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Pilgrimage Churches in the Mountains of Ethiopia

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The website of the BBC has posted some very beautiful photos from their correspondents’ visit to the Tigray region in northern Ethiopia, a region which, as they note, bears no small resemblance to parts of the southwestern United States. High up in the Gheralta Mountains are a number of churches carved directly into the rock, many of which are frescoed, and well preserved because of their remoteness. The church to which the monk in the third picture here is making his way is a popular pilgrimage destination for new mothers to give thanks for the successful delivery of a child. You can see the complete photoset with commentary by clicking here.




The Feast of Saint Augustine

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The celebrated day has come, on which the holy bishop Augustine, released from the bond of the flesh, was taken up with the Angels; where he rejoices with the Prophets, is made glad with the Apostles; full of their spirit, he made clear to us what they mystically foretold; after them he shone forth as first in the grace that came after, to dispense the word of God. (The antiphon of the Magnificat at First Vespers, from the proper Office of St Augustine sung by the various orders of the Augustinian tradition.)
The Triumph of Saint Augustine, by Claudio Coello (1642-93), 1664; Museo del Prado, Madrid
Aña Adest dies célebris, quo solútus nexu carnis sanctus praesul Augustínus, assumptus est cum Angelis, ubi gaudet cum Prophétis, laetátur cum Apóstolis; quorum plenus spíritu, quae prædixérunt mýstica, fecit nobis pervia; post quos secunda dispensandi verbi Dei primus refulsit gratia.

From the same Office, the ninth responsory, as sung by the Dominicans : R. Until the very time of his illness, he preached the word of God in the holy Church without ceasing, eagerly and mightily, being of sound mind and sound council; healthy in all the members of his body, his sight and hearing unimpaired. * Before his brothers, as they knelt and prayed, * he fell asleep with his fathers. V. He made no will, for as one of Christ’s poor, he had nothing to will. Before his brothers, as they knelt and prayed. Glory be unto the Father, and to the Son, and to the Holy Spirit. He fell asleep with his fathers.

The Funeral of Saint Augustine, by Benozzo Gozzoli (ca. 1420-1497), in the Church of Saint Augustine, San Gimignano, Tuscany, 1464-65.
R. Verbum Dei, usque ad ipsam suam aegritúdinem, impraetermisse, alácriter et fórtiter, sana mente sanóque consilio in Ecclesia praedicávit. Membris ómnibus sui córporis incólumis, íntegro aspectu atque audítu, * coram pósitis frátribus et orántibus, * dormívit cum pátribus suis. V. Testamentum nullum fecit, quia unde fáceret pauper Christi non hábuit. Coram. Gloria Patri. Dormivit.

Cardinal Cañizares Transferred to Valencia

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It was announced today that His Eminence Antonio Cardinal Cañizares Llovera has been transferred to his native diocese, the Archiepiscopal See of Valencia in Spain, the former archbishop, His Grace Carlos Osoro Sierra, being transferred to Madrid to succeed Cardinal Antonio Varela. Cardinal Cañizares’s successor as Prefect of the Congregation for Divine Worship and the Discipline of the Sacraments has not yet been announced. We should all offer a prayer that the Holy Spirit will guide Pope Francis to choose a wise and worthy successor.

Oremus pro Pontifice nostro Francisco. Dominus conservet eum, et vivificet eum, et beatum faciat eum in terra, et non tradat eum in animam inimicorum eius.

V. Fiat manus tua super virum dexterae tuae.
R. Et super filium hominis quem confirmasti tibi.

Oremus. Deus, omnium fidelium pastor et rector, famulum tuum Franciscum, quem pastorem Ecclesiae tuae praeesse voluisti, propitius respice: da ei, quaesumus, verbo et exemplo, quibus praeest, proficere: ut ad vitam, una cum grege sibi credito, perveniat sempiternam. Per Christum, Dominum nostrum. Amen.

Let us pray for our Pope Francis. May the Lord preserve him and give him life, and make him blessed upon the earth: and deliver him not up to the will of his enemies.

V. Let thy hand be upon the man of thy right hand.
R. and upon the son of man whom thou hast confirmed for thyself.

Let us pray. O God, Shepherd and Ruler of all the faithful, look mercifully upon Thy servant Francis, whom Thou didst will to be the shepherd of Thy Church. Grant him, we beseech Thee, that by his word and example, he may edify those over whom he hath charge, so that together with the flock committed to him, may he attain everlasting life. Through Christ our Lord. Amen.

Helping Children Enter into the Traditional Latin Mass

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At Steve Skojec's splendid new blog One Peter Five (to which fellow NLM writer Fr. Thomas Kocik is also regularly contributing), I have posted a couple of articles on how we can help our children enter more readily and more deeply into the usus antiquior or Extraordinary Form of the Roman Rite. The first part is more about preparations at home while the second is about things that can be done at Mass itself.

Part I
Parents today are sometimes worried that if they attend the traditional Latin Mass exclusively, their children will not know what to do with themselves during Mass and get so bored that they’ll hate going, or at least not come away from it with the spiritual goods they need. And yet, every child-saint we know of grew up in the ambiance of the traditional Latin Mass — there was no other for nearly the whole history of the Western Church. We wonder: How did the little Thérèses or Padre Pios of the world feel so drawn to the Mass? Was something different back then? Were children better catechized? Were parents more on the ball?  
Part II
The thing I recommend most strongly is that you bring your family to a High Mass (Missa Cantata) or even a Solemn High Mass (Missa Solemnis), if this is available in your area. It may seem counterintuitive — such a liturgy is longer and more complicated, and it is probably at a later time of day, when children are more likely to be tired and cranky. Still, if you can manage to work it out practically, the High Mass is a fuller celebration of the rite, with more going on to pay attention to and be shaped by. There is more activity happening in the sanctuary — processions, incensations, bows and genuflections, the carrying of this and that, vessels being handed around, the sacred choreography of the ministers — with the chanting of prayers and readings, and plenty of music along the way. When it’s done well, it is a feast for the senses that helps sustain interest and foster curiosity. A Low Mass, as beautiful as it is for adults who have learned the art of prayer or simply find comfort in the peace and quiet, is much harder going for little ones who, not surprisingly, find anywhere from 35 to 55 minutes of almost total silence a rather large bucket to fill. So, while a Low Mass almost cries out for following along in a book, at a High Mass (particularly a Solemn High Mass) one can let oneself go and just watch.

Abp. Cordileone Leading by Example

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Back in January, we posted a guest article by Rosanne Sullivan about the Benedict XVI Institute for Sacred Music and Divine Worship, newly founded in the archdiocese of San Francisco by His Grace Archbishop Salvatore Cordileone and Fr. Samuel Weber, O.S.B. Ms. Sullivan has just sent us some excerpts from two new articles which she has published in the current edition of The Latin Mass magazine; we are grateful to her and to the editors of The Latin Mass for permission to publish these excerpts.  

