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RIP: Helen Hull Hitchcock, 1939-2014

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In your charity, please pray for the blessed repose of the soul of Helen Hull Hitchcock, who died yesterday, October 20th, at the age of 75. Helen was editor of Adoremus Bulletin, the monthly publication of the Adoremus – Society for the Renewal of the Sacred Liturgy, which she cofounded in 1995 with Fathers Joseph Fessio, S.J. and Jerry Pokorski. She was also the founding director of Women for Faith & Family and editor of its quarterly journal, Voices. She has published many articles and essays in a variety of Catholic journals, and was the author/editor of The Politics of Prayer: Feminist Language and the Worship of God (Ignatius Press, 1992), a collection of essays on issues involved in translation.

Helen is survived by her husband James Hitchcock, professor emeritus of history at St. Louis University and author of The Recovery of the Sacred: Reforming the Reformed Liturgy (Ignatius Press, 1995), and their four daughters and six grandchildren. May they have the comforts and consolation of faith in the risen Lord Jesus Christ.

Photo: www.adoremus.org.

Original Beuronese Murals for Sale

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NLM reader James Vogel has contacted me to let me know the availability of an original set of 15 murals painted early in the 20th century.

The Beuronese style began in the 19th century at a Benedictine monastery in the town of Beuron in Germany. Monks trained there later moved to the US and so there are excellent examples of the style in the US, particularly at Conception Abbey in Missouri. It was a reaction against the high naturalism of the period and looked to ancient Egyptian art for its inspiration for an idealized form. This Egyptian influence is more obvious in the original works by Desiderius Lenz, one of the very earliest artists in this style.

These ones were painted by Fr. Bonaventure Ostendarp from St. Vincent’s Archabbey in Latrobe, PA, for St. Mary’s Church in McKeesport, PA. When St. Mary’s was closed in the 1990’s, the murals were sold to Our Lady of Fatima Chapel in Carnegie, PA. With the congregation of Our Lady of Fatima relocating to a new church, these murals are once again available for purchase. As I look at them, they strike me as less idealized than the classic Beuronese art of say Lenz (having more of a look of illustrations), but nevertheless interesting and worthy of interest.

The common theme is “the Life of the Virgin“ ”. In particular, they depict the Vision of King David and the Prophet Isaias, the Nativity of the Blessed Virgin, the Presentation, the Marriage of the Virgin, the Annunciation, the Visitation, the Nativity of Our Lord, the Adoration of the Magi, the Purification, the Flight to Egypt, Christ in the Temple, the Marriage Feast of Cana, the Meeting of Jesus and Mary at Calvary, the Descent of the Holy Ghost, and the Death of the Virgin.

They are all oil on canvas, approximately 82 by 73 inches, including the frames. They are all in good condition. More photos and details are available upon request. The asking price is $150,000 or best offer for the set; shipping is the responsibility of the buyer. Those interested should telephone James Vogel (of Angelus Press in Kansas) on 412-330-9801 or email him: jvogel@angeluspress.org. Let’s hope they end up in good hands!







Photopost Request: Christ the King (EF)

Music Competition for Young Composers

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This just came in from Joseph Shaw of the Latin Mass Society of England and Wales. Matthew Schellhorn, a professional musician very active in promoting the traditional liturgy in England, has recently created a prize for a new composition, for a ‘Latin Eucharistic text’.
I’m delighted to announce that the Latin Mass Society is supporting the Schellhorn Prize. This will be awarded to the best ‘piece for a cappella SATB choir using any Latin Eucharistic text’ submitted, between now and Ash Wednesday of next year (18th February), by a composer no older than 26 at the closing date. The prize is £500, and the piece will be performed as part of the Latin Mass Society's Easter Triduum liturgies in the year it is submitted. 
Full details are here.

