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An Early Medieval Biblical Narrative - The Story of Susanna Carved in a Crystal

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Saturday of the Third Week of Lent is the day on which the Roman Rite traditionally reads the longest epistle of the year, the story of Susanna. (Daniel 13; I have given the history of this passage’s liturgical use elsewhere.) One of the most interesting artistic representations of this story is a carved piece of rock-crystal, made for King Lothair II, a great-grandson of Charlemagne, and ruler of a large part of the latter’s divided Empire. An important part of his history, and that of the Church in the mid-9th century, involves his attempts to rid himself of his sterile wife, Teutberga, and replace her with his long-time mistress. He was granted an anullment by a complaisant synod of bishops, but Pope Nicholas I overturned their decision, and declared his original marriage valid; an important witness to the sanctity of marriage in an age where all too many of the clergy were at the beck and call of the spirit of their age. Partly under political pressure from his uncles, the rulers of the rest of the Carolingian Empire, and partly under threat of excommunication by the Pope, Lothair was (temporarily) reconciled with his wife in the year 865. The British medieval scholar Valerie Flint believed that the carved crystal represents a vindication of Teutberga, whom Lothair had accused of sexual immorality, (specifically, incest with her brother), just as Susanna was accused of adultery, and proven innocent by the Prophet Daniel. (click image to enlarge)
The Lothair Crystal, also known as the Susanna Crystal, ca. 865 A.D., now in the British Museum in London. The 15th century bronze frame may have been added to turn it into a morse, the large clasp that closes a cope at the front. The crystal was cracked when the monastery where it had been kept for centuries was sacked during the French Revolution, and it was thrown into the Meuse River. The holes in the frame formerly held jewels. 
The story as depicted here starts on the upper left and runs clockwise; the latticed enclosure is the garden where the two elders have accosted Susanna as she bathes. To the right of the lattice (in the upper part of the crack), two servants tun to Susanna’s aid as she cries out for help. In the middle of the right side, the two elders stand before Joachim’s house, demanding that Susanna be brought forward for judgment; immediately below, they accuse her by placing their hands over her head, while the bystanders express their astonishment. Beneath that, an official with a staff in his hands leads Susanna off to execution, but is stopped by the Prophet Daniel. On the lower left side, Daniel reproves the first elder, above that, convicts the second of lying. The two elders are then stoned to death. In the central medallion, Susanna stands before the judgment seat of Daniel, her arms stretched out in a gesture of thanksgiving, with two other men (one perhaps her husband) on the left.

The art historian John Beckwith correctly noted that “Susanna was regarded in early Chrstian times as a symbol of the persecuted Church … and there can be no doubt that an early Christian model was at hand when the crystal was carved.” (Early Medieval Art, p 68). In point of fact, the elders accusing Susanna by placing their hands on her head, and Susanna giving thanks for her delivery with arms outstretched, are both portrayed in exactly the same way in the Catacombs of Priscilla, in an image dated to the early decades of the 3rd century.
The so-called Greek Chapel (really a funerary chamber) within the Catacombs of Priscilla, ca. 225 A.D. On the right side, the elders lusting after Susanna, pointing at her mid-riff. One the left side, (further from the camera) the elders accuse Susanna by placing their hands on her head; on the right, Susanna and Daniel (not seen here) give thanks for her deliverance.
A drawing made in 1880 of the fresco seen above on the left side of the Greek Chapel, in which the accusation of Susanna, and Susanna giving thanks for her deliverance are represented much as they are on the Lothair crystal over 600 years later. 

Photopost: Feast of St. Joseph

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Below, you can find pictures of liturgies St. Joseph's feast day. Also, don't forget to send your rose photos tomorrow to photopost@newliturgicalmovement.org!

Mass (EF) - Holy Family Parish Oratory, Diocese of Cubao, Quezon City, Philippines




Mass (OF) - Redeemer Pacific College in Langley, British Columbia




Mass and Vespers - Bormes les Mimosas, diocese of Fréjus-Toulon, France - Fraternity of Saint Joseph the Guardian




Solemn Mass (EF) - Church of the Holy Innocents, NY



Mass (EF) - Church of the Epiphany in Miami, FL w/ Fr. Eduard Perrone


High Mass (EF) - St. Joseph's Church, Detroit, MI



High Mass (EF) - St. Joseph's Church, Detroit, MI


Solemn Mass (EF) - Saint Francis Xavier - Singapore



Mass and Vespers (OF) - Ascension Church, Pittsburgh, PA

Music for Lent at the Toronto Oratory

The Sunday (and Feast) of St John Climacus

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In the Byzantine liturgy, each of the Sundays of Lent has a special commemoration attached to it. The first Sunday is known as the Sunday of Orthodoxy, because it commemorates the defeat of iconoclasm and the restoration of the orthodox belief in the use of icons; many churches have a procession in which the clergy and faithful carry the icons, as seen in this video from the Sacred Patriarchal Monastery of St. Irene Chrysovalantou, in Astoria, New York.



The Third Sunday of Lent is called the Sunday of the Adoration of the Cross; in place of the Trasagion are sung the words “We venerate Thy Cross, O Lord, and we glorify Thy holy Resurrection.” A Cross is placed in the middle of the church, and “We venerate Thy Cross” is sung again three times, as all prostrate themselves before It, and then come forth to kiss it. The traditional Old Church Slavonic melody is in my opinion one of the most beautiful pieces in the repertoire.



The Fourth Sunday is dedicated to St John of the Ladder, whose Greek title (“tēs klimakos - of the Ladder”) is often improperly Anglicized as “Climacus.” This year, his Sunday falls on the same day as his feast, March 30. The title refers to his popular and extremely influential spiritual treatise, the Ladder of Paradise, still commonly read, and especially in Lent, among Eastern Christians. The treatise is also known as the Ladder of Divine Ascent, and outlines thirty steps by which, through the acquisition and exercise of the various virtues, one may seek to ascend to attain to salvation. The icon of his feast shows him indicating the ladder by which a group of monks are shown the ladder to Heaven; with an important touch of realism, all versions of this icon show some of the monks being pulled off the ladder by devils with grappling hooks, and falling into the mouth of hell on the lower right.