The Summer 2014 issue of The Latin Mass magazine has an interview with Archbishop Cordileone titled “Archbishop Salvatore Cordileone Leading by Example,” and an accompanying article titled “San Francisco’s Archbishop Cordileone and the Traditional Latin Mass.” The interview and the article give additional details beyond those that were previously available about the encouraging initiatives Archbishop Cordileone has been taking since he was installed, including steps to make the Extraordinary Form of the Mass more widely available in the San Francisco archdiocese and to improve the quality of liturgies in the Ordinary Form.

If you don’t subscribe to The Latin Mass magazine, you can read the full interview and article by clicking here. You might consider subscribing. As stated on their website, its editors are committed to “developing The Latin Mass journal into the intellectual arm of Catholics working for the return of the Church to tradition and authentic organic development.” It is informative, intelligent, and positive in its approach.

Some excerpts from the article “San Francisco’s Archbishop Cordileone and the Traditional Latin Mass” are quoted below.
His Excellency Salvatore Joseph Cordileone was installed as Archbishop of San Francisco on October 4, 2012 at the relatively young age of 56. During the year and a half since then, the energetic, articulate, and personable Archbishop Cordileone has taken several encouraging steps to make the traditional Latin Mass more widely available in his archdiocese. The archbishop has also taken several other initiatives to promote more-reverent liturgies in the Ordinary Form of the Roman rite, which will also be touched on in this article.
As he expressed in a recent interview elsewhere in this issue (see “Archbishop Cordileone Leading By Example”), the archbishop hopes that educating clergy and laity and exposing them to the beauty and majesty of the traditional form of the Mass will help make it less of a contentious issue and help enable it to be restored to a regular place in the life of the Church. His goal is also to make sure that Catholics in the San Francisco Bay Area come to better understand their liturgical tradition so they will be able to worship well in both forms of the Roman Rite.
Behind all of his work on the liturgy is his belief what he called the Benedictine vision, which is a shorthand phrase he uses to refer to the teachings of Pope Emeritus Benedict XVI on renewal of the sacred liturgy. .... 
Oratorians to Come to Star of the Sea
Archbishop Cordileone announced a few months ago that he was going to create an Oratory at a downtown parish. At an Oratory, parish priests live in community under a rule of life, and so the archbishop noted that the planned Oratory would need to be located in a parish with a large rectory. On April 25, 2014, the archdiocese announced that the St. Francis Oratory of St. Philip Neri would be established at Star of the Sea parish on August 1, 2014. Two priests will be the first Oratorians.
Fr. Joseph Illo, who will be leaving his current post as chaplain of Thomas Aquinas College in Santa Paula, CA, will take over as pastor. Like Archbishop Cordileone, Father Illo is quite familiar with the traditional Latin Mass, since he celebrated it regularly when he was a parish priest for 12 years at St. Joseph's Church in Modesto, California. After a six month sabbatical, Fr. Mazza will return to another assignment in the archdiocese.
In establishing the new Oratory, Archbishop Cordileone is responding to the Second Vatican Council’s call for diocesan priests to live a ‘common life or some sharing of common life.’ Father Illo described the Oratory life this way in a National Catholic Register article: The members of the oratory ‘will live together under a common roof, with a superior, and have a rule of life that includes common prayer, meals and activities for priests as they go out and perform their tasks in the diocese.’
Father Illo also said that ‘the oratory will not start in San Francisco until August, but he is already received inquiries from priests and seminaries all over the country.’
Fr. Illo made the following additional statement on his blog: ‘The Oratory is an Institute in the Church that allows “secular” (parish) priests to live in community under a rule of life. St. Philip Neri founded the Oratory in Rome in 1575 as a religious congregation of priests and brothers who lived in the parish of Santa Maria in Vallicella, now known as Chiesa Nuova, in downtown Rome. It provides a supportive rule of life for priests who desire a greater commitment to prayer in common. The most famous Oratorian Father for English-speakers is Blessed John Henry Newman, who brought the Oratory to England in 1848. Today there are 85 Oratories with 500 Oratorians in 19 countries. We would establish the first congregation of Oratorian Fathers in the Archdiocese of San Francisco. ….
We would build up the parish through beautiful liturgy and lay apostolate, but focus on evangelizing young adults. The Archbishop has mentioned possibly establishing a Catholic center in one of the larger office buildings with daily Mass and confessions.

The Sixtieth Anniversary of the Death of the Blessed Cardinal Schuster

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Today the Church commememorates the 60th anniversary of the death of the Blessed Cardinal Alfredo Ildefonso Schuster, who served as Archbishop of Milan for just over a quarter of a century, from July of 1929 until his death in 1954. Born in Rome in 1880 to German parents, he entered the Benedictine monastery of St Paul’s Outside-the-Walls at the age of 18, and was professed two years later, taking Ildefonso as his name in religion. Ordained priest four years later, he served as master of novices, prior, abbot, procurator general of the Cassinese Congregation of Benedictines, and president of the Pontifical Oriental Institute. Having made a visitation of the seminaries of Lombardy, Campania and Calabria from 1924 to 1928, in 1929 he was created Archbishop of Milan by Pope Pius XI, his predecessor but one in the venerable See of Saint Ambrose. He was made a Cardinal less than a month after his appointment, and consecrated bishop by the Pope himself in the Sistine Chapel a few days later.

During the difficult years of his episcopacy, the years of Italian Fascism and the Second World War, (in which Milan was one of the hardest hit cities in Italy), the Bl. Schuster showed himself truly a worthy successor of St Charles Borromeo, and shepherded his flock in much the same way, visiting every parish of the diocese five times (occasionally riding on a donkey to some of the more remote locations), holding several diocesan synods, and writing innumerable pastoral letters. He passed to eternal life at the seminary of Venegono, which he himself had founded in 1935.

We have had occasion to write of him several times here at NLM, partly in connection with our interest in the Ambrosian liturgy, of which he was a great promoter, but also as one of the most notable scholars of the original Liturgical Movement. His famous work Liber Sacramentorum, known in its English translation as The Sacramentary, was written while he was still a Benedictine monk of the Roman Rite, and although inevitably dated in some respects, remains an invaluble reference point for liturgical scholarship. Upon his transfer to Milan, he embraced the Ambrosian liturgy wholeheartedly, and as the ex-officio head of the Congregation for the Ambrosian Rite, strongly defended the authentic uses of the Ambrosian tradition. He also oversaw important new editions of the Ambrosian musical books, which are still used in both the Ordinary and Extraordinary Form of the Rite to this day.

Our dear friend Monsignor Amodeo, a canon of the Duomo of Milan who was ordained a subdeacon by the Blessed Schuster, told us many stories about him over the years, among which one has always stood out in my mind in particular; in his lifetime, even the communist newspapers noted his continual presence in the Duomo at all of the most important functions of the liturgical year. Nicola de’ Grandi, our Ambrosian writer, once showed me a video of Cardinal Schuster giving Benediction from the façade of the Duomo, to a crowd that completely filled the huge piazza in front of the church.

When his tomb was opened in 1985, his mortal remains were found to be intact; he was beatified by Pope John Paul II in 1996, and his body was exposed for the veneration of the faithful in one of the side-altars of the Duomo. My first experience of the Ambrosian liturgy was a votive Mass in the traditional rite held in his honor in 1998, at which Monsignor Amodeo and another canon sang the Ambrosian propers of a Confessor Bishop; after Mass, we processed from the altar of the left transept around the church to the altar, and sang the Ambrosian litany of the Saints at his tomb. The Ambrosian manner is for the cantors to sing the name of the Saint (“Sancte Ambrosi”) as in the Roman Rite; the choir responds by repeating it, and adding “pray for us.”