Pictures of a Mural of the Crowning of the Virgin from Malaga, Spain

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The artist Raul Berzosa has sent me the following pictures of his recently completed project. It is of the ceiling of the Oratory of the Brotherhood of Our Lady of Sorrows, Málaga, Spain. It took him a year to paint, the work, all in acrylic; the total size of the roof is 12.20 meters long and 9.62 meters wide, with a total of 130 square meters approximately. For moroe information, you can visit his website, http://www.raulberzosa.com/. This is a spectacular achievement, and it is good to see work of this sort being commissioned and executed. I hope there will be more. If I have one point to make, it is my usual one that my personal taste is to see more muted colour and shadow with the brightness concentrated on the principle foci of interest in the baroque fashion. However, I should state that I have seen only the photographs, and the work in situ. For a work like this the impact can be very different when viewed from where it is intended to be seen - this would be viewed ordinarily from a great distance away by observers looking up from the floor. The artist has no doubt designed it with this with this in mind.

Rome Presentation of the Sacra Liturgia 2013 Proceedings

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Sacra Liturgia is pleased to announce the presentation of the Italian and English editions of the Proceedings of Sacra Liturgia 2013, on Friday, November 21, from 7:30 p.m. – 9 p.m. in the Sala Camino of the Hotel Columbus, Via della Conciliazione, 33, Rome.

Sacred Liturgy: Source and Summit of the Life and Mission of the Church (Ignatius Press)
La Sacra Liturgia: Fonte e culmine della vita e della missione della Chiesa (Edizioni Cantagalli)

Interventions by Bishop Dominique Rey, Raymond Leo Cardinal Burke and Dom Alcuin Reid, followed by an aperitif. This event is open to the public at no charge.

Those intending to be present are asked to indicate this in advance by sending an email to contact@sacraliturgia.org for catering purposes.

Texts of the interventions will be available to journalists in Italian and English. Journalists who wish to ask for interviews should request this in advance: contact@sacraliturgia.org

Gli organizzatori di Sacra Liturgia sono lieti di annunciare la presentazione delle edizioni in lingua italiana e inglese degli Atti di Sacra Liturgia 2013, venerdì, 21 novembre ore 19,30 – 21,00, Sala Camino - Hotel Columbus, Via della Conciliazione, 33, Roma.

La Sacra Liturgia: Fonte e culmine della vita e della missione della Chiesa (Edizioni Cantagalli)
Sacred Liturgy: Source and Summit of the Life and Mission of the Church (Ignatius Press)

Interventi di S.E. Mons. Dominique Rey, Sua Em. Card. Raymond Leo Burke e Dom Alcuin Reid; la presentazione sarà seguita da un aperitivo. L’evento è aperto gratuitamente al pubblico. Coloro che intendono partecipare sono pregati di segnalarlo in anticipo inviando un mail a contact@sacraliturgia.org

I testi degli interventi saranno a disposizione dei giornalisti sia in italiano che in inglese. I giornalisti che desiderano un’intervista sono pregati di segnalarlo in anticipo. Per accrediti stampa: contact@sacraliturgia.org

An EF Education Resource: Catholic Paper Dolls from 1943

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The blog of Catholic Extension magazine has posted links to a whole series of reproductions of pages from an edition of the magazine printed in 1943. Each of them contains a series of paper-dolls, including a priest, an altar boy, and everything necessary for Mass and Benediction; there is even an altar, with the candlesticks and monstrance, a Missal and a tabernacle, right down to the purificator. The vestments are left uncolored, so children can choose for themselves the liturgical color they like. Along with the paper-dolls themselves are explanations in some detail of the history, meaning and use of various aspects of the liturgical tradition. I found these interesting also because they show the high level of education back in the day; the author of these explanations can write things on the order of, “The altar must be of stone, and in this it also represents Christ, for St Paul tells of the Israelites drinking water from the rock, and says that the rock was Christ,” without fear of going over his readers’ little heads. Children are instructed to keep the left-hand part of each page as a little liturgical textbook. Depending on your age, you can also use these to show your children or grandchildren, what your parents, or you yourself, played with, back when there were no video games, and dinosaurs and saber-toothed tigers roamed the Earth... (h/t to our friend Roseanne Sullivan.)


