe Lincoln Makes Sense, and MLK is Next

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It’s gone from bad to worse. The pattern of destruction of statues in the public square, which is emblematic of the general escalation of violence, has steadily morphed, it seems, into an ever broader and angrier and more irrational expression of lust for the wanton destruction of every statue.

Many who are worried by this development see it as the work of an ignorant mob which is so unaware of the history of the US and the West that in its misguided quest for social justice, is destroying even statues of people whom we might think are on the same side, for example, those who helped to abolish slavery, such as Abraham Lincoln.
A statue of Lincoln vandalized in Chicago
I am worried too, but I don’t think what is happening is irrational. It is all consistent with the ideology of the agitators who want to destroy the West.

What began over 100 years ago as an intellectual exercise in our art departments, in which traditional representational art was discredited in favor of abstract art, has turned into all-out iconoclasm, which aims to destroy all images that symbolize or uphold Western values, as part of the mission of destroying Western civilization itself. By this, there is a clear logic to the destruction not only of the statues of Junipero Serra, Washington, and Jefferson, but also of statues of Abraham Lincoln, and even Frederick Douglass.

A sculpture of  escaped slave Lucy Higgs Nichols defaced
This matters, and it will not stop until it destroys all that these images symbolize, unless we stop it first. To counter it, we must understand the Marxist narrative of history that drives it, and know our own narrative, which is Salvation History. Then we must stand firm and promote the truth. We must work at least as tirelessly as the Left has for the last 100 years or more to promote our values attractively, intelligently, and with zeal and courage. This means building up the natural institutions of Western civilization, and especially the Church, the nation, and the family in a cultural war (and which includes as a vital part of this, the erection of statues in the town square). Images are a vital part of this cultural war.

A sidewalk shrine in Florence, Italy from the days when public art was chosen to promote Western values.
The logic of the destruction of statues 
The left is destroying statues because it understands well that images are a vital part of how society speaks of its values and essential truths, and stimulates faith in what is good. The imperative to create images that speak of what we hold dear has long been recognized. In the 8th century, the Church declared in the 7th Ecumenical Council that images of Christ, of Mary and of the Saints are not only permitted, but they are also a necessary part of our worship and our faith.

Faith is the firm assent of the mind to things unseen. The firmness of our faith is motivated by the credibility of the witness who communicates to us what is true. Images direct our imaginations to their prototypes and in so doing, stimulate our capacity to accept the existence of things unseen. In this case, the artist is the proximate witness, who directs us through his art to the Saints portray therein, who are themselves witnesses to the Faith. By grace, this is a chain of communication that does not become distorted at each link as in like the children’s party game Telephone. Rather, with God inspiring the artists, fidelity to truth is maintained, and the light of truth becomes steadily more brilliant and more attractive with each piece of sacred art.

Della Robbia
It is the beauty of sacred art that convinces us that their ‘words’ are true and that the lives of those they portray are good and worthy witnesses to the existence of a loving God. Images are not the only means of communication, they are a vital part of the culture of the Faith.

Marxists who are driving the current wave of iconoclasm understand deeply, perhaps more than many Christians, how images can communicate ideas, and so will seek to destroy any that are contrary to their dogmas of the socialist, neo-Gnostic faith and replace them with their own.


But surely, you may say, I can perhaps understand why they would go for Junipero Serra, but why destroy a statue of Lincoln? Why try to stop the play Hamilton in which people of color play the Founding Fathers, thereby reinforcing the dignity of all in an America faithful to the ideals of the Founding Fathers?

The current pattern of iconoclasm makes perfect sense to me as one who used to consider himself a Marxist. Here’s why:

Marxism pushes a narrative which is an interpretation of history that predicts a utopian future for mankind. This earthbound, quasi-heaven is an alluring vision, but there is a catch. This future state will only be ushered in when today’s society is utterly destroyed. And they mean destroyed, as in annihilated. The power of this vision to attract people is wondrous, given its absurdity, but for its adherents, it is held as deeply as any faith, for it offers the prospect of heaven without God, which is what the proud desire.

The goal of the Marxist is to speed history along its course by precipitating the destruction of current society. To the Marxist, outside their own ideology and all that services it, there is no absolute truth or morality; the very concepts of absolute truth and goodness are themselves seen as constructs of Western society. The only measure of good is that which contributes to the mission of destruction. This justifies propaganda and violence in pursuit of their aims. The only measure of truth is their narrative, which is beyond reason, and which is only known by the elite few, the modern-day gnostic priests, who are generally university intellectuals.