Beate Ildephonse. Beate Ildephonse, ora pro nobis!

The relics of Bl. Cardinal Schuster
His episcopal consecration
A pastoral visit
Preaching from the great elevated pulpit in the Duomo
Corpus Christi

The blessing of a church bell
Pontifical Mass in the Duomo

Surveying bomb damage to the Duomo during World War II

Another Parish Moves East - Greenville, South Carolina

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In Greenville, South Carolina, we find another parish that has made the jump to ad orientem, along with an excellent explanation of the situation from their parish website. I commend the pastor for the fantastic liturgical leadership in restoring the sacred!
1. Since 2008, most Masses at St. Mary’s Church have been celebrated with the priest standing on the same side of the altar as the congregation during the Eucharistic Prayer, a custom not widely seen today in the Catholic Church except for in the celebration of the Extraordinary Form of the Roman Rite, commonly called the Tridentine Mass. This custom of priest and people standing together on the same side of the altar is called praying towards the East or ad orientem, and at St. Mary’s even the Ordinary Form of the Roman Rite — the Mass of the Second Vatican Council — is celebrated ad orientem. Here’s why.

Our History

2. From Christian antiquity, priests and people celebrated the Holy Eucharist by facing together towards the Lord, which meant standing together on the same side of the altar. This ancient and universal practice was lost sight of in the last two generations by the new practice of the priest standing across the altar from the people during the Eucharistic Prayer, a custom almost never before found in the sacred liturgy except for rare instances of architectural necessity, and in the last few years, theologians and pastors have begun to review this innovation in light of the best scholarship and the experience of the Church since the late 1960′s.

3. Before he became Pope Benedict XVI, Joseph Cardinal Ratzinger was one of most thoughtful and respected critics of the unintended consequences which flow from the priest and people facing each other across the altar during the Eucharistic Prayer. Ratzinger argued that this arrangement, in addition to being a novelty in Christian practice, has the effect of creating a circle of congregation and celebrant closed in upon itself rather than allowing the congregation and celebrant to be a pilgrim people together turned towards the Lord. And this closed circle, in turn, too easily renders the Eucharist more of a horizontal celebration of the congregation gathered than a vertical offering of the sacrifice of Christ to the Father. This flattening of divine worship into a self-referential celebration is, in part, why too many Catholics experience Mass as much less than the source and summit of the Church’s life, and the remedy for this malady is to open the closed circle and experience the power of turning together towards the Lord.

4. This can be done primarily in two ways: 1) return to the ancient and universal practice of the priest standing with the people on one side of the altar as together they face the East of the sacred liturgy, the place from which the glory of the Lord shines upon us, or 2) even when the priest and people remain separated on opposite sides of the altar, place a cross at the center of the altar to allow both celebrant and congregation to face the Lord. Pope Benedict, through his writing and by his example, encouraged priests everywhere to work towards these goals to enrich the experience of divine worship and free us from the danger of solipsism which is contained in self-referential ways of praying — a danger against which we have been repeatedly warned by Pope Francis.


What changed in the 1960′s and why?

5. The ritual forms and liturgical texts of Catholic worship have changed and evolved many times throughout the centuries, and the architectural arrangements for the celebration of the sacred rites have likewise changed. Ordinarily, this process of change is slow, deliberate, and incremental, but in the 1960’s the Church experienced an intense burst of change which dramatically altered both the ritual forms of our worship and the architectural arrangements of our churches. Because there were so many changes in such a short span of time, all of the alterations were considered by many people to be essentially connected to each other, but that is not the case. A good example is the use of Latin in the liturgical texts promulgated after the Second Vatican Council. Many people falsely believe that because Vatican II permitted the use of the vernacular languages in worship, the Council banished Latin from the modern Roman Rite. In fact, however, the same Council which permitted the use of the vernacular also insisted that all Catholics should be able to say and sing their parts of the new Mass in Latin. Celebrating the modern Roman Missal in Latin, therefore, is not in any way a rejection of the Second Vatican Council; rather, the regular use of Latin in modern worship is precisely what the Council Fathers called for.

6. A similar confusion exists with respect to the location of the altar and the place of the priest at the altar. From Christian antiquity, most churches had only one altar, and it was freestanding, meaning that the priest could walk completely around it during the celebration of the liturgy. This custom was retained in the Christian East by Orthodox and Catholics alike, but in the West the altar was gradually pushed back from the center of the sanctuary to the rear wall, in large measure to allow it to merge architecturally with the tabernacle. This change was later accompanied by adding additional altars to most churches, eventually yielding the custom of having three altars in each church. Even before the Second Vatican Council, though, pastors and theologians began to argue for a return to our own tradition of having but one altar in each church and insisting that it once again be freestanding. This was, in part, the fruit of the Liturgical Movement of the 19th and 20th centuries which reminded the Church, among other things, that the altar is the preeminent symbol of Christ in the liturgy. Accordingly, throughout the Western Church the old “high altars” found at the rear of the sanctuary were abandoned, changed, or replaced to allow the ancient and renewed custom of a freestanding altar. But just as this was happening, a novelty was introduced and attached to the newly detached altar: the custom of the priest and people facing each other across the altar during the Eucharistic Prayer — an innovation about which the Second Vatican Council said not one word. So, there is no essential connection between the liturgy of Vatican II, the freestanding altar, and the priest facing the people at the altar. In fact, even now the rubrics in the modern Roman Missal are written with the assumption that the priest and people are together facing liturgical East during the Mass.

Why face East?

7. Praying in a “sacred direction” is a feature common in many religions. Think, for example, of Muslims who pray facing Mecca — a practice instituted by Mohammed, who initially had his followers pray facing Jerusalem. Following similar customs in Judaism, the idea of a “sacred direction” has been a part of Christianity since the beginning. The first Christians expected the return of Christ in glory to occur at the Mount of Olives, from where He ascended to His Father, and so it was a common practice for them during prayer to turn towards the Mount of Olives in Jerusalem. This practice later evolved into the general custom of preferring to face Jerusalem during prayer, and as the Church spread through the Mediterranean world, this notion further changed into a connection between the light of the rising sun and the glory of the returning Son. The seeds of this idea are planted throughout Scripture (Wisdom 16:28, Zechariah 14:4, Malachi 3:2, Matthew 24:27 and 30, Luke 1:78, and Revelation 7:2), and the early Church placed great emphasis on this point. St. Justin Martyr wrote in the second century “For the word of His truth and wisdom is more ardent and more light-giving than the rays of the sun, and sinks down into the depths of heart and mind. Hence also the Scripture said, ‘His name shall rise up above the sun.’ And again, Zechariah says, ‘His name is the East.’” And St. Clement of Alexandria was even more emphatic: “In correspondence with the manner of the sun’s rising, prayers are made toward the sunrise in the East.” (For a much fuller explanation of this theme, I recommend the splendid little book Turning Towards the Lord by Uwe Michael Lang, published in 2004 by Ignatius Press and introduced with a forward by Joseph Ratzinger.)