Forty Hours at St John Cantius

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These photos were taken at the Opening Mass of Forty Hours Devotion at St John Cantius, Chicago on October 19, 2014. A Solemn High Tridentine Latin Mass with the Resurrection Choir and Orchestra singing Hadyn’s “Theresienmesse” - Mass No. 12 in B Flat was offered. The Mass, which was the External Solemnity of Saint John Cantius, was celebrated by the Rev. C. Frank Phillips, C.R. The Mass was followed by a solemn procession with the Blessed Sacrament around the inside of the Church. Members of the Confraternity of the Blessed Sacrament, as well as various religious attended.







There are many more wonderful photographs here. St John Cantius also featured in Open House Chicago when they opened their doors to hundreds of first-time visitors to Chicago's most beautiful church. 

The EF Comes Home to Yet Another Church : Saint Joachim in Madera, CA

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Our thanks to Fr Gustavo López OSJ, associate pastor at Saint Joachim Church in Madera, California, (Diocese of Fresno), for sending us these photographs of the Mass celebrated in the Extraordinary Form on October 3rd, the first time it has been celebrated in that church since the post-Conciliar reforms. The occasion was the feast of Saint Thérèse of the Child Jesus, who is the patroness of the Diocese of Fresno. The choir and altar servers were from the Latin Mass Society of Fresno.











NPR Story on Youth and the Traditional Latin Mass, Juventutem Miami

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WLRN, the Miami NPR affiliate has just published a story about the attraction of youth to the Traditional Latin Mass and the local Juventutem chapter.

The radio version of the complete story is available on the WLRN article page.
With Ancient Language, Catholic Mass Draws Young Parishioners

By Jessica Meszaros

Roman Catholic Mass was at one time universally celebrated in Latin, the ancient Roman language.

After the second Vatican Council in the 1960s, Mass was allowed to be celebrated in the language of the people, meaning Mass in Perù was celebrated in Spanish and Mass in the United States was celebrated in English -- you get the picture.

Latin is now sometimes referred to as “the dead language,” but it is not dead in Miami.

The Mission of Saints Francis and Clare is a Roman Catholic chapel in Miami that celebrates traditional Latin Mass every Sunday. It’s one of three local churches that offer this regular service. The mission has about 20 pews facing its single stained-glass window just above the altar.

Father Joe Fishwick has been leading the traditional Latin Mass at the chapel for almost 20 years. He says he’s noticed a change in attendance recently.

“The fascinating thing is the number of young people who discover the old liturgy and who fall in love with it,” he says. “There’s indeed a thirst for a return to one’s roots.”

Father Fishwick says he has seen more and more young people at Sunday’s Latin Mass since the death of Pope John Paul II nine years ago.

“I think maybe the younger generation, which has had no experience of that, has been completely starved of it,” says 30-year-old Miamian Josue Hernandez. “They see it and they run to it because they have been so deprived.”

Hernandez attends Sunday Latin Mass at Saints Francis and Clare.

“When you go to the older Mass, you have the Latin, you have the incense, you have the priest facing the crucifix and the focus is completely off you,” he says. “All the attention is turned towards the sacrifice.”

Populus Summorum Pontificum - Vespers at Ss.ma Trinità dei Pellegrini

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For the opening of the Populus Summorum Pontificum pilgrimage, His Grace Archbishop Guido Pozzo, Secretary of the Ecclesia Dei Commission, presided over the celebration of a Votive Vespers of St Raphael the Archangel, one of the patrons of pilgrims and travelers. The music was provided by a choir of seminarians of the Institute of the Good Shepherd, directed by Fr Matthieu Raffray, accompanied also by organ and recorder. Here is a small portion of the Vespers, the fifth antiphon and psalm, and the chapter. (Pictures below).