Very little is known about St John’s origins and life, and even the exact period in which he lived has been the subject of academic debate. A letter of Pope St Gregory the Great in the year 600 is addressed to one John, the “abbot of Mount Sinai”; John Climacus certainly held this office at one time, and he is traditionally said to be the recipient of letter, and to have died at around the age of 75 a few years later. Others place his life at a later period, from roughly 580-650.

The Troparion of the Sunday : Dweller of the desert and angel in the body, you were shown to be a wonder-worker, our God-bearing Father John.You received heavenly gifts through fasting, vigil, and prayer, healing the sick and the souls of those drawn to you by faith. Glory to Him who gave you strength! Glory to Him who granted you a crown! Glory to Him who through you grants healing to all!
The Kontakion : The Lord truly set you on the heights of abstinence, to be a guiding star, showing the way to the universe, o our Father and Teacher John.

Remembering the Real John XXIII

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As we turn the corner into April 2014, when Pope Francis will canonize both John XXIII and John Paul II on Low Sunday/Divine Mercy Sunday, it behooves us to ask whether we have adequately grasped the spiritual profile of each one of the beati in question. With John Paul II still fresh in our memories, perhaps the question does not apply so much to him, but we may surely wonder how well the faithful actually know John XXIII and his teaching, more than fifty years after his death.

For some decades, there has been in the Church a curious phenomenon that one might call “the conciliar caricature,” part of which is a tendency to speak as if Angelo Roncalli (1881–1963) came from outer space to bring deliverance and freshness to an antiquated Church that was serving out the stale bread of yesteryear. On the contrary, Pope John XXIII, elected supreme pontiff on October 28, 1958, was in many ways utterly traditional—arguably more so than his more philosophically adventurous and intellectually wide-ranging predecessor Pius XII. One need only read Blessed John’s beautiful diary, later published as Journal of a Soul and still in print, to discover the simple, hardy, and thoroughly traditional Catholic piety that nourished this man in the entire journey of his life.

To his dying day John was convinced that the Church was possessed of a greater vitality than ever; that this vitality demanded of her a tremendous missionary effort for the leavening and transformation of the world; and that the Second Vatican Council he convened was going to bring about a deepened commitment to the religious life, a more forceful presentation of doctrinal truth, a more inspiring appeal to live the demands of the Gospel (see the Bull of Convocation of the Council, Humanae Salutisof December 25, 1961, and the address to the opening of the Council, Gaudet Mater Ecclesiaof October 11, 1962). He was convinced, in short, that he was setting in motion the greatest missionary thrust since the age of the Apostles.

That he would have been sorely distressed by the aftermath is unquestionable. A pope who, in the face of many demands for vernacularization, issued the apostolic constitution Veterum Sapientia (February 22, 1962) unequivocally reaffirming the centrality and permanence of the Latin language in the Church’s life and liturgy, or who in an apostolic letter shared with the world his consuming devotion to the Precious Blood of Jesus (June 30, 1960), was not the kind of man who was ready to throw out tradition.

Probably the best way to appreciate how profound a lover of Jesus Christ and His Church was “good Pope John” is to read again his now largely forgotten encyclicals, several of which are truly outstanding for their rhetorical power, comprehensive approach, and sound pastoral wisdom. There were eight in toto, beginning with Ad Petri Cathedram (June 29, 1959), subtitled “On Truth, Unity, and Peace in a Spirit of Charity,” and ending with Pacem in Terris (April 11, 1963), over which the ailing pope labored tirelessly, so great was his desire to see it promulgated before his death. Here I wish to draw attention to five of the eight.

A pope’s inaugural encyclical is always important (recall John Paul II’s Redemptor Hominis or Benedict XVI’s Deus Caritas Est). It says much about the way its author perceives his pastoral office and his role in the Church at that time. Pope John XXIII’s words near the start of Ad Petri Cathedramsound like an anticipation of Vatican II: “The Catholic Church is forever young and is indeed a standard raised before the nations. From her come a pervading light and a gentle love which reach all men” (n. 2). He announces his main plans: to summon an ecumenical council and a Roman synod; to revise the Code of Canon Law and to “issue a Code of Canon Law for the Church of the Oriental Rite” (n. 3).

John XXIII immediately states his fundamental conviction, so contrary to the rampant relativism already characteristic of his time: “All the evils which poison men and nations and trouble so many hearts have a single cause and a single source: ignorance of the truth—and at times even more than ignorance, a contempt for truth and a reckless rejection of it. Thus arise all manner of errors, which enter the recesses of men’s hearts and the bloodstream of human society as would a plague. These errors turn everything upside down: they menace individuals and society itself” (n. 6).

Yet, the pope goes on to say, God has made it possible for man to know truth, both by the light of his reason and by the light of faith. If we do not embrace the truth God grants us to know, we are rejecting the highest good and losing our sanity. If we reject the Gospel, we reject “the very foundations of truth, goodness, and civilization” (n. 8). These are sobering words, a wake-up call for a drowsy world.

The remainder of the encyclical has the same tone. The sheer vehemence of style is reminiscent of Leo XIII, who is frequently cited with warm approval. John XXIII speaks of men who have “wandered pathetically far from the teaching of Christ” (n. 10), of the truth-attacker who “engages in an altogether despicable business’ (n. 11), of the movies and television programs that lead people into “loose morality and ignoble behavior, to treacherous error and perilous vice” (n. 14). He says we must fight with “weapons of truth” against these “weapons of evil” (n. 15) and error. The first error he castigates is the idea that “one religion is just as good as another” (n. 17). Not long after, he is critiquing the cult of progress and technology (n. 19) and underlining the duty of politicians to embrace the cause of truth if they wish to see any true peace and prosperity in their communities (nn. 21–22).