8. For these reasons, since the building of Christian churches began on a large scale in the fourth century, they have literally been “oriented” to the East wherever local geography permitted this, and even when the building could not run on an east-west axis, the apse of the church and the altar within it have been understood as “liturgical East,” the symbolic place of the glory of the Lord. Moreover, because the entire Eucharistic Prayer is addressed to God the Father and not to the congregation, the normal posture of the priest has always been to face the East with his congregation and offer the sacrifice of the Mass with and for them to the Father. Accordingly, it is a simple mistake to think of the priest as “having his back to the people” when they stand together on the same side of the altar; rather, the priest and people by their common “orientation” show that they are together turning towards the Lord, a physical metaphor for the interior work of conversion which can be thought of as the “reorientation” of our lives. This is why in nearly every place and for almost all of Christian history, the priest has stood with his people on the same side of the altar so that, together facing the East of the sacred liturgy, they could offer the pleasing sacrifice of their lives (cf. Romans 12:1) while pleading the sacrifice of Christ.

How does the congregation participate in the celebration of Mass?

9. One objective of the liturgical reforms of the 1960’s was to encourage the active participation of the Catholic people in the celebration of the sacred liturgy, in part by reminding them that they are participants in, not spectators of, offering the sacrifice of Christ at the heart of all Christian worship. Unfortunately, in the years following the Second Vatican Council, the Church’s desire that all the faithful participate fully in the sacred liturgy was too often rendered a caricature of the Council’s teaching, and misconceptions about the true nature of active participation multiplied. This led to the frenzied expansion of “ministries” among the people and turned worship into a team sport. But it is possible to participate in the liturgy fully, consciously, and actively without ever leaving one’s pew, and it is likewise possible to serve busily as a musician or lector at Mass without truly participating in the sacred liturgy. Both of these are true because the primary meaning of active participation in the liturgy is worshipping the living God in Spirit and truth, and that in turn is an interior disposition of faith, hope, and love which cannot be measured by the presence or absence of physical activity. But this confusion about the role of the laity in the Church’s worship was not the only misconception to follow the liturgical reforms; similar mistakes were made about the part of the priest.

10. Because of the mistaken idea that the whole congregation had to be “in motion” during the liturgy to be truly participating, the priest was gradually changed in the popular imagination from the celebrant of the sacred mysteries of salvation into the coordinator of the liturgical ministries of others. And this false understanding of the ministerial priesthood produced the ever-expanding role of the “priest presider,” whose primary task was to make the congregation feel welcome and constantly engage them with eye contact and the embrace of his warm personality. Once these falsehoods were accepted, then in many places the service of the priest in the liturgy became grotesquely misshapen, and instead of a humble steward of the sacred mysteries whose only task was to draw back the veil between God and man and then hide himself in the folds, the priest became a ring-master or entertainer whose task was thought of as making the congregation feel good about themselves. But, whatever that is, it is not Christian worship, and in the last three decades the Church has been gently finding a way back towards the right ordering of her public prayer.

11. In February 2007 Pope Benedict XVI published an Apostolic Exhortation on the Most Holy Eucharist entitled Sacramentum Caritatis in which he discusses the need for priests to cultivate a proper ars celebrandi or art of celebrating the liturgy. In that document, the pope teaches that “the primary way to foster the participation of the People of God in the sacred rite is the proper celebration of the rite itself,” and an essential part of that work is removing the celebrant from the center of attention so that priest and people together can turn towards the Lord. Accomplishing this task of restoring God-centered liturgy is one of the main reasons for returning to the ancient and universal practice of priest and people standing together on the same side of the altar as they offer the sacrifice of Calvary as true worship of the Father. In other words, the custom of ad orientem celebration enhances rather than diminishes the possibility of the people participating fully, consciously, and actively in the celebration of the sacred liturgy.

12. There is, of course, nothing intrinsically wrong in celebrating the sacred liturgy with the priest facing the people from across the altar, and that remains the way in most Ordinary Form Masses are offered throughout the world. At the same time, the celebration of Mass ad orientem is not in any way contrary to liturgical law, the mind of the Church, or the teaching of the Second Vatican Council, and no special permission is needed to celebrate Mass facing liturgical East, even in the Ordinary Form of the Roman Rite. This means that both postures are equally legitimate ways of celebrating the sacred mysteries, and both have a place in the life of the Church. The celebration of Mass ad orientem at St. Mary’s is meant to be both an example of true diversity in the Church’s liturgical life and a sign of the continuity of the modern Roman Rite with the Church’s most ancient customs. We invite all who join us in divine worship to enter fully, consciously and actively into the offering of Christ’s perfect sacrifice for the salvation of the world.

Celebration vs. Concelebration: Theological Considerations

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Fr. Zuhlsdorf has often said that he believes concelebration should be “legal, safe, and rare.” Why are traditional Catholics generally so skeptical about concelebration? What could be the problem with it?

The sacrifice of the Mass is, first and foremost, Christ offering His atoning sacrifice through the ministerial priest. Objectively, therefore, two Masses are always greater in power than one, because the saving act of Christ, the main offerer, is once again applied to sinners—at least to those who are disposed to receive the effect prayed for.

Subjectively, the reverence of the one offering can obtain a greater or lesser reception of said graces for himself and for others, and to such an extent that the piety with which a Mass is offered by, for example, a Saint Philip Neri, may lead to the reception of more graces than many Masses offered by a less reverent priest. But although that is true, the overall state of the universe is better, one can say, due to the objective fact of many representations of the sacrifice of Calvary, than it would have been were there fewer. No amount of subjective devotion, which has to do with the reception of the fruits of the Mass, can ever equal the objective propitiatory and impetratory worth of a single Mass offered by Christ the High Priest through His minister.

When two priests concelebrate one Mass, a single act of sacrifice is made present through both of them together, acting in tandem as one instrument—as when several men pull on a rope together, there is one pulling of the rope, and one effect, e.g., that a heavy stone be pulled. In contrast, when two priests celebrate two Masses, Christ makes present anew, through each of them, His sacrifice to the Father; for us men and for our salvation, He has twice renewed His oblation at their consecrated hands. This multiplies the graces poured forth into the world from the Lord's most holy soul, the fountain of all gifts.

It is quite true that the concelebrants may have diverse Mass intentions and receive separate stipends, but it is no less true that among them there is no other consecration than the one that takes place on the altar at which they are all simultaneously present. Hence, there are not numerically many representations of the sacrifice of Calvary, and so there cannot be the same multiplication of the effects inherent to the offering of Mass. With separate Masses, the offering of Christ’s saving Passion is multiplied—in a sacramental way, yes, but one that is nevertheless real, not merely symbolic. As St. Thomas writes: “The oblation of the sacrifice is multiplied in several Masses, and therefore the effect of the sacrifice and of the sacrament is multiplied” (Summa theologiae III, q. 79, a. 7, ad 3).

