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Report from the Sacred Liturgy Conference in Portland, Oregon

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Here is a report from Fr Eric Andersen of the Archdiocese of Portland, Orgeon, on the recent liturgical conference held at the church of St Stephen. Below are some photographs of an OF Pontifical Mass celebrated in connection with the conference by Archbishop Alexander Sample, and a video of the talk which His Excellency delivered on “The Bishop as Guarantor of the Liturgy.”
One hundred people, including priests, seminarians, religious sisters and laity, gathered at St. Stephen Catholic Church in Portland, Oregon for a Sacred Liturgy Conference held from October 30th – November 2nd, 2015, organized by Lynne Bissonnette-Pitre MD, PhD and sponsored by Schola Cantus Angelorum (http://cantusangelorum.org). Five sung Masses were celebrated at the high altar in both the Ordinary and the Extraordinary Form, with Gregorian Chant and other sacred music. Participants sang various hours of the Divine Office in choir, with the men seated opposite the ladies and alternating verses between high and low voices. Sung Offices included Solemn First Vespers and Lauds for the Solemnity of All Saints. We wish to thank Fr. Samuel Weber, O.S.B., of the Benedict XVI Institute for Sacred Music, who prepared the Office booklets for the conference. His Excellency, the Most Rev. Alexander K. Sample received a spontaneous standing ovation for his lecture on “The Bishop as Guarantor of the Sacred Liturgy” (see below), and celebrated an exemplary Solemn Pontifical Mass in the Ordinary Form for the Solemnity of All Saints, featuring the combined musical talents of the parish choir and Schola Cantus Angelorum. The conference was considered a great success! (Photography and video by Marc Salvatore, reproduced here with his kind permission.)

Archbishop Sample’s Talk


OF Pontifical Mass on the Feast of All Saints








Vespers

The Feast of St Martin

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In the Missal used at Tours before the Tridentine reform, the Sequence of the feast of St Martin begins as follows.

Gaude Sion, quae diem recolis / Qua Martinus, compar Apostolis, / Mundum vincens, junctus caelicolis / Coronatur.
   Rejoice, o Sion, who recall the day when Martin, equal to the Apostles, overcoming the world, is crowned among those that dwell in heaven.


The full text of the sequence, here called “Prosa”, is given from the Paris Missal of 1602. (Click to enlarge)
The first Responsory of his Office also compares Martin to the Apostles, although somewhat more obliquely.

R. Hic est Martínus, electus Dei Póntifex, cui Dóminus post Apóstolos tantam gratiam conferre dignátus est, * Ut in virtúte Trinitátis Deíficae mererétur fíeri trium mortuórum suscitátor magníficus. V. Sanctae Trinitátis fidem Martinus confessus est. Ut.

R. This is Martin, God’s chosen Priest, upon whom, after the Apostles, the Lord deigned to bestow such great grace, * that in the power of the divine Trinity, three times he merited gloriously to raise the dead to life. V. Martin confessed the faith of the Holy Trinity. That.


The medieval liturgical commentator William Durandus explains why the liturgy refers to him in this fashion.
He is called “equal to the Apostles” not, as some people think, because he raised people from the dead, since many other martyrs and confessors have done the same; nor because of the multitude of his miracles, but especially because of one particular miracle... (while he was celebrating Mass) a globe of fire appeared over his head, by which it was shown that the Holy Spirit had descended upon him… as He came upon the Apostles at Pentecost. Whence he is rightly called “equal to the Apostles,” and is indeed equal to them in the liturgy. (VII, 37)
Durandus also notes that among the feasts of Confessors, only Martin’s was considered important enough to be kept with an octave, as was the general custom in the Middle Ages, and in many places well beyond that. It was also the only feast of a Confessor kept with a proper Office in the medieval use of the Papal chapel at Rome, which formed the basis of the Tridentine liturgical books; not even the four great Doctors or Saint Benedict have their own Offices in the Roman Use.

The hymns of this Office, however, are taken from the Common of Confessor Bishops, in part because the Church has always been very conservative about new hymns, but also because the Vesper hymn Iste confessor was originally composed for St Martin. The original version of the third stanza (later changed under Pope Urban VIII) reads as follows:

  Ad sacrum cujus túmulum frequenter / Membra languentum modo sanitáti, / Quólibet morbo fúerint graváti, / Restituuntur.
   At whose sacred tomb the members of the sick are now often restored to health from whatsoever ailment weighed them down.

