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Notes from Norcia [UPDATED]

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Last week, I enjoyed the tremendous blessing of a brief visit to the great Monastero di San Benedetto in Norcia, at the birthplace of Saints Benedict and Scholastica. I was in Austria giving a course on the theology of sacred music at the International Theological Institute, and, as I had long wished to make my final oblation as a Benedictine oblate of Norcia, it seemed the right time to do so. This post really is nothing more than a series of notes and pictures; perhaps on a later occasion I will have the chance to share some liturgical reflections that occurred to me during my stay with the monks.

The first thing that caught my attention, upon entering the basilica, was a side altar in honor of St. Peter Celestine. I had noticed the altar on previous visits but this time it really struck me, both because the abdication of Pope Benedict XVI tends to sharpen one's attention to his distant predecessor, and because the week before, on Sunday, May 18, when I happened to be dining in the refectory of the Cistercian abbey of Heiligenkreuz near Vienna, I heard the lector reading the Martyrology entry for St. Peter Celestine, which made me aware of his feastday on Monday, May 19. 
The refectory at Heiligenkreuz
(Curiously enough, the Heligenkreuz lector proceeded to give a rather lengthy description of the saint's abdication and mentioned that it was an historical precedent for Pope Benedict -- none of which could have been in the Martyrology itself. This must have been a local elaboration!)

Back to the Norcia Basilica of Saint Benedict and its side altar:
Side altar in Norcia to St. Peter Celestine
Close-up of the image of the saint
Another thing I was pleased to see was the subtle and powerful transformation of the sanctuary of Norcia thanks to the addition of an historic altarpiece, free-standing altar, and matching ambo. For many years, the sanctuary had a rather modern altar and a crucifix against the back wall, which did not have sufficient presence and beauty to focus the attention upon the center of the sanctuary. I'm afraid I don't have a very good photo of the "before" status -- this one was taken years ago with a poor camera.
Before
After
Thursday, May 22, was the feast of St. Rita in the Diocese of Spoleto-Norcia, and I felt very fortunate to be there for the conventual High Mass of the community, because these propers are seldom used in traditional Catholic communities in the United States -- the general calendar of the usus antiquior does not include St. Rita, who, it would appear, was remembered only in certain dioceses or communities. In the Baronius Missal that the monks had left in the guest house, I found the propers for St. Rita on page 2087, which states: "May 22, Los Angeles, ST. RITA OF CASCIA, Widow." As the texts of this Mass are particularly beautiful, I offer here a few of them.

The collect makes mention of the stigmata that St. Rita bore:
COLLECT. O God, Who didst vouchsafe to confer on St. Rita so great grace that she loved her enemies and bore in her heart and on her brow the stigmata of Thy love and passion, grant us, we beseech Thee, by her intercession and merits, so to spare our enemies and to meditate on the pains of Thy passion that we may obtain the rewards promised to the meek and to them that mourn. Who livest and reignest.
The EPISTLE was from the Canticle of Canticles, 2:1-13: "I am the flower of the field, and the lily of the valleys..." It's always a delight to encounter a liturgical reading from this most sublime and mystical book of Scripture, more commented on than any other book and yet so rare in the liturgy itself (less rare in the traditional, but almost non-existent in the modern Roman rite). Hearing the Song of Songs chanted by one of the monks truly gave wings to these already intense words.

The Offertory strikingly takes a text from Genesis and applies it to St. Rita's husband and two children, all three of whom were converted before their deaths because of her prayers:
OFFERTORY (Gen 40:9-10). I saw before me a vine, on which were three branches which by little and little sent out buds, and after the blossoms brought forth ripe grapes. Alleluia.
SECRET. Pierce our hearts, we beseech Thee, O Lord, by the merits of St. Rita, with the thorn of that sorrow which is from heaven, so that, being delivered by Thy grace from all sins, we may be able to offer to Thee the sacrifice of praise with pure hearts. Through our Lord.
The Communion antiphon is a very familiar verse, Psalm 20:4, yet with a different twist than usual in its application to a female saint:
COMMUNION. Thou hast prevented her, O Lord, with blessings of sweetness: Thou hast set on her head a crown of precious stones. Alleluia.
POSTCOMMUNION. Regaled with heavenly delights, O Lord, we humbly entreat Thee that, by the intercession of St. Rita, we may bear in our souls the marks of Thy charity and Thy passion, and constantly enjoy the fruit of perpetual peace. Through our Lord.
The town of Cascia is a close neighbor to Norcia, so not surprisingly May 22nd is a huge celebration over there and throughout the region.

Immediately after Vespers on this feastday, Fr. Cassian Folsom, Prior of the community, received me as an oblate of the monastery in the presence of the other monks. The ceremony was short, solemn, and beautiful, culminating in the reading of the hand-written oblate chart, the signing of it upon the altar, and the chanting of the "Suscipe" together with all the monks.
The oblation ceremony 
The chanting of the Suscipe
Then there is the time for rejoicing! As many NLM readers know, the monks of Norcia are famous for their home-brewed Belgian-style beer, Birra Nursia, which has become so popular in their region that they can hardly brew enough to supply the demand. Br. Francis, the brewmaster, gave me a tour of the brewery, which had expanded considerably since my last visit.
Br. Francis and a tank

Br. Anthony with more tanks

Storage of malt

The bottling machine
One last highlight of the visit was hiking up into the mountains to see the ruined monastery that the monks of Norcia often flee to in the summertime for peace, quiet, and a bit of coolness -- a sort of earthly image of the locus refrigerii, lucis, et pacis. The regional government of Umbria has given the monks a grant of 400,000 Euros to continue the repair work on this beautiful structure, located in such a splendid spot, but of course it will cost a lot more, and take many years, to bring these buildings back into regular use. The monks have chanted parts of the Divine Office in the chapel here.
Entrance to the mountain retreat

The chapel in the mountains

A view from the path

May the Lord continue to bless the good monks of Norcia, whose warm hospitality is rivaled only by their edifying devotion to the Work of God, the sacred liturgy.

Three Medieval Art Classes this July - Learn the Style of the English Gothic School of St Albans

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For any who are interested, here are the contact details for three residential summer schools that offer instruction in painting illuminations in the style of the gothic Masters of the School of St Albans (which flourish in the 13th century England). I am the teacher at each. In this week of the Feast of the Visitation, as an example I offer a modern illumination in this style.

From mid-July, there are courses in

Diocese of Kansas City, Kansas (July 14- 18th);
Contact: Kimberly Rode at ecat2@archkck.org

St Mary's University College, Calgary, Canada (July 21-25th),
Email:  sacredarts@stmu.ca

Thomas More College in Merrimack, NH (July 27-August 2). Contact: Gwyneth Holston, gholston@thomasmorecollege.edu

All come in at under $600. Although each is taught as a class in which we work together, each class is taught so that each person gets a high level of individual attention and personalized instruction. This allows everyone work at his own pace and level. Each course will be suitable therefore, both for beginners and the more experienced. If you have already done one of these courses this will be for building on what you already know - you will be able to choose your own image and will benefit from more instruction. Students will learn the traditional technique of egg tempera.

At all three, I will teach people also how to pray with visual imagery (a lot more straightforward than many imagine) and explain how to set up an icon or image corner as a focus of prayer in your home (as described in the book, The Little Oratory). At the courses in Kansas and at Thomas More College the singing of the Divine Office will run through the course, so people who wish to will have a chance not only to sing the psalms, but potentially also learn to do so at a level that they can start doing it at home or parish - perhaps in front of your own icon corner.

The icon class at Thomas More College coincides with a lecture series the college is presenting that features myself, NLM's own Matthew Alderman, the founder and director of the Catholic Artist's Society Kevin Collins, the well known sculptor Andrew Wilson Smith and finally, but not least, Dr Ryan Topping the author of Rebuilding Catholic Culture. All lectures are open to the public and free to attend.




“The Offertory Chant is Necessary at Mass” - Fr Eric Andersen on Sacred Music and the Virtue of Religion