In the encyclical Mediator Dei, Venerable Pius XII teaches that the essence of the Sacrifice of the Mass—that is, the sacramental representation of the Lord’s Passion—consists in the separate consecration of the two species of bread and wine, which makes present in a mystical way the death of Christ, when His body was separated from His blood. In a concelebrated Mass, there is only one consecration (one might say: una consecratio, multi consecrantes). Therefore, as compared with a series of private Masses, there are fewer representations of the one Sacrifice of the Cross and fewer applications of its saving power to the living and the dead.

According to the Thomistic school, of which Fr. Garrigou-Lagrange may be taken as representative, Christ the Eternal High Priest from Heaven actually offers each Mass offered through His priestly instruments on earth. The question with regard to concelebration would be, then: Does our Lord offer one hundred times when one hundred priests concelebrate, or only once? He offers only once, using the hundred concelebrants simultaneously as His instruments in effecting a single Transubstantiation and therefore a single enacting of the Sacrifice. It is like the difference between starting a single fire with one hundred matches or starting a hundred fires with as many matches: in the former case, those many matches function, essentially, as a single fire-starter, but in the latter case, they function as many fire-starters. If the Lord’s purpose in coming to earth was to set fire to it, as He Himself declared (cf. Lk 12:49), would we not want His ministers to be igniting many distinct fires every day? There is, after all, no limit to the need of the human race for this warming, illuminating, and transformative fire.

There is, of course, a canonical limit, based upon reasons of fittingness, to the number of Masses a priest may celebrate on a given day, and there can be legitimate reasons for not offering Mass on a particular day (e.g., sickness, lengthy travel, a time of war or persecution). Apart from such circumstances, there is no compelling objective reason why each priest should not daily exercise the most sublime action of his own priestly power, his ontological share in the eternal high priesthood of Christ, to give perfect worship to God and advance the salvation of the world.

Appealing to the earlier distinction between objective merit and subjective disposition, one might attempt to neutralize this conclusion by stating that a devout concelebrant will obtain more graces from the Mass than a distracted or rushed celebrant will do from a private Mass. Although this is true, in theory, of the fruits of the Mass for the individual, it does not touch the earlier argument about the objective value of the renewal of Christ’s sacrifice, the moreso as it is more often offered. More to the point, given how much easier it is to be focused on the sacrificial action and prayers in individual celebration, the subjective disposition of two priests concelebrating is very likely not going to be equal to that of the same priests celebrating individually, so the question seems an academic one. A priest friend once joked that he could prove this claim with a video camera: the disposition of concelebrants rarely seems as intent and concentrated as that of a single celebrant. Thus, in practice, concelebration will almost always confer less grace upon its many ministers and win less grace for the people than individual celebration will confer upon its single agent and the people for whom he is offering it.

Ceteris paribus, it is better for the priest himself, for the People of God, and for the world outside the Church that each priest should celebrate Mass daily, if nothing beyond his control prevents him from doing so. In this way, he most fully actualizes the potential of his ministerial priesthood, letting the Lord Jesus Christ, Eternal High Priest, make the maximum use of him as the instrument by which the fruits of His saving sacrifice will be poured out upon the human race from the rising of the sun even to its setting.

Pontifical Low Mass with Raymond Cardinal Burke

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Today, I'd love to highlight something that is not a common sight for many Catholics, the EF Pontifical Low Mass. I recently found pictures on Facebook of Cardinal Burke celebrating one very recently at Sacred Heart Church, Carlton, in the Archdiocese of Melbourne. Astute readers will note that in addition to the two servers that you find at any typical low Mass, there are also two priest-attendants to the bishop that assist him, reminding us that a bishop retains the fullness of holy orders, and even when celebrating a simple Low Mass, there is additional ceremony, honoring the office of Bishop. You'll also note the use of the biretta instead of the miter, as well as the dual books: the missale and pontificale, just as at a solemn pontifical Mass.

The two priest-attendants at the Low Mass were Fr Glen Tattersall and Canon Gilles Guitard. The full photo gallery can be viewed here on the website of the Parish of Bl. John Henry Newman, taken by Chris Steward.

I also feel I can't finish without mentioning his chasuble. I think the design is beautiful (though possibly a bit busy), but as with anything that is less subdued, it can sometimes cause people to love the design or strongly dislike it. The first two pictures have clear views of the front and rear design. What do you think? Let us know below!






In this picture, you can clearly see the two servers in addition to the two attendants.




High Mass and Veneration of Relics in Indianapolis

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An NLM reader shares this announcement with us:
The Saint John Bosco Latin Mass Community invites you to the CENTENARY celebration of the Feast of St. Pius X

Wednesday, September 3rd
Saint Simon the Apostle Church, 7.P.M.
8155 Oaklandon Road, Indianapolis, IN 46236
Fr. Ryan McCarthy, celebrant
High Mass with Veneration of Relics to follow

Pope Benedict Meets with Juventutem and Populus Summorum Pontificum Leaders

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According to Zenit News, MessainLatino.it, and Vatican Insider, Pope Emeritus Benedict XVI surprised Cosimo Marti, the treasurer of the International Juventutem Federation, with an invitation to visit him yesterday. Marti had asked some time back to meet with His Holiness, but had thought that the request was forgotten, only to be surprised by a letter from Archbishop Gänswein inviting him to visit. On the visit, he was accompanied by Joseph Capoccia, one of the co-founders of "Populus Summorum Pontificum."
"Populus Summorum Pontificum" is the annual pilgrimage of people devoted to the extraordinary form of the Mass, now in its third year, while Juventutem is an international federation of chapters of young people dedicated to the sanctification of youth through devotion to the extraordinary form of the Mass, this year celebrating its tenth anniversary.

Paintings from Students in the Style of the Gothic School of St Albans - Next Class in Columbus, OH in October

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14 - 1 (1)And a review by Fr John Bambrick from St Aloysius, Jackson, NJ
Here are some of the paintings done by the recent' classes teaching the gothic style of art using the 12th century English illuminations of the School of St Albans (with one contemporary French image there as well). These classes took place in July in Kansas, Calgary and at Thomas More College in New Hampshire.
As usual what strikes me hear is the ease with which Catholics from the Roman Rite take to these forms which are closely linked to that Rite. I have taught many classes of Eastern style icons and there is a cultural barrier to overcome that means that the quality of the painting is not as high. Some who have been exposed to the prejudice against Western forms that you hear in some icon painting classes, are intially suspicious. However, once they accept that they are allowed to like Western gothic art and that it is just as authentically liturgical and worth of veneration as a Russian or Greek icon, then they seem to take to these forms very naturally.
Students always want to change things and interpret. In Eastern icon painting classes, you almost always have to say no because the changes suggested are not appropriate. I find that in this form the students quickly inhabit the gothic world and when they suggest changes they would like to make, they are in accord with the tradition and so, provided that it won't detract from the learning process, I usually them to do it.
 Fr John Bambrick, who attended the class at TMC in Merrimack NH wrote a generous review of the week in his parish bulletin and here is what he said:
"The Week of July 28th I took a class on Christian Iconography at St. Thomas More College of Liberal Arts in Merrimack New Hampshire.  It is a small liberal arts college with a strong traditional Catholic identity in New England.  Professors are called ‘Fellows’ at this College. To be honest I cannot draw a straight line; however through the skill of Fellow David Clayton I competed an egg tempera copy of an illumination from a Medieval Psalter.  The excellence of his teaching was apparent when the entire class completed their Icons.  If David is ever considered for canonization this could be considered one of his first miracles!  He has just published a very fine work on prayer for the family called, “The Little Oratory: A beginners guide to praying in the home”.  You can find this gem on Amazon.com.  He also maintains a blog on Art, Religion and culture called thewayofbeauty.org.   We also had a wonderful field trip to a Russian Icon Museum in Massachusetts.  One of the most reproduced Icons is the Mother of God under various titles."  The full bulletin is here.
Most of the students had never done a class before, although some were doing their second or third class. The image top left, which is shown again on a larger scale was done by an 18-year old who was attending his first class ever. The original images are from the 12th century Westminster psalter apart from the image of the Creator making the universe according to weight and measure and number, which is from a French manuscript of the same period.
I am receiving inquiries from about when the next class will be. So for any who are interested we will be running one in Columbus, Ohio running from October 20-24th. This will be the first one that comes with the option of continuing-education credit and, we hope, transferable college level credit (all accredited by Thomas More College of Liberal Arts). Full details will appear shortly in this blog, but any who are interested should email me giving me your email address which I will forward to Gina Switzer the lady who is organizing it so she can contact you.