The basilica of St Martin at Tours was one of the most important pilgrimage shrines of the Middle Ages, and as the hymn notes, particularly renowned for miracles of healing. Not by coincidence does the Mass of St Martin share some of its parts with that of another famous wonder-worker, St Nicholas, who is named right after him in the Litany of the Saints. A great many medieval Uses also kept a second feast of the Saint on July 4, which commemorated two events: his episcopal ordination in 371, and the translation of his relics on the same day about a century later, roughly 70 years after his death, from his original burial place to a large basilica built over it. This church was rebuilt twice, in 1014, and again in 1230 after a fire, each time on a larger scale.

It was not, however, the cathedral of Tours, which is dedicated to St Gatian, Martin’s predecessor-but-one as bishop; his own church, while very important, was at first a monastery, and later a collegiate church. For much of the Middle Ages, the area around it was known as “Martinopolis,” later “Chateauneuf” (New Castle), and legally a separate city from Tours. An indication of its importance is the fact that the abbey had the right to mint its own coinage, known as the “livre tournois” (the “pound of Tours”, like the English pound-sterling), which became the coin of the realm in France, and remained so until the Revolution. Sadly, both the tomb and the relics of St Martin were mostly destroyed when the church was sacked by Protestants in 1562; the basilica itself was then razed during the French Revolution. A modern church was built to replace it in the later 19th-century; of the original there remains only the towers built on either side of it.

Engraving showing the basilica of St Martin above. and the ruins of it after the first wave of destruction in the Revolution.
A huge number of other churches throughout the world are dedicated to St Martin; Dom Guéranger states that there were 3660 in France alone. He shares a basilica in Rome with Pope St Sylvester I, traditionally said to be the first Pope who did not die as a martyr; they are the first Saints to be honored as “Confessors” in the traditional sense of the term, and their church was the first in Rome not titled to a Biblical personage or a martyr. The feast of Pope St Martin I, the last Pope to be martyred, is kept the day after Martin of Tours, even though he died on September 16, because his relics were placed in the church of his holy namesake. St Bede states that a church dedicated to St Martin of Tours in Canterbury was the very first ever built in England, dating back to Roman times (and of course, if this is so, originally under a different dedication.) It was from there that St Augustine of Canterbury began the evangelization of that country.

Although St Martin lived to be about eighty, and was famous for many miracles both in life and after death, he is most commonly represented in an episode that took place when he was a young soldier, even before he was baptized, the famous story of the cloak. As told by his biographer Sulpicius Severus,
Once, when he had nothing but his weapons and the simple cloak of a soldier, in the midst of a colder-than-usual winter, such that many had already died, he met at the gates of Amiens a naked beggar. And since this man prayed the passers-by to have mercy on him, and they all just passed him by, the man of God understood that that man was reserved for him, since others showed him no mercy. But what could he do? He had nothing but the cloak with which he was clothed. … Therefore, taking his sword, … he cut it in half, gave part to the beggar, and clothed himself with the rest. … On the following night, when he had gone to sleep, he saw Christ clothed with the part of his cloak in which he had clothed the beggar. … Then he heard Jesus clearly say to the multitude of Angels that stood about Him: Martin, though yet a catechumen, covered me with this garment. (Vita Beati Martini, cap. 3. These words spoken by Christ are sung as the first antiphon of Matins of St Martin: “Martinus adhuc catechumenus hac me veste contexit.”)
St Martin Divides His Cloak with a Beggar, by Simone Martini, in the lower basilica of St Francis of Assisi, 1320-25.
Although it may seem like a folk-etymology, it is actually true that the word “chapel” derives from the Latin word for cloak, “cappa”, in reference to the relic of St Martin’s cloak. As explained by the Catholic Encyclopedia, “This cape, or its representative, was afterwards preserved as a relic and accompanied the Frankish kings in their wars, and the tent which sheltered it became known also as cappella or capella. In this tent Mass was celebrated by the military chaplains (capellani). When at rest in the palace the relic likewise gave its name to the oratory where it was kept, and subsequently any oratory where Mass and Divine service were celebrated was called capella (in Latin), chapelle (in French), chapel.”

The liturgical calendar also served the Middle Ages as an almanac for weather and agriculture, with many rules, customs and proverbs bound to certain feasts. One French tradition says that if there is a full moon on St Martin’s day, the winter will be very snowy. In Italy, his feast is connected with the opening of the “vino novello – the young wine”, which is to say, wine made earlier in the same year, generally very light in alcohol content. An Indian summer may also be called “St Martin’s summer” in England, and this is the standard term in Portugal and Italy, which is having a beautiful one this year (to make up for a brutal July and August.) In Milan and Toledo, his feast is the key to the beginning of the liturgical year, since the six-week long Advent of the Ambrosian and Mozarabic liturgies starts on the Sunday after his feast.