Aña Peace be with you, fear ye not; bless God, and sing ye unto him.
Psalm O praise the Lord, all ye nations: praise him, all ye people. For his mercy is confirmed upon us: and the truth of the Lord remaineth for ever. Glory be. Aña Peace be with you
Chapter When thou didst pray with tears, and didst bury the dead, and didst leave thy dinner, and hide the dead by day in thy house, and bury them by night, I offered thy prayer to the Lord. (Tobias 12, 12)

The church was packed (this photo was taken before the ceremony began, a lot more people came in before the Vespers started.) Everyone sang the psalms and the hymn, alternating with the choir; the Magnificat was done in a particularly good polyphonic setting with recorder and organ.
The altar decorated with a picture of St Raphael and Tobias, which is normally in the sacristy.
 

One of the coped assistants brings the text of an antiphon to be intoned by a priest in the choir.
The incensation of the altar during the Magnificat.
The concluding prayer
The Pontifical blessing at the end of the ceremony.

Populus Summorum Pontificum - Mass of St Raphael at Ss.ma Trinità dei Pellegrini

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Yesterday evening, the crowd of pilgrims who attended the Mass at the FSSP’s Roman parish, Ss.ma Trinità dei Pellegrini, was simply too big for me to get near the altar to take any good pictures of the ceremony; the church was literally full to overflowing. People will be sending me pictures, and posting them elsewhere; I will post them as they become available. His Eminence George Cardinal Pell was to be the celebrant of the Mass, but was taken ill, and so the Mass was celebrated by his secretary; please be so kind as to say a prayer for His Eminence’s recovery. His secretary read the homily which the cardinal had prepared, which I hope to have available shortly.


  

Why is the Feast of Christ the King Celebrated on Different Sundays in the OF & EF Calendars?

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A happy feast of the Kingship of Our Lord Jesus Christ to all NLM readers!

Earlier this week at Rorate Caeli, I published an article concerning the transference of this feastday from the last Sunday of October (where Pope Pius XI had originally placed it when he instituted the feast in 1925) to the last Sunday of the liturgical year in the Ordinary Form, which falls at the end of November. Sometimes one hears conservatives who have not studied the subject say: "The differences between the old and new Roman calendars are not so very great; most of the major feasts stayed where they were, some obscure old saints were removed and a number of more recent saints added." But the Feast of Christ the King is a particularly striking example of a major difference, and one that certainly has theological reasons behind it. In my article I attempt to show what's at stake -- and, not surprisingly, it does have a profound relevance for the very issues that are now tossing the barque of Peter like a cork upon the waves.

To read the article, go here.

Populus Summorum Pontificum - Pontifical Mass in St Peter’s, Celebrated by Card. Burke

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Yesterday, His Eminence Raymond Cardinal Burke, Prefect of the Apostolic Segnatura, celebrated a Pontifical Mass in St Peter’s Basilica for those participating in the Populus Summorum Pontificum pilgrimage. The day began with Eucharistic Adoration at the Basilica of San Lorenzo in Damaso, followed by a long procession through the streets of Rome, which crossed the bridge at the Ponte Sant’ Angelo to reach the Vatican. The Mass was the Saturday Votive Mass of the Virgin Mary, and His Eminence preached on the Virgin Mary as a model of our lives as pilgrims in this world. Music was provided by a choir of almost 20 seminarians from the North American College, conducted by Mr Leon Griesbach, accompanied by Mr Garret Ahlers on the organ. I am very grateful to Mr François Nanceau for providing us with links to these photos. (I was unable to take any myself, since I was the 2nd MC!) You can access the complete set on googleplus by clicking here, and on facebook by clicking here. He has also posted photographs of the Vespers celebrated by Archbishop Guido Pozzo at Trinità dei Pellegrini (here and here), and the Mass celebrated there on Friday for the feast of St Raphael and the 10th anniversary of the International Juventutem Federation (here and here). All photographs copyright François Pierre-Louis for Coetus Internationalis Summorum Pontificum.