The entire document sounds the note of rallying around the See of Peter for the fearless proclamation of the Faith. What is perhaps most surprising, in light of the “Roncalli myth,” is the uncompromising apologetic in which John XXIII engages on behalf of the unity and unicity of the Church, refuting Protestant and other errors and pleading with separated Christians to reunite themselves to the Church founded by Jesus Christ. No milquetoast minister he: the duty of every non-Catholic to convert and join the one true Church is emphasized again and again (see nn. 59–91).

Sacerdotii Nostri Primordia (August 1, 1959), following hot on the heels of the inaugural encyclical, reveals the deepest yearning of John XXIII’s heart—building up the sanctity of the clergy, enkindling their zeal. He quotes St. Pius X: “Nothing is more needed to promote the kingdom of Jesus Christ in the world than the holiness of churchmen.” The encyclical is a beautiful recounting of the life and virtues of St. John Vianney on the occasion of the centennary of his death, interwoven with reflections and exhortations concerning the priesthood. While addressed, as custom dictated, to the bishops, it is clear that the pope had in mind each and every one of his priestly sons, whom he beckons to the heights of perfection, as well as young men discerning a vocation. This wonderful meditation on priestly life should be obligatory reading for the ordained or those aspiring to ordination.

The two mighty social encyclicals Mater et Magistra (May 15, 1961) and Pacem in Terris (April 11, 1963) would require little comment, if there had not been in the past forty years a serious neglect of the full scope and depth of Catholic social teaching—a neglect manifested by a narrow and superficial conception of the subjects it concerns, not to mention a Judas-like willingness to set aside major elements of this teaching whenever it becomes inconvenient or uncomfortable. In continuity with Leo XIII, a pope he dearly loved, Pope John XXIII recognized that the ultimate root of many economic injustices was a skewed understanding and perverted practice of politics. That is, the only viable solution to the “social problem” was the reconstitution of governments according to Catholic wisdom.

Even if some particular descriptions or proposals in these two encyclicals seem dated to us in 2014—hardly surprising given the mutability of human affairs—their sound principles, systematic analysis, and biting critiques remain perfectly relevant to our day and age, and well deserving of our study. This pair of encyclicals simply must not be left unread by any Catholic who is concerned about doing his part to promote justice and peace.

Then there is Aeterna Dei Sapientia (November 11, 1961), the encyclical with which John XXIII commemorated the fifteenth centenary of Pope St. Leo the Great’s death in 461. After recounting St. Leo’s doctrine and holiness, Pope John XXIII turns again, as he did in his first encyclical, to the subject of Church unity, and gives us a brief and compelling treatise on the true Church of Jesus Christ and the ineradicable, irreducible role the papacy plays therein. The Pope then states his hopes for the approaching Council: “We are fully confident that this solemn assembly of the Catholic hierarchy will not only reinforce that unity in faith, worship, and discipline which is a distinguishing mark of Christ’s true Church, but will also attract the gaze of the great majority of Christians of every denomination, and induce them to gather around ‘the great Pastor of the sheep’ who entrusted His flock to the unfailing guardianship of Peter and his successors” (n. 62).

A pattern has thus emerged: in spite of his failings—of which no pope, or no Christian whatsoever, can be completely free in this life—John XXIII ought to be remembered above all for his fearless and articulate defense of all that is distinctively Catholic, as well as for his persuasive and positive way of presenting it. We would do well to return to these sources of sound doctrine; we might even promote the encyclicals mentioned above as readings in parish groups or among friends. It would be a small but effective step towards appropriating the legacy of a pope whose real teaching and real sanctity have been largely forgotten.

[A different version of this article appeared in the May-June 2007 issue of Lay Witness.]

Quarant'ore at the London Oratory begins tomorrow

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Quarant'ore at the London Oratory begins tomorrow (1 April) at 6.30pm with Solemn Sung Mass of Exposition and Procession of the Blessed Sacrament. On Wednesday 2 April there is Holy Hour and Benediction at 6.30pm, and on Thursday 3 April at 7pm, the Oratory Choir will sing Mendelssohn's Lauda Sion followed by Solemn Benediction to close the Forty Hours. Full details are here, and there are photographs from last year's Quarant'ore here.

Extraordinary Faith TV on EWTN - Debut Episode April 14

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We are happy to bring you some exciting news from a new show launching on EWTN called "Extraordinary Faith TV."
Extraordinary Faith is pleased to announce the debut of a new, self-titled, 30-minute television series for the Eternal Word Television Network (EWTN) that showcases the beauty of classic Catholic sacred art, architecture, liturgy, and music. Special emphasis is given to the Traditional Latin Mass, also known as the Extraordinary Form or Tridentine Mass. This historic form of Catholic worship has enjoyed a resurgence in popularity in recent years, especially among the young, and is a rich source of vocations to the priesthood and religious life.

Extraordinary Faith is an independently-produced and funded effort to introduce the world of Sacred Tradition to Catholics and non-Catholics who have little or no experience of it. It combines a rich visual travelogue format with human interest stories taken from burgeoning traditional Catholic communities around the world. Each episode of Extraordinary Faith will visit a different locale, to tour historic churches and interview clergy and laypeople behind the restoration of classic Catholicism. The program avoids heavy theology and seeks to show how Catholic tradition is relevant to modern life.

Over two years in the making, Extraordinary Faith was co-founded by two veteran promoters of traditional liturgy: Executive Producer, Writer, and Host Alex Begin, a long-time organizer of Latin Masses in the Archdiocese of Detroit, Michigan and the Diocese of London, Ontario, Canada; and London, England-based journalist Mary O’Regan, who served as Writer, Producer, and Co-Host on the first two episodes.