Historic Statue of Our Lady of Mount Carmel Restored in New York: A Report from NPR

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NPR reporter Jacki Lyden did a broadcast last week on the recent restoration of the miraculous image of Our Lady of Mount Carmel in East Harlem, New York, which was Pontifically Crowned by order of St. Pius X in 1904. The church was made a Pontifical Sanctuary by Pius XI in 1928.

http://www.npr.org/2015/11/01/450889721/the-madonna-of-115th-street-gets-a-long-awaited-makeover

The broadcast also sheds a bit of light on the history of the Italian immigrants to New York. It’s good to see such a positive story about the Church on NPR on the Church; it would be good to help the story get as many hits as possible on NPR’s website, and show their executives that Ms Lyden was right to do a positive piece on Catholic culture, to show that people are interested in the beauty of the Faith, and will listen when such programs are aired.


Organ Accompaniments to Fr. Weber’s Proper of the Mass Now Available

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For those who are devotees of Gregorian chant and especially vernacular adaptations of it, surely Fr. Samuel F. Weber’s Proper of the Massneeds no introduction. (But just in case you haven’t heard about it, here is my review of it.)

When the book first appeared, naturally questions arose: Will organ accompaniments for the chants be provided? Will there be choral verses? Will there be a modern-notation version of the chants?

I am happy to say that Fr. Weber, in collaboration with Ignatius Press, has been making available, for free, organ accompaniments and choral doxologies and verses at his own website. You can find there, for instance, scores to cover the entirety of the Advent season, and more will be posted at regular intervals. (To peruse a wider selection of scores, drop the keyword “organpropers”and simply explore the site. It’s a treasure trove!)

Fr. Weber also informed me that he is working on the English Propers for Christ the King right now and that they will soon be posted.

All Saints and All Souls Photopost

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As always, with our thanks to all those who sent in these photos. Of particular note this time are the photos of a Solemn Requiem in the Dominican Use, from our own Fr Lawrence Lew, and those of a Pontifical Mass celebrated in Taiwan.

Solemn Requiem in the Dominican Use - Dominican House of Studies, Washington, D.C.
For more photos, and explanation of some of the ceremonies of the Dominican Mass, click here to go to Fr Lew’s blog Releasing the Arrow.





Church of the Holy Ghost - Tiverton, Rhode Island




Church of St Joseph - Peoria, Illinois



Shrine of Our Lady of Lebanon - North Jackson, Ohio





Brothers of the Little Oratory - San Diego, California





All Saints - Minneapolis-St Paul, Minnesota (F.S.S.P.)






St Adelaide - West Peabody, Massachusetts




Ss Peter and Paul - Wilmington, California
Served by the Norbertines of St Michael’s Abbey


St Joseph Church, Mother of Divine Mercy Parish - Detroit, Michigan
OF All Saints, EF All Souls




Shrine of Our Lady of Mt Carmel - Hsinchu, Taiwan
Pontifical Mass for All Saints’ Day, celebrated by the Most Rev.d Luke Liu, Bishop-Emeritus of Hsinchu .






St. Catherine of Siena in NYC Hosts Dominican Requiem

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The Church of St. Catherine of Siena in New York is marking the month of the Poor Souls in Purgatory with a Solemn Requiem in the Dominican Rite on Monday, November 16, at 6:30 p.m. The Rev. Innocent Smith, O.P. is the celebrant. Music for the Mass will be provided by the Schola Dominicana of St. Catherine under the direction of Organist and Choirmaster James D. Wetzel; they will perform the Maurice Duruflé setting of the Requiem (Opus 9). A reception follows in the church hall. The Mass is sponsored by the Catholic Artists Society, New York Purgatorial Society, and the St. Hugh of Cluny Society. The church is located at 411 East 68th Street, between York and First Avenues in New York City. The pastor is the Rev. Walter Wagner, O.P.

Decoration and Ornament - Denis McNamara on Architecture, Part 5

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Why both are necessary for the beauty of the building


Here is the fifth in the series of short videos by Denis McNamara, of the faculty of the Liturgical Institute, Mundelein; his book is Catholic Church Architecture and the Spirit of the Liturgy. (Scroll to the bottom if you want to go straight to the video!)