To this end, violent conflict is necessary and desirable. They therefore aim to plant and then amplify the sense of injustice in manipulated victim classes through lies and propaganda, so as to create conflict and violence. The different classes in society, which used to be defined by economic criteria (e.g. the working class) are now defined by theories of race and gender. The immediate goal of the Marxists is not to right wrongs. It is exactly the opposite. The goal is to make the conditions steadily worse for the oppressed class while blaming the designated oppressor class as the cause. They want to increase the resentment and the sense of victimhood. This will lead, they believe, to a grand crescendo of anarchy and violence which ushers in, magically, the new utopian order.

In the context of the culture, the first attacks were relatively benign. Their target was the idea of images in art, which they attacked by creating a modern art that seeks to portray a false or distorted reality in its form. Imitation as the basis of art is rejected. Nearly every public work by a modern artist is pushing leftist ideas through its form; therefore, and more importantly, it displaced what could have been a beautiful piece of public art that bears witness to reality.

Public modern art in Sidney, Australia, which locals call “Poo on sticks.”
As with all leftist propaganda, this is just a convenience of ideology. As soon as they are allowed to, they will reintroduce images again, but this time images that promote their cause. Soviet Russia didn’t adopt abstract art, because it had already eliminated the imagery of Christian Russia from its town squares. It was free to introduce images of its own “saints” immediately.


Why is Lincoln an appropriate target by this logic?
In the America of 2020, we have now moved beyond the discussion of art theory in our university art departments. People are openly smashing public art that does not promote their own ideal. Here too they work incrementally. They attack first the statues of those figures whom people are generally least inclined to defend, but once they see the lack of pushback, they move on to those that really do represent the society they want to destroy. The more that people unify around the figure, the more they want to destroy the memory of that person. Abraham Lincoln and Frederick Douglass are high on the hitlist, therefore. I predict that Martin Luther King will become a target in the future.


MLK was not a revolutionary. His message was of peaceful change towards a better America in which all lives matter and people should be judged by the quality of their character and not their skin color. This is a message that tends to eliminate injustice and bring harmony and peace to society, which is not what a committed Marxist would want to promote. They may not dare to do so right now, but when they know they can, I predict they will make him a target. Either MLK will be smashed, along with everyone else who stands for what is good in the world, or else history will be re-written to conform to the narrative, and he will be re-cast as one of their own, that is, as a proponent of the destruction of the nation and the West.

Once they hold sway, we will no longer see “poo on sticks” modern art, the ideology of which was just a convenient construct and will have done its job. They will happily now create their own sacred art - images of the glorified leaders of the revolt.

The British rock group The Who wrote the song “Won’t Get Fooled Again” in the 1960s as a deliberately anti-revolution song, which ended with the line “Yeah (screamed by Roger Daltrey in typical fashion), Meet the new boss, Same as the old boss.” This song is 100% wrong in its prediction - most people have been fooled again; and the chief fools are the jesters in the court of the liberal elites, the stars of the current entertainment industry (Kanye West excepted). Plus ca change…

Consistent with this desire to destroy society altogether, the agitators seek to destroy the natural aspects of human society that promote Western values of freedom, harmony, and order. These are, for example, the Church, the nation, and the family. We must counter by telling the truth and standing up for what we believe. We must assert the true facts of history and push our narrative, which is Salvation history. This is not easy; even as I write this I wonder if I am doing enough.

In regard to images, we must discerningly uphold the images and cultural forces that help to uphold the ideals we espouse and defend our right to have them. Beautiful and well-chosen art in our churches, in our public squares, and in our domestic churches is not an option, but a vital part of the battle.

And we can work incrementally too. Let’s start campaigning for the end of public art that looks like this:


And for more that looks like this:


We cannot do this unless we know Salvation History ourselves. Salvation History is taught through the study of Scripture and by orthodox participation in the liturgy. It is supported by the study of history as it actually happened, and especially of those institutions that hold society together, Church, nation, and family. Unlike the Marxists and their allies in politics, education, and the press (who are either complicit in the deceit or fools manipulated by them), our narrative is rooted in the truth, and the facts of history support all that we believe. History may not always be what we would like it to be, but we know that it conforms to the ultimate end that God has for us. Christians, contrary to the way we are portrayed, are not afraid of the truth or of reason.

The example of this is contained within Salvation History itself: in the Old Testament, Moses and Joshua, for example, addressed the Israelites and told them the story of their nation, and in so doing, explained to us the story for all people. In the New Testament, Ss Paul, Peter, and Stephen are all described as addressing people first with a summary of the historical account of the events of salvation. The writers of the Gospels aimed to do this as did St Paul, for example, in the writing of the Letter to the Hebrews. Just as with the Marxists, the account of history tells us where we are going, the only difference being that our story is true and theirs is false.

As just one example of addressing this, I cite a project I have been involved in which is the creation of the Master of Sacred Arts program at Pontifex University. Intended as a formation for any that wish to contribute positively to the culture, as artists in any discipline or as patrons of the arts, the connection between Salvation History and the culture is made explicitly. It has been created by a team, of which I am part, and aims to teach the narrative through the study of Scripture and the encouragement to orthodox worship God, and to connect these to Christian culture. To this end, we have at the core courses in the Old Testament in Words and Images; the New Testament in Words and Images, the Bible and the Liturgy, the Psalms in Words, Images, and Prayer. These are all taught by Father Sebastian Carnazzo. The courses on Christian culture and art, A History and Practical Theology of Images, and the Mathematics of Beauty, describe how the values of the Faith and Salvation History are communicated in the culture in general, explained through the prism of art history. We also demonstrate how modern art seeks to undermine those values. We also have a class in Ecclesiastical History.

Through this, people will understand why art such as this is intended to promote disorder and undermine traditional Western culture. It is soft-iconoclasm, abstract art that distorts reality and displaces images of what is good and which precedes the real iconoclasm.

The domestic church is the starting point for our radical transformation of society
Postscript: just after I had written and posted this piece, there were signs of an escalation. I read news reports of arson attacks and serious vandalism against Catholic churches in a number of locations across the country.

Announcing Soul of the Apostolate 2020 Conference and Speakers

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NLM is pleased to announce this upcoming online conference with a fantastic line-up of speakers, most of whom will be familiar to our readers.

Soul of the Apostolate 2020: For every 1 convert, 6.5 leave the Church. The world is in chaos. What is the solution? Catholic Apostolic leaders unite to emphatically declare: the “one thing necessary”... the spiritual life. 

Soul of the Apostolate 2020 Conference and Formation Repository FREE Sign-up
  
Beyond a mere motivational talk or retreat high, Soul of the Apostolate 2020 is designed to help you engage in the war for souls through practical and lifelong spiritual formation. The launch is this coming July 24-26.

Some of the participating formators are...
  • Archbishop Cordileone (San Francisco)
  • Archbishop Gullickson (Apostolic Nuncio)
  • Bishop Strickland (Tyler, Texas) 
  • Bishop Schneider (Kazakhstan) 
  • Bishop Vasa (Santa Rosa) 
  • Dom Alcuin Reid 
  • Abbot Nicholas (Holy Resurrection) 
  • Fr. Lawrence Carney 
  • Fr. Dwight Longenecker 
  • Sam Guzman (The Catholic Gentleman) 
  • Bree Dail (journalist) 
  • Dr. Ralph Martin (founder of Renewal Ministries) 
  • Steve Cunningham (Sensus Fidelium) 
  • Peter Blute (Young Catholic Professionals) 
  • Pete Burak (evangelist and speaker) 
Examples of free materials available at the site:
  • The Heroic Virtue Questionnaire: Canonization Requirements. May be Utilized as an Examination of Conscience Tool
  • “How to Have a ‘Simple Conversation’ With God: Practical Advice from The Soul of the Apostolate.”
  • The Importance of Mental Prayer, with Quotes from the Saints
  • Interior Life Principles, Effects of the Interior Life, and Six Practical Ways the Interior Life Establishes Genuine Virtue -- Excerpts from The Soul of the Apostolate
We invite you to take part in this spiritual war! By sharing this conference and going viral we are convinced tens of thousands of souls will be impacted by this critical and timely message: the making of saints is the answer to save the Church and the world. Please pray for the salvation of souls!

In Christo,
Kevin Roerty


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