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We are very grateful to Fr. Eric Andersen for sharing with us the text of this very interesting talk he recently gave as part of the ongoing “Dominican Forum” series, at the church of the Holy Rosary in Portland, Oregon, entitled “Sacred Music and the Virtue of Religion.”
Recently, I was speaking to an editor of a Sacred Music publication and asked him to suggest something about which I could research and write. He responded: “Prove that the Offertory chant is necessary at Mass.” I had already been pondering such things, but not so precisely the necessity of the Offertory.
In order to narrow the focus down to the Offertory alone, one must begin by looking at all the texts of the Roman Missal that are to be sung, and then understand who sings what. Next, one must understand the answer to the question, “why?”. Why must all of these texts be sung, even the Offertory? This question will direct us to consider the virtues of justice and religion. In the end, we should see clearly that the Offertory chant is indeed necessary at Mass.
To begin with, let us look at the sung texts of the Mass to see who sings what. We can understand the sung parts of the Mass to belong to three categories of people: 1) the faithful in the pews; 2) the schola cantorum (or choir); and 3) the clergy and the ministers in the sanctuary. The faithful in the pews sing five parts that comprise the Ordinary (Kyrie, Gloria, Credo, Sanctus, Agnus Dei). The schola cantorum sing five parts that comprise the Proper (Entrance, Gradual/Responsorial, Alleluia/Tract, Offertory, Communion). The clergy sing roughly five parts, including the dialogues, readings, prayers, and dismissal.
Each of these designated groups within the celebration of Mass “expresses its cohesion and its hierarchical ordering”, whether lay faithful, schola, or clergy, by carrying out “solely but totally that which pertains to them” (GIRM art. 91). A member of the faithful in the pews fully participates at Mass by reciting or singing the Ordinary parts of the Mass and responding to the liturgical dialogues of the celebrant. A member of the schola cantorum fully participates by singing the Propers of the Mass as a member of the schola, and the Ordinary of the Mass as a member of the faithful. Each person, depending on his hierarchical ordering, fully participates by singing that part which belongs to him.
In many if not most parishes, each group does not sing all that belongs to them. It is rare, for instance, to hear the Credo sung at Mass, even though the new Roman Missal provides two alternate chant settings for it in English. It is also rare to hear the Entrance, Offertory and Communion chants sung at Mass, as they are given in the official liturgical books (Missal and Gradual). When each group does not sing all that belongs to them, then people say that they feel like they are not participating. The people understand that there is something missing, but they have not been formed to know what is missing. Since the faithful are not singing all that belongs to them, and in the absence of a schola singing the propers, the people feel a need to replace the propers of the Mass with hymns.
It can work reasonably well. Here is a typical example of how the Mass might take shape in the normal parish using good hymns in place of most of the propers. We will look at the First Sunday of Advent (Year A).
Entrance Hymn: O Come, O Come, Emmanuel
First Reading: Isa 2:1-5: The Lord will gather all nations into the eternal peace of the Kingdom of God
Resp. Psalm: Ps. 122. Let us go rejoicing to the house of the Lord.
Second Reading: Rom 13:11-14: Our salvation is nearer.
Alleluia: Ps. 85:8: Show us, Lord, your love; and grant us your salvation.
Gospel: Mt. 24:37-44: Stay awake, that you may be prepared.
Offertory Hymn: Wake, Awake, for Night is Flying
Communion Hymn: Creator of the Stars of Night
Recessional: Alma Redemptoris Mater.
The hymns chosen are very good in my opinion. They are Advent hymns and they communicate to the people the character of the liturgical season. But there is nothing to say that those hymns must be the hymns chosen for the First Sunday of Advent. I chose them. I could just as easily have chosen other Advent hymns. The music sung at this Mass communicates my will, my spirituality, and my taste in hymns. I cannot fault it because I chose it. In my opinion it is next to perfect, except that it does not reflect the liturgical books. I planned it instead of preparing it. Archbishop Sample writes:
“It is important to keep in mind that we do not plan the Mass; the Church has already provided us with a plan. We prepare to celebrate the Mass. This is a subtle yet important distinction. The plan is found in the liturgical calendar and the official liturgical books: the Ordo, the Missal, the Lectionary and the Graduale. Our celebrations should carry out the Church’s plan as far as we are able, according to the resources and talents of the community, formed by knowledge of the norms and the Catholic worship tradition. (Pastoral Letter “Rejoice in the Lord Always” p. 11, e.)
How would this Mass look different if I had prepared it rather than planning it? Let’s look at the same Mass for the First Sunday of Advent as given to us by the official liturgical books themselves.
Entrance Antiphon Ps. 25 (24): 1-3 Unto you, O Lord, have I lifted up my soul; O my God, I trust in you, let me not be put to shame; do not allow my enemies to laugh at me; for none of those who are awaiting you will be disappointed. V. Make your ways known unto me, O Lord, and teach me your paths.
Gradual Ps. 25 (24): 3, 4 They will not be disappointed, O Lord, all those who are awaiting you. V. Make your ways known unto me, O Lord, and teach me your paths.
Alleluia Ps. 84:8 Show us your mercy, O Lord, and grant us your salvation.
Offertory Ps. 25 (24): 1-3 Unto you have I lifted up my soul. O my God, I trust in you, let me not be put to shame; do not allow my enemies to laugh at me; for none of those who are awaiting you will be disappointed.
Communion Ps. 84:13 The Lord will bestow his loving kindness, and our land will yield its fruit.
In this case, we end up with a very different message. I couldn’t have chosen these texts on my own. These are the ancient and current texts of the Mass for this particular Sunday. These are the propers. The hymns I chose communicate a different message. These texts have are not governed by my spirituality, my will, or my taste. They are not about me at all. They are God’s word given to us. Notice that these propers are all taken from the scriptures.
What we see emerging here is an altogether different plan for music at Mass from that experienced by many Catholics. Conforming to the plan given by the liturgical books of the Church would mark a significant change in practice for the majority of parishes. Such a change is not easy, especially when we are so attached to our beloved hymns and religious songs. In order to conform ourselves to the plan given to us by the Church in her official liturgical books, a change of heart is needed. The Catholic people must desire to please God by giving Him the worship that He asks for, because He asks for it, in the way that He asks for it, and for as long as He asks for it (cf. Pope Clement XI. Universal Prayer. Roman Missal. Appendix VI). That is where the virtue of religion enters into this discussion.
Religion falls under the moral virtue of Justice. St. “Isidore says (Etym. x), a man is said to be just because he respects the rights (jus) of others” (qtd. ST II-II., Q 58, art 1). St. Thomas says that “justice, before all, subjects man to God” but “Since justice implies equality, and since we cannot offer God an equal return, it follows that we cannot make Him a perfectly just repayment.…Nevertheless justice tends to make man repay God as much as he can, by subjecting his mind to Him entirely.” (Q. 57, art 1, Obj. 3; reply Obj. 3). 
Therefore, we understand that subjecting our minds to God, and giving him a just repayment as much as we can, is a participation in the virtue of justice. Justice is an infused moral virtue that we hold when we are in a state of sanctifying grace. We receive it in order to cultivate it and cooperate with it. When we cultivate the virtue of justice and cooperate with it, then it slowly grows in us until it becomes as second nature. A virtue becomes as a second nature to us, but only after much practice and discipline. Therefore, to grow in the virtue of justice is not understood to be an easy thing. We must will it and then persevere.
The same goes for religion. The virtue of religion is a subcategory of the virtue of justice. We must will it and practice it and cooperate with it and participate in it, and over time, it becomes like second nature. When asked whether religion is a virtue, St. Thomas replies:
I answer that…a virtue is that which makes its possessor good, and his act good likewise, wherefore we must needs say that every good act belongs to a virtue. Now it is evident that to render anyone his due has the aspect of good, since by rendering a person his due, one becomes suitably proportioned to him, through being ordered to him in a becoming manner. …Since then it belongs to religion to pay due honor to someone, namely, to God, it is evident that religion is a virtue. (ST II-II., Q. 81, art 2).
Rendering to God his due defines the virtue of religion. It is truly right and just, our duty and our salvation, always and everywhere to give Him thanks. The Catechism also teaches us this:
“You shall worship the Lord your God” (Mt 4:10). Adoring God, praying to him, offering him the worship that belongs to him, fulfilling the promises and vows made to him are acts of the virtue of religion which fall under obedience to the first commandment (CCC 2135).
We understand from this that divine worship belongs to the virtue of religion and that we offer divine worship to God in order to render to Him what belongs to Him––that which is His due. We also understand that divine worship is not determined by us, but by Him. He determines the way we will offer Him worship. In fact, it is He Himself who offers the worship. Christ Himself offers the worship through the ministry of priests in His Church. We unite ourselves with His worship of the Father. It is His work, the work of God (opus Dei). We call this work of God also the Officium Divinum, or Divine Office. All liturgy is the Divine Office or divine work of God.
When we participate in this work of God, it is called public worship. Public worship means that it belongs to the whole Church and not to any individual or group of individuals. In other words, the texts of the Mass are part of the public worship of the Church because they are taken from liturgical books (Missal, Gradual, Lectionary). The liturgical books are objectively the same for everyone. But if I choose hymns to replace the propers of the Mass, that part of the Mass becomes a product of my private judgment and therefore an act of private worship.
The Church officially teaches that there is a distinction between public and private worship. Public worship, or liturgy, is the prayer of Christ and His Church. Liturgy is defined as “an exercise of the priestly office of Jesus Christ. …In it full public worship is performed by the Mystical Body of Jesus Christ, that is, by the Head and His members” (Sacrosanctum Concilium 7). The Head (Jesus Christ) and His members (the Church) are configured in a hierarchy of clergy, religious and laity. In the Mass, this hierarchy is expressed through the clergy, the schola cantorum, and the faithful in the pews. What if there is not a schola cantorum? Or what if the schola cantorum is not available at every Mass?
We understand in the Church that we are represented by others in the hierarchy. A priest is set apart from the faithful to offer sacrifice on their behalf. A priest is also obliged by his ordination to pray on behalf of the Church. He prays the public worship of the Church (the Breviary) in addition to his own private time in prayer. Both public and private prayer are important, but public prayer has priority. All the faithful are obliged to pray, but the lay faithful are not obliged to pray the canonical hours of the Divine Office each day as the clergy and religious are obliged to do. The laity are only obliged to pray the Divine Office in so far as they assist or participate at Mass once a week on Sundays and on all holy days of obligation.
Priests fulfill their obligation to the Divine Office by praying their breviary several times every day. The highest form of the Divine Office is celebrated when the Mass and the canonical Hours are chanted. Communities of choir monks and nuns must chant the Divine Office. They do so on behalf of the rest of the Church, and on behalf of busy priests who recite the Office. Choir monks and nuns are also obliged to chant the Mass everyday. If their community does not chant the Mass, their obligation for the praying of the Divine Office is not fulfilled. The 1917 Code of Canon Law specifies the Divine Office as follows: “The divine office includes the psalms of the canonical hours along with the celebration of a sung conventual Mass...” (Can. 413.2; trans. Edward N. Peters. San Francisco: Ignatius, 2001). This canon is not found in the 1983 Code, but nevertheless it remains true that the sung Conventual Mass is part of the Divine Office and that someone somewhere must sing it on behalf of the Church in order to fulfill the praying of the Divine Office in full.
A priest can pray a quiet Mass in private that is completely spoken or even whispered and fulfill his obligation to celebrate the Mass. Even alone, it is an act of public worship. A community of choir monks or nuns must assist at a conventual Mass by singing the choral Mass in order to fulfill their obligation to the choral office. In total, the Divine Office to be sung includes Matins/Office of Readings, Lauds, (Prime), Terce, Mass, Sext, None, Vespers, and Compline in that order throughout the day, every day.
The inclusion of the sung Mass within the Divine Office suggests that there is a work that is fulfilled in the singing of the Mass which is a different work than that of the priest offering the Holy Sacrifice. The work of the schola cantorum in singing the psalms, antiphons, responsories, and other propers is a participation in the Divine Office. The schola cantorum in a parish, when it is made up of lay men and/or women, takes up the duties of the choir religious. The schola sings it on behalf of the whole Church. They render to God what is His due on behalf of those who cannot do so. The priest cannot do so because he is engaged in praying the Mass as it pertains to the priest. The lay faithful cannot sing the propers because the propers require an advanced skill and proficiency that do not belong to everyone. The schola cantorum sings the propers for the good of the Church and for the fulfillment of the Divine Office, which is the work of God. It is a noble duty and it belongs first to the virtue of justice and, secondly to the virtue of religion. The propers are an essential part of the Mass that must be prayed by someone somewhere in the world.
Remember how we considered that the people might be singing songs while the priest is praying the Mass? We know that the priest fulfills his obligation and his office by offering the Mass as it is given in the liturgical books. How do the faithful fulfill their obligation to Mass on Sundays? The faithful fulfill their obligation by being present. Ideally, the faithful will also be mindful, reverent, and prayerful. Ideally the faithful will sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei. They will recite the Confiteor and the Domine, non sum dignus. They will adore God at the elevation of the consecrated Host and the Precious Blood. They will receive Holy Communion in a state of grace, and they will ideally make an act of thanksgiving after Mass. In doing all these things, they give to God what belongs to Him. They belong to Him.
What remains is an obligation on the part of some in the Church to chant the Mass in the entirety of its texts from the Missal, the Gradual, and the Lectionary. Since there are some who are obliged to do so, therefore the Offertory chant is necessary. Somewhere in the world, this must be done. Let it be done here, and there, and everywhere. It is a service to God and to all the faithful that it is done; not for our glory, but for God’s glory and to render Him what is due to Him.