Here he distinguishes between two similar but crucially different ways in which the building is made beautiful: “decoration” and “ornament.” The two words are interchangeable in common parlance; he is using them here as technical terms that architects have developed in order to be able to describe two complementary aspects of a building that are necessary for its beauty.

As Denis describes them, decoration is “poetic,” that is, beautifully applied adornment that reveals the structural elements of the building. This is to be distinguished from the modern architect’s desire to show the structural elements literally, almost brutally, without regard for beauty. The columns used in neo-classical architecture, for example are designed to reveal beautifully their load bearing function.


The church above is a Neoclassical design in Poland, while the building below is an 18th century civic building in York, England, that clearly points to and is derived from church architecture.


As we will see, one would not be surprised to see similar decoration on the two buildings, but we would expect to see different ornament. That is because ornament is an enrichment that tells you the purpose of the building, such as a cross on a steeple, an ornament which reveals the building’s theological purpose. The cross of St George (the patron saint of England) on the York building tells Englishmen that this is a civic building, although ironically, this is also the Resurrection flag. (Even though I am an Englishman myself, I didn’t know this until I converted!)

Decoration and ornament are both necessary for a beautiful building, because they contribute to the form in such a way that they tell us what this building is. Beauty, remember, is the radiance of being: a property of something that communicates to the observer what he is looking at.


In the flying buttresses of Gothic architecture, it occurs to me, this distinction between decorative and literal in structural elements almost seems to disappear. Architects, please feel free to contradict me if I am mistaken; these are fully structural and literal in that sense, but they are also built in harmonious proportion. Might this represent the highest ideal for the architecture?


Here is Prof. McNamara’s talk.


Commemoration of All Souls at Wyoming Catholic College

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Below are photos of the Requiem Missa Cantata celebrated on All Souls Day at Wyoming Catholic College by our chaplain. The black vestments were the gift of an early benefactor. A couple of days later, a group of students, faculty, and children processed to the town cemetery by candlelight to pray for the dead and to obtain the plenary indulgences for the souls of the faithful departed.







Dominican Rite Missa Cantata in Bay Area Tomorrow

The Feast of St Brice, St Martin’s Bad Disciple

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St Martin, whose feast we kept two days ago, was succeeded in the see of Tours, as he had predicted, by a monk named Brice, a singularly unpromising candidate to come after such a holy bishop. Martin spent as much time as his episcopal duties permitted among a monastic community at Marmoutier near Tours, into which he himself had taken the orphaned Brice. St Gregory of Tours describes Brice as “proud and vain”, and Martin’s biographer Sulpicius Severus tells the story in his Dialogues (3.15) that Brice was led by devils to “vomit up a thousand reproaches against Martin,” even daring to assert that he himself was much holier for being raised from childhood in a monastery, while Martin was raised in a military camp. Although Brice repented of this (as Sulpicius believed, because of Martin’s prayers), and asked for the Saint’s forgiveness, he continued to be a very difficult character. Martin refused to remove him from the priesthood, lest he seem to do so as an act of vengeance, but expressed his tolerance in less-than-complimentary terms: “If Christ could put up with Judas, why should I not put up with Brice?”

Ss Martin and Brice
Martin had predicted not only that Brice would succeed him as bishop, but that he would suffer much in the episcopacy, words which Brice dismissed as “ravings.” Both predictions were fulfilled in the following manner. Although Brice was vain and proud, he was “chaste in body”, and yet he was accused of fathering a child. The revised Butler’s Lives of the Saints says, with characteristic (and characteristically irritating) reticence, that he vindicated himself by “a very astonishing miracle”, without saying what the miracle was. Gregory of Tours tells us that Brice called together the people, and before them ordered the month-old infant to say whether or not he was the father, at which the child did indeed say, “You are not my father.” The people ask Brice to make the infant say who its father was, but Brice replied (pride still unconquered), “That is not my job. I have taken care of the part of this business that pertains to me; if you can, ask for yourselves.”

St Brice with the Infant, from the church of St Médard in Boersch in eastern France. (Image from Wikimedia Commons by Ralph Hammann
This was attributed, perhaps understandably, to the use of magic, rather than holiness, and so Brice attempted to vindicate himself by carrying hot coals in his cloak to the tomb of St Martin; when he arrived his cloak was not burnt. But this sign was also not accepted, and so he was driven from his see, “that the words of the Saint might be fulfilled, ‘Know that in the episcopate, you will suffer many adversities.’ … Then Brice sought out the Pope of Rome, weeping and mourning, and saying ‘Rightly do I suffer these things, because I sinned against God’s Saint, and often called him crazy and deluded; and seeing his virtues, I did not believe.’ ” After staying in Rome for seven years, and purging his sins by the celebration of many Masses, he was restored to his see, which he governed for seven years further as a man “of magnificent sanctity,” according to Gregory, very much changed for the better by the experience. His popularity in the medieval period was very great, and his feast is found on most calendars, although not that of Rome. This is due in part to his association with St Martin, but perhaps more as an example of something that the medievals understood very well and loved to dwell on, that it is never too late for God’s grace to bring us away from sin to sanctity.