To ensure that the message reverberates with contemporary audiences, the founders committed to the highest possible production standards. A team of experienced Los Angeles-based television professionals has been assembled to oversee the technical aspects of the production. Key personnel include veteran film and television producer James Brooke, Emmy-nominated cinematographer Jim Whitney, editor Andy Charlton, who worked on Hawaii Five-O and Pushing Daisies, and Edd Kalehoff, composer of the theme music for The Price Is Right and ABC World News Tonight. Volunteers from the St. Benedict Tridentine Community at Assumption Church in Windsor, Ontario, Canada (www.windsorlatinmass.org) are assisting with numerous background details on the project.

At 5:00 PM U.S. Eastern time on Monday, April 7, a web site supporting the program will go live at www.extraordinaryfaith.tv. A preview video for the series and for each episode will be posted there. A Facebook page will offer a discussion forum for subjects pertinent to the program and for those who have questions about Catholic tradition in general, at www.facebook.com/ExtraordinaryFaith.

The web site will include a list of resources for those interested in learning more about traditional liturgy. Each episode will have its own page, with links to provide more information about the people and places visited.

To further help promote Sacred Tradition, members of the Extraordinary Faith team will also offer on-site training for priests, servers, and musicians who wish to learn the Tridentine Mass. No fee will be charged for the instruction or travel costs involved, but parishes who take advantage of this service will be required to commit to offering the Extraordinary Form at least once per month. Details about this service will be posted on the web site.


Eight episodes have been shot thus far. Episode 1, filmed at California’s historic Mission San Juan Capistrano, will debut on EWTN on Monday, April 14, 2014 at 4:30 AM U.S. Eastern time. It will be repeated on Good Friday, April 18, at 2:00 AM U.S. Eastern time. Further re-runs are possible, according to the network. One month after each episode debuts on EWTN, it will be viewable on the Extraordinary Faith web site. Episode 1 will be posted on-line beginning on Wednesday, May 14.

For further information, please contact Executive Producer Alex Begin at (248) 952-8190 or e-mail: abegin@extraordinaryfaith.tv.
Having worked with the crew of EFTV on episodes about sacred music and the Latin Mass scene in Miami, I'm delighted to see the launch of this show on EWTN. I hope you'll be able to tune in to the broadcast, as well as view the episodes on their website after airing. Support from viewers will likely go a long way in securing a better time slot, as well as the production of more episodes. 

A Bishop of Rome Celebrates Laetare Sunday with the FSSP

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The Fraternity of St Peter’s Roman parish, Santissima Trinità dei Pellegrini, was very honored to welcome as the celebrant of the Mass for Laetare Sunday His Excellency Matteo Zuppi, the Auxiliary Bishop of Rome responsible for the pastoral care of the city center, including Trinità dei Pellegrini. This was the first time that an auxiliary of Rome durante munere has celebrated Mass in the Extraordinary Form in a Roman parish since the post-Conciliar liturgical reforms began, and the whole parish community was very glad to accede to His Excellency’s request to say the Mass.
The miter which His Excellency is wearing here was a gift to him from the parish.
As Fr. Joseph Kramer, the parish priest, stated when welcoming the bishop before the beginning of the Mass, “Monsignor Zuppi’s presence here today represents the union in law, but also in affection, which exists between this parish and the diocese of Rome. As pastor, together with all the members of the parish, we are happy to be united today with our bishop. ... We are very grateful to (him) that he wished to demonstrate that the Extraordinary Form has become part of the normal life of the Church, in the manner desired by Pope Benedict XVI in his moto proprio Summorum Pontificum. ... For our parish, it is very encouraging, Your Excellency, to have you with us today as a concrete and visible sign of your pastoral care for us.” NLM joins Fr Kramer, the parish and the FSSP in thanking Monsignor Zuppi for his pastoral solicitude towards the faithful who follow the Extraordinary Form, and all the faithful of the city of Rome. (Those who have followed our friend Agnese’s pictures of the Station Masses have seen that His Excellency has celebrated several of them.) Thanks also to the parish for making these photos available. 



The silver reliquary in the middle of the altar is of His Excellency’s name-saint, Matthew the Evangelist, to whom the altar of the church’s right transept is dedicated. The four statues are of the Apostles Peter, Paul, John and Matthew: the patrons and founders of the Church in Rome, the titular Saint of the city’s cathedral, and one of the patron Saints of the Confraternity of the Most Holy Trinity of the Pilgrims. On Laetare Sunday, the altar may be decorated with flowers, but it was a common custom in Rome to use the metal flower arrangement seen here on the highest part of the altar.
“ ‘Rejoice Jerusalem, and all ye that love her, exult with her; rejoice, ye that were sad, exult, and be filled with her consolations.’ This is the invitation of this Sunday, Laetare. Let us rejoice, because we see the light of Easter drawing near, because salvation is not far from our life, because we experience joy, even in the midst of our Lenten journey. (speaking of the multiplication of the loaves and fishes in the day’s Gospel, John 6, 1-15) He took (the bread), gave thanks, offered; so it is in the Eucharist .. Jesus Himself takes the bread and distributes it. He is the servant, Who teaches us to give and to serve. ... All were satisfied, with as much as they wanted. It is a foretaste of Paradise. Lord, always give us this Bread, which alone can satisfy us, which satisfies the soul, this Bread of love which teaches us to feed the hunger of all in abundance. Amen.” (from Bishop Zuppi’s homily)








Dominican Rite Missa Cantata for First Saturday Devotion, Oakland CA

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First Saturday Mass, St. Albert's Priory
This is just the briefest of reminders to readers in the San Francisco BayArea that the Dominican Rite Votive Mass of the Immaculate Heart of Mary will be sung by the student friars of the Western Dominican Province as part of First Saturday Devotions.  The celebrant and preacher will be Fr. Byan Kromholtz, O.P., Assistant Professor of Theology at the Dominican School of Philosophy and Theology in Berkeley and Regent of Studies of the Western Province.