The Ordinariate Church in London re-establishes links with the Portuguese Embassy

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The Portuguese ambassador to the United Kingdom is to attend Mass at the Personal Ordinariate of Our Lady of Walsingham's central church in Warwick Street, Soho, London next month as part of efforts to restore historic links between that church and the Portuguese Embassy. His Excellency João de Vallera, along with other representatives from the Portuguese community in London, will be at the 10.30 a.m. Solemn Mass on Sunday 15 June, which falls at the end of a week of celebrations to mark Portugal's National Day on 10 June.

The Warwick Street Catholic Church, Our Lady of the Assumption and St. Gregory, which Cardinal Vincent Nichols dedicated to the life of the Ordinariate in 2013, was built on the site of a Catholic chapel which had served the Portuguese embassy in London in the early eighteenth century, when the embassy was located in Golden Square, Soho. That original chapel, built during the Marques de Pombal's term as ambassador from 1724 to 1747 (and subsequently leased to the Bavarian Embassy), was badly damaged during the anti-Catholic Gordon Riots of 1780. It was rebuilt in 1789-90.

The Mass will include music by the Portuguese composer, Manuel Cardoso alongside pieces by English composers including Herbert Howells and John Stainer, and will be celebrated according to the Ordinariate Use. The principal celebrant will be the Ordinary of the Personal Ordinariate of Our Lady of Walsingham, the Rt Revd Monsignor Keith Newton. This will be followed by a reception for all at which Portuguese wine and canapes will be served. Mass is at 10.30 a.m. Sunday 15 June. Church of Our Lady of the Assumption and St Gregory, Warwick Street, London, W1B 5LZ. All are welcome.

Fr. Dwight Longenecker on Worship Ad Orientem

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Many readers of NLM will be aware that Fr. Longenecker has, over the years, written a number of fine articles on the contemporary relevance and permanent value of certain traditional liturgical practices. Yesterday he posted a piece on his experience of celebrating the Mass ad orientem:
Sometimes in the midst of my incredibly busy life the door opens and I have a glimpse of what it is really all about.
          Quite often this happens on a Wednesday. On Wednesday evening I hear confessions and then say Mass. I celebrate the Mass ad orientem. It is the only time in the week I do so.
          I celebrate facing the same way as the people because I actually feel closer to them that way. I also feel closer to God.
          I celebrate most masses facing the people, but I have to admit that whenever I do, try as I might, I feel like I am on show – kind of like I am in entertainment mode. When I stand at the other side of the altar and face the Lord with the people I find that my own celebration of Mass is more intimate and mystical. I feel like I am able to focus more on the Lord and what is happening. If I need to weep I can do so without people seeing me. If I need to pause and pray I can do so without worrying what people are thinking.
          So this week on Wednesday evening as I celebrated Mass a strange awareness came over me. As I read the words from the missal it was as if the words themselves were alive and vivid. I cannot explain what I was seeing except to say that the words were thronged with the meaning of the words. The words on the page were distinct and that made every doctrine and truth distinct. It was as if each word and even each letter stood out with cosmic significance – not that the words themselves were so alive, but that the eternal meaning and truths that the words communicated were alive and throbbing with the meaning – meaning that was alive as far above me as the stars, and as close to me as my own breath.
          Then I thought of the mysterious meaning of “In the beginning was the Word and the Word was with God and the Word was God…and the Word became flesh and dwelt among us.”
          It was as if this eternal mystery of the incarnation was coming true again within the simple speaking of the words. Something happened. A transaction was made between this world and eternity. The words and the actions of the liturgy came alive as I know they always come alive even though I do not always realize it.
          Then coming away after Mass the thunderstruck realization of why it is so important (as Fr Z says) to “say the black and do the red”. The priest is servant to the liturgy. The liturgy is not servant to the priest. It is only as I submit to the liturgy and live the liturgy and let it live through me that it comes to it’s fullest meaning.
          This is why it is such a travesty and mistake for a priest to try to make the liturgy “meaningful” by adding his own emphasis, his own comment and his own frightful personality. Instead, the formality of the actions, the simplicity of the gestures and the dignity of the words stand alone and communicate the mystery.

Would that clergy everywhere could read this humble and heartfelt narration and then make "the experiment of tradition" themselves! Experience is indeed the best teacher, and many things, indeed the most important ones, never become clear except along that path.

Many laypeople also go through the same process of discovery. The first time I ever saw Mass offered eastwards was when I was around the age of 17 (that would have been in the late 1980s). It was a poor venue for the Mass, a long conference room with low ceilings, very crowded, and I could hardly follow the liturgy, since it was completely unfamiliar to me at that time. And yet the moment the priest began to pray, facing the altar, with the entire congregation utterly silent, I knew with a strange certainty that here was a man who, like the child Jesus in the temple, was "busy about the Father's business," and the rest of the people were joining him in spirit with their prayers. The whole thing felt very real, although still very foreign. The moment of interior insight had not yet occurred, since I was still thinking of the Mass as a community event, as something the priest and the people do with and for each other, facing one another in a sort of lecturer/audience relationship.

As the years went on, participation in Masses celebrated ad orientem came to feel more and more right, as I absorbed the lesson of this most ancient Christian symbol. We are all facing together towards the Lord, we are all engaged upon the same act of adoration in spirit and in truth. Later on, I acquired language with which to talk about it: the Holy Sacrifice of the Mass is the worship of Christ, the head of the Church, and of his members united with Him, forming one Mystical Body. The priest leads us in prayer, for he represents Christ the head of the Church -- and the head is attached to the body facing in the same direction as the rest of the body, not backwards. Moreover, the East, where the sun rises on our dark world, is a cosmic symbol of Christ, so the priest and people are simply praying towards their Lord and God, who will come again in glory to judge the living and the dead.

I can't say when exactly it was, but at a certain point, it all went "click": the whole thing made perfect sense: the Mass is not about us, it's about Him -- and our posture should make that absolutely, transparently clear.

This is the way that experience works. As Aristotle says at the end of the Posterior Analytics:
From perception there comes memory, as we call it, and from memory (when it occurs often in connection with the same thing), experience; for memories that are many in number form a single experience. And from experience . . . there comes a principle of skill and of understanding -- of skill if it deals with how things come about, of understanding if it deals with what is the case. . . . as in a battle when a rout occurs, if one man makes a stand another does and then another, until a position of strength is reached. (Book II, ch. 19)
May there be among the People of God, laity and clergy alike, many perceptions, memories, and experiences that, like valiant soldiers making a stand, serve to bring about the rediscovery and permanent reestablishment of worshiping ad orientem, towards Christ who is our true Orient.

From Solesmes: a beautiful facsimile of a Montecassino manuscript and a flying drone

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Solesmes has published the latest volume in the Paléographie Musicale series. This beautiful volume is the 23rd in the series which began in 1889 and is the first to be published in colour. It is a facsimile of Montecassino MS 542, a 12th century antiphonary and a beautiful example of the distinctive Beneventan Chant which originated in the south of Italy. The book has an introduction and explanation (in French) of the notation by the scholar and musician Katarina Livljanić as well as a comprehensive index.

The photograph below shows the original manuscript and the first antiphon from Lauds on the Feast of the Holy Innocents: Herodes iratus occidit multos pueros in Bethlehem Judae civitate David. The damage sustained in a fire can be seen at the top.

The new edition can be purchased directly from Solesmes.

The video of Solesmes below was recently filmed by a drone and shows parts of the monastery usually hidden out of sight. The opening shot starts in the French Garden, the Abbey Church visible to the right, and moves towards the Maurist Priory building which contains both the Atelier of the Paléographie Musicale as well as Dom Gueranger's cell, exactly as he left it. The charming garden of the smaller Maurist Cloister can be seen, as well as the Great Cloister, in the corner of which is the small building (with turret roof) where the Abbot washes the hands of guests before they enter the refectory. The Abbot's octagonal cell juts out at first floor level over a small internal courtyard (1:30) next to the library at the heart of the complex. The classic view of Solesmes which ends the short video is taken from a little further upstream on the River Sarthe.

A Priest of Great David’s Greater Son

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The following homily was preached by Father Peter Stravinskas on the occasion of the First Solemn Mass of Father David Michael Waters, at the Church of the Sacred Heart in Royersford, Pennsylvania (Archdiocese of Philadelphia), on 18 May 2014. Although its focus is not the Liturgy per se, it is a biblically saturated and richly textured treatment of the Priesthood of Jesus Christ, apart from which the Church has no Liturgy, or, for that matter, no existence.
The First Epistle of St Peter recalls that all the baptized share in the priesthood of Jesus Christ, just as the whole community of Israel constituted a “priestly people” (1 Pt 2:9). However, within that one holy people, certain men were chosen to represent them in offering sacrifice to Almighty God. And so it is with Christ’s holy Church. Through the Sacrament of Holy Order, a man is configured to Christ the Priest, so that the priesthood in which he now shares differs, as Lumen Gentium teaches us, “in essence and not only in degree” (n. 28) from the common priesthood of all the baptized.