The see of Tours also celebrates within the octave of St Martin another of its holy bishops, the historian and hagiographer St Gregory, whom we have cited above, whose feast is kept on November 17. A very charming story is told that he was unusually small, which must have been very small indeed to be noted in age when people were generally much shorter than we are today. When he came into the presence of Pope St Gregory the Great during a visit to Rome, the Pope’s expression clearly evinced surprise at his stature, at which he quoted the words of Psalm 99, “He (i.e. God) made us, and not we ourselves.”

Juventutem Slovenia Welcomes Bp Athanasius Schneider

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Juventutem Slovenia will welcome Bishop Athanasius Schneider to the Church of St Roch in Ljubljana (Sveti Rok in Ljubljana - Dravlje) for a lecture and two EF Masses, one low and one solemn, this coming Wednesday and Thursday. Bishop Schneider’s book Corpus Christi was translated in Slovenian and published there at their behest a few months ago.


Wednesday, November 18, 17:00 lecture “Corpus Christi” in the parish hall, followed by Low Mass at 19:00
Thursday, November 19, 17:00 Solemn Pontifical Mass

Book Notice: Pope Leo XIII and the Prayer to St. Michael

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I am coming to this task a little late (Rorate, LMS Chairman, and others have beat NLM to the punch!), but better late than never.

A new, extremely interesting book has appeared from Preserving Christian Publications: Pope Leo XIII and the Prayer to St. Michael, by Kevin Symonds. As I wrote in my endorsement of it:
This book is not another pious exhortation to recite the Leonine prayers, although the author certainly agrees that they ought to be prayed, as do I. Rather, it is a detailed look at the history of the composition of the well-known Prayer to St. Michael and the exorcism connected with it, and especially the legends that surround these texts. Depending on the period or the author, these legends have been either too uncritically accepted (and embellished), or too hastily dismissed as sensational fabrications. With the care of an historian and the determination of a detective, Symonds shows that the reality is quite a bit more complex. It's an intriguing book that brings the reader close to Leo XIII and his age, while equipping us better for "wrestling against principalities and powers, against the rulers of the world of this darkness, against the spirits of wickedness in the high places" (Eph 6:12). The appendices offer an array of unusual and valuable texts. All in all, a definitive work on the Prayer to St. Michael.
I would underline that conclusion with a fat black pen: it is indeed the definitive work on this prayer, as Symonds explores the complexities of its history -- the causes that prompted its composition, the urgent need that led to its universal imposition as a prayer after Mass, the continuing relevance its devout recitation has for us today. The appendices are, to me, especially fascinating. Symonds first presents (in Latin and English) the prayers after Mass as established by Bd. Pius IX in 1859, then the prayers after Mass as modified by Leo XIII on January 6, 1884, and finally the last revision to these prayers from 1886, when the St. Michael prayer was first introduced by Leo's command. The substantial appendices (pp. 137-185) include translations of little-known documents: Pope Leo XIII's letter to Cardinal Rampolla, Quantunque le siano (1887), source texts from Cardinal Nasalli (1946) and Father Pechenino (1947), the letter of Pope Pius XII Sacra Vergente Anno, also known as Carissimis Russiae Populi (1952), a complete translation of the third-person account of Pope Paul VI's famous "smoke of Satan" homily of June 29, 1972 as published in Italian in the Insegnamenti di Paolo VI. Moreover, Symonds' book is graced with a splendid Foreword by His Excellency, Bishop Athanasius Schneider (pp. iii-vii)..

I highly recommend this book for anyone interested in Pope Leo XIII and his tumultuous times, the campaign of 19th-century liberalism against the Church (and, in particular, the Italian and Roman phases of that campaign), devotion to St. Michael the Archangel and the angels in general, and the role of this prayer in the "Prayers after Low Mass" so familiar to countless Catholics for a century and a half..

To read more, see the publisher's product page here. To purchase, go here. (There is also a Facebook page here.)



The Gregorian Introit for the End of the Year

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The Lord sayeth, I think thoughts of peace, and not of affliction; you shall call upon me, and I will hear you, and I will bring back your captivity from all places. V. Lord, thou hast blessed thy land: thou hast turned away the captivity of Jacob. The Lord sayeth. (The Introit for the final Sundays of the year, from the 23rd after Pentecost to the last.)


Dicit Dóminus: Ego cógito cogitatiónes pacis, et non afflictiónis: invocábitis me, et ego exaudiam vos: et redúcam captivitátem vestram de cunctis locis. Ps. 84 Benedixisti, Dómine, terram tuam: avertisti captivitátem Jacob. Dicit Dóminus.

“Convertere, Israël, ad Dominum Deum Tuum!”: A Benedictine Monk Defends Worshiping Eastwards

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A monk of Norcia offering Holy Mass
Fittingly, as we approach the season of Advent, NLM is pleased to make available to readers a new resource for explaining and defending ad orientem worship — a magnificent essay by one of the monks of the Benedictine monastery in Norcia, Br. Evagrius Hayden, O.S.B., entitled “Convertere, Israël, ad Dominum Deum Tuum!”: Whether the Holy Sacrifice of the Mass Ought to be Celebrated Towards the East. 

It is a tour de force of evidence and argumentation, drawing from many sources (biblical, patristic, scholastic, magisterial), and refuting the reasonings by which people today attempt to defend the versus populum arrangement. The essay takes the form of a Thomistic article, with objections, sed contras, a response, and replies to the objections. One benefit of this approach is that it shows the author has thought carefully about why people would prefer versus populum and/or object to ad orientem, and yet, at the end of the day, why these arguments fail. Br. Evagrius, moreover, does a great job summarizing the cosmological, anthropological, scriptural, and historical foundations for eastward-facing worship.

To give you a taste, here is Br. Evagrius (minus the copious footnotes) on biblical indications of the preeminence and symbolism of the east:
From the inspired testimony of Sacred Scripture we also have several passages that indicate the preeminence of worshiping towards the east. These are of two kinds, either they indicate that Christ departs into and returns from the east, or else that certain geographical locations are to be found in the east that are known for the eminent nobility of their symbolism.
       The verse from Psalm 67 where God is said to “mount above the heaven of heavens, to the east” (Ps. 67:34) is attributed by John Damascene, Augustine, Aquinas, Bellarmine, and the fathers in general, to Christ’s resurrection and ascension into heaven.  It is stated that Christ will come again from the east just as he ascended (Acts 1:10-11) and that his appearance will be like lightning that comes “out of the east and appeareth even into the west” (Mt. 24:27). Christ is also referred to as “the light of the world” (Jn. 8:12; 9:5), a term that could only be derived from the sun which shines over all. At the transfiguration his face “shines like the sun” (Mt. 17:2). He is the “sun of justice” (Mal. 4:2). He even replaces the sun by becoming our “everlasting light” (Is. 60:19), and finally he is the very east itself, for “the orient is his name” (Zech. 6:11-12), and from the east he calls to us.  And thus, as the great doctor of the Church Robert Bellarmine concludes, “so that we might signify in our prayer that we are illuminated by Christ, the sun of justice, thus just as those who look to the east are illuminated by the corporeal sun, so in the same way do we use this ceremony [of facing towards the east].”
       Likewise, Christ himself was crucified facing west, as Damascene and Bellarmine attest, and thus we must face east so as to look upon him whom we worship.  And since Christ ascended to the east, so do “we turn to the east just as if we were stretching out to him in his ascending with our prayers and our offerings.”  And we must expect him to come again from the east at the last judgment.
       Besides the numerous texts from Scripture that refer to Christ as going into and coming from the east, and as being light, sun, and orient, there are also other places that refer to the nobility of the east as the origin of the human race and as the most fitting dwelling place for God’s people. According to the Septuagint, the Lord planted Eden in the east. And thus, as Basil the Great concludes, “we all look to the East at our prayers, but few of us know that we are seeking our own old country, Paradise, which God planted in Eden in the East.”  Likewise Moses placed his tent in the east, the tribe of Judah camped there as well, and the gate of the temple of Solomon was turned in that direction.  And then finally, the star of Bethlehem that led the wise men to worship at the crib of our Lord rose in the eastern sky (Mt. 2:2,9).
Anyone looking for a thorough account should take a moment to download and print off this essay -- and share it with others. Here is a link to the PDF.

Other handy articles on the roots and reasonableness of ad orientem worship:
Next week, I will publish at NLM a study of the rubrics of the Roman Missal (Ordinary Form), demonstrating that it presumes the ad orientem stance.

2016 Calendar from the Monks of Norcia

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Following upon the monastic wisdom shared yesterday, courtesy of Norcia, today we can take a look at this remarkable community's 2016 Calendar.

For several years running, I have been happy to announce the annual calendar produced by the Monks of Norcia. I find this year's calendar particularly beautiful, because of the harmonious integration of the photography with apt verses from the Psalms, in Latin and English. I have given some samples below in low-res, but nothing can compare with the printed version, where the photos are large, glossy, colorful, and inspiring, and the text is crisp and easy to read.

Each year the calendar has had a mix of photos (indoor, outdoor, liturgical, recreational, meditative, musical, etc.), but this year's calendar tilts strongly towards nature, with stunning photos of the Umbrian countryside around Norcia, to which the monks go out for hikes and picnics.

As usual, the Norcia calendar features:
  • Feast Days for both the Ordinary and Extraordinary Form (modern and traditional) calendars
  • Reminders of historical and patronal saints not in the general liturgical calendars
  • Benedictine and local saints
  • Days in which to fast and abstain from meat
  • Holy days of Obligation
  • Key dates in the life of the monastery in Norcia (founding, professions, ordinations, etc.)
For those living in the USA, the calendar is $20 (which includes S&H). For those living elsewhere, the calendar is $30 (which includes S&H).

Each year, this calendar is a major fundraising effort for the monks, and the best part of it is that you can help them by getting yourself, or someone you especially admire, a pulchritudinous, liturgically comprehensive calendar. Promote the great mission of the Benedictines: ORA ET LABORA.

For more information and to place an order, visit this link.




Third Video on the Mass from the Liturgical Institute, Mundelein

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Here is the third in the series called The Elements of the Catholic Mass, produced by the Liturgical Institute at Mundelein and presented by its director, Fr Douglas Martis.

This one is entitled “the Role of the Parishioner,” and discusses how in this life we are pilgrims who have their sights set on the heavenly liturgy.

You can find the previous two and the accompanying study guides for each video at: elementsofthecatholicmass.com.


Behold the Lamb of Advent!

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Here’s an enterprising way to draw people into the liturgy, and to prepare for Advent, from Jesson Mata, who was recently appointed Director of the Office of Divine Worship in the Archdiocese of Portland, Oregon, and also serves as Archbishop Sample’s Master of Ceremonies.

He has done a blog posting on how to cook a dish - “lamb with earthy vegetables.” At one level this is a simple cooking demonstration, but he connects it with the liturgical season of Advent and offers it in anticipation of the coming season. This highlights the point that feasts and fasts are not just religious observances or names given to the liturgical celebration, but are also about eating (or not not eating, as the case may be).

There can be a tendency of course to think of the Lamb’s Supper in the Mass as a symbolic replication of conventional meals, but in fact it is the other way around. Formal meals are quasi-liturgical activities that are derived from and point to the Holy Banquet. Similarly, the choice of vegetables reflects the earthly season, which points us to the seasons of sacred time, and it is sacred time that is the model for earthly time, and not the other way around.

He also gives it a Oregonian connection by making use of locally grown produce. Anyway, here is the posting, complete with the video of Jessen in his kitchen... Read the article here.

My only criticism would be the same one I have of all haute-cuisine - the size of the helping. If I was presented with a meal like this, I could probably eat it 10 times and still be hungry. Then again, I am a bit of a Philistine when it comes to food, and tend to see quantity and quality as the same thing!



Jesson also chooses a very interesting modern image of Our Lady, which has has a hazy, Gothic feel to it which I think works very well. I didn’t recognize it, so I asked Jesson about it, and he referrred me to this link here. The artist is Kay Eneim, and it was painted in 2007. As she explains, it is “copied” from a 14th-century painting by Spanish Gothic master Pere Serra. She explains her reasons for focusing just on Our Lady; the original has many Saints surrounding Her. It is to her credit that she did not seek to do something wholly original, as someone working in the modern idiom might. This selective copying, changing only what is necessary to make it accessible to the modern eye, is how artists should approach the reestablishment of these traditions today as living traditions.



The Dedication of Barcelona Cathedral

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I am currently in Barcelona, and chose today to visit the cathedral, jointly dedicated to the Holy Cross and St Eulalia, a local martyr of the persecution of Diocletian. I did not know ahead of time that today is the anniversary of its dedication, the same day as the dedication of the Roman basilicas of St Peter in the Vatican and St Paul Outside-the-Walls, and also as that of the cathedral of Siena. The church seems to have a pretty strong liturgical life going, at least in terms of the number of Masses being said (in both Spanish and Catalan), a good number of regular devotions, and the availability of Confession. The building is a very interesting mix of the Gothic, from its original construction and decoration from the 13th to 15th centuries, with a number of Baroque additions; here are just a few photos of a complex far too rich in art and history to fully capture in a photoessay like this.

The crypt under the high altar, where the relics of St Eulalia repose.
The vaulting of the apse, seen from the stairs that lead down to the crypt.
The vaults of the nave, seen from the same point,
The tombs of Count Ramon Berenguer I (left), founder of the Romanesque cathedral which was later replaced by the current Gothic building, and his third wife, Almodis de la Marche (right).
The upper part of the liturgical choir, which is badly lit and hard to photograph.
The organ
The altarpiece of the chapel of Ss Ambrose and Martin, by Joan Matas, 1415 
The altarpiece of Ss Clare and Catherine of Alexandria, by Miquel Nadal and Pere Garcia de Benavarri, 1454-58
An altarpiece commemorating the founding of the Mercedarian Order, which took place in the city of Barcelona in 1218; by Joan Ruig, 1688.
In the Gothic cloister, 13 white geese are kept; they are traditionally said to be the same number as the age of St Eulalia at the time of her martyrdom.
A view of the famous Sagrada Familia from the roof of the cathedral.
The principal spire of the church, completed in the 19th century. 
The spire seen from inside.

EF Pilgrimage to Bologna for Dominican Jubilee

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To celebrate the Jubilee of eight-hundred years from the establishment of the Order of the Preachers (November 7, 2015 - January 21, 2017), on December 7, 2015, a pilgrimage to the Ark of Saint Dominic will take place in Bologna, culminating with a Holy Mass sung in the Dominican rite. The event is preceded by a conference on Dominican rite given by Fr. Riccardo Aimone Barile OP, Prior of the Convento Patriarcale in Bologna, and followed by a reception.

The pilgrimage is first of all a time of prayer and thanksgiving to God for having given the Church the Holy Father Dominic, founder of the Order of the Preachers. It is also an opportunity for the study and promotion of the rite that for seven hundred and fifty-years characterized the liturgical life of the Order, and which since 2007, thanks to the Motu Proprio Summorum Pontificum of Pope Benedict XVI and the Instruction Universae Ecclesiae of the Pontificial Commission Ecclesia Dei, may again be celebrated and promoted without any limit in the Church and in the Dominican Order.


Denis McNamara on Sacred Architecture, Part 6 - Columns

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Here is the sixth in the series of short videos by Denis McNamara, Professor on the faculty of the Liturgical Institute, Mundelein; his book is Catholic Church Architecture and the Spirit of the Liturgy.
I found this one particularly fascinating.
Denis describes here how columns are a vital part of the design of the church building which is meant to be the sacramental image of the Church, the mystical body of Christ. Historically the building was so clearly identified as an image of the Church, that this is why it came to be called a 'church'.
The columns represent important people within the Church who, metaphorically, support it. Most importantly it would be the 12 apostles. Prior to the Christian era the columns represented the 12 tribes of Isreal in Jewish architecture. Even within the classical, pre-Christian tradition, columns were identified with people and different designs were ascribed to men, women and young girls. With the tradition present in both the Jewish and classical traditions that preceeded them, we can see why it made great sense, for the early Christians to incorporate the same symbolism into the design of their churches. 
It is because they are symbolic images of people that there are particular aspects of design on the columns, again incorporated into the tradition, and they should not just be created as straight vertical lines that are pure structural support - as a modern architect might wish to do. It does not mean that every column should necessarily correspond precisely to the Doric, Corinthian and Ionic columns of classical architecture, but it does point to importance of columns of some form as symbolic images of people, as decoration that visibly performs a structural purpose.
The question one might have after considering this is, even if we acknowledge that properly formed columns are right for a church building, is do we need to have them in secular buildings as well? What about libraries, town halls, houses, theatres, and so on?
I would say again that the church should be the symbolic heart of the community. Therefore, just as all human activity is formed by and leads us to the worship of God, so the design of all buildings whatever their purpose should be derived from and point to what should be the focal point within the town plan, the church and so we ought to see columns in secular buildings too. All of this should be modified so that each building is appropriate to its particular purpose: a government building would have a design that is mre directly corresonding to a church, I would suggest, than a cow shed or a public convenience.


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