The procession on the Ponte Sant’ Angelo
The altar prepared for Mass
Prayers before the altar 
Introit
The Collect
The Epistle
The Gospel
The Offertory
 


Post-Communion 

Dom Mark Kirby on Paul VI -- and a Note on the Term “Pastoral”

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I noticed recently a couple of fine NLM-pertinent posts by Dom Mark Kirby, Prior of Silverstream, whose blog Vultus Christi is an ongoing source of refreshing spiritual wisdom.
In the attention given to Pope Paul VI in the time leading up to his beatification, one notices a deafening silence on those many respects in which this pope either was, or at least seems to have intended to be, a proponent of the “hermeneutic of continuity” avant la lettre. While it’s true that Paul VI is a complex and even at times contradictory figure who contributed to the problems inherited by his successors and all of us (see my earlier article on this very subject), it is only a matter of plain common honesty and justice to paint a fair portrait that includes elements essential to modern-day traditionalism. These would have to include not only Paul VI’s Humanae Vitae and Mysterium Fidei, but also his unambiguous reaffirmation of the Catholic faith in the Credo of the People of God and his 1966 Apostolic Letter Sacrificium Laudis, whose defense of the traditional choral office in Latin deserves to be much more widely known.

Dom Mark offers the complete text of this short Apostolic Letter, along with an introduction. Highly recommended.

Dom Mark also devoted a daily reflection (again, with the complete text of the document) to how important the Credo of the People of God was to him in his personal life as a monk living in a confused and volatile period. Published less than a month before Humanae Vitae, the Credo was perhaps the most quickly buried and forgotten document in the history of the Magisterium. It is nevertheless worth revisiting, and is sure to raise more than a few eyebrows when one sees how the creed Paul VI professed, unambiguously reiterating dogma on faith and morals, has been slowly and consistently undermined in subsequent decades.

While we’re speaking about Paul VI, I would like to recommend to NLM readers a newly posted article by my colleague, Dr. Jeremy Holmes, “Saving ‘Pastoral’ from the Wolves”. We are all rightly disturbed, I think, by the serious abuse that has been made of the term ‘pastoral’, and how many acts of negligence and deviations it has covered since the Second Vatican Council. We might, in fact, be tempted to throw the word away. But we do not do well to let the enemies of the Faith seize hold of vocabulary and claim it as their booty. As the Sensible Bond likes to point out (in league with George Orwell and Josef Pieper), language is power, and abuse of language is abuse of power. Dr. Holmes examines the authentic notion of the pastoral, that which has to do with the shepherd truly taking care of his flock by taking them seriously and yet leading them where they need to go. There are some interesting liturgical and moral examples. Check it out.

Blessed Karl of Austria — Sanctity and Perfection in his Footsteps

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Talk given after Mass for the Feast on October 21, 2014, by Juventutem DC leader Daniela Petchik
[Juventutem DC recently sponsored a mass in the Extraordinary Form at St. Mary, Mother of God Catholic Church in Washington, D.C., on the feast of Blessed Karl of Austria (October 21). A reception followed, with speakers H.I.R.H. Prince Bertrand of Orleans-Braganza, the Prince Imperial of Brazil (Vassouras Line); Raymond de Souza; and Juventutem DC leader Daniela Petchik. Miss Petchik was kind enough to provide us with her own remarks, which serve as a thoughtful meditation not only on traditional piety but its relationship to Blessed Karl and to young people devoted to the Extraordinary Form everywhere.]

Why are we honoring Blessed Karl of Austria? Why celebrate his memory? He’s not a typical saint. He’s not an ascetic or religious, or a great missionary. Why has the Church raised him to her holy altars for veneration?