This Missa Cantata will be at St. Albert the Great Priory Chapel, 6172 Chabot Road, Oakland CA, 94618, this Saturday, April 5, at 10:00 a.m.  Confessions will be heard in the chapel from 9:30 to 9:50 before Mass, and recitation of the Marian Rosary will immediately follow it. Visitors and guests are welcome; pew booklets with the text of Mass in Latin and English will be provided.

For more information on Dominican Rite Masses in the Bay Area, click here. Regular attendees at our First Saturday Masses should know that the First Saturday Mass of next month, on May 3, will be at the Carmel of the Holy Family in Canyon CA and will be a Solemn High Dominican Rite Mass.

A Traditional Missal for Young Catholics

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A few years ago, I noticed that my children were ready to follow the real prayers of the traditional Latin Mass—they had long outgrown "baby missals" that have photos of the priest at the Introit accompanied by a text in big letters, like "Watch Father ascend the steps: he is going to pray to God for us," etc.—but they were also not ready to deal with a full 2,000-page missal like the Baronius or the Angelus Press.

Not being able to find anything that served this intermediate purpose, I decided to create the resource and try it out. My children used copies of it for a good while, and versions of it were passed around to families in the local community. The feedback was that it served its purpose well and should be made more widely available. I am happy to announce that A Traditional Missal for Young Catholicscan be purchased from Lulu, and to help you get a better sense of what it's like, I've appended a bunch of photos.

The book is decorated throughout with beautiful artwork to help inspire and focus a child’s easily wandering attention. The artwork is drawn from a wide range of masters and chosen to match the meaning of the text, so that it can stir up piety and prayer. It offers to a child something worthwhile to ponder in the extended periods of silence during the Mass, thus forming the imagination as well as the intellect.

The booklet contains, in easy-to-read print, the fixed and unchanging parts of the Mass. It prepares the young reader for the eventual use of an adult daily missal. Many features—such as the clear indications of when the proper prayers and readings take place, so that a child, if he or she wants, may consult a parent or sibling next to them for the proper—assist the reader to follow the Holy Mass more easily and come to a deeper understanding of both its unchanging and its changeable parts. This book serves as a tool to help the parents, as the first teachers of their children in the school of the Faith, to be inspired in passing on knowledge and love of the traditional Latin Mass, as so many Catholics have done through the centuries.

Having made this book for love of the Mass and to help out parents, I've set the price as low as Lulu will allow. The relatively high cost of the book ($18.87) is entirely due to its being in full color on every page, with a total of 47 artwork reproductions.

The “Mass of the Ages” is a sign of order, beauty, sacredness, and holiness to children in the midst of our rather confused world. This booklet will help children to begin their quest of understanding the mysteries that the Church offers to them in her sacred rites. It would make a lovely Easter gift!



Here can be seen the "red box" feature that identifies any proper antiphon, prayer, or reading.





The book has prayers for the Pope and for one's Bishop at the end.

A Roman Pilgrim at the Station Churches - Part 8

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On Thursday of the Third Week of Lent, our friend Agnese was unable to reach the station Mass at Saints Cosmas and Damian, the modern entrance of which is on the via dei Fori Imperiali. A foreign dignitary was visiting the Colosseum, and all of the streets leading to it, including Fori Imperiali, were inaccessible.

Friday of the Third Week of Lent - San Lorenzo in Lucina

In the magnificent painting of the Crucifixion by Guido Reni (1575-1642), the body of Christ is pale and white against a much darker background. The effect is not evident here because of the lighting, but normally, one can see the body of Christ raised above the altar at a distance, even standing outside the church in the piazza, a reminder of the Elevation of the Host during the Mass.
Saturday of the Third Week of Lent - Santa Susanna
As with San Sisto on Wednesday, the church of Santa Susanna is closed for restorations, and the station was held across the street at the Carmelite church of Santa Maria della Vittoria.

Santa Maria is a tiny church with no cloister, and sits at a busy intersection. The streets nearby have very narrow sidewalks; a procession was therefore improvised from the sacristy...


...through the church and to the sanctuary, passing one of the most famous statues in the world, Gianlorenzo Bernini’s Ecstasy of St Theresa of Avila, along the way.


On Laetare Sunday, the station is kept at the church of the Holy Cross “in Jerusalem”; Agnese, however, went to the Mass at Trinità dei Pellegrini, celebrated by the Bishop Matteo Zuppi, the auxiliary of Rome responsible for the historical center of the city.

Monday of the Fourth Week of Lent - The Four Crowned Martyrs
A view of one of the three courtyards leading up to the church, which was built as a fortress and a possible place of refuge after the many political disturbances which Rome saw in the later 11th century, and throughout the 12th.



The Man Born Blind in the Liturgy of Lent

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From very ancient times, the Church has read the Gospel of the Man Born Blind, St. John 9, 1-38, as a symbol of the rituals of baptism. Christ anointed the blind man’s eyes with mud made of His saliva, and then told him to wash in the pool of Siloam; this was naturally associated with the ritual by which the catechumens were anointed before the washing of their sins in the baptismal font. St. Augustine makes this comparison in the Breviary sermon on this Gospel, from his Treatises on the Gospel of John:
He was anointed, and he did not yet see. (Christ) sent him to the Pool, which is called Siloam. It was the Evangelist’s duty to commend to us the name of this pool, and he said ‘which means Sent.’ … (The blind man) therefore washed his eyes in that pool, whose name means Sent; he was baptized in Christ. If therefore, (Christ) illuminated him, when in some way He baptized him in Himself, when He anointed him, He made him perhaps a catechumen.
The Healing of the Blind Man, represented on a Christian sarcophagus known as the Sarcophagus of the Two Brothers, ca. 335; Vatican Museums, Pio-Christian Collection.
In the Roman Rite, this Gospel is traditionally read on the Wednesday after the Fourth Sunday of Lent, the day on which the catechumens were once prepared for baptism by various rituals, such as the sign of the cross made upon their foreheads, the placing of blessed salt on their tongues, and various prayers said with the imposition of the clergy’s hands upon their heads. The whole of the Mass, one of the most beautiful of the Lenten season, refers to this baptismal preparation.