Nevertheless, St John the Evangelist shares with us the exasperation of our great High Priest with those He had associated with Him in His priestly office: “Have I been with you so long, and yet you do not know me... ?” (Jn 14:9). However, Our Lord is not content to leave those first priests of His where they are; rather, He promises them that, if they have faith, they will do “greater works than [He]” (Jn 14:12). Truly remarkable. That promise is even fulfilled, St Luke informs us today, within the Jewish priesthood as “a large group of priests were becoming obedient to the faith.”

Those men had become convinced of the power of the name of Jesus for, as Peter and John proclaimed to the Sanhedrin, “there is salvation in no one else, for there is no other name under heaven given among mortals by which we must be saved” (Acts 4:12). Later, St Paul would rhapsodize, “At the name of Jesus, every knee must bend” (Phil 2:10). A name is critically important. Indeed, numerous studies have shown that the self-image and achievement of individuals is highly conditioned by what they think of their names. And so, with all due respect to the Bard of Avon, we cannot concur that “a rose by any other name would smell as sweet.”

In the biblical scheme of things, a name is highly significant, especially when one is chosen for a new role. Abraham and Peter come to mind immediately. I would like to continue in that biblical line of thought and practice by presenting the principal celebrant of today’s Holy Mass with a reflection on his names and, since he is always most gracious, I am sure he will be more than happy to allow all of you to eavesdrop on my remarks.

David Michael Waters. Three strong, suggestive and programmatic names for a priest.

David – what a complex and intriguing man. A conniver, adulterer and murderer, yes, but at the same time highlighted by St Paul, relying on 1 Samuel 13, as one whom God Himself considers “a man after my heart, who will carry out all my wishes” (Acts 13:22). This terrible sinner-turned-saint occupies much of the Old Testament, keeping us fascinated with his story for the first weeks of Ordinary Time this year and noted with reverence 160 times in the New Testament. Chapter 47 of the Book of Sirach sings David’s praises in laconic form as the slayer of Goliath and destroyer of the Philistines, as well as a promoter of the worship of God. The sacred author concludes by saying that, for these reasons, “the Lord forgave him his sins and exalted his strength forever” (v. 11).

Ah, what a job description for a young priest. Slaying the giants of secularization and the Philistines of the anti-culture. The drive toward secularism and the demise of civilization go hand in hand. A basic lesson in etymology reveals that the Latin word cultura (culture) comes from the word cultus (worship): You see, according to the wisdom of the ancients, even the pagan ancients, it was deemed impossible to have a culture without reference to divine worship. The Fathers of the Second Vatican Council in Gaudium et Spes surely got it right when they declared, “Without the Creator, the creature vanishes” (n. 36). We priests are deputed to serve as sentinels or watchmen who cry out with all our might, echoing the insightful and consoling remark of Pope Benedict XVI in his inaugural homily which, in turn, was a reprise of John Paul II’s inaugural homily:
If we let Christ enter fully into our lives, if we open ourselves totally to him, are we not afraid that He might take something away from us? Are we not perhaps afraid to give up something significant, something unique, something that makes life so beautiful? Do we not then risk ending up diminished and deprived of our freedom? ... If we let Christ into our lives, we lose nothing, nothing, absolutely nothing of what makes life free, beautiful and great. No! Only in this friendship are the doors of life opened wide. Only in this friendship is the great potential of human existence truly revealed. Only in this friendship do we experience beauty and liberation. And so, today, with great strength and great conviction, on the basis of long personal experience of life, I say to you, dear young people: Do not be afraid of Christ! He takes nothing away, and he gives you everything. When we give ourselves to him, we receive a hundredfold in return. Yes, open, open wide the doors to Christ – and you will find true life.
That, I submit, must be our undying message.

Furthermore, we priests must be preservers and transmitters of that culture which rose, Phoenix-like, from the ashes and cesspool of decadent Rome, flowering in a superabundance of works in literature, art, music, architecture, science, all produced in the Middle Ages – the Age of Faith par excellence. The seer of the Book of Revelation, in his third chapter, recounts the Spirit’s message to the Church of Philadelphia, doing so with reference to the “Clavis David” (the Key of David), a lovely image that also finds its way into the “O Antiphons” of the late Advent season. What is the “Key of David,” and what is its connection to the Sacred Priesthood?

For an answer, we go back to the title’s first appearance in the Book of Isaiah, where we meet Shebna, whose authority will be conferred on Eliakim: “And I will place on his shoulder the key of the house of David; he shall open, and none shall shut, and he shall shut, and none shall open” (Isa 22:22). In this way, says the Prophet, Eliakim “shall be a father” to God’s People. In the power of the keys – to bind and loose – are found the responsibility and the charisms of sanctification and governance in the Church, exercised after the manner of the Good Shepherd Himself and carried out in a particularly moving way in the Sacrament of Penance. It is also operative in leading one’s flock, a flock not always willing to be led, preferring at times the superficial allurements of the anti-culture to the green pastures where await them the sacraments of life and salvation. The priest bears the onus of seeing to it that both he and his flock arrive in those safe pastures. Hence, we pray in the Liturgy of the Hours that the flock would never lack the care of the shepherd, nor the shepherd the obedience of the flock. One further word from an elder presbyter to a son in the ministry: Heed the sage advice of St Paul to Timothy, his son in the priesthood: “Let no one despise your youth” (1 Tm 4:12).

King David made beautiful worship a priority of his kingship, but I would beg you not to emulate his effort at liturgical dance. Let us listen to how Sirach summed up David’s liturgical accomplishments:
In all that he did he gave thanks to the Holy One, the Most High, with ascriptions of glory; he sang praise with all his heart, and he loved his Maker. He placed singers before the altar, to make sweet melody with their voices. He gave beauty to the feasts, and arranged their times throughout the year, while they praised God’s holy name, and the sanctuary resounded from early morning. (Sir 47:8-11).
There’s another “mission statement” for a priest, if ever there was one, as well as a good text by which to conduct a daily examination of conscience. And may Sirach’s assessment of King David be that of the People of God at the funeral of every priest, including this new one.

We also hear sung the praises of the “Tower of David” in the Canticle of Canticles (4:4). That ancient citadel was a fortress guarding entrance to the City of Jerusalem at the Jaffa Gate. The priest is to defend the Church from the assaults of her enemies, to be sure. However, the Church has also seen in the Tower of David a figure of the Blessed Virgin Mary, an image which finds its way into the lyricism of the Litany of Loreto. Blessed John Henry Cardinal Newman explains: “A tower in its simplest idea is a fabric for defence against enemies. David, King of Israel, built for this purpose a notable tower; and as he is a figure or type of Our Lord, so is his tower a figure denoting Our Lord’s Virgin Mother.”

And now permit me to go one step farther: Just as Our Lady always advanced the mission of her Son during His earthly life and ministry from Cana to Calvary; just as the doctrine of her divine maternity has preserved the truth of her Son’s full identity throughout the history of the Church, so too is she given in a unique manner to those men who share in her Son’s Priesthood, as they are allowed to hear in the words to the Beloved Disciple a message addressed to them as well: “Behold your mother” (Jn 19:27). A priest’s life and ministry need to be marked by the maternal presence of “the woman” who rejoices in the Cana of his ordination, First Mass and celebratory banquet – and who will stand by him through his sure-to-come experiences of Calvary. And so, daily recourse to the Mother of the Eternal High Priest, perhaps with the concluding prayer of St John Paul II in Pastores Dabo Vobis:
O Mother of Jesus Christ, you were with him at the beginning of his life and mission, you sought the Master among the crowd, you stood beside him when he was lifted up from the earth consumed as the one eternal sacrifice, and you had John, your son, near at hand; accept from the beginning those who have been called, protect their growth, in their life ministry accompany your sons, O Mother of Priests.
Next, we need to consider the principal celebrant’s middle name of “Michael,” which he and I share. As we learned in grammar school, the name means “Who is like God?” And the first point to be made here is that that means: You are not! All too many clerics have a “messiah complex,” leading them to believe that they, rather than Jesus, are the saviors of the world. In many Protestant churches of a former era, it was common to find in the pulpit a tiny sign intended only for the preacher’s eyes; it contained the words of the Greek-speaking delegation to Philip with the demand: “We wish to see Jesus” (Jn 12:21). In other words, as astonishing as it might seem to some of us priests, it’s not all about us; it’s about Jesus Christ. In this regard, it behooves us to meditate frequently on one of Cardinal Newman’s more poignant prayers, one prayed daily by Mother Teresa and her Missionaries of Charity:
Dear Jesus, help me to spread Your fragrance wherever I go. Flood my soul with Your spirit and life. Penetrate and possess my whole being so utterly that my life may only be a radiance of Yours. Shine through me and be so in me that every soul I come in contact with may feel Your presence in my soul. Let them look up and see no longer me, but only Jesus!
Indeed, the very meaning of the word angelos in Greek is that he is a messenger or representative of one greater than himself. As such, it is the duty of a priest, like St Michael the Archangel, to be a defender of the honor of God. In the culture in which we find ourselves, this could well become a full-time job. Once again, the ever-prescient Cardinal Newman told seminarians in 1873 that a time was on the horizon when Catholics would perceive the old battles between Catholics and Protestants as child’s play, compared to what he dubbed “the infidelity of the future,” by which he meant a militant, aggressive secularism. I venture to say that Cardinal Newman himself would be astonished to see just how far the campaign of secularization has proceeded.