He was a kingbut don’t be misled by his royalty. The fact that he was royalty was a hindrance, not a help. Often the marriages of royalty are ones where the husband disappears off to conduct business. And how many monarchs had affairs? Bl. Karl never did that. What is unique about his royal marriage is that it seems it was a marriage of love and commonality of mind.

In fact, his royalty made it a lot harder for him. There are few royalty who are canonized. Several queens make the list, but it is threadbare for actual ruling monarchs: St. Louis the King of France, St. Edward the Confessor, St. Wenceslas. Or Bl. Karl’s first predecessor, St. Stephen of Hungary, whose crown Bl. Karl received when he ascended the throne.

Let’s understand the magnitude of that. How many monarchs have there been over the last 2,000 years? So few are canonized—and most monarchs are not worth canonizing. Rather than being saints themselves, often they have made saints by creating martyrs: St. Thomas More, St. John Fisher, St. Stanislaus. “Will no one rid me of this turbulent priest?” was said of St. Thomas Becket. More often monarchs are doing that kind of thing rather than living the kind of life Bl. Karl did.

On top of that, Bl. Karl had a war to conduct. Then, after it was over, he had nothing at all. He had to flee the country.

Why am I, a Juventutem leader, giving this message? Look at Bl. Karl’s youth: he died at age 34 after ascending the throne at age 29. (His wife Zita was 24.) Why is he a model for us? How much devotion, sacrifice, and service he accomplished as a young adult! He worked tirelessly for the Faith in this life and he intercedes for us in the next.

Likewise, it is the young people who will be starting families. We can relate to him on that level. Men, try to model yourselves on what he did. Women, focus on raising such men. There is a way you can relate to this saint even if he was royalty. Raising a family is something he has in common with us regardless of our station in life.

This is when monarchy is at its most effective—when monarchs behave in morally admirable ways. Why was Queen Victoria so beloved? Her moral rectitude. Why is Queen Elizabeth II so popular? You never have to open the papers and wonder if you will find something awful she did.

If a leader is supposed to lead—lead other people—it is hard to expect other people to behave the right way when the leader isn’t living a virtuous life. Their effectiveness is compromised somewhat—and this is true whether you’re the leader of a university, a company, or a lay Catholic group; or you’re a diplomat, in the military, or work for the government. Bl. Karl also studied law and political science in Prague, so let’s not forget lawyers and politicians.

There are plenty of opportunities for us to share in that responsibility that Bl. Karl had. We’re not all kings, but we can relate to him and model ourselves on him. “The emperor always acknowledged his faith publicly. His moral rectitude was above reproach. Georges Clemenceau, the French prime minister, said ‘Emperor Charles in Austria is worth a pope in Central Europe.’”

Why is it so important to honor Bl. Karl? For starters, he was enough a man of our age, within living memory. We have films of him. There are people living—perhaps some of them in this room—who were alive when he was. In some ways he is one of the last survivors of a dying age, the old Europe, that is still around. He was also around for the birth of the new one.

We also honor him for his family life. He was a successful husband and father. How many of our saints are husbands and fathers? Not many. Most saints are vowed religious. There’s nothing wrong with that of course but it’s nice to have a few that are lay faithful. It’s necessary that there be saints who are accessible to us, in our state in life.

The most important reason we honor him is for his heroic virtue, his sanctity of life.

As he told Zita on the eve of their marriage, “Now we must help each other to attain heaven.” Even with professional concerns Bl. Karl focused on his children. When they were very young he would carry them into the chapel, fold their tiny hands, and help them make the Sign of the Cross. He led them in morning and evening prayers. He told them stories of religious history and the life of Christ. He used every opportunity to deepen their faith.

During Advent he encouraged them to multiply their daily sacrifices. For each one they placed a blade of straw in a manger to warm it with charity for the infant Savior’s coming. One of his last prayers was “Dear Savior, protect our children. Take care of them in body and soul. Let them rather die than commit a mortal sin. Thy will be done. Amen.”