The Introit is taken from the first of the two prophetic readings, Ezechiel 36, 23-28: “When I shall be sanctified in you, I will gather you together out of all the lands, and I will pour upon you clean water, and you shall be cleansed from all your filthiness, and I will give you a new spirit.” The last part of this, “I will give you a new spirit”, refers to the conferral of Confirmation along with Baptism, according to the ancient custom. (This same Introit was later added the private Masses of the Vigil of Pentecost, a reminder of the true, baptismal character of the day.) The first gradual, “Come, children, hearken to me: I will teach you the fear of the Lord. Come ye to him and be enlightened…”, the second prophetic reading, Isaiah 1, 16-19, “Wash yourselves, be clean, … if your sins be as scarlet, they shall be made as white as snow”, and the second gradual, “Blessed is the nation whose God is the Lord: the people whom he hath chosen for his inheritance”, all continue this baptismal theme.

The station church for this Mass is the Basilica of St Paul Outside-the-Walls, where the tomb of the Apostle of the Gentiles rests under the main altar; this was chosen as the place to read this Gospel, of course, because Paul was blinded by the vision on the road to Damascus, and healed at the time of his baptism, by an imposition of hands. In ancient times, Rome was a city populated by every nation of the Empire; the neighborhood closest to the Basilica of St Paul, now called “Trastevere” in Italian, “the region across the Tiber”, was the foreigners’ quarter in antiquity. From the very beginning, the Church had always been concerned to assert that Christ came to the Jewish people, to whom the promises of mankind’s redemption were made, but as the Saviour and Redeemer of all nations; St Paul’s tomb was therefore the ideal place to prepare the catechumens for baptism, in which He gathers His people from all nations, as the prophets foretold.
The Paschal candlestick of Saint Paul’s Outside-the-Walls, carved in the 13th century, ans still used today. Image from Wikimedia Commons
The Church Fathers also understood the blind man more generally as a figure who represents the condition of Man before the coming of Christ. The same passage of the Breviary from St Augustine cited above says earlier on, “If therefore we consider the meaning of of what was done, this blind man is the human race. For this blindness happened in the first man through sin, from which we all draw the origin not only of death, but also of iniquity.” Likewise, in Sermon 135 against the Arians, Augustine says, “… the whole world is blind. Therefore Christ came to illuminate, since the devil had blinded us. He who deceived the first man caused all men to be born blind.”

This broader interpretation is implied in the Roman Rite’s association of the story with the Sacrament of Baptism, which the Fathers often refer to as “illumination”. It is made more explicit, however, in the Ambrosian Rite, in which the Fourth Sunday of Lent is “the Sunday of the Man Born Blind.” The Ingressa of this Mass has the same text as the Introit of Septuagesima in the Roman Rite: “The groans of death have surrounded me, the pains of death have surrounded me, and in my tribulation I called upon the Lord, and he heard my voice from His holy temple.” The groans and pains of death here represent the condition of the fallen human race, whose condition is that of the blind man, but the prayers of man longing for redemption are heard by God “from His holy temple”, referring to very last words of the preceding chapter are “But Jesus hid himself, and went out of the temple.” The second half of this chapter, John 8, 31-59, is read on the previous Sunday, called the Sunday of Abraham; the Mozarabic liturgy reads this Gospel on the Second Sunday of Lent, with the opening words “At that time, when our Lord Jesus Christ went out from the temple, He saw a man that was blind from birth.”

The two readings before the Gospel (Exodus 34, 23 – 35, 1, and 1 Thessalonians 4, 1-11) have no obvious connection to it, but the Psalmellus and Cantus (Gradual and Tract) certainly do. The first is taken from Psalm 40, “I said: O Lord, be Thou merciful to me: heal my soul, for I have sinned against thee.”, the second from Psalm 120, “I have lifted up my eyes to the mountains, from whence help shall come to me. My help is from the Lord, who made heaven and earth.” The Antiphon after the Gospel declares the mission of the Messiah in the words of the Prophet Isaiah (61, 1), words of which Christ declared Himself the fulfilment at the synagogue of Capharnaum (Luke 4, 14-22): “I was sent to heal the contrite of heart, to preach release to the captives, and restore light to the blind”. These two ideas are then admirably summed up by the preface of this Mass.
Truly it is fitting and just, right and profitable to salvation, that we should render Thee thanks, o Lord, that abidest in the height of Heaven, and confess Thee with all our senses. For through Thee, the blindness of the world being wiped away, hath shined upon the feeble the true light; which, among the miracles of Thy many wondrous deeds, Thou didst command one blind from birth to see. In him the human race, stained by original darkness, was represented by the form of what would come thereafter. For that pool of Siloam, to which the blind man was sent, was marked as none other than the sacred font; where not only the lights of the body, but the whole man was saved. Through Christ our Lord.