The New Evangelist


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Funding the Monteverdi Vespers in Concert and Liturgy

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The 1610 Monteverdi Vespers of the Blessed Virgin, a landmark in the Western musical canon, poses many interesting musicological and liturgical questions. Unfortunately, like other important works, the piece is usually just confined to the concert hall rather than being situated in its original liturgical context.
A Kickstarter campaign by Mr. Brian Bartoldus (Doctoral Candidate in Choral Conducting at Yale, and recently-appointed Director of Music Ministry at the College of Mt. St. Mary's) and his DC-area ensemble Third Practice recently came to my attention. Why am I bringing it to your attention? Mr. Bartoldus explains: 
The third of our presentations will be within the context of an EF Vespers and Benediction – as we won't be charging tickets, we're using alternate means of funding. We've launched a Kickstarter campaign to offset the majority of the costs, which would encourage my Board to continue to perform in Catholic venues and in the context of Catholic liturgies in the future. [This] is a great opportunity for the [Washington DC area] community to hear this wonderful piece in its intended liturgical setting.
Additionally, 
Third Practice has commissioned Baltimore composer Joshua Bornfield to write a setting of the Litany of the Saints, to be presented in place of Monteverdi's Sonata sopra Sancta Maria. We hope that, by performing such fresh music within the context of Monteverdi's 400-year-old masterwork, we can awaken the cutting-edge spirit of the Vespers and translate its joys and intrigues for modern listeners in a new and powerful way. 
Patronage by religious donors towards projects like this can go a long way in restoring the important presence of the Faith within modern culture in the same way that Church patronage has long done so.   

The Feast of St Gregory the Great

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At Rome, the ordination as Pope of the incomparable man, Saint Gregory the Great; who, being compelled to undertake this burden, shone from the highest throne with rays of sanctity all the more brightly in the world. (The Roman Martyrology. The feast of St Gregory was moved in the new calendar from the day of his death, March 12, to September 3rd, the day of his ordination as Pope.)

The Ecstasy of St Gregory, by Peter Paul Rubens, 1608; originally commissioned for the Chiesa Nuova in Rome, now in the Musée des Beaux-Arts, Grenoble, France.
“Well is it said (to the holy preacher) ‘and the smell of thy garments is as the smell of incense.’ What is meant by these garments, if not holy works, by which the baseness of earlier evils is covered over, that it may not be seen? For hence is it written: Blessed is he that watcheth, and keepeth his garments, lest he walk naked, and they see his shame. (Apoc. 16, 15). But ‘incense’ is written to symbolize prayer, as it is written: Let my prayer rise as incense in thy sight (Psalm 140, 2). Therefore the holy soul in this world, as much as it can, performs good works, and doing good, by desire and holy intention stretches itself forth unto eternal things; and does nothing good, except with the intention that it may someday be able to reach the heavenly things which it loves. Well then is the smell of his garments said to be like that of incense, because in all of his works he prays, as he does the good things which he can, with the intention of reaching his goal.” - St Gregory the Great, Exposition of the Song of Songs, on verse 4, 11 

Tonight: Solemn High Mass in the Ordinariate Use, Stoneham, Massachusetts

A New Proposed Layout for the Roman Missal

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The other day, I was browsing through the archives, and I happened across an old post from the then-editor, Shawn Tribe, where he typeset mockups of the new missal (which at that time, was still not in liturgical use) using the traditional typographic design principles that altar missals in the Roman Rite have typically followed (see his full post HERE). Below, I have included examples of his suggested design ideas from his post, and below that, the design of the current missal (not all publishers are the same, but they all follow generally the same design). Admittedly, I have a bias toward traditional things, but I must say, I find the traditional design much, much easier to read, and much more beautiful as well, and notably, much more efficient at using the space on the page. 

Before you think I am coming up with this opinion out of thin air, I act as Master of Ceremonies most weekends in the ordinary form at my parish, which includes, as many of you know, managing the missal for the celebrant, so I am very familiar with the Ordinary Form missal, it's layout, and it's use in the context of an actual Mass, not just in some dry, controlled academic environment.

I'd encourage you to go back to the original post to view his proposal in full to understand some of the rationale behind his design choices, as well as additional choices that he did not display, but may be advantageous to consider. I would assume that as a part of this design, it would also be assumed that neumes would be used for all of the musical notation throughout the missal. I think there is real merit to this design, and I am wondering if it could become a real possibility that an altar missal be released with it, and I would imagine that just among priest-readers of this blog along, perhaps there would be considerable interest.

Does anyone know the steps required for this to happen? Would it need USCCB approval? Would that be difficult, since they are deviating drastically from the standard design? I would be willing to assist in this process in any way I could.

I welcome your thoughts below. Could we make this happen? Could NLM come out with it's own missal, as another one of the CMAA publications?

Here are a few of his design examples for the proposed "traditional typesetting" as well as the current designs of the roman missal currently in use. As always, click to enlarge and view more detail.
One Proposed Missal Design
First words of the Canon, Eucharistic Prayer I
An example of how the proper of time could be formatted
Current missal design

“Thank Goodness Fulton Sheen’s Cause Has Been Suspended” - An Excellent Article on Canonizations