For what purpose has God given you an eternal soul but for you to become a saint?

1. Prayer and living a holy life are the most important things we do.In cathedrals and at improvised altars on battlefields Bl. Karl’s recollection during Mass inspired everyone around him. After Mass he prayed the Veni Creator Spiritus, begging the Holy Ghost to help him with the difficult decisions of his life. He ended every day by singing the Te Deum. “If we receive with thankfulness all the good things from God,” he said, “how much more should we receive even the most painful things with thankfulness.”

2. Make the resolution to give yourself entirely to God. On Bl. Karl’s tomb it says, Fiat voluntas tua, thy will be done. In his own words, “My entire effort is always, in all things, to discern the Will of God as clearly as possible, and to obey it, indeed, even to perfection.”

3. Charity is how we make reparation for our sins. Love the cross and suffering. Make personal sacrifices. “War brought hunger, misery, and death to his people. Bl. Karl and his family went through the same hardships. He organized soup kitchens, used the court’s horses to deliver firewood in Vienna because of the intense winter cold. … He and his family obeyed rationing rules and forbade the use of white bread in his household, ordering it to be given to the sick and the wounded. Soldiers said that food was better on the warfront than in the emperor’s home.”

4. Encourage your neighbor in all that is good, and gently draw him away from anything that is bad.Bl. Karl arranged for the troops to attend Mass and receive the sacraments as often as possible. He provided them with wholesome reading material and recreation centers to discourage immorality during their free time. If he heard that a soldier was falling into sin in a certain place, he would have him transferred somewhere else.

Juventutem DC exists for the sanctification of youth united in the Catholic Faith and expressed by a love of the Church’s traditional liturgies and spiritual formation, particularly spiritual and corporal works of mercy. These are expressions of the Faith that would have been familiar to Bl. Karl. In fact the form of Mass we attended tonight was the only that he, or most all saints, ever knew. On behalf of the DC and Michigan chapters we hope to see you, young and old, at our March for Life Juventutem Mass and social.

The words that close Psalm 22, the one Our Lord began from the cross in his dying moments, may be fittingly said by Bl. Karl: “To the Lord royalty belongs, the whole world’s homage is his due. Him shall they worship, him only, that are laid to rest in the earth, even from their dust they shall adore. I, too, shall live on in his presence, and beget children to serve him; these to a later age shall speak of the Lord’s name; these to a race that must yet be born shall tell the story of his faithfulness, hear what the Lord did.”

Bl. Karl wore many hats: king, emperor, husband and father in very difficult circumstances. He had so many more demands than we do, and then lived in poverty in exile with only the clothes on his back. That’s a very hard thing to do—and yet he never wavered, never shook from his purpose. His entire life was a great tragedy, and yet it was a great victory too. He never lost his faith and he passed it on to his children. He was steadfast to the end and led an exemplary life. Now he can intercede for us in heaven, as his children.

Blessed Karl, Emperor of Austria, and Servant of God Empress Zita, pray for us.

Solemn Mass for All Souls

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Readers in Rhode Island and the surrounding area may want to note that Solemn Mass in the older, traditional Roman Rite will begin at 6:00 pm on All Souls’ Day, Monday, November 3rd, at Holy Ghost Church in Tiverton, R.I. The celebrant and homilist will be Father Neil J. Roy, former editor of the liturgical journal Antiphon and presently chaplain to Saint Benedict Center in Still River, Massachusetts; Father Jay Finelli (pastor of Holy Ghost) and I will assist as deacon and subdeacon, respectively.
In the Roman Rite’s extraordinary form, All Souls’ Day is transferred to November 3rd this year because the 2nd falls on a Sunday.

College Student Commissioned to Design a Cosmatesque Floor by Her Home Parish in Driggs, Idaho.