However, the task of the priest today is no different from that of the priest of the Old Covenant, that is, to make the People of God holy, so that they in turn can make holy the world in which they live. We do that in a preeminent way by teaching and preaching without equivocation the whole truth of Jesus Christ and His Church. We stiffen the spine of the lay faithful, making them confident of the truth of the Gospel and giving them the spiritual and psychological wherewithal to present that truth as a source of life, joy and human flourishing. Thus, in defending the honor of God, we shall equally defend the honor of man, made in God’s image and likeness – “the only creature on earth that God has willed for its own sake,” as we read in Gaudium et Spes (n. 24) and in the Catechism of the Catholic Church (n. 356).

Which means that, like Michael, priests must be the implacable enemy of Satan. Many Fathers of the Church held that the battle between God and Lucifer occurred because God the Father had revealed His plan for the Incarnation, that His Son would become Man. Lucifer took offense at such a notion, for he could not conceive of worshiping God in the form of man. The image of man has become totally distorted in our society – the work of the Devil, Diabolos in Greek, which means one who “sows confusion,” confusion about who man is and who God is at one and the same time.

Today’s priest must be untiring in holding up the inestimable dignity of the human person as created by God and redeemed by Jesus Christ – a mission which will be mightily resisted by Satan’s minions, for only by obfuscating the image of God in man can they succeed in their goal of gaining disciples. A word of warning, however: If a priest is performing this essential service to humanity, he can count on the constant assaults of the Evil One. Therefore, he must be girded for battle through: a profound understanding of the Christ and the Church he serves; his own priestly identity; constant recourse to prayer; and total reliance on divine grace.

We are told that Pope Leo XIII had a vivid apprehension of the onslaught of Satan against the Church and so counseled prayer to the Archangel Michael. Who can doubt that Leo’s worst fears are being realized at present and that the first attacks of the Devil are upon Christ’s priests? Indeed, more than ever, our need to pray fervently: “Saint Michael the Archangel, defend us in battle. Be our protection against the wickedness and snares of the Devil.”

That said, let me offer reason for confidence in this fight against the Evil One. Yesterday in the Cathedral Basilica of Saints Peter and Paul, an ancient promise was renewed, connected to our principal celebrant’s first two names:
I have found David, my servant; with my holy oil I have anointed him; so that my hand shall ever abide with him, my arm shall strengthen him. The enemy shall not outwit him, the wicked shall not humble him. I will crush his foes before him and strike down those who hate him. My faithfulness and my steadfast love shall be with him ... Once for all I have sworn by my holiness; I will not lie to David. (Ps 89: 20-24; 35)
Next we come to our celebrant’s surname, “Waters.” In my biblical concordance, there are over 700 entries referring to the word “water” or its derivatives! We know from our observation of nature that water is an ambivalent reality, which can bring both life and death. Not enough water, death; too much water, death as well. The waters which brought life and freedom to the Israelites of old likewise brought death to the Egyptians.

Today let us focus on the necessity for water to be available whenever needed. Our Lord repeatedly presented Himself as the source of “living waters” and, as the Preface for the Solemnity of the Sacred Heart reminds us: “For raised up high on the Cross, he gave himself up for us with a wonderful love and poured out blood and water from his piercèd side, the wellspring of the Church’s Sacraments, so that, won over to the open heart of the Savior, all might draw water joyfully from the springs of salvation.” It is the solemn obligation and grand privilege of the priest to make available to all – “on-demand” – the opportunity “to draw water joyfully from the springs of salvation.” How is that done? Let me suggest two practical ways.

Our consecrated celibacy is the neon sign that shines out with the message: “Open 24/7.” Priestly celibacy is not a form of convenient bachelorhood. Nor is it a way for our people to maintain “cheap labor.” Celibacy, for the sake of the Kingdom (as Jesus envisioned it), is intended to be an eschatological sign, that is, a reminder of the life to come – a concrete, in-the-flesh proclamation of the assertion of the Epistle to the Hebrews: “For here we have no lasting city” (Heb 13:14), in which we hear the resonance of Our Lord’s admonition: “... and there are eunuchs who have made themselves eunuchs for the sake of the kingdom of heaven. He who is able to receive this, let him receive it” (Mt 19:12). That is, total availability for the waters of salvation to flow here below – and a consistent sign of the saving waters of eternity. Truth be told, as I move around the country and the world – on planes, trains, and city streets – I am constantly asked if I am a Catholic priest and, almost invariably, the next question is: “What do you think of priests not being married?” In a sex-saturated society, celibacy is arguably the most convincing witness to the truth of the Gospel.

Which leads to the second means of offering the living waters of Christ to one and all – through our public identification as priests. Now more than ever, people need public reminders of the presence of God, indeed of His very existence. The priest, as a marked man, makes that proclamation and, built into that proclamation, is the invitation to “come and drink of the living waters.” During Pope John Paul II’s pastoral visit to Ireland in 1979, he pleaded with the clergy and religious of that nation:
Rejoice to be witnesses to Christ in the modern world. Do not hesitate to be recognizable, identifiable, in the streets as men and women who have consecrated their lives to God and who have given up everything worldly to follow Christ. Believe in the value for contemporary men and women of the visible signs of your consecrated lives. People need signs and reminders of God in the modern secular city, which has few reminders of God left. Do not help the trend towards "taking God off the streets" by adopting secular modes of dress and behavior yourselves!
At the press conference releasing the Directory on the Ministry and Life of Priests in 1994, then-Bishop Cresenzio Sepe of the Congregation for the Clergy was asked: “The document says priests should always be dressed as priests. Does that mean even when they go out to dinner?” Bishop Sepe replied: “A priest is no less a priest at the dinner table than he is at the altar!” From personal experience, I can attest that I have probably done as much good for the cause of Christ, His Gospel and His Church in the public forum as I have in pulpits and classrooms. Our visible, public witness is an invitation to a thirsting humanity to “come and drink” of the life-giving waters flowing from Christ through His Church. Oh, as a not-so-side note, if you can’t look happy and joyful, please don’t appear in public as a priest: There’s nothing so counter-productive to the proclamation of the “Good News” of Christ as a glum, misery machine in a Roman collar or a veil!

Finally, we come to one more name, that some will consider a title, which you received yesterday, that of “Father.” No, “Father” is not a title; it is truly a name. Through the grace of the Sacrament of Order, you became a father in ways as real as any biological father and, you will discover, even more so in many circumstances. In the sadly fatherless society we inhabit, a priest is often called to do “double duty” as a psychological father-figure, in addition to his spiritual fatherhood, whereby he begets children for the Kingdom of God, fosters their growth, and leads them into eternity. I should mention that the Church of Philadelphia is so blessed to have as its “father in God” Archbishop Charles Chaput, whom I am delighted and honored to count as a long-time friend and who has certainly been a model for clerics throughout our nation for his more than a quarter-of-a-century episcopate.

Dearest son and now a brother, never, ever eschew the glorious name of “Father,” by which the Catholic faithful express their devotion and affection to anonymous priests on a city street. Why? Because in the family of the Church, no priest is ever a stranger. Every priest is a father, who brings with him nothing less – no one less – than Christ Himself, the Eternal High Priest. No priest should think that intimate relationships with the faithful call for putting aside the loving name of “Father”; nor should other possibly exalted titles like “Doctor” ever supplant the natural and supernatural name of “Father.” Of course, now you would have to wait another forty years for the possibility of “Monsignor,” anyway. Here we should recall that when Blessed John Henry Newman became a cardinal, many asked how he should then be addressed. It is said that, with his characteristic incisiveness, he replied that of all the titles he had held in his life, never did any ever mean more to him than that of “Father.” May every priest always endeavor to be worthy of the name.
Dear friends in Christ and friends of the newly ordained, let us return to today’s First Reading where we heard St Luke inform us that “a large group of priests were becoming obedient to the faith.” This young man took yet another step in that direction yesterday. We know that “obedience in the faith” is not a one-time deal; indeed, it is the work of a lifetime. It is the happy responsibility of all God’s People to pray that their priests grow day by day in that obedience. May I ask each one present today to make a firm commitment – as a matter of fact, a solemn promise – to pray for this new priest every day that, in the words of today’s Collect, his ministry would “bear much fruit” and that he would thus “come to the joys of life eternal.”

And now with all four names considered, Father David Michael Waters, the Church asks you to do what you were ordained to do yesterday and what, Deo volente, you will do every day for the rest of your life: Join Our Lady and the Beloved Disciple at the foot of the cross which is this altar and make the Lord’s redeeming Sacrifice present for us. In the pleading words of Micah, “Be for us a father and a priest” (Jdgs 17:10).

Bishop Athanasius Schneider in England

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During a recent trip in England, Bishop Athanasius Schneider celebrated a Pontifical Mass at the Faldstool at one of the first post-reformation Marian shrines. Ceremonially, it's interesting to note that he does not use a crosier, because the crosier is reserved to the ordinary and to those whom he gives specific permission. I'm sure readers could add more commentary about this minor point. Have a blessed Sunday.















Two Musical Meditations for Ascensiontide

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Yesterday I searched through my collection of recordings at home to see if I could find some Ascensiontide music to share with my family in the evening. I was surprised at how little specific music I could find, but I did come across two magnificent pieces: Thomas Tallis's office hymn Jam Christus astra ascenderat (which is more a Pentecost hymn but opens with a great reference to the mystery of the Ascension itself) and Gerald Finzi's anthem "God is Gone Up."

So, as we await in prayer the promised Paraclete, here are two beautiful (and very different!) musical meditations.


A translation:

Now Christ had ascended to the stars,
returning whence he had come,
having promised the Father's gift
that he would grant them the Holy Spirit.

The solemn day was approaching
which blessed time is marked
by the mystical seven-times-seven
rotation of the world.

During the third hour,
suddenly the whole world resounds,
and as the apostles pray,
announces the coming of the Lord.

Therefore from the light of the Father
there comes a beautiful and loving fire
which infuses the hearts of the faithful in Christ
with warmth of his word.

These consecrated hearts
you thus replenished with your grace;
forgive now our sins
and give us peaceful times.

Praise be to the Father with the Son,
together with the Holy Paraclete,
and may the son send to us
the grace of the Holy Spirit.

