We have encountered Gerhard Lamers' (1871-1964) work here before in relation to William Heyer's restoration and rehabilitation of the chapel at the Pontifical College Josephinum, but I was recently sent a photograph of a beautiful painting he undertook for a convent in Cincinnati sometime in the 1930s, and which now is in the possession of St. Mary's Church in Franklin, Kentucky (above). Lamers is one of those ubiquitous if sadly forgotten figures of early twentieth century Catholic art; like his contemporary Hildreth Meière, you may already be familiar with his work without even realizing it. Of German extraction, he traveled first to the United States in 1925 to paint the stunning neo-Byzantine murals that grace the interior of St. Joseph's Cathedral in Wheeling, West Virginia (a work by that other forgotten master, Edward J. Weber) and later returned in 1928, where he remained associated with Cincinnati's large German Catholic community. One of his best-known work is the large mural (now lost) behind the high altar at the Josephinum, but he also produced stunning work at the Monte Cassino shrine at St. Meinrad in Indiana and numerous other locations. Several other examples of his work follow below. Barring his work in Wheeling, his marvelous murals are depressingly under-documented; any further information or photographs would certainly be certainly appreciated.
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There are also a host of images of the interior of St. Joseph's in Wheeling at this site.
There are also a host of images of the interior of St. Joseph's in Wheeling at this site.