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It is not my intention to wade into the controversy which has recently arisen between the Archdiocese of New York and the Diocese of Peoria, concerning the relics of the Venerable Fulton Sheen, a controversy which has for the moment led to the suspension of the cause for his beatification and eventual canonization. However, I do strongly recommend to all of our readers that they go over and read this article at the website of Crisis magazine. The author, Dr Donald Prudlo, is an expert on the causes of Saints and the canonization process, both in its historical traditions and current practice, and he offers several valuable insights into the reasons why Saints should be canonized slowly.
... the cause has been slowed down. This is encouraging in the age of fast-tracked canonizations which tend to minimize the gravity of such elevations, bound up as they are with historical affirmations of papal infallibility. It is good to slow processes, indeed sometimes stop them altogether. Cults should arise out of spontaneous devotion and proper ecclesial supervision and care. Saints should be “from the ground up” as it were. Saints were never intended to be top-down impositions of models of life or patterns of holiness dictated by mere authority. Cults should be allowed to spread organically, and sometimes be permitted to die out of their own accord, with careful shepherding by Church authorities. This is why the old fifty-year rule was in place. This should permit enough time to make sure that a cult was genuine, that it was a result of the unfolding of an authentic discernment of holiness in the life of the Church, and provides the needed leisure for the operations of the various complex tasks associated with presenting a cause. The Church should not conform itself to this age of instant gratification, with its attendant shallowness. The old rule also provided a cooling-off period so that people too intimately involved in the life and career of the potential saint had been mostly laid in their graves. Unfortunately a kind of historical chauvinism afflicts many today, thinking that they either live in the darkest times in Church history or in the “broad, sunlit uplands” of Pollyanna-ish progressivism. The endurance of a cult long after the principals are dead is a telling mark of its validity.
When a cause is rushed, questions arise both inside and outside the Church as to the thoroughness of the case, and issues swirl about motivations. Are people promoting a cause instead of a person? Are the authorities attempting to impose someone artificially, independent of genuine public cult? Are agendas, movements, ethnicities, or states in life being canonized instead of an unrepeatable singular exemplar of God’s transforming grace?

Support an FSSP Seminarian in Need

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Many readers of the NLM have likely been profoundly impacted by the work of the Priestly Fraternity of St. Peter, whether in person, or by way of example and inspiration.
Here's an opportunity to give back to the FSSP for all that it has done for so many, as well as the opportunity to support a man who has entered the path of formation on his way to the priesthood.



From the "Go Fund Me" website:

Michael Cunningham is a fourth year seminarian at the FSSP seminary in Denton, Nebraska. I am seeking assistance to help pay Mike's past due tuition of $6,000.00 and the $7,000.00 currently due. FSSP seminarians are required to pay a large part of their tuition. I first met Mike in the summer of 2013 when he came to assist at our FSSP parish in Littleton, Colorado. After a few conversations with Mike, it became obvious to me and many fellow parishoners that Mike was a sincere servant of God , dedicated to saving souls. I've since met Mike's siblings, and I've learned that their father, a US Navy corpsman, passed away from the effects of Agent Orange in 2007. Mike's mother Donna, who is on a fixed income is his primary benefactor. Would you please consider contributing to Mike's tuition?

The Fraternity of St. Peter depends entirely on your gifts. 

*If you would rather give directly to Michael Cunningham's tuition at the FSSP seminary, make checks payable to OLG Seminary and put a note on it that it is to go towards Mike Cunningham's tuition. The checks may be sent to:

Our Lady of Guadalupe Seminary
7880 W Denton Rd
Denton, Nebraska 68339-0147
ATTN:Tuition

Readers would be interested to see something of Michael's work, in conjunction with diocesan priests in South Carolina.  During July, under the leadership of Fr. Christopher Smith, pastor of Prince of Peace Catholic Church in Taylors, SC, Mr. Cunningham was part of a camp for altar boys which drew 62 children from near and far to learn how to serve the Extraordinary Form of the Mass. The camp was the subject of a recent article in the National Catholic Register.

Parishes dedicated solely to the traditional Latin Mass and sacraments periodically host altar-boy camps and training sessions, but a diocesan parish hosting one in the midst of South Carolina and drawing more than 60 boys is unique.

“Although I am sure that communities like the FSSP could probably do a better job at training the kids, I think that exposing young people in diocesan parishes to the riches of the extraordinary form can only be beneficial to the Church and to the spread of the Latin Mass,” Father Smith said.

FSSP seminarian Cunningham agreed. “Diocesan parishes are the heartbeat of the Church, and they are where the vast majority of Catholics attend Mass,” he said. “This venue gives a much-needed opportunity for both Catholics who prefer the ancient rite along with those who primarily attend the ordinary form to meet and interact with each other.”

The participating boys were equally enthusiastic about their experiences with celebrating both forms of the Mass.

“I really enjoyed learning the low Mass rite,” said Vincent Ortiz, 9, son of Ivan and Christine Ortiz, parishioners at St. Sebastian Catholic Church in North Canton, Ohio. “I had only participated in the high Mass as an altar boy.”

Added the altar boy, “I also liked learning how to stand and genuflect. It was fun when they used a book to teach us those things.”

Concelebration in the Byzantine Rite

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Pursuant to Dr Kwasniewski’s recent post on concelebration in the Roman Rite, I would here like to offer some considerations on the way it is done in the Byzantine Rite.
Chesterton once noted, in his inimitable way, that for the student of comparative religion, “Christianity and Buddhism are very much alike, especially Buddhism.” This applies equally well to students of comparative liturgy, who often note that the Roman and Byzantine Rites are very much alike, especially the Byzantine. What I mean by this is that comparisons between the two are rarely made in appreciation of the fullness of what they have in common, (or, for that matter, the fullness of what they do not have in common), but rather to drag them down to their lowest common denominator. And of course, from time to time the denominator sinks lower than the math should properly allow; a friend of mine once heard in a class at a Pontifical university that the Latin Church simply had to abolish the subdiaconate, because the Byzantines don’t have it, much to the surprise of the two Byzantine subdeacons in the room.

Concelebration is a perfect example of this. The mere fact that it is the norm in the Byzantine tradition is often adduced to justify the introduction of the practice into the Roman Rite, with little or no elaboration on how exactly the Byzantines go about their concelebrating. I propose therefore to list some points on which the Byzantine practice differs notably from the modern Roman practice. Let me add that I am not writing this as a way of arguing that concelebration should be abolished, or that it should be reduced to the status which it has in the Extraordinary Form, in which it is done only at priestly and episcopal ordinations. I do believe, as do a great many others, that concelebration should be a lot rarer than it is today. I also think it not only reasonable, but inevitable, that many priests, especially younger ones, have become rather disaffected with the practice, since as currently observed in the Roman Rite, it minimizes the role of the concelebrating priest in a way that is very far indeed from what the Byzantines do.

I also wish to make it clear that I am fully aware of the fact that there is a not an absolute uniformity of liturgical practice among those who use the Byzantine liturgy, whether Catholic and Orthodox. What I write here is based on my experience of serving and attending the Divine Liturgy at the Russian College in Rome. On the other hand, it is very common for visiting priests from the different Eastern Catholic Churches to concelebrate at the Russicum, and I have never yet observed any of them thrown off by the small differences between its customs and what they are familiar with in their home churches.

1. All of the concelebrating priests wear the full complement of priestly vestments. In the Roman Rite, this is supposed to be the case as well, but “for a just cause”, (for example, when there are more concelebrants than vestments), it is permitted for some to wear only an alb and stole. (GIRM parag. 209) The vagueness of this rubric has, perhaps inevitably, lead to a common abuse by which, regardless of the circumstances, only the principal celebrant wears a chasuble, and all of the concelebrants wear only the stole, an abuse now so widespread and of such long standing that it has fallen into the category of “tolerated” abuses.