In this video, the preface is sung in Latin according to the traditional melody, but with the text slightly modified for the new rite.
In the Ambrosian Rite, on each Saturday of Lent the Gospel refers to a part of the ritual preparation of the catechumens for baptism. The Gospel of the Saturday preceding the blind man is Mark 6, 6-13, which ends with the words “And they (the Apostles) cast out many devils, and anointed with oil many that were sick, and healed them.” The following Saturday, the Gospel is Matthew 19, 13-15, which refers to the impositions of hands upon the catechumens, “Then were little children presented to Him, that He should impose hands upon them and pray. And the disciples rebuked them. But Jesus said to them: Suffer the little children, and forbid them not to come to me: for the kingdom of heaven is for such. And when He had imposed hands upon them, he departed from thence.” The seventh Ordo Romanus, a sixth-century text which describes the ritual in detail, including the prepration of infants for baptism, a practice to which the liturgical tradition of both the Roman and Ambrosian Rites bear witness.

The Mozarabic Liturgy, on the other hand, reads this Gospel on the Second Sunday of lent, but eliminates the references to baptism and baptismal prepration almost completely; blindness and illumination are presented much more as symbols of sin and repentence. So for example, one of the prayers of the Mass reads:
Jesus, Redeemer of the human race, restorer of eternal light, grant to us Thy servants, that just as we were washed from original sin in the waters of baptism, which was signified by that pool which gave light to blind eyes, so also may Thou purify us from (our) sins in the second baptism of tears. And so may we merit to become heralds of Thy praise, as that blind man became one that announced Thy grace. And just as he was filled with faith to confess Thee as true God, so also may we be filled with the confession of good works.
In the Byzantine Liturgy, the Gospel of the Blind man is read on the last Sunday of Eastertide before the Ascension. The liturgical texts of the day are more focused on the Resurrection, but not to the exclusion of the Blind Man.

At Little Vespers Christ our God, spiritual Sun of justice, by your pure touch you enlightened the one who had been deprived of light from his mother’s womb; by shedding your rays on the eyes of our souls, show us to be sons of the day, that we may cry to you with faith, ‘Great and ineffable is your compassion for us. Lover of humankind, glory to you!’

At Great Vespers, Idiomel Stichera The man born blind reasoned with himself, ‘Was it through my parents’ sin that I was born blind? Or was I born because of the unbelief of the nations as an accusation? I am not competent to ask when it is day, when night. My feet cannot detect the stumbling blocks of the stones. I have not seen the sun shining, nor him who fashioned me in his image. But I beg you, Christ God: Look on me and have mercy on me.

At Matins The Master and maker of all things, as he passed along found a Blind Man sitting by the way, lamenting and saying: ‘Never in my life have I seen the sun shining or the moon shedding its light; therefore I cry out to you, born of a Virgin to enlighten the universe: Enlighten me, as you are compassionate, that falling down I may cry to you: Master Christ God, grant me forgiveness of my offences through the multitude of your mercy, only lover of mankind’.

Dominican Chants for the Passion in Latin Now Available

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Dominican Liturgy Publications, a subsidiary of Albertus Magnus Press of the Western Dominican Province is pleased to announce the reprinting of the 1953 Cantus Passionis D. N. J. C. with the Gospels of Matthew and John for use in singing those texts in the liturgies of Palm Sunday and Good Friday.  This volume has undergone minor changes to make the text compatible with the rubrics of the 1962 form of the Dominican Rite and (coincidently) the forms of the Passion used in the modern Roman Rite.

The text and music of the original edition was hand written by an anonymous friar for the 1953 printing, and his work is what is reproduced in the two-color printing.  A sample page may be seen to the right.  The price of the hardback volume is $26.95, specially discounted for this coming Holy Week from the usual price of $29.40.  Those intending to use this resource liturgically should purchase three copies, one for each of those singing the role of Christ, the Narrator, and the Crowd.

This Cantus Passionis may be purchased here.

Dominican Rite Missa Cantata in Rome

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This Saturday, April 5th, the feast of St. Vincent Ferrer, the Fraternity of St. Peter’s Roman parish, Santissima Trinità dei Pellegrini, will have a sung Mass in the Dominican Rite. The celebrant will be Fr Reginald Rivoire, a member of the Fraternity of St. Vincent Ferrer, an order who use the traditional Dominican liturgical books. The Procurator General of the Dominican Order will preach, and after the Mass, a relic of St Vincent will be presented for veneration, and water will be blessed in the Saint’s honor, in accordance with the long-standing custom of the Order.
St Vincent Ferrer Preaching, by Alonzo Cano, 1645

A Roman Pilgrim at the Station Churches - Part 9

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Tuesday of the Fourth Week of Lent - San Lorenzo in Damaso
The church is nicknamed from the Pope who founded it, St Damasus I (366-384), in honor of St Lawrence, who has more churches dedicated to him in Rome than do Ss Peter and Paul. The church was rebuilt in the 1ater 15th-century, in such a way that it is almost completely enclosed by the “Palazzo della Cancelleria”, the Papal chancery building. The procession before the Mass was held within the Cancelleria’s courtyard.



Wednesday of the Fourth Week of Lent - Saint Paul’s Outside-the-Walls
The ancient church of St Paul Outside-the-Walls was almost destroyed by fire in 1823, reconstructed over the following decades under the auspices of Pope Leo XII (1823-29), Pius VIII (1829-30), Gregory XVI (1831-46) and Blessed Pius IX (1846-78). The latter dedicated the rebuilt church on December 10, 1854, two days after making the formal dogmatic proclamation of the Immaculate Conception, with almost all of the same members of the ecclesiastical hierarchy present.
Traditionally, the principal altar of the church, like that of St Peter’s, could only be used by the Pope, and there was another below it in the church’s “confessio”. (A confessio is an area in front of a main altar, built at a lower level so that the tomb upon which the main altar rests can remain accessible from the front.) The altar was recently removed, exposing the site where the Apostle St Paul was originally buried.
Old drawings of the previous church show a large 16th-century baldachin built over this earlier baldachin by Arnolfo di Cambio, more famous as the first architect of the cathedral of Florence. When the church burnt down in 1823, the second baldachin protected the first from the collapsing ceiling, leaving it as one of the few parts of the older church that survives essentially intact. The second baldachin was rebuilt as part of the new church, but later removed.
The original church, and the rebuilding of it, are actually larger than the old Basilica of St Peter; large enough that the penitential procession for Mass can be held entirely within the building itself.
 

The church is also famously contains mosaic portraits of all of the Popes above the colonnade, from St Peter to Francis; these are made and maintained by the same mosaic laboratory that maintains the Basilica of St Peter.
Thursday of the Fourth Week of Lent - San Martino ai Monti (Saints Martin and Silvester)
This church was built on the sight of a very ancient house church, the titulus Equitii, and is believed to be the oldest parish in Rome. It was first built as a church by Pope Silvester I (314-335), and was later dedicated to him and St. Martin of Tours (born 316, bishop from 371-397), the first Confessors honored as Saints. They are seen here to the left and right in reliefs on the newly cleaned façade.
 

The church was massively rebuilt by Cardinals Diomede Carraffa and St Charles Borromeo, who was the Cardinal-Priest from 1560-64. In memory of St Charles, five successive archbishops of Milan were given this church as their cardinalitial title in the 20th century: Achille Ratti (1921-22), elected Pope Pius XI after less than 8 months as archbishop and cardinal; Eugenio Tosi (1922-29); Blessed Ildephonse Schuster (1929-54); Giovanni Battista Montini (1958-63), elected Pope Paul VI; and Giovanni Colombo (1965-92).
Part of the crypt, which sits at the level of the earlier church built by Pope Silvester.

Wyoming Catholic College Seeks Full-Time Chaplain

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Wyoming Catholic College in Lander, Wyoming, seeks a full-time chaplain to care for souls at our growing institution. We are a faithfully Catholic college that combines a classical Great Books liberal arts education with an innovative outdoor leadership program. The College places at the center of its campus life the reverent and beautiful celebration of the liturgy in both forms of the Roman Rite. In keeping with the teaching and example of recent popes, liturgies and devotions are celebrated in a manner that stresses continuity with Tradition, with treasures such as Latin and Gregorian chant widely employed.

The chaplain’s duties include offering Mass in both Forms of the Roman Rite, hearing confessions, conducting spiritual direction, presiding at Benediction, organizing and leading processions, and promoting other devotions in keeping with the liturgical year. To serve this community well, he should be energetic in working with young people and ready to preach in a way pertinent to students’ needs. Interest in outdoor adventures (hiking, camping, climbing, kayaking, canyoneering, skiing, etc.) is a definite plus, but not absolutely required.

The chaplaincy is intended to run throughout the year, with a lighter summer schedule. The College employs two chaplains in order to allow one or the other to go on outdoor trips or personal trips as well as to have appropriate time off. The incoming chaplain would join our current chaplain.

If interested, or to ask any questions you may have, please contact Dr. Kevin Roberts, President. For more information on the College itself, please visit the website.

Recent Dominican Rite Missae Cantatae in Portland OR

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I am pleased to present these photos of recent celebrations of the Dominican Mass at the house of the Western Dominican Province in Portland OR, Most Holy Rosary Priory and Parish.
 
ASH WEDNESDAY
The celebrant of this Missa Cantata was Fr. Vincent Kelber, O.P., Pastor of the Parish.  In accord with the Dominican practice, the distribution of ashes was done, with Fr. Kelber's assistance by the Prior of the Dominican Community, Fr. Stephen Maria Lopez, O.P.  As the question is often raised as to the nature of the altar servers attire, it is a modification of the old lay brother's postulant habit: a white tunic and black shoulder cape.  As they are ministering at the altar, the servers wear the surplice, in this case under the shoulder cape, as is the Dominican tradition for the non-ordained.

Blessing of Ashes
Distribution of Ashes to the Servers by the Prior
Distribution of Ashes to the People
The In spiritu humiliatis at the Offertory
Elevation of the Chalice
Dominican Orans position at the Unde et Memores
The Ecce Agnus Dei before Communion
The Et Verbum caro factum est of the Last Gospel
SOLEMNITY OF THE ANNUNCIATION
The celebrant of this Missa Cantata was the prior of the Dominican Community of the Holy Rosary in Portland, Fr. Stephen Maria Lopez, O.P.

Arrival at the Altar
Preparation of the Chalice During the Chants between the Readings
The beginning of the Creed
The Incarnatus est of the Creed
Elevation of the Host
Preparation for Communion
The Ecce Agnus Dei before Communion

Proceedings of Sacra Liturgia 2013 Now Available for Pre-Order

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The proceedings of the Sacra Liturgia 2013 Conference will be published next month, and are now available for pre-order. The links to purchase them through Amazon are on the Sacra Liturgia website (www.sacraliturgia.org); orders placed through these links (on the right side of the website, you may need to disable your ad-blocking program) will help the organization’s future initiatives.

Pray for St Elias Ukrainian Catholic Church in Brampton, Ontario (Update)

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City News Toronto reports that a church we have featured many times on NLM, the Ukrainian Greek-Catholic Church of St Elias the Prophet in Brampton, Ontario, has been almost completely destroyed by a fire which broke out early in the morning. As of roughly 10:30 a.m. local time, no injuries are reported, but a photograph on the City News Toronto website shows the building reduced to a skeleton. This is a terrible thing to happen any time, but most especially when the Church is so close to the magnificent ceremonies of Holy Week and Easter. Please remember the parishioners of St Elias, and their pastor, Fr. Roman Galadza, in your prayers!

(This post has been updated from an earlier report, and will be updated further as events warrant.)
image courtesy of the parish website

Veiled Statues

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Are you one of the growing number of parishes that have begun to veil their statues for Passiontide? Send us pictures this weekend!

Photopost@newliturgicalmovement.org

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