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Here is a heartening story that went out in a recent newsletter from Thomas More College of Liberal Arts. I have featured design work by students at the college before, (see here;) now one of those featured, senior student Amy Green is designing a Cosmatesque floor for her parish, Good Shepherd Catholic Church in Driggs, Idaho. She is doing this through the weekly Guild of St Luke art class at the college.

The article below was written by student Marlene Schuler, Class of 2017. In this Amy describes how this will be done through members of the parish volunteering their time to lay the tiles. She told me in addition that these professional tilers had also managed to negotiate a deal with the tile supplier, who offered them a good price simply because he was intrigued by how unusual this project is. This is the sort of result that makes it all worthwhile for me. I’m sure Amy will do a great job!

Another point is that, although the article doesn’t say so, as this is done on a limited budget, they would welcome donations to go towards the finished floor. So here’s your chance to contribute to the rebuilding of Catholic culture. Contact me if you would like to donate and I will put you in touch with Amy and the church.

Anyway here is Marlene's article, which was headed: Rebuilding Catholic Culture, One Tile at a Time

What inspired you to start this project?

Initially, it was the Way of Beauty program in freshman year. Then, it was furthered by going to Rome and seeing the Cosmati floors in person; in particular, the floors of San Benedetto and Santa Maria in Trastevere.


The Cosmati floor in the basilica Sancta Maria in Trastevere that helped to inspire Amy 

Could you describe a little more how the Way of Beauty Program was able to help you with this design process?

In the second semester of freshman year, Mr. Clayton focuses in on Euclid’s geometry and how it is applied in various art forms. At the end of the semester, we were asked to design a Cosmati floor using the techniques we were taught through the program. I was so struck by how easy this project was and how beautiful the floors turned out; which was incredible for me, because I have never been able to draw. Currently, I am taking the St. Luke art guild in which Mr. Clayton is able to help me with the design of the floor!

 Where are you in the process of design?

I’m in the middle of designing the floor right now. Once I finish the design and our parish has raised the necessary funds for the floor, the project will begin. There are several parishioners who have offered to donate their time, talents, and materials to lay the floor. It’s going to be local parishioners and people from our town (including non-Catholics) all working together on the floor, cutting and laying the tile…. it’ll be like medieval times, when everyone from the village helped out. I am also designing a website whereby people can donate to the project to help purchase the tile. I am hoping to have the website up and running by the end of this semester.


Student work based on traditional cosmatesque designs

An Important Discovery in Musicology

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The website of Radio Canada International reports that a Canadian musicologist, Prof. James Grier of Western University in London, Ontario, “has been able to identify the person who made a breakthrough in music notation, and accurately date this innovation, which is now possibly the earliest surviving example of such ‘modern’ music notation.”
While studying documents which are almost 1000 years old, a colleague from Sweden asked him about the particular handwriting style of a well-known monk, Adémar de Chabannes (c. 989-1034). It seems a section of the musical manuscript text was written by Adémar. The handwriting was confirmed by another colleague from Boston who was studying the monk for historical reasons. Suddenly Professor Grier realized that not only was that passage in the monk’s handwriting, but also the musical notation in that passage, and indeed throughout the entire manuscript. The discovery has been reported in Journal of the American Musicological Society.
You can read the full article, and listen to an interview with Prof. Grier explaining the discovery and its importance, by clicking this link to the original article.

A page of a book of tropes and proses written by Adémar de Chabannes and his uncle Roger, who was the cantor of the Abbey of Saint Martial in Limoges. Above is the simple Kyrie of the Mass with notation; below, the Kyrie with tropes. Bibliothèque National de France, Latin ms. 1084, late 10th century.

Photopost Request: All Saints and Souls 2014

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Coming up this weekend, we have two big feasts of the church coming up: All Saints and All Souls. Saturday will be All Saints in both calendars, Sunday will be All Souls in the Ordinary Form, and Monday will be All Souls in the Extraordinary Form (because it is never celebrated on Sunday in the older calendar, so it is moved). Please send in your photos for these three days to photopost@newliturgicalmovement.org.


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