2. The Proskomide, the preparation of the bread and wine before the Liturgy, is done by one of the concelebrants, who then does a general incensation of the gifts, the altar, the sanctuary, etc. in the same manner as is done by another of the concelebrants at the Epistle, again by the main celebrant before the Great Entrance, and at most Hours of the Divine Office. However, each of the concelebrants cuts a small triangular piece off one of the prosphoras, the small loaves of leavened bread which are used in the Byzantine Rite, and places it on the diskos (the equivalent of the paten.) In the modern Roman practice, the Preparation of the Gifts which has taken the place of the traditional Offertory is done entirely by the main celebrant, and the concelebrants do nothing at all. (GIRM parag. 214)

3. During the Divine Liturgy, all of the priests stand together at the altar; each has his own book by which he follows the rite, and each says all of the silent priestly prayers from his book. The priests take turns singing the conclusions to these prayers out loud after the Litanies, starting with the main celebrant. In the absence of a deacon, the priests take the deacon’s parts, and therefore also sing the Litanies, each in his turn; in this case, the concelebrant who sings a Litany and the main celebrant bow to each other both before and after. In the modern Roman Rite, after kissing the altar and taking their places at the sedilia, the concelebrants do nothing besides listen during the whole Liturgy of the Word, unless there is no one else present to do readings, the responsorial psalm, etc.; one of them may be delegated to deliver the sermon.

A deacon carrying the Gospel book during the Little Entrance. (source)
4. All of the concelebrants participate in the Little Entrance, the procession by which the Gospel book is carried out the side door of the iconostasis and back in through the Royal Doors in the middle. After returning to stand around the altar, they all kiss it together before repairing to the sedilia for the Epistle. While the Epistle is sung, a concelebrant, not the main celebrant, does the general incensation. In the absence of a deacon, the Gospel is sung by the main celebrant. In the modern Roman Rite, the Gospel is read or sung by a concelebrant if there is no deacon present. (The rubric of the Latin version of the GIRM is somewhat vague here, and does not seem to prescribe this absolutely.)

5. At the Great Entrance, the main celebrant carries the diskos and chalice; if another diskos is used for other prosphoras, it is carried by one of the concelebrants. Each other priest carries an instrument from the altar with him at the Great Entrance; facing the people, each priest, starting of course with the main celebrant, sings an intention, and blesses the people with the instrument in his hand. (For example, “May the Lord God remember in his kingdom all Christians throughout the world who suffer persecution, always, now and forever and ever. Amen.”)

6. During the Creed, which is sung at every Divine Liturgy, they exchange the Kiss of Peace among themselves in such a way the every single priest offers it to every single other one. The celebrant kisses the diskos and chalice, which are both covered by a veil, then the altar, and takes his place standing slightly away from the altar. The second concelebrant kisses the diskos, chalice and altar in the same way, then exchanges the kiss of peace with the main celebrant, on both cheeks, and then by simultaneously kissing each other’s right hands; he then stands next to the first. The third does the same, and after exchanging the Peace with the first and second, takes his place, and so on. In the Roman Rite, it is also mandatory according to the letter of the GIRM for all of the celebrants to exchange the Peace amongst themselves; this is done of course at a different point in the Liturgy, after the Lord’s Prayer and the Libera nos.

His Beatitude Sviatoslav Shevchuk, Major Archbishop of Kiev-Halych, leader of the Ukrainian Greek Catholic Church, exchanges the Peace with a fellow bishop. This liturgy was celebrated in Rome at the Church of St Sophia just after he was elected and confirmed in March 2011; the liturgy had to be celebrated outdoors, in front of the church, to accommodate the number of faithful in attendance.
7. The silent parts of the Anaphora are read by all of the concelebrants together, while the sung parts, including the Words of Consecration, are sung aloud by the main celebrant, and in a lower voice by the others. In the modern Roman Rite, the Words of Consecration are said (or, rarely, sung) in the same way, but the rest of it is parceled out among the concelebrants according to the rubrics given in the GIRM, paragraphs 219-236. Each one says his part alone.
8. Byzantine concelebrants all communicate at the same time and in the same manner, at the altar. This may be done in the Roman Rite, but it is also permitted for the main celebrant and one or more of the other concelebrants to distribute Communion to them from the paten as they remain at their seats, and likewise to bring them the Chalice at their seats. The GIRM does not mention any particular circumstance, (for example, a Mass at which a larger-than-usual number of concelebrants are present), in which it is considered more appropriate, or less so, for the concelebrants to partake of Holy Communion without coming to the altar. The priestly prayer before Communion, “Lord Jesus Christ, Son of the living God” or “May the receiving of Thy body”, is to be said only by the main celebrant.

9. If, after the distribution of Holy Communion, there is any left over, It is brought to the table of the Proskomide by the main celebrant, but consumed by another. The Prayer of Thanksgiving said at the end of the Divine Liturgy is said by one of the concelebrants, who exits the Royal Doors, descends to the nave, then turns and faces the altar for the prayer, before returning to his place in the sanctuary. After the main celebrant has given the final blessing, another set of prayers of thanksgiving are said by a reader, with a concelebrant singing the conclusions of the prayers out loud. In the modern Roman Rite, after the distribution of Holy Communion, “all is done in the usual manner by the principal celebrant, with the concelebrants remaining at their places”. On leaving the altar, only the main celebrant kisses it; the concelebrants only bow. (GIRM parag. 250-251)

10. Lastly we may note two proper characteristics of the Byzantine Rite which are of the greatest importance for understanding why concelebration remains the norm within it.

The first is that the sung Liturgy also remains the norm within it, and it has rather a lot more to be sung than does the Roman Rite. Concelebration in the Byzantine manner enables each priest to celebrate a fully sung Divine Liturgy with a frequency that has been at best rare in the Roman world for centuries. I dare say that no one would care to argue that the widespread reintroduction of concelebration in the West has accomplished much for the good of our musical patrimony, or been attended by a general upswing in the quality of music in churches of the Roman Rite.

The second is that the Byzantine Rite makes almost no use of what modern liturgists call “progression of solemnity”. There is no such thing as a common feria in the Byzantine Rite, and they do not celebrate ‘the Divine Liturgy of St Michael,’ or ‘of St Elizabeth’ etc., as a Latin priest celebrates ‘the Mass of St Michael’ or ‘the Votive Mass of the Trinity.’ There is the Divine Liturgy, most of which does not change at all from day to day; before the Trisagion (“Holy God, Holy Immortal one...”), the troparia and kontakia of the Saints of the day are sung, and there is at least one Saint (usually many more) on literally every single day of the Calendar. The readings may be those of the day, from the current week of the liturgical year, or those of the feast, according to various customs and traditions. Truly significant variations are confined to a handful of occasions within the year, or used only once a year on a particular feast. (For example, on Holy Saturday and Pentecost, the Trisagion is substituted by a different chant, “All ye that have been baptized in Christ, have put on Christ, alleluia!” The traditional Old Church Slavonic version is one of the loveliest pieces of the year; it starts in the video below at 0:52.)


In contrast, when concelebration was reintroduced into the Roman Rite, it was envisioned principally as a way of solemnizing important feast days and other special occasions. Sacrosanctum Concilium mentