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The Ordinariate: A Gift to be Shared from Benedict XVI - An Upcoming Talk in Portland, Oregon

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On August 5th, at 7:30 PM, Holy Rosary Church in Portland, Oregon, 375 NE Clackamas St., (known to many for its use of the Dominican Rite for important feasts), will be hosting a Dominican Forum talk by the Reverend Carl Reid, titled, “The Ordinariate: A Gift to be Shared from Benedict XVI.”

On January 1, 2012, Pope Benedict XVI established the Personal Ordinariate of the Chair of St. Peter for those groups of Anglicans in the United States who seek to enter into full communion with the Catholic Church. This is the second Ordinariate created in light of the apostolic constitution Anglicanorum coetibus, the first having been created for England and Wales on January 15, 2011. Pope Benedict’s gracious response represents an important and exciting new step along the difficult path toward Christian unity.

This will be followed the next evening at 7:30 PM by a Solemn High Mass according to the Anglican Use of the Roman Rite. This Mass will feature the group Cantores in Ecclesia singing the “Mass for Four Voices” by Thomas Tallis.

All are welcome who wish to understand and experience this great gift of our Pope Emeritus to our universal Church.

Conforming Our Secular Selves to Sacred Signs

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In the movie Into Great Silence there is a great moment when a group of monks are talking and one of them mentions that another monastery has dropped a bunch of its practices in order to adapt to the times. An elderly monk says:
Our entire life, the whole liturgy, and everything ceremonial are symbols. If you abolish the symbols, then you tear down the walls of your own house. When we abolish the signs, we lose our orientation. Instead, we should search for their meaning … one should unfold the core of the symbols. … The signs are not to be questioned, we are.
That is monastic wisdom, pure and simple.

It furnishes us a lesson that may, in fact, be the most important lesson of all in our age of constant change, planned obsolescence, the myth of progress, the seductions of postmodern pluralism. The liturgy, like the divine revelation out of which it emerges and to which it ministers, is our lifeline to God, giving nourishment to our faith, oil to the fire of our charity. If we lose our hold on the sacred symbols that come to us from the cosmos and from revelation, we will indeed lose our orientation to God; we will tear down the walls that surround us, and will lose our faith, our charity, even ourselves. We must not adapt the signs to ourselves, for that will bring about nothing more than an echo chamber, a hall of mirrors that reflects only us. We must rather conform ourselves to the sacred signs, and be molded by them, for they are tools used by the potter’s hands.

For this reason, it is a sovereign, non-negotiable, utterly fixed principle that if a certain long-standing practice has (as people will say) “lost its meaning,” we do not get rid of it—we rediscover its meaning, and perhaps, as our ancestors often did, we even invest it with a new meaning. Under no circumstances do we abolish it. As Fr. Guido Rodheudt says, apropos the "gigantic purge of traditional treasures" in the 1960s:
Astonishingly, it never occurred to anyone to attempt to encounter what had been forgotten by remembering or to regain the lost understanding, or with the devotion of a child for his grandparents to have the past recounted anew so as to understand it or to learn to love it, because in the tales told by the elderly we have a guarantee that what once was must never sink into oblivion, because it is vitally necessary for today. Especially when—as with liturgical treasures—it is a question of forms that developed in this way and only in this way, so that they might timelessly unite man with the eternal, regardless of where and how he lives. (The Sacred Liturgy, ed. A. Reid, p. 279)
In reality, nothing “automatically means” this or that: human beings still have to learn the language of symbols, just as an infant has to learn how to breastfeed, then crawl, walk, speak words—even if all of this is natural to us and will usually happen in due course. Because we are aesthetic-linguistic creatures, the use and recognition of symbols together with a certain delight in them is certainly natural to us, but the sheer variety, subtlety, and density of symbols, together with supervenient meanings established by convention, requires a lengthy education, or better, initiation. It is for this reason, among others, that so much great literature of the past is becoming increasingly inaccessible to modern young people: they do not have the intellectual equipment, or sometimes the first-hand experiences, required for relating to the elements and connecting them into a coherent whole. They don’t “get it”; it doesn’t “speak to them.”

By the modern logic of cutting out symbols that no longer speak to our contemporaries, one might very well end up with nothing left. “Candles? Oh yes, those were important to people before electricity. But since we now have other sources of light, candles don’t really speak to us anymore.”

“An altar? Oh yes, that was fine when people still had primitive ideas about sacrificing to angry gods and that kind of thing, but now we know that Jesus just wants a family meal, we should really have a table in the center that people can gather around.”

“Incense? Oh yes, people used to imagine prayer rising up like smoke to God in the heavens, but that’s a naïve idea that modern astronomy has proved false. God is everywhere and he knows our hearts, so we don’t need to burn perfume to him.”

Listen to what William Durand, the great 13th-century commentator on the liturgy, says at the start of his magnum opus, the Rationale Divinorum:
Whatever belongs to the liturgical offices, objects, and furnishings of the Church is full of signs of the divine and the sacred mysteries, and each of them overflows with a celestial sweetness when it is encountered by a diligent observer who can extract honey from rock and oil from the stoniest ground (Deut 32:13). . . . I, William, bishop of the holy church of Mende, by the indulgence of God alone, knocking at the door, will continue to knock, until the key of David deigns to open it for me (Rev 3:20), so that the king might bring me into his cellar where he stores his wine (Song 2:4).
What Bishop William is saying (and goes on to say at some length) is that he knows the liturgy is a treasure trove of mystical meaning, a means of purification, illumination, and communion, and so he will knock continually at the door of the Lord, with all diligence and zeal, until he understands everything he can, turning it to his own advantage and that of the flock he shepherds. Now this is an attitude of true humility, of trust in the ways of Providence, of heartfelt surrender to the sacred liturgy so that it may shape us through and through, unto the image of the New Adam.

And this, too, is the reason why a full parish life is required to sustain the liturgy and to initiate generation after generation into this sacred inheritance. The formation of the New Adam is a formation of the whole person—the imagination as well as the intellect, the child as well as the man, the family as well as the individual, from cradle to tomb, before and beyond. As a gem shines more beautifully when set in gold or silver, the traditional Mass is but a part—the most important part—of a whole that surrounds it and endows it with maximal power to form the Christian.

The Priestly Fraternity of Saint Peter produced a lovely booklet for their silver jubilee, which contained several statements of just this point:
All the activity of the parish life are a preparation for the Holy Sacrifice, or a flowering of it. Because of the sacred nature of the Mass and Holy Eucharist, Catholics require a strong doctrinal and spiritual formation. … Within these [sodalities and confraternities], the faithful have a greater sense of the parish as the locus of their participation in the Mystical Body of Christ. … The parish life in a Fraternity apostolate may be characterized as imbuing Catholic families with a true Catholic identity. … The parish today must also be a bright beacon of light, a sign of contradiction, and a haven for hungry souls in an ever-secularizing world. This mission is carried out first and foremost by the outward expression of its worship of God.
Dom Alcuin Reid has often made a related point: the most curiously neglected passages of Sacrosanctum Concilium are those in which the Council Fathers indicate that the only way liturgical reform will be fruitful is if the clergy and the faithful are profoundly immersed in the spirit of the liturgy. Only by a true formation in and by the sacred liturgy in all its objectivity and splendor can there be authentic Christian renewal and, with it, prudent liturgical reform, as Guardini before the Council and Ratzinger after the Council recognized.

This is what the Liturgical Movement was all about; this is what the New Liturgical Movement is also about. We should never forget either our central aim or our primary means—the aim of glorifying the Triune God and saving souls, through the fullest, deepest participation of the faithful in the sacred liturgy. It seems only fitting to give St. Pius X the last word:
Filled as We are with a most ardent desire to see the true Christian spirit flourish in every respect and be preserved by all the faithful, We deem it necessary to provide before anything else for the sanctity and dignity of the temple, in which the faithful assemble for no other object than that of acquiring this spirit from its foremost and indispensable font, which is the active participation in the most holy mysteries and in the public and solemn prayer of the Church. And it is vain to hope that the blessing of heaven will descend abundantly upon us, when our homage to the Most High, instead of ascending in the odor of sweetness, puts into the hand of the Lord the scourges wherewith of old the Divine Redeemer drove the unworthy profaners from the Temple. (Motu proprio Tra le Sollecitudini)

A 21st Century Knight, a Model of Chivalry

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As NLM readers will know, my friend Stratford Caldecott died very recently of cancer. I heard the news at a time that I was was reading his newly published book, Not as the World Gives: the Way of Creative Justice.
Contained within the book, which focusses for a large part on Catholic social teaching, especially in the light of Pope Benedict's Caritas in Veritate, he has a chapter on the evangelization of the culture. Within this, in turn, he makes a call for a new chivalry (p145):
'The Crusaders, with whom we associate the first Christendom - and who in fact represent one of its greatest failures - made the mistake of confusing and interior and spiritual struggle with an earthly and political one. The most important struggle is within. [This] suggests a way in which the ideal (if not the historical example) of medieval chivalry remains valid even today.'
He then quotes Hans Urs von Balthasar from his who felt that the West was built on the spirit of chivalry: 'Francis was a knight of Christ, as was Ignatius in turn while Newman's refinement resists every temptation to take things easy. Knighthood changes its form, but it does not change its soul...The glorification of the body of knights is no backward looking romanticism, no ancien régime that turns its face aside from the march of time, but the only effective equipment with which the Christian can meet the present day.' This body of knights, he says, 'is the fellowship under obligation to the King of Kings,' in which each strives for an inner peace, a personal transformation and then take that peace out to the world through his interactions with others; for 'how is the world to be healed, how are the peoples to be reconciled, if not through such a new body of knights which is nothing other than carrying out the will of Jesus Christ, here and now, in this time?'
It is from this body of knights that the economic social change, political change and cultural change in its broadest understanding will occur. For each person so transformed can contribute to the change of the world. 'In other words, the Evangelization of the culture takes place first in the encounter of one person with another before it affects governments or organisations.'
I think that few who have ever met Strat would deny he was one of those knights, brandishing the sword of the spirit and through each personal encounter transmitting the love of Christ. RIP
Afterword: the past two weeks I have been teaching art classes in which students learn the style of the English gothic illuminators from the period of the 13th century, especially Matthew Parris. Our classes had been discussing the relevance of painting a medieval knight today because our model for study was an image from the Westminster Psalter of a knight kneeling, see below. We discussed it and felt that the age of chivalry is not dead, or at least it shouldn't be; and assigned our knight the symbolism of the chivalrous Christian who is strong in virtue and who carries the light of Christ out into the world. For want of anything better, we called him the knight of the New Evangelization.
It was just yesterday that I discovered that in the psalter he is in fact portrayed kneeling before an unknown king.
Psalter.8-Kneeling-Knight-Westminster-Psalter

bd2448831693d213c356722a5b282686It was pure coincidence that this is the image that we were studying when I heard of Strat's death and then happened to read the above passage in his book.
The picture that I painted of this knight, below, is my Christian Knight. When I painted it I thought of him as accepting his call from God to take up his personal vocation in life. But now I see him paying homage, as Strat described in his book, to the King of Kings, seeking personal transformation in Christ and accepting his role as a walking icon of Christ in the world, drawing others to the Faith.

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Latin Mass Society Day of Recollection at St Edmund's College, Ware, England

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Joseph Shaw of the Latin Mass Society has posted to his flickr account some great photographs from a day of Eucharistic Recollection held at St Edmund’s College in Ware, Hertfordshire, England, led by Fr. Armand de Malleray, FSSP, assisted by Mgr. Gordon Read and Fr. Patrick Hayward, with the schola led by Mr. Christopher Hodkinson. Fr de Malleray gave spiritual conferences, and the day concluded with Solemn Vespers, veneration of a relic of St. Edmund of Abingdon, and Benediction, officiated by Mgr Read.







The Theology of the Offertory - Part 7.2 - The Missals of the Monastic Orders

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The Cistercians, like the Premonstratensians, changed their Offertory in the middle of the 17th century, abandoning the traditional form of their Use and replacing it with that of the Missal of St Pius V. The vogue for Romanization was at the time so strong within the Order (and elsewhere) that the possibility was seriously considered of completely abandoning the Cistercian Use of the Office in favor of the Monastic Breviary of Paul V, a matter in which, fortunately, wiser heads prevailed. Here I shall describe the Cistercian Offertory ritual as it was before this change.

After saying the Offertory antiphon, the priest elevates the paten, host and chalice together, and says the Cistercian version of the standard Offertory prayer Suscipe Sancta Trinitas while kneeling.
Suscipe, sancta Trinitas, unus Deus, hanc oblationem, quam tibi offerimus in memoriam beatæ passionis, resurrectionis et ascensionis Domini nostri Jesu Christi: et in honorem beatæ Mariæ semper Virginis genetricis ejusdem Domini nostri, et omnium Sanctorum et Sanctarum, caelestium virtutum et vivificae Crucis; ut eam acceptare digneris pro nobis peccatoribus, et pro animabus omnium fidelium defunctorum. Qui vivis et regnas Deus. Per omnia saecula saeculorum.
Receive, o holy Trinity, one God, this offering, which we offer to Thee in memory of the blessed Passion, Resurrection and Ascension of our Lord Jesus Christ, and in honor of the blessed Mary ever-Virgin, and mother of the same Our Lord, of all holy men and women, of the heavenly powers, and of the life-giving Cross; they Thou may deign to receive it on behalf of us sinners, and for the souls of all the faithful departed. That livest and reignest, God, for ever and ever. Amen.
Bowing profoundly before the altar, he then says the prayer In spiritu humilitatis, with the same variation found in the Dominican Use.
In a spirit of humility, and in contrite heart, may we be received by Thee, o Lord; and so may our sacrifice take place in Thy sight this day, that it may be received by Thee, and please Thee, o Lord.
The Cistercian version of the Orate fratres is “Orate, fratres, pro me peccatore: ut meum pariter ac vestrum in conspectu Domini acceptabile fiat sacrificium. – Pray brethren, for me, a sinner: that my sacrifice, which is also yours, may be made acceptable, in the sight of the Lord.” This is very similar to that of the Premonstratensian Use; the reply to it is identical between the two uses.
Dominus sit in corde tuo et in ore tuo; suscipiatque Dominus Deus de manibus tuis sacrificium istud, et orationes tuæ ascendant in memoriam ante Deum pro nostra et totius populi salute.
May the Lord be in thy heart and in thy mouth, and may the Lord God receive this sacrifice from thy hands, and may thy prayers ascend in remembrance before God, for our salvation and that of all the people.
Like many missals formed in the medieval period, printed Cistercian Missals before this reform have no Ritus servandus, the long rubric describing in detail the actual rite of Mass; this was written down in a separate book. Fr. Edmund Waldstein of Heiligenkreuz Monastery in Austria (a.k.a. Sancrucensis) very graciously provided me with the text of this rubric from a 12th-century Cistercian manuscript. This contains a description of the rite of incensing, which I include as something which may perhaps interest the reader. One should not assume, however, that this rite was still done in precisely the same manner in 1606, when the Missal out of which I have cited the Offertory above was printed.

When the priest has received the thurible from the acolyte, he passes it once around the chalice, then incenses the right side of the mensa, the left side, and the front of the altar. He passes the thurible to the deacon, and proceeds to wash his hands, assisted by the subdeacon, after which he bows low and says In spiritu humilitatis. Meanwhile, the deacon, standing slightly away from the altar, incenses the right side of the altar twice, then the cross twice; he then passes behind the altar over to the left side, incenses it twice, and the cross on the altar twice again. The thurible is then given back to the acolyte. No reference is made to incensing any of the persons present, as one might expect in the spirit of Cistercian austerity.

The Cistercian Abbey of Pontigny, one of the four eldest daughter houses of Cîteaux. In the Cisterican system of visitations, by which mother-houses would routinely visit their daughters to ensure adherence to the rules and customs of the Order, Pontigny took turns with the abbeys of Clairvaux, La Ferté and Morimond in visiting Cîteaux itself. It was here that St Thomas Becket took refuge when driven out of England by King Henry II in 1164. 
The Carthusian Use

No one will be surprised to know that the Carthusian Offertory is even simpler and more austere than that of the Cistericans; uniquely among the Uses of the religious orders, it contains no version of Suscipe Sancta Trinitas, even though that prayer was well established as a part of Offertory when the Carthusian Order was founded in 1084. Here I give the texts and basic rubrics from a Missal of 1627; a fuller account of the Carthusian Mass is given in this article from 2008.

When placing the water in the chalice, the priest says, “From the side of our Lord Jesus Christ came forth blood and water, unto the remission of sins. In the name of the Father, + and of the Son, and of the Holy Spirit.”, making the sign of the Cross over the chalice at the place marked. As he washes his hands, he says the customary verse of Psalm 25, “I will wash my hands among the innocent,” and two or three other verses, according to the rubric. (The Dominicans also say only three verses.)

The prayer In spiritu humilitatis is the same as the Cistercian version noted above, but it is said “when he offers the chalice at the middle of the altar.” He then makes the sign of the Cross with the chalice, saying “In the name of the Father etc.”, and lays it down.

The Missal does include a simple rubric for the incensation at the Offertory. The priest begins by holding the thurible over the chalice, without moving it, and saying “Let my prayer, o Lord, be directed as incense in thy sight.”, but only this. He then makes a cross over the chalice with it once, saying “In the name of the Father etc.” He then swings the thurible once towards the cross, once over the right side of the mensa, once over the left side, and three times before the front. As in the Cistercian Use, the incensation of the altar is continued by the deacon, who walks around the altar in a full circle, stopping to incense the Blessed Sacament as he passes both behind and in front.  As the Priest turns and says the Orate fratres, the deacon raises the front of the chasuble with one hand and with the other incenses the priest with one swing of the thurible; only the priest is incensed.

The Orate fratres is much shorter than that of the other religious Uses of the same period, consisting only in the words “Orate, fratres, pro me peccatore, ad Dominum Deum nostrum. – Pray brethren, for me a sinner, to the Lord, our God.” No reply is made.

A Carthusian Missal of 1713, open to the Offertory prayers and the beginning of the Prefaces. (This photograph was originally published on NLM in 2009.)
This series was begun as a reply to the contention made elsewhere that the Offertory was invented in the Scholastic period to create a “second sacrifice” of bread and wine, apart from the Sacrifice of Christ’s Body and Blood. I have argued against this partly on the basis of the fact that the Roman version of the Offertory makes no reference to either bread or wine as objects of sacrifice. The Carthusian version does not even use the word “sacrifice”. If the Offertory were indeed an imposture of the Scholastic period, which succeeded in foisting itself on the entire Western Church, how were the Carthusians alone allowed to not adopt this putative new theology of sacrifice and priesthood? We must also note that unlike the Cistercians, Premonstratensians and Carmelites, their use of the Mass was never Romanized, and continued to have this particularly simple form of the Offertory ritual throughout the post-Tridentine period.

Juventutem Social in St. Louis - August 4

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Young people! Join Juventutem on August 4th for a solemn Mass (EF, of course) and social following. A reader provides all the details below. This is a bit closer to me than most of their events, though unfortunately, I will not be in attendance. I have heard many good things about Juventutem, and I hope you can make it, if you are in the area! I look forward to being able to attend a Juventutem event in the future. 
On Monday evening, August 4th, young adults (18-35) and clerics who appreciate the Traditional Latin Mass are invited to gather at the Oratory of St. Francis de Sales for a 6:00pm Solemn Mass, followed by an 8:00pm social at Hodak's Restaurant & Bar, 2100 Gravois Ave, St. Louis 63104.

Hodak's is located a half-mile from the Oratory of St. Francis de Sales, and this social gathering is scheduled so as to directly follow the Solemn High Mass.

We hope that this gathering will bring together young adult Oratory parishioners (who may be members of Sursum Corda St. Louis), other St. Louis young adults, and visiting traditionalists from around the country. Leaders of other American Juventutem chapters will be present and would be glad to encourage and answer any questions of any St. Louis young adult who might seek to establish a Juventutem chapter in that archdiocese.

Mater Ecclesiae's 14th Annual Assumption Mass

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Mater Ecclesiae Roman Catholic Church, Berlin, NJ, Diocese of Camden, welcomes you to attend the 14th Annual Assumption Mass. The Mass, in the Extraordinary Form, will take place on Friday, August 15, at 7:00 PM, at the Cathedral Basilica of Saints Peter and Paul, 18th Street and the Benjamin Franklin Parkway, Philadelphia, PA 19103. There is a parking lot next to the Cathedral and there is an underground garage at the Sheraton Hotel on 17th Street.
     The celebrant of the Mass, who will also deliver the sermon, is Monsignor Andrew Wadsworth. Msgr. Wadsworth, originally a priest of the Archdiocese of Westminster, London, is now the superior of the Oratorian Community of St. Philip Neri, an oratory in formation in the Archdiocese of Washington, D.C. Since 2009, he has been Executive Director of the International Commission for English in the Liturgy (ICEL), responsible for the proposal of English translations of Latin liturgical texts for use in places where the liturgy is celebrated in English. Msgr. Wadsworth has written and lectured widely on both forms of the Roman Rite and the 'ars celebrandi'.
     This Mass was begun fourteen years ago to thank and honor our Lady for the establishment of Mater Ecclesiae. We also wanted to feature some of the greatest works of orchestral/choral music ever written for the Sacred Liturgy. Under the direction of Dr. Timothy McDonnell, the setting for the Ordinary of the Mass is the "Missa in Angustiis," or "Lord Nelson Mass," by Franz Joseph Haydn sung with full orchestra. Other works include the motets "Salve Regina" by Antonio Salieri (1750-1825), the "Salutatio D.N.I.C." by Ludwig Senfl (1486-1543),  the "Beata Viscera" by Gregor Aichinger (1565-1628), the "Adagio" from Concerto for 2 oboes in G Major by Tomaso Albinoni (1671-1751), the "Hodie Maria Virgo" by Luca Marenzio (1553-1599), the "Tantum Ergo" by Wolfgang A Mozart (1756-1791) and a Postlude, "Concerto for 2 trumpets in D Major", by Giuseppe Maria Jacchini (1663 - 1727). The traditional hymns, "O Sanctissima and Hail Holy Queen," arranged by Dr McDonnell, will also be sung.
     We wish to thank His Excellency, Archbishop Charles Chaput, as well as the rector of the Cathedral Basilica, Father G. Dennis Gill, for the great privilege of celebrating this Mass in the Cathedral Basilica of Saints Peter and Paul. Please spread the word about this grand celebration of Our Lady's Assumption. 

The CDW Reins in the Sign of Peace

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Many years ago, a friend of mine was studying at a prominent Catholic university, where every dorm has its own chapel, and every chapel has at least one Mass a day. Explaining why he never attended Mass in the dorm chapels, he said, “If I were a Martian with no way of knowing what was happening in this rite, or a phenomenologist, I would say that its purpose was to give all the participants an opportunity to hug each other, and then have a light tasteless snack.” Most Catholics have probably attended at least a few Masses where the sign of peace has completely overwhelmed the end of rite, to the despite of Communion, a problem which Pope Benedict noted in the Apostolic Exhortation Sacramentum Caritatis.
(D)uring the Synod of Bishops there was discussion about the appropriateness of greater restraint in this gesture, which can be exaggerated and cause a certain distraction in the assembly just before the reception of Communion. It should be kept in mind that nothing is lost when the sign of peace is marked by a sobriety which preserves the proper spirit of the celebration, as, for example, when it is restricted to one’s immediate neighbours. (parag. 49)
Catholic News Agency and Sandro Magister report that this discussion about greater restraint in the Sign of Peace has been put into practice, citing exactly these words, in a new directive of the Congregation for Divine Worship. The proposal to move the sign of peace to the Offertory, in imitation of the Ambrosian and Byzantine liturgies, has not been accepted; the rite remains in its traditional place. Such proposals have been bandied about for years, and rarely take note of the fact that in the Byzantine Rite, the peace is given among the clergy while the people and choir sing the Creed. It is also rarely mentioned that in the Ambrosian Rite, the removal of the sign of peace from its traditional place after the Lord’s Prayer and Libera nos to its current place after the Prayer of the Faithful is based, like so many pet theories of modern liturgists, on a dubious and purely theoretical reconstruction.

The Congregation also makes several practical recommendations for the sign of peace, summarized by CNA as follows:
First, while confirming the importance of the rite, it emphasized that “it is completely legitimate to affirm that it is not necessary to invite ‘mechanistically’ to exchange (the sign of) peace.” The rite is optional, the congregation reminded, and there certainly are times and places where it is not fitting.
Its second recommendation was that as translations are made of the third typical edition of the Roman Missal, bishops’ conference should consider “changing the way in which the exchange of peace is made.” It suggested in particular that “familiar and worldly gestures of greeting” should be substituted with “other, more appropriate gestures.”
The congregation for worship also noted that there are several abuses of the rite which are to be stopped: the introduction of a “song of peace,” which does not exist in the Roman rite; the faithful moving from their place to exchange the sign; the priest leaving the altar to exchange the sign with the faithful; and when, at occasions such as weddings or funerals, it becomes an occasion for congratulations or condolences.
The Congregation for Divine Worship’s final exhortation was that episcopal conferences prepare liturgical catechesis on the significance of the rite of peace, and its correct observation.

Repost and Reminder - August 1st Day of Prayer, Adoration, and Solidarity for Persecuted Christians

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I am reposting this notice which Dr Kwasniewski put up several days ago, as a reminder of the FSSP’s initiative to keep today, August 1st, as a day or prayer especially for persecuted Christians in the Middle East.

Friday, August 1, 2014 is the day chosen by the Priestly Fraternity of Saint Peter (FSSP) for a worldwide day of Public Adoration of Our Lord Jesus Christ in the Blessed Sacrament in supplication for our persecuted brethren in Iraq, Syria, and the Middle East:
The Priestly Fraternity of St. Peter asks all of its apostolates around the world to dedicate Friday, August 1 to a day of prayer and penance for the Christians who are suffering terrible persecution in Iraq, Syria and elsewhere in the Middle East.
          August 1 is the First Friday of the month and the Feast of St. Peter in Chains, which is celebrated as a Third Class Feast in FSSP houses and apostolates. It is the feast in which we read of the great power of the persevering prayer of members of the Church: “Peter therefore was kept in Prison. But prayer was made without ceasing by the Church unto God for him.” (Acts 12:5)
          This feast of our Patron should be an invitation to the faithful to join us in Holy Hours and other fitting prayers to beg the Most Holy Trinity that these members of the Mystical Body may persevere in the faith, and that, like St. Peter, they may be delivered from this terrible persecution. May such a day serve as a reminder to us of the stark contrast that stands between our days of vacation and ease, and their daily struggle for survival as they are killed or exiled from their homes. 
It is a day, we believe, chosen wisely by that Institute: we urge all our Catholic brethren, East and West, attached to the Ordinary Form (Mass of Paul VI) or to the Extraordinary Form (Ancient Mass), whatever their theological bent, to join this worldwide prayer day. Whether you consider yourself a more liberal, conservative, traditional, or just plain Catholic, let us join together in this worldwide Adoration of Our Lord Jesus Christ, together with all the Angels and Saints.

It is also appropriately chosen because Pastors and Chaplains will have 10 days to prepare properly, to contact projects that help Christians in need and collect all kinds of contributions for the Christians of the Middle East (from Aid to the Church in Need to CNEWA, the Syrian and Chaldean Catholic Churches, and other organizations) and, in particular, to add to their bulletins and convey to their congregations how to participate next Sunday, July 27.

Please, spread this initiative around. Copy, paste, and just let this idea spread around throughout the world, through the web, through social networks, to your family and friends.

Bishops, Pastors, priests, join us. First Fridays are a special day of the month, and nothing better next First Friday, August 1, than for all Catholics around the world to join in Adoration before Our Lord to implore his mercy and kindness for our most neglected brethren in Iraq, Syria, and throughout the Middle East.

NLM's 9th Anniversary - Meet Some of Our New Writers

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Today marks the ninth anniversary of the beginning of this website; I would like to take this occasion to thank our editor Jeffrey Tucker, our founder Shawn Tribe, and all of our writers and guest contributors for all they have done for NLM, and especially to thank all of our readers. We hope and pray that our work will continue to inspire thoughtful reflection on how best to celebrate the Sacred Liturgy. I would also like to ask all our readers to offer a special prayer on this day for those of our fellow Christians who are subject to persecution in any part of the world, and also to pray for the eternal repose of Dr. Stratford Caldecott, who passed away recently. Over the years, NLM has reported on his work on numerous occasions, beginning with our very first post.

Four years ago, Shawn asked all of the writers to list some of their interests outside the field of liturgy and liturgical studies, and I thought it would be fun to update that post by asking the same questions of some of our new writers who have come on board over the last year. Here are the replies from Dr. Peter Kwasniewski, (whose specialty is listed as “the Roman Rite” on the sidebar, but should probably be updated to “everything”), our Byzantine guy, Prof. Kyle Washut, and our intern, Ben Yanke.

What are some of your favorite films?


Peter: I don’t watch many films (listening to music is my cup of tea), but I do very much enjoy the old BBC Sherlock Holmes episodes with Jeremy Brett, any nature film with David Attenborough, Alec Guinness films, Jean-Pierre Ponnelle opera productions, and Into Great Silence.


Kyle: I love Ford’s The Man Who Shot Liberty Valance, and also Ford’s Stagecoach. Honorable mentions would go to The Scarlet and the Black, His Girl Friday, and Becket. On the more recent side, I think Christopher Nolan’s Batman Trilogy is fantastic.


Ben: I don’t end up watching a lot of films, but I am a big fan of two of BBC’s shows, Sherlock and Doctor Who. I assume this is the result of Charles Cole’s top secret British-patriotism-mind-control-machine, which is clearly responsible for getting me hooked on all these British shows.


What are some of your favorite books or literary genre (outside the liturgical sphere)?


Peter: Every book by P. G. Wodehouse, many of which we have read aloud as a family. Mystery novels.  Works by George MacDonald, E. Nesbit, C.S. Lewis, J.R.R. Tolkien. The dialogues of Plato, the treatises of Aristotle, and the writings of St. Thomas Aquinas, which are my bread and butter as a teacher.


Kyle: Anything by Graham Greene, and the poetry of Hopkins and Frost. I try to read at least one or two plays by Shakespeare each year. As far as novels in translation go: The Betrothed by Alesandro Manzoni, and Sigrid Undset’s Kristin Lavransdatter are marvelous. In the more philosophical/theological side of things my greats list includes: Alexis De Tocqueville, Plato, St. Maximus the Confessor and the works of John Paul II. I go back to all four authors again and again.


(Ben sat this one out.)

Favorite musical genres or musicians outside liturgical music?


Peter: Johann Sebastian Bach and Arvo Pärt vie for first place. I have a fascination with the works of the “lesser” English composers Gerald Finzi, E. J. Moeran, and Edmund Rubbra. Handel’s operas and oratorios. The symphony -- one of the greatest inventions of the Western mind -- some favorites here include Brahms, Glazunov, Rimsky-Korsakov, Bruckner, Mahler, Elgar, Sibelius, Vaughan Williams. Minimalism, when it’s not too minimalist, e.g., Steve Reich’s Variations for Winds, Strings, and Keyboards. Every recording by Jordi Savall and Hesperion XX / XXI.  I could go on but that’s enough!


Kyle: I’m an ecclectic Philistine when it comes to music. I love Mozart’s Don Giovanni, and depending on my mood I really enjoy Rachmaninoff. I like some of the work that Arvo Pärt and John Tavener have done, but not all of it. But I also listen to a fair bit of Classic Country, and I have a soft spot for artists like Train and other such bands from my younger days.


Ben: I am a big fan of big band music (swing and jazz), not just for listening but to swing dance to as well! And this may come as a surprise to many, but non-liturgically, I enjoy listening to modern Christian music sometimes as well. And yes, sometimes when I get in the car, I’ll turn on the Tallis Scholars too.


Favourite past-times or hobbies outside the area of the liturgy?


Peter: Composing music, some of it purely instrumental. Cooking elaborate meals when time permits.  Model rocketry and high-powered rocketry -- my son and I recently built a 7-ft. tall rocket that flies on I-series engines, with a thrust of 320 to 640 newton-seconds.


Kyle: I play baseball in the adult rec league in town. When I find the time, I also enjoy cooking, canoeing, fantasy football, watching House of Cards, Breaking Bad, Longmire, Arrested Development and other such things, exploring with kids, biking with my dog, and dancing with my wife.


Ben: I like to do a little bit of everything! I am currently working toward a degree in computer science at the local university, so I enjoy working on programming, as well as some web design as a small side business, and other technology-related hobbies too. On a somewhat related note, I also enjoy audio engineering, and I have actually built a talk studio for my parish podcast that we are starting very soon.


And finally, I enjoy going on runs, and helping out with the local homeschool cross country team, and as mentioned above, dancing with friends. And on top of it all, I love spending time with my 8 younger siblings, whether that is reading to them before bed or a little bit of roughhousing!


Who are your favorite artists or what are your favorite art styles?


Peter: For odd moods, Blake and Turner. For prayer, Giotto, Fra Angelico, Byzantine icons in the Greek manner (not the Russian). For aesthetic revelry: Dürer, Vermeer, Rembrandt, Pieter Brueghel the Elder, particular pieces by the Pre-Raphaelites. Thanks in part to the good taste and fine library of my wife, who is a painter, I’ve grown especially fond of a number of American artists -- Whistler, Sargent, Twachtman, Inness, Benson, Church, Bierstadt, Moran, Homer, and all three Wyeths. Of living painters, Julian Merrow Smith and Aidan Hart.


Kyle: I like Western Art with its rugged depiction of landscapes and animals. In a completely different vein, I think Cezanne makes great watercolors, and while I don’t really like Michelangelo's painting, I am in awe of his sculpture. In general I appreciate sculpture within the European classical tradition.



Ben: I am truly a lover of the Eastern tradition of icons. I have many throughout my room, and I find them both beautiful as daily surroundings, and aids to prayer. There's something unique and otherworldly about the beauty of a well written icon.

Photos of the Vigil for Christians in Iraq held at the DC Oratory in formation last Monday

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Last Monday at St Thomas the Apostle, Washington DC, there was a Prayer Vigil for persecuted Christians in Iraq. Holy Mass was followed by Exposition of the Blessed Sacrament culminating in Benediction at midnight. The celebrant was Monsignor Andrew Wadsworth and the sermon was given by Father Richard Mullins. The National Catholic Register covered the Vigil here.




St Alphonsus on the Need for Reverence in the Liturgy

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When he was appointed bishop of the small town of St Agata dei Goti in 1762, St Alphonsus de’ Liguori (OF feast day August 1, EF August 2) began his episcopal ministry by sending missioners out to every corner of diocese. He “recommended two things only to these missioners, simplicity in the pulpit, charity in the confessional, and after hearing one of the priests neglect his advice he said to him, ‘Your sermon kept me awake all night....If you wanted to preach only yourself, rather than Jesus Christ, why come all the way from Naples to Ariola to do it?’

At the same time he set about a reform of the seminary, and of the careless way that benefices were granted. Some priests were in the habit of saying Mass in fifteen minutes or less; these were suspended ipso facto until they amended their ways, and the bishop wrote a moving treatise on the subject:  ‘ “The priest at the altar”, says St Cyprian, “represents the person of Jesus Christ.” But whom do so many priests today represent? They represent only mountebanks earning their livelihood by their antics. Most lamentable of all is it to see religious, and some even of reformed orders, say Mass with such haste and such mutilation of the rite as would scandalize even the heathen.... Truly the sight of Mass celebrated in this way is enough to make one lose the faith.’ ” (Butler’s Lives of the Saints, revised by Herbert Thurston S.J. and Donald Attwater, 1956)

St Alphonsus Kneeling Before the Blessed Sacrament; stained glass window in Carlow Cathedral, Ireland. (photo from wikimedia commons.) 

Quarant'ore at St Martin of Tours, St Louis MO

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Forty Hours Devotion will be held at St Martin of Tours, St Louis, Missouri on 14, 15 & 16 August. The schedule will be as follows:


Thursday, August 14, 2014:

8:00 a.m. – Mass, followed by Exposition
4:00 p.m. – Vigil Mass with hymns, for the Feast of the Assumption
9:00 p.m. – Solemn Sung Compline, Washington Capella Antiqua will sing Victoria’s Nunc Dimittis and Dufay’s Salva Nos Domine and Ave Regina Caelorum, followed by Solemn Benediction

Friday, August 15, 2014:

6:15 a.m. – Low Mass for the Feast of the Assumption 8:00 a.m. – Mass with hymns, followed by Exposition
4:30 – 6:00 p.m. – Solemn Sung Vespers, Mr. Mark West to receive the habit of the Oratory of St. Philip Neri, Washington Capella Antiqua will sing Dufay’s Magnificat 8 Toni
7:00 – 8:30 p.m. – Solemn Mass for the Solemnity of the Assumption,
Washington Capella Antiqua will sing William Byrd’s Mass for Four Voices and chant the Gregorian Propers&nbsp
8:30 p.m. – Benediction

Saturday, August 16, 2014:

8:00 a.m. – Mass, followed by Exposition
3:00 p.m. – Solemn Sung Vespers, Washington Capella Antiqua will sing Tallis’ Magnificat
4:00 p.m. – Closing of Exposition

Saint Martin of Tours Roman Catholic Church Reverend James Richardson, Administrator 610 West Ripa Avenue, Saint Louis, Missouri 63125 www.stmartinoftours.com
For more information or to sign up for an hour of adoration, please call the Rectory: 314-544-5664.

A reminder: Gregorian Institute of Canada colloquium August 22-23

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Various publications in the past few years attest to a growing interest in the office of Compline, including Kenneth Peterson’s Prayer as Night Falls: Experiencing Compline and The Song of Prayer: A Practical Guide to Learning Gregorian Chant. These, and other resources, will be part of a Paraclete Press table at the August 22-23 Gregorian Institute of Canada colloquium, itself dedicated to the office of Compline. In addition to chant, workshop sessions will also introduce lesser-known but beautiful Compline-oriented polyphonic works, including a Salva nos by Palestrina. For more information about the colloquium, held in Regina, Saskatchewan, see www.gregorian.ca. The registration deadline is August 15, 2014.

Transcending Oppositions: Liturgy as the Synthesis of Faith and Reason

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Philipp Rosemann argues that the very incompleteness of the Summa theologiae, which Saint Thomas could not bring himself to complete at the end of his life, should be taken as a sign, a gesture on the part of the Dominican preacher about the inadequacy of human language to capture the ultimate reality of the divine mysteries. (I have strong disagreements with how he fleshes out this thesis, but am sympathetic to something of the general idea.) Augustin Del Noce argues that rationalism and Christian philosophy differ not because the former is self-grounding and the latter demands a foundational act of faith, but rather, because the one expressly and honestly acknowledges its reliance on faith while the other naively or mendaciously fails to do so. Catherine Pickstock argues that the ancient Roman rite “purposefully” stumbles and struggles, wrestling with the angel of incomprehensible worship and unbloody sacrifice.

To put these together in reference to the liturgy, one might say that the ancient Roman Rite, in its swift simplicity and textured complexity alike, recognizes that all earthly worship must be, in some innocent and unintended way, imperfect and thus repeated (both within itself, built of blocks of repetition, and from day to day as the same sacrifice is represented ever anew until the end of the ages), at the same time recognizing that the sacrifice of Christ is perfect and all-sufficient, once for all, youthful as spring and abundant as summer. Like the Summa, the human act of liturgy is internally, that is to say, of its essence, incomplete, since it falls short of the heavenly Jerusalem’s eternal worship—but, again like the Summa, it is genuine knowledge, a triumphant ascent into the wisdom of the Cross.

In common with fideism, the liturgy prays “in order that there might be prayer”; it throws many prayers and chants into the air that the air might be filled with words as it is filled with clouds of incense, sweet-smelling and obscuring, luring while impeding. It stretches forth into the abyss, depth calling to depth in the dark night of faith. In common with rationalism, the liturgy knows that its prayer is rational through and through, an utterance of the Logos, heard for its righteousness; it knows that there is a fundamental soundness in the universe, which the liturgy expresses in its very dignity, stateliness, order, and beauty. In company with Christian philosophy, the liturgy transcends both fideism and rationalism; it is reason suffused with the utter abandonment of faith, faith anchored in truth and lifting the soul to truth.

The ancient Roman liturgy expressly (honestly) acknowledges its act of faith in the transcendent mystery of God. The new ordo risks turning worship into a communal act of gathering, a communal rationalism whereby man affirms what he already is and knows, instead of forcing upon him the weight of glory that demands the ascetical denial of the God’s-eye view, of adequacy, of any proportion between man and God, even while it paradoxically establishes the inner knowledge, the true proportion, which is none other than the one mediator between God and man, Christ Jesus, true God and true man, who not only knows all but, as the uncreated Word, is the infinite act of infinite knowledge. The liturgy brings man to God and to man himself—as yet unknown, destined to be broken and remade in the furnace of charity. The liturgy brings man to the edge of the abyss, where it is but one step, past the threshold of this life, to the beatific vision. For it is of the union of the soul with God by sanctifying grace that Pope Leo XIII wrote: “This wonderful union, which is properly called ‘indwelling,’ differ[s] only in degree or state from that with which God beatifies the saints in heaven” (Divinum Illud Munus 9).

The traditional liturgy establishes the link between God and man by focusing entirely on the God-man, reminding us of our nothingness, our incoherence apart from Him—the nihilism and fragmentation of fallen nature—and of our divine fullness and integrity in union with Him. In Christ Jesus we have access to the one and only knowledge that enlightens; as sinners, we are cut off from this light. That is why the ancient liturgy quavers between confession of sin and praise of God’s glory, between abasement and exaltation. Blessed Elizabeth of the Trinity begs of Jesus:
O Eternal Word, Word of my God, would that I might spend my life listening to you, would that I might be fully receptive to learn all from you; in all darkness, all loneliness, all weakness, may I ever keep my eyes fixed on you and abide under your great light; O my Beloved Star, fascinate me so that I may never be able to leave your radiance.
Is this not our experience, too, when we have plunged into the mysterious depths of the liturgy, tasted its otherworldly sweetness, become fascinated with its strange beauty, and then come face to face with our own darkness, loneliness, and weakness, our acedia, indolence, vanity, distraction, taste for things of the world... We say, with Elizabeth: “Keep my eyes fixed on you... make me abide under your great light... fascinate me so that I may never be able to leave your radiance.”


Diploma in the New Evangelisation launched by the School of the Annunciation, Buckfast Abbey, Devon, England

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Consideration of the liturgy and beauty is central to evangelization. Visual art in particular has a role to play - it teaches and informs us through its content, it's beauty helps to direct and deepen our worship of God in the liturgy and in a context outside the church, it's beauty draws all men to itself and then beyond to the source of all beauty, God, so opening their hearts to be receptive to the Word when offered to them. 
My good friends at the newly established School of the Annunciation situated in the grounds of Buckfast Abbey in Devon, England understand it deeply. I am delighted to learn of the launch of their Diploma in New Evangelization. Taught through a combination of residential weekends and online this means you can take it wherever you live.

The New Evangelization is a fashionable phrase to bandy about (to the degree that anything to do with the Faith can be fashionable!). When I finally read Benedict XVI's document on the subject, written as Cardinal Ratzinger before he became Pope, what struck me is the simplicity of what he described, but nevertheless how needed it is. He wrote first of the need for personal transformation through prayer centred on the liturgy; and the emphasis on communication of final judgement by a just and merciful judge and of sure and certain hope in eternal life that brings joy to us in this life. This is made evident most plainly by the joy with which we live our lives and the love we show to our fellows. This emphasis on the next life, it seemed to me, anticipated his encyclical Spe Salvi, in which he states that it is the absence of hope in salvation, because of an over reliance in mastery of the material world to provide the answers to human problems, that is a cause of the lack of faith that exists in the West today.

They have chosen this image to promote and encapsulate the essential aspects of the course, as explained in detail below. It is Nativity in the Initial P, c. 1395, by Don Silvestro dei Gherarducci (1339 – 1399). Tempera and gold on parchment, 570 x 380 mm from Gradual 1 for the Camaldolese monastery of San Michele a Murano (Folio 38v) (Sometimes thought to be from the Camaldolese monastery of Santa Maria degli Angeli, Florence). Now in the Morgan Library and Museum, New York.  

This illuminated page has been chosen to introduce the Via Pulchritudinis - the 'pathway of beauty' that leads to Beauty itself and is itself beautiful - that is a major feature of the Diploma, a distance-learning, interactive on-line course delivered by the School of the Annunciation situated in the stunning location of Buckfast Abbey, Devon UK.  The School of the Annunciation is a Centre for the New Evangelisation and the Diploma has been designed by Dr Petroc Willey a Consultor for the Pontifical Council for New Evangelisation, The Via Pulchritudinis that is part of and accompanies the whole program has been designed and written by Dr Caroline Farey, who is also a Consultor for the Council.     
Dr Caroline Farey also leads the School of the Annunciation summer school in ‘Finding Faith through Sacred Art’, August 14-17th at the same magnificent location and its not too late to enroll for that too. You can enroll through their website.

My next posting will be a fascinating detailed description of this illumination by Dr Farey, and an explanation as to why it communicates so beautifully communicates their intentions.

Liturgical Notes on the Feast of Saint Dominic

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Saint Dominic died on the evening of August 6, 1221, and was canonized in 1234 by Pope Gregory IX (1227-41) who had known him personally and declared that he no more doubted his sanctity than he did that of Saints Peter and Paul. At the time of his canonization, the feast of the Transfiguration had not yet been adopted in the West. August 6th, however, had long been kept as the feast of Pope St Sixtus II, who was martyred in 258 after a reign of less than a year. He is named in the Canon of the Mass, and was the Pope under whom St Lawrence served as deacon; his feast is part of a two-week long series of feasts associated with the great Roman martyr. One of the very first churches given to the Dominicans, (still the home of Dominican nuns to this day) was the ancient church of St Sixtus; for these reasons, the feast of St Dominic was assigned by Pope Gregory to August 5th, and kept on that day for over three centuries by the Dominicans and others.

In 1558, however, Pope Paul IV ordered the general observance on August 5th of the titular feast of Santa Maria Maggiore in Rome, the feast of Our Lady of the Snows, and the removal of St Dominic’s feast back one day to August 4th. This change was at first rejected by a general chapter of the Dominican Order held at Avignon in 1561, but was slowly accepted and eventually adopted formally in a revision of their liturgical books promulgated in 1603. St Jean-Marie Vianney, who is still often referred to simply as “the Curé d’Ars”, died on the feast of St Dominic in the year 1859, and was canonized by Pius XI in 1925. His feast was added to the General Calendar three years later, originally on August 9th, but later moved back to August 8th.
The Madonna and Child with St Catherine, and St Dominic Presenting the Donor, by Titian, 1512-16.
In the Calendar of the Novus Ordo, St Dominic and the Curé d’Ars were made to switch places; the idea being, apparently, that since Dominic’s feast could hardly be kept on the actual day of his death, which would involved bumping the Transfiguration out of the way, at least St Jean-Marie could. This seems a case where a basically good principle was applied with more zeal than wisdom, since no account was taken of the fact that the Curé d’Ars himself had celebrated that day as the feast of St Dominic, like centuries of priests before him.

As it also the case with the feast of St Thomas Aquinas, many Dominican houses keep the feast of St Dominic on the more traditional feast day, including the basilica in Bologna where he is buried, and which is now named for him. It was originally known as San Niccolò nelle Vigne, (St Nicholas in the Vineyards), and at the time it was given to the still very new Order of Friars Preachers in 1219, was on the outskirts of the city. The friars were able to expand it rapidly into a large complex to serve one of their most important communities, near one of the oldest and most important centers of learning in Europe. It was here that St Dominic died and was buried, originally laid in the floor of the church’s choir.

Upon his canonization in 1234, a proper Office and Mass were composed for his feast; this was sung for the first time in the choir of San Niccolò on August 5, 1234. At the time of St Dominic’s death, the prior of the Dominican house of Brescia, Guala Romanoni, beheld a vision, which he later described thus to Blessed Jordan of Saxony, Dominic’s successor as master general. Jordan writes:
He saw an opening, in heaven, by which two bright ladders descended. The top of one was held by Christ, the other by His Mother; on either one, angels ascended and descended. At the bottom of the two ladders, in the middle, was placed a seat, , and on it sat one who seemed to be a brother of the order, with his face covered by his hood, as we are wont to bury our dead. Christ the Lord and His Mother pulled the ladders up little by little, until the one who was sitting at the bottom reached the top. He was then received into heaven, in a cloud of light, with angels singing, and that bright opening in heaven was closed. … That brother who had the vision, who was very weak and sick, realized that he had recovered his strength, and set out for Bologna in all haste, where he heard that on that same day and same hour, the servant of Christ Dominic had died. I know this fact because he told it to me in person. (Libellus de Principiis Ordinis Praedicatrum)
In the Office of St Dominic, the third antiphon of Lauds refers to this event: “Scala caelo prominens fratri revelatur, per quam Pater transiens sursum ferebatur. – A ladder stretching forth from Heaven is revealed to a brother, by which the Father passing was born on high.” The very first time this Office was sung, it was Guala himself who intoned this antiphon. (He is now a blessed, and his feast is kept by the Order on September 4th.)

The Vision of Blessed Guala, depicted on the tomb of St Dominic in his church in Bologna.
Most of the propers for the Mass of St Dominic in the Dominican Use (the Introit, Epistle, Gradual, Gospel and Communio) are taken from the common of Doctors of the Church. Some of these parts are found in more than one Mass, but here the choice is a deliberate one, to express that St Dominic in his teaching and his life stands in the same position to the Order specifically as a Doctor does to the Church as a whole. (The Cistercians observe a similar custom on the feast of St Bernard.) The Alleluia verse is proper to the Dominicans, and like many medieval composition for both the Office and Mass, is in rhyme.
Alleluia, Pie Pater Dominice, / tuorum memor operum, / Sta corum summo judice / Pro tuo coetu pauperum.
(Holy Father Dominic, / mindful of thy works / stand before the great Judge / for thy gathering of the poor.) 
A leaf of a Missal decorated by Saint Fra Angelico, the famous Dominican painter, from the museum of the Dominican church of San Marco in Florence, ca. 1430.
This is followed by a lengthy sequence, In caelesti hierarchia, which can be read at this link in Latin and English. Both can be seen with their chant notation here. In the 1921, a newly composed proper preface for the feast of St Dominic was added to the Missal.
Vere dignum … Qui in tuae sanctae Ecclesiae decorem ac tutamen apostolicam vivendi formam per beatissimum patriarcham Dominicum, renovare voluisti. Ipse enim, Genitricis Filii tui semper ope suffultus, praedicatione sua compescuit haereses, fidei pugiles gentium in salutem instituit, et innumeras animas Christo lucrifecit. Sapientiam ejus narrant populi, ejusque laudes nuntiat Ecclesia. Et ideo cum angelis et archangelis etc.
Truly it is meet … Who for the glory and defence of Thy Holy Church did will to revive the apostolic manner of life through the most blessed patriarch Dominic. For he, supported always by the help of Thy Son’s mother, put down heresies by his preaching, established champions of the faith for the salvation of the nations, and won innumerable souls for Christ. The nations speak of his wisdom, and the Church declares his praise. And therefore with the angels and archangels etc.
In the Tridentine period, the Dominicans instituted a special feast for all the saints of their order, as did several other religious orders. Ironically, this feast was also bumped from its original location by the dedication feast of a Roman basilica; initially kept on November 9th, the day after the octave of All Saints, it was later moved to the 12th to make way for the Dedication of Saint John in the Lateran. The preface of St Dominic noted above was appointed to be said also on this feast, a fine liturgical expression of the holy Founder’s position as the model for all the sons of his Order.

Fr. Thompson has written previously about the procession that accompanied the singing of the Salve Regina at the end of Compline in the Dominican Use. In many houses, it was also customary to add after it the antiphon of the Magnificat for Second Vespers of the feast of Saint Dominic; it is here sung by the Dominican students at Blackfriars, Oxford.

O lumen Ecclesiae, doctor veritatis, rosa patientiae, ebur castitatis, aquam sapientiae propinasti gratis; praedicator gratiae, nos junge beatis.
O light of the Church, teacher of truth, rose of patience, ivory statue of chastity, freely you gave the water of wisdom to drink; preacher of grace, join us to the blessed.

Fighting Desecration with Prayer

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Today is the feast of the Transfiguration. In the each of the Synoptic Gospels, this event is followed by the account of a father whose child is possessed by a devil; he had already brought the child to the disciples, but they could not heal him, and so he brings the boy to Christ. After He has cast the devil out, the disciples ask Christ why they could not do it, and the Lord answers them, “This kind only is only cast out through fasting and prayer.”
The Oklahoma Civic Center Music Hall in Oklahoma City is planning on hosting a “black Mass” on September 21st. His Grace Paul Coakley, the Archbishop of Oklahoma City, has called upon all of the Catholics of his diocese to join in prayer against this event. The full text of the letter can be read here.
In spite of repeated requests, there has been no indication that the City intends to prevent this event from taking place. ... Since it seems this event will not be cancelled, I am calling on all Catholics of the Archdiocese of Oklahoma City to counteract this challenge to faith and decency through prayer and penance. Specifically, I am asking that the Prayer to St. Michael the Archangel be included at the conclusion of every Mass, beginning on the Feast of the Transfiguration of the Lord (August 6) and continuing through the Feast of the Archangels (September 29). I invite all Catholics to pray daily for divine protection through the intercession of this heavenly patron who once defeated Lucifer in his rebellion against the Almighty and who stands ready to assist us in this hour of need.
Secondly, I am asking that each parish conduct a Eucharistic Holy Hour with Benediction to honor Christ’s Real Presence in the Holy Eucharist, between the Solemnity of the Assumption of the Blessed Virgin Mary (August 15) and September 21, to avert this proposed sacrilege.
Finally, I invite all Catholics, Christians and people of good will to join me in prayer for a Holy Hour, outdoor Eucharistic Procession and Benediction at St. Francis of Assisi Church in Oklahoma City at 3:00 p.m. on Sunday, September 21, the day of the proposed sacrilege. We will pray to avert this sacrilege and publicly manifest our faith in the Lord and our loving gratitude for the gift of the Holy Eucharist, the source and summit of our lives.
A printable version of the Prayer to St. Michael the Archangel is available in English, Spanish and Vietnamese on the archdiocesan website (www.archokc.org). If you have not yet done so, I urge you to contact the Office of the Mayor, the Honorable Mick Cornett, to express your outrage over this offensive and blasphemous sacrilege and this misuse of a tax-supported public space.
Commending our efforts to the Lord through the loving intercession of Mary, the Mother of God, I am
Sincerely yours in Christ,
Most Reverend Paul S. Coakley Archbishop of Oklahoma City
The bishop of the neighboring diocese of Tulsa, His Excellency Edmund Slattery, has issued the following letter, in support of Archbishop Coakley’s initiative. Click here for the full text.
...I am asking the faithful Catholics in the Diocese of Tulsa to fight this blasphemy through prayer and fasting: 1. Please keep the nine days prior to the Feast of the Assumption as an extraordinary period of prayer and penance. I am asking every Catholic to abstain from all meat and meat products from August 6 through the 14th. I am also asking that you consecrate your hunger with a daily recitation of a decade of the rosary and the familiar Prayer to Saint Michael. Printed copies of these prayers are available in the bulletin and at the entrances of the church. Be strong and encourage your friends to also be strong.
2. On Assumption Day, August 15th, we will ask Our Lady on her Feast, to intercede for us and protect us. On that day I in the Cathedral, and every priest in his own parish, will pray a special prayer written by Pope Leo XIII for the defense of the Church against the attack of the Enemy and his apostate angels.
3. Should these prayers and this period of fasting not effect the cancellation of this event, then I will ask every priest in the Diocese to conduct a Eucharistic Holy Hour on September 21 at the same time (7:00 p.m.) as this profanity is being celebrated in Oklahoma City. Wherever possible, I ask that Eucharistic Processions - especially outdoor processions - be arranged as part of these holy hours. Let us give a public witness to our faith in the Eucharist which is being so profoundly mocked and ridiculed by this event.
From the snares of the devil, deliver us, O Lord!
Sincerely yours in Christ,
Most Rev. Edward J. Slattery
Bishop of Tulsa
I would suggest to all of our readers that we join the good bishops and the Catholics of Oklahoma with some act of prayer and mortification to help cast out this devil. Let us remember the success of similar acts of reparation and adoration which recently took place at Harvard University. The Catholic News Agency reports that the group responsible for this event in Oklahoma has held other mockeries of Catholic rites (though not of quite this sort) in the past; the first had about 50 people present, the second about 12, and the third none at all.

A First Mass and Some New Vestments in the Diocese of Charlotte, NC

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We are very pleased to offer our congratulations to Fr. Noah Carter, who was ordained to the priesthood for the Diocese of Charlotte, North Carolina, on June 28th. The following day, the feast of Ss. Peter and Paul, Fr. Carter celebrated his first Mass in the Extraordinary Form at his home parish, St Barnabas, in Arden, N.C.; the church was built after Vatican II, and had never had an EF public Mass before. The church was near full and the parishioners were overjoyed at the beauty, reverence, and solemnity of the old rites; the parish choir had rehearsed for close to a year, and sang Byrd’s Mass for 4 voices. The vestments seen in the photographs below were designed by Fr. Carter, who chose both the design and the materials, and executed by Emily Uhl of Altarworthy; on her website you can see other projects she has recently undertaken for first Masses. Here are some photographs of the first Mass; you can see more at enjoyphotos.com, with the username “cartermass”, and the password “13722”. (registration required) All photos courtesy of Whitmeyer Photography.



Transfiguration of the Lord: Blessing of the Grapes

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Four years ago, there was a post on NLM about the Byzantine tradition of blessing grapes on the feast of the Transfiguration, and it included the text for the blessing.
 Yesterday, Fr. Z had a post noting the existence of this tradition in the Roman Rite as well.  I had been intending to write a post about the history of the tradition, only to find that John Sanidopoulos had a great post on his blog Mystagogy.  The post is a translation of an article by Professor Panagiostis Skaltsis, and it traces the history of the blessing from the early Church's initial attempts to protect the exclusive place of bread and wine in the liturgical offering, up until the Church's decision to bless the grapes on the Feast of the Transfiguration.  Read the whole post here. Toward the end of his article, Professor Skaltsis notes:
With the Transfiguration of the Lord the whole world is illumined and glorified.  Creation is exhilarated and acquires the brilliance that creation at one time had....The blessing of the grapes, representing the harvest of the world, is a liturgical act that emphasizes the doxological and eucharistic offering of the material and the fruits of the earth to the Creator and God of all things.  More so, when this fruit of the vine gives us wine, which Christ blessed in Cana, to show the transfiguration of the world in Christ.  He also gave it to us in the Mystical Supper as the element that at the time of the Divine Liturgy, is made incorrupt by grace, transformed into the Lord's Blood.
The image of Christ restoring creation to its original splendor is captured elsewhere in the Church's liturgy.  As we sang in an Aposticha verse for last night's vespers:
Through your Transfiguration you returned Adam's nature its original splendor, restoring its very elements to the glory and brightness of your divinity.  Therefore we cry out to you: O Creator of all, glory to you!
With the Church, let us pray that even more than the grapes, we may bask in the glory of Christ's transfiguration of creation.  May his light shine upon us.



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