From the notes for Thomas Tallis’ Complete Works:
Towards the end of Henry VIII's reign, composers began to produce choral settings of Office responsories and hymns. Precise dates are difficult to establish, but the senior composers associated with these developments seem to have been John Taverner (d. 1545), whose musical employment (but not necessarily his activity as a composer) evidently came to an end in the later 1530s, and John Redford, who died in 1547. The new fashion was continued mainly by two younger composers: Thomas Tallis, by whom we have seven hymn settings and nine responsories, and John Sheppard, with about seventeen hymns and twenty responsories. …
          Tallis's approach to composing hymns and responsories is methodical but inventive. The hymns are essentially settings of the original plainchant melodies. When sung entirely in plainchant, hymns were performed alternatim, the two sides of the choir singing alternate verses to the same melody. Tallis preserves this alternatim structure by setting only the even-numbered verses and usually also the doxology in polyphony, leaving the other verses to be sung to the original chant. …
          It is easy to underestimate the craftsmanship and ingenuity of these hymn settings. They are all in five voices, with the plainchant in the top voice, but the variety that Tallis can achieve despite what might be considered a mechanical approach is quite astonishing. … Jam Christus astra ascenderat demonstrates another kind of unobtrusive craftsmanship: in the first two verses Tallis works the plainchant in canon in the treble and contratenor, while in the third the chant sails over an independent imitative texture that becomes ever more tightly argued as it proceeds. 
*          *          *


"God is Gone Up," an anthem composed in 1951 by Gerald Finzi (1901-1956), sets to music a poem by Edward Taylor (1646?-1729):

God is gone up with a triumphant shout:
The Lord with sounding Trumpets' melodies:
Sing Praise, sing Praise, sing Praise, sing Praises out,
Unto our King sing praise seraphic-wise!
Lift up your Heads, ye lasting Doors, they sing,
And let the King of Glory enter in.

Methinks I see Heaven's sparkling courtiers fly,
In flakes of Glory down him to attend,
And hear Heart-cramping notes of Melody
Surround his Chariot as it did ascend;
Mixing their Music, making ev'ry string
More to enravish as they this tune sing.

Fetishising Councils?

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A friend shared with me Fr. Hunwicke's recent series of posts in response to Archimandrite Taft's query about the ecumenical nature of post-schism councils.  Fr. Hunwicke spends a post attacking Taft's position, and then in a later post explains what he thinks the roots of Archimandrite Taft's mistake are:
Icon of the Fathers of the First Ecumenical Council
with Arius beneath their feet
Taft's big mistake, I suspect, is to fetichise Councils and, by expecting too much of them, to have problems when they fail to live up to the standards he has set them. This is not surprising; given a lifetime of scholarly work on Byzantine Christianity, it is natural that he should have some of its unspoken assumptions rubbed off, as it were, upon him. And an extremely high regard, even an adulation, of councils, seems, to the poor and ignorant Westerner who is writing this, to be a marked feature of Orthodoxy (I am humbly open to correction from Orthodox readers). 
What interests me is Fr. Hunwicke's suggestion that such an adulation of councils is an unspoken assumption of the Church.  For the Byzantine tradition, the adulation is anything but.  The Sunday after the Feast of the Ascension celebrates the Fathers of the First Ecumenical Council, who are lauded over and over again in the strophes for Vespers and Matins.  The Kontakion for the Feast is very clear about the import of the work of Nicea:
The preaching of the apostles and the teaching of the Fathers have confirmed the faith of Church, which she wears as the garment of truth, woven from the theology on high, as she faithfully imparts and glorifies the great mystery of devotion.
Here the work of Nicea is placed in the context of the apostolic preaching and as integral to the mission of the Church.  The Troparion specifically praises Christ for establishing the Fathers of Nicea as "beacons on the earth."

Throughout the year, the fathers of the six subsequent Councils are remembered: Constantinople I is on May 22, Ephesus on Sept. 9th, Chalcedon on July 16th, or the closest Sunday (Typikon of the Great Church), Constantinople II on July 25, Constantinople III on January 23, and Nicea II on the Sunday closest to Oct. 11.  For Churches following the Slavic practice, the fathers of the first six ecumenical councils are commemorated on the Sunday between July 13th and 19th to guarantee that all of the faithful are given a Sunday to celebrate all of those men.  And the Sunday in October has come to be a celebration of the Fathers of all of the first seven ecumenical councils.  Gregory DiPippo has posted on the Christological content of this last Sunday here.
19th Century Russian Icon
of the Fathers of the First Seven Ecumenical Councils


Some of the texts from the vespers for the Sunday in October are astounding:
The Book of the Law has truly honored the seventh day for the Hebrews who were dispersed  in the shadow of the Law and devoted to it.  But you Fathers, by your participation in the Seven Councils, by the inspiration of God who in six days finished this universe and blessed the seventh day, have made it more honorable by decreeing the bounds of faith.
Then the number of the Councils is given another typological interpretation, with the Fathers being credited for revealing first the Trinity, and then the Trinity's role in creating the four elements of all creation, hence 3+4 becomes a catechesis in itself:
You have given all, O thrice-blessed Fathers, to know the Father, the Son, and the Spirit clearly by their works: the Trinity who is the cause of the creation of the world.  By your mystical speech you called the first three councils and then the next four.  Now you have appeared as the champions of the true faith, thus proving that the Trinity is truly the Creator of the four elements of the world.
And lastly, the seven councils are linked to the work of the prophets:
It would have sufficed Elisha the Prophet to bend but once to instill life into the son of the servant, but he knelt and bent seven times.  Thus, in his foreknowledge he prophesied your gathering through which you revived the Incarnation of the Word of God, and humiliated Arius and his colleagues.
To repeat the, it is no unspoken assumption of the Eastern Churches, but rather it is declared in sacred liturgical hymnody that the first seven ecumenical councils have a very special sharing in the identity and mission of the Church.  Through these seven councils the Church has participated in the work of the new creation, has revealed the special link between the mystery of the Trinity and the mystery of Creation, and has taken up the prophetic mantle as the privileged herald and beacon of Christ's revelation.

The early fathers also recognized a special role to the early ecumenical Councils, although in the West there was more weight given the first four as opposed to the first seven.  Pope Gregory the Dialogist noted in a letter (I, 24): "I confess that I receive and revere, as the four books of the Gospel so also the four Councils."  And a bit later on Gregory invokes his own typological argument, noting that the Church, built "as on a four-square stone, rises the structure of the holy faith."  I mention this only to show that the reverence for the early ecumenical councils is not simply, as one might argue, a post-schismatic mind-set retroactively investing Councils with some exceptional authority, but rather something the Church has had in her mind from very early on.

Which then brings me back to Fr. Hunwicke's concern for over-valuing the councils. With such an incredible liturgical testimony to the important and unique status of those first seven Councils, it seems wise to call to mind what a Pope Pius XII expressed in Mediator Dei:
 In the sacred liturgy we profess the Catholic faith explicitly and openly, not only by the celebration of the mysteries, and by offering the holy sacrifice and administering the sacraments, but also by saying or singing the credo or Symbol of the faith - it is indeed the sign and badge, as it were, of the Christian - along with other texts.... The entire liturgy, therefore, has the Catholic faith for its content, inasmuch as it bears public witness to the faith of the Church.For this reason, whenever there was question of defining a truth revealed by God, the Sovereign Pontiff and the Councils in their recourse to the "theological sources," as they are called, have not seldom drawn many an argument from this sacred science of the liturgy....Hence the well-known and venerable maxim, "Legem credendi lex statuat supplicandi" - let the rule for prayer determine the rule of belief.
If we are to take seriously  lex orandi, lex credendi, and if we grant that this law is valid for the liturgies of the East and the West, it seems we are far more in danger of undervaluing those first seven councils, than we are of fetishising them.  And if we do not feel comfortable giving this same devotion to all those synods that the Roman Catholic Church canonically rules to be ecumenical, then doesn't it seem to fair to ask: What's the difference?

Pictures of the New Altar at Saint Catherine of Siena Church, Phoenix, AZ

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Here are some photos of the new altar at St Catherine of Siena Church, Phoenix, Arizona (h/t Cesar Sanchez).
Cesar tells me that the Extraordinary Form of the Mass is celebrated there every Sunday and regularly during the week. Also, videos of the Mass are posted on Youtube regularly (these photos are screen-grabs from the videos, in fact). For further information contact them at the their website, www.stcatherinephoenix.org
As we look at the photographs below, the first is the old one, the second is a temporary arrangement and finally at the bottom we see the newly installed altar. (Click the photos for a larger view.)



Photos: Ordination and First Masses at the Basilica of SS Peter & Paul, Lewiston ME

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Last Friday, The Most Reverend Robert P. Deeley, Bishop of Portland in Maine, ordained The Reverend Kyle Doustou to the sacred priesthood in the Basilica Church of Saints Peter & Paul, Lewiston. The church is a former Dominican parish, and now home to the Fraternity of Saint Philip Neri, a community in formation of the Oratory. The following photograph from the Ordination is reproduced by permission of the Roman Catholic Diocese of Portland.


On Saturday morning Father Doustou celebrated a Missa Cantata in the Extraordinary Form of the Roman Rite, and on Sunday he celebrated the parish’s Solemn Mass in the Ordinary Form. The Missa Cantata was accompanied by the chant, sung by seminarians from Theological College in Washington, D.C., and the parish Mass was sung by the Basilica Choir. The following photographs were taken at the parish Mass:




On Monday, attended by friends and seminarians, Father Doustou offered the first of the three traditional votive masses (of the Holy Spirit, of Our Lady, of Requiem) at the High Altar of the basilica church, photographs below. Please pray for him and for those others to be ordained for the diocese this year.

Dominican Rite First Mass of a New Priest of the Western Dominican Province

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Over the last weekend, there were ordinations of four men of our Western Dominican Province. Here are images of a first Mass of one of them.

With the permission of Fr. Peter Junipero Hannah, O.P., the celebrant,  here are some pictures of his First Mass of Thanksgiving at the Carmel of the Holy Family of Jesus, Mary, and Joseph in Canyon CA.  Fr. Peter was ordained to the Priesthood of Our Lord Jesus Christ on May 31.  His first Public Mass of Thanksgiving was the conventual Mass of his priory, St. Albert the Great, in Oakland CA, Our Western Dominican Province House of Studies.  As he has on a good number of occasions served as deacon in Dominican Solemn Masses at the Carmel, he wanted his first public celebration of the Dominican Rite Missa Cantata to be with the sisters there.
As you will see in the photos, the current living situation of the nuns is very primitive: the chapel is in the common room of the lodge-residence of a small ranch.  The simply professed live in the bunk house. The solemnly professed in the lodge. Happily, next fall the nuns, thanks to very generous benefactors, will move to the now vacant Carmelite monastery in Kensington, north of Berkeley CA.  Thus the primitive conditions of this current chapel where Mass was celebrated.
At this Mass the servers were: senior acolyte, Rev. Bro. Gabriel Mosher, O.P. (ordained a deacon on May 31); junior acolyte, Bro. Matthew Peddemors; thurifer, Bro. Clement Lapak, O.P.  The Mass was the Votive of Our Lady of Mount Carmel, sung by the nuns.  Father's sermon focused on the importance of Our Lady of Carmel in the evangelization of California (the first Solemn Mass in what is now the state was on that feast, Bl. Junipero Serra's favorite mission was at Carmel, etc.) and the mutual love of the Carmelites and Dominicans of our mutual patroness, the Blessed Virgin.
At the altar for the reading of the Officium (Introit) and Kyrie.


The singing of the Collect.


The incensing before the Gospel.
Father Peter Junipero preaching.
The incensing of the altar at the Offertory.
The thurifer incenses the sisters behind the screen.
The elevation of the Host.
The elevation of the Chalice.
The priest's Communion.
The Priest turns for the Communion Confiteor (customary in sung Masses in the Western Province).
The presentation of the Host for the Ecce Agnus Dei.
 
After the Mass Father Peter Junipero gave first blessings to the Carmelite community. I might add that the Altar Cards for the Dominican Rite seen on the altar were a gift to the Carmelite community in honor of Mother Silvia Gemma's 24th anniversary of profession last month.  I thank the Dominican brothers present for these photographs.

Book Review: The Little Oratory

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I was very happy to receive a copy from Sophia Institute Press of a new book, The Little Oratory: A Beginner’s Guide to Praying in the Home, by Leila Marie Lawler and NLM’s own David Clayton, with illustrations by Deirdre Folley. As I read through it, I became more and more excited.

To put it simply, this is a must-have book for parents trying to build up a genuine Catholic culture in their homes. As a father and husband, I have had the experience of picking up books of this genre (“how to make your home more Christian/Catholic”) and putting them down with some impatience as I realize how idealistic or ambitious or remote or dated or abstract they were. What I love about The Little Oratory is that it never loses the reader in abstractions or unrealistic expectations. The whole concept of the book is that one builds up a household of prayer step by step, always with simple steps; you find what works and you build on that. Actually, I could compare the book to a cookbook that is designed for busy people who are not ready to spend two hours on a multi-course French gourmet dinner that requires shopping at a special market. They want to know how to make a decent home-cooked meal using affordable ingredients at hand, and in the time available. The Little Oratory is like a book of recipes for Catholicizing the home and permeating it with a Christian atmosphere.

The bedrock concept is that it is Eucharistic worship, the “source and summit of the Christian life,” that needs to be extended into the household, into the family circle. The Mass needs to spill over into daily life, so that we are reminded of our Lord, prepared for Him, living from Him. How do we do this? By a simple and concrete (one might say incarnational) step: make a “little oratory,” a prayer table, an icon corner, that serves as a focus for the home, and then use this as a point of reference for the liturgical year and as a gathering place for prayer—whether that be parts of the Liturgy of the Hours (for this, chapter 5, “On Learning to Pray with a Breviary” is nicely limned), or any other family devotions such as the Rosary (for this, chapter 8, “Praying the Rosary,” and Appendix A, “Devotion to Mary” are a godsend: far more nitty-gritty than most treatments, and yet taking the time to explain the deeper reasons why Catholics do what they do). The authors are taking their cue from the Catechism of the Catholic Church, which says:
The church, the house of God, is the proper place for the liturgical prayer of the parish community. It is also the privileged place for adoration of the real presence of Christ in the Blessed Sacrament. The choice of a favorable place is not a matter of indifference for true prayer.
          For personal prayer, this can be a “prayer corner” with the Sacred Scriptures and icons, in order to be there, in secret, before our Father. In a Christian family, this kind of little oratory fosters prayer in common. (CCC 2691)
The authors are to be complimented especially for the magnificent sections on the liturgy and how it grounds and illuminates the Christian life. In spite of the urgent request of Vatican II to offer liturgical formation to the faithful, the past 40 years have been marked rather by an abysmal lack of understanding of the liturgy and a corresponding lack of the spiritual nourishment it provides. It’s as if Vatican II said: “Make sure you have a very nice Christmas tree so that you can hang lots of ornaments on it,” and the response was: “Banish and burn all Christmas trees—the pagan superstitition of it all!” This book takes the advice of the Church at face value and assumes that the role of the liturgy is to permeate all aspects of our life, in big and small ways; it provides unity for an otherwise scattered, overbusy life.

The Little Oratory combines this vision of the liturgy as organizing principle of the Catholic’s life with an absolute conviction of the centrality of the family and of the home as the place where the faith is incarnated in daily life, where the Church takes root, spreads her branches and bears fruit. And there is a welcome emphasis on the role of beauty and thoughtful organization: “holy decorating,” how you can select and arrange religious art, crucifixes, and living spaces so that (for example) the living room is not centered on the television, as if this were the family shrine. In a way, the title of chapter 11 says it all: “Transform the Home, Transform the World.” The unstated alternative is grim: the world will transform our homes into itself, if we do not take due responsibility and initiative.

As one who contributed a series of articles this past Lent encouraging lectio divina, I was delighted to see chapter 6 devoted to “Getting Closer to God’s Word.” Chapter 7, “Devotion,” contains a nice overview of traditional Catholic associations of weekdays and months with particular devotional emphases. Other chapters take up questions like how the routine at home can interface with the local parish and how families can help the clergy to revitalize parish devotions. One appendix even suggests ways in which business operations can be shaped by the Catholic principles outlined in the rest of the book, while another describes how a group of Catholics can take Vespers to a local hospital. As a musician, Appendix G, “Even You Can Sing,” hugely appealed to me. It’s a kind of primer in sacred song, the common patrimony of all Catholics.

The book also contains 12 lovely line drawings and, at the end, 8 full-color icons that can be removed from their perforated bindings and used in the icon corner (see below for examples).

It’s hard to convey in a short review all the riches found in this book, and the utterly practical, down-to-earth way in which the authors unfold their ideas. The humble, reasonable, and flexible tone fills the reader with a sense of eagerness and hope. The practical details extend to how exactly to set up the icon corner or prayer corner—what kind of images to put there, the cloth to use, candles, books, flowers on special occasions, etc. My wife and I set up a prayer table years ago, but we had to stumble along and figure out by trial and error a bunch of the things that Clayton and Lawler cover succinctly and persuasively here. If you are new to this enterprise, or even if you’re more experienced, the book is just chock-full of great ideas. Chapter 10, “Difficulties You May Have,” is abundant proof that the authors did not write this during a sabbatical in an ivory tower.

For me, the most heartening and inspiring aspect of the book from beginning to end is its strong and serene liturgical anchoring. Clayton and Lawler see the liturgy as giving meaning and shape to our whole life, which is exactly what the classic Liturgical Movement felt and desired, and what the New Liturgical Movement seeks today. I have often felt that most Catholics have been simply abandoned when it comes to living the liturgy. I don’t mean superficial activism at the local church; we have plenty of that, far too much of it, in fact. I mean: What do the Mass, the liturgical year, the great feasts and fasts, the divine office—what have they to do with us? How do they intersect and penetrate with my daily life? Given that the Popes have said that we are to drink in the indispensable Christian spirit from the sacred liturgy, it is a sight for sore eyes to find a book that actually lays out a rich banquet of ways in which we can do precisely that.



The Temple Transformed: 2014 Society for Catholic Liturgy Call for Submissions

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The 2014 Annual Conference of the Society for Catholic Liturgy is set to take place at St. Mary’s Cathedral, Colorado Springs, Colorado on October 2-4, 2014.

The theme of the conference is: “The Temple Transformed: Liturgy, Art, Music, Architecture & the Fulfillment of the Old Testament”.

The keynote speaker of the conference is Bishop James D. Conley, bishop of Lincoln, Nebraska. Bishop Conley has been instrumental in enlivening interest in Gregorian chant and the other traditional liturgical arts in the Diocese of Lincoln since his relatively recent appointment to the diocese.

From the conference website:
Join us and our keynote speaker, Bishop James D. Conley, for the 2014 Annual Conference of the Society for Catholic Liturgy, when we will explore the relationship between the robust worship of the Old Covenant and that of the New. Scholarly presentations from a number of related fields will be given. In addition, the Pastoral Track of the conference has been revitalized to offer practical workshops for parish and diocesan personnel. Topics will range from music to art to the ars celebrandi, including introducing chant into a parish and training altar servers. 

The SCL has sent out a call for submissions (see below), extending the deadline until June 30th.



Photos: Three Ordinations at St John Cantius, Chicago

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Through the power of the Holy Spirit and the imposition of hands by His Eminence, Francis Cardinal George, O.M.I., Archbishop of Chicago, Fr. Joshua Caswell, Fr. Nathan Caswell, and Fr. Kevin Mann were ordained to the Holy Order of the Priesthood, for the Archdiocese of Chicago, as members of the Canons Regular of Saint John Cantius. The Mass of Ordination was offered at 7:30 p.m. on Tuesday, May 27, 2014 at St. John Cantius Church.

Hundreds of parishioners, friends, and family joined Cardinal George for this wonderful occasion. Family came from far away as California and Canada. Many visiting clergy, religious, and sisters were in attendance, including the Most Rev. Joseph N. Perry, Auxiliary Bishop of Chicago, the Very Rev. Douglas Mosey, Rector of Holy Apostles Seminary in Cromwell, CT, Rev. Gregoire Fluet, professor at Holy Apostles Seminary, Rev. Regis N. Barwig, Prior of the Community of Our Lady in Oshkosh, WI, Mother Assumpta Long, O.P. of the Dominican Sisters of Mary Mother of the Eucharist, and Sister Mary Anne Linder, FSE, faculty member at Holy Apostles Seminary.

Cardinal George offered the Mass of Ordination in Latin according to the Ordinary Form of the Roman Rite. The Resurrection Choir and Orchestra directed by Fr. Scott Haynes, SJC sang the Messe Solennelle, Op. 36, by Charles-Marie Widor, as well as Ecce Sacerdos, Edward Elgar, Ave Verum, Colin Mawby, Magnificat in G, by Charles Villiers Stanford, I was Glad, C.H. Parry, as well as other motets. The Mass concluded with all singing the Te Deum in Thanksgiving for the newly ordained priests.





























Re-forming the History of the Reformation to Reflect the Truth...and It's a Newspaper that's Doing It!

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From the English national daily newspaper, the Daily Telegraph (h/t Catholicism.org) - this is a very unusual pro-Catholic feature. It explains amongst many other things the importance in English daily life (beyond the popular and thriving religious piety of the ordinary Englishman) of the guilds which sponsored festivals, revelry and mystery plays on about 50 holy days a year. This was the common culture that bound the society together. It even draws parallels between the attitude of modern government in manipulating history to that of Henry VIII and Kruschev. This is not a hysterical rant but a serious article by a historian.

Vespers of Pentecost Sunday - Juventutem Event in Louisville, KY

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The Juventutem chapter in Louisville, Kentucky, officially affiliated to the international federation on March 19th of this year, will have a Holy Hour with Vespers of Pentecost Sunday at 5 p.m. tomorrow. The event will take place at Guardian Angels Catholic Church, 6000 Preston Highway in Louisville. More information at the chapter’s website and in the poster below (click for larger view); as always, all ages are welcome.

Pentecost 2014

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Veni, Sancte Spiritus, reple tuorum corda fidelium, et tui amoris in eis ignem accende: qui per diversitatem linguarum cunctarum, gentes in unitatem fidei congregasti, alleluia, alleluia, alleluia.

The Pentecost Dome of the Basilica of Saint Mark in Venice.
Come, Holy Spirit, fill the hearts of Thy faithful, and kindle within them the fire of Thy love; who through the variety of all tongues, didst gather the nations into the unity of the faith, alleluia, alleluia, alleluia.  (The antiphon for the Psalms of First Vespers of Pentecost in the Dominican Breviary.)

Can Comprehension Be a Disservice?

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At Pentecost each year the Church reads the story of the Apostles being given the gift to speak so as to be heard in the languages of all the nations. One might view this as a kind of "exaltation of the vernacular": each group must hear the Gospel, the Good News of the death and resurrection of Christ, proclaimed in its own tongue. Obviously, the language of preaching needs to be accessible to the particular audience. But we should ask a further question. Is there a language of worship that reaches the human heart—a "universal vernacular of the sacred," if one might put it that way? Is there a unifying language that the Holy Spirit empowers the Church to speak to all the nations, ancient and modern?

Recent years have seen an increasing number of articles and stories that draw attention to the role of the traditional Latin Mass in the conversion or reversion of young people to the Catholic Faith, and, in particular, to the way that the “thickness” of the old liturgy (to adapt an expression of C. S. Lewis) better expresses the mysteries of that Faith—how its complex layers of prayer, symbolism, ceremony, and chant, even in their apparent foreignness, have the power to speak more directly to the soul. It is the paradox of a practice so dense that it becomes transparent, a reality so ineffable that it impresses itself unforgettably on the mind, a mystery so transcendent that it communicates a piercing message in this place and time. There can be a darkness that furnishes more light than our human light, a self-emptying ritual that enriches the soul with a more lasting and substantive content than our creativity and spontaneity could ever do.

Of many examples one could choose from, here is a first-person account I saw at NLM back in September 2013, written under the pen name Zita Mirzakhani:
Before flying back to the states from London, I was obliged to visit Oxford where my favorite authors who helped lead me to my conversion lived and taught. It was here where I first experienced the Mass in Latin. It was a solemn high Mass, and it was perhaps the most beautiful experience I have ever had. Though now I know the liturgy, understand what is happening upon the altar, and am familiar with the replies in Latin, in my ignorance on that happy day in Oxford I was able to experience that Mass as a blind child, imagining the angels singing from on high, as I was too embarrassed in this foreign place to turn my head back to get a glimpse of the choir loft. … There is an unsurpassed solemnity that the “old” rite carries. I am living proof that you do not need to be an expert in Latin to understand that something holy is happening; quite the contrary, it appears that wider use of this form of the Mass may be necessary today to regain the belief in the holy Eucharist and our Catholic identity.
Along these lines, I am pleased to share a letter I received from a reader some months ago.
Dr. Kwasniewski,
          I am a nineteen-year-old layman living in the Diocese of *******.  I am quite interested in things liturgical and theological, and so from time to time I stumble onto the New Liturgical Movement and Views from the Choir Loft.
          I just read your article “Nothing That Requires Explanation?” and found that it resonated with me. I have found that reading Sacrosanctum Concilium, as well as the rest of the Conciliar documents, really is at least as much an exercise in literary comprehension as in spirituality and theology. Often, the documents read more like spiritual treatises or semi-technical sermons than juridical documents outlining actions or reforms to be undertaken. We all know the Conciliar documents were intended to be just what they turned out to be in that sense, more meandering and lightly prodding than commanding and defining. But that cannot possibly be anything but a weakness in their ability to bring about what they do ask for. In my opinion, your article validates my observations. Half the time I think to myself when reading the documents, “What, exactly, does that even mean? What are they asking for? Do they not see the implications and the ways this can be exploited by the unscrupulous?”
          Now, I am not writing you to complain or find a sympathetic ear. Rather, one of my observations about the liturgical reality has been that, perhaps ironically, the Extraordinary Form of the Roman Rite is, in a certain way, more clear and understandable than the Ordinary Form. I first began to consider this because the sacred realities being lived out at Mass are, by their very nature, incomprehensible. The only way to even begin to bring a semblance of understanding of these realities to Catholic people is through symbols in the liturgy. So when one begins to remove signs and symbols and figurative language, the ability of the liturgy to speak for itself is reduced. It is strangely disconcerting to read side-by-side comparisons of the texts of the Extraordinary and Ordinary Forms, as there is a significantly reduced amount of figurative language in the latter as compared with its predecessor—so much so that this could practically be a conspiracy theorist’s dream! One need only think of the Offertory prayers.
          In your article you say, “To go further still, the traditional Roman liturgy is, in a way, far more transparent, far more immediately understandable, because it is more attentive to the majesty and solemnity of the sacrifice and does not attempt to simplify (and thereby cheapen) the contents of worship.” I agree completely. In a sense, the Extraordinary Form is clearer because it is less clear, and the Ordinary Form is less clear because it is more transparent.
*          *          *
In the traditional Mass there is a sublime integration of music, text, and silence, a coherent unity of elements, the simultaneity and hierarchical execution of which are a vivid reflection of the diverse and simultaneous layers of cosmic reality and of intelligible meaning—and which, on a purely practical level, respect and foster diverse ways of participation on the part of different members of the congregation.

Rationalism seeks the linguistification of reality, seeks to capture transcendent mystery in handy formulas, speaks on and on as though one could create an image of eternity if one only talks long enough. Catherine Pickstock is good at critiquing this aspect of the reform. The old liturgy knows better: the priest praying at the altar, primarily addressing himself to God on behalf of all; the schola chanting antiphons and psalms; the incense rising and bells ringing; the people following their missals or praying rosaries, singing the Creed or just watching, letting their souls be taught by images, sounds, motions—everyone is glued together by the complex simplicity and simple complexity of the divine mysteries, which are always somehow far beyond us and yet right there before us and inside us, at once transcendent and immanent.

Many Catholics today, however, are harassed with a simple simplicity (the banality of all-too-human utterance) combined with a complex complexity (since language as such, especially when it attempts to be “self-explanatory,” is often a distraction, a barrier, to the apprehension of inward meaning). Thus modern liturgical praxis re-instates unintelligibility precisely by insisting overmuch on intelligibility; contrary to the stated intentions of the reformers (“simplify, simplify”), the complexity is never actually reduced to an aesthetic-spiritual simplicity. Cardinal Ratzinger put his finger on this very problem:
More and more clearly we can discern the frightening impoverishment which takes place when people show beauty the door and devote themselves exclusively to “utility.” Experience has shown that the retreat to “intelligibility for all,” taken as the sole criterion, does not really make liturgies more intelligible and more open but only poorer. “Simple” liturgy does not mean poor or cheap liturgy: there is the simplicity of the banal and the simplicity that comes from spiritual, cultural, and historical wealth. (The Ratzinger Report, 128)
Or, as Fr. Mark Kirby, Prior at Silverstream, more recently observed:
There is a cold, reasonable, and altogether too “grown-up” form of religion that fails to address the needs of the heart. Chilly and cerebral, it is foreign to the spirit of the Gospel because it is so far removed from things that children need and understand. In many places, the past fifty years saw the imposition of a new iconoclasm, an elitist religion without warmth, a religion for the brain with precious little for the heart, a religion stripped of images and devoid of the sacred signs that penetrate deeply those places in the human person where mere discourse cannot go.
The classical liturgy is already simple in a profound way that comprises complexity of word, image, gesture, song, silence; it is simple in the way that a living animal is simple, in spite of an inconceivable multitude of parts, because it is a single whole, a unified center of action and suffering, a substance that sustains all predication. The modern liturgy is simple in the manner of reductionism, not in the manner of holism.

To set up a goal of complete transparency would mean the total evaporation of liturgical substance. Just as natural substance (not to mention the Blessed Sacrament!) is hidden behind accidents—rerum essentia sunt nobis ignotae—so the essence of the Holy Sacrifice is beyond the pale of human appearances, and yet glimpsed through them when they are not standing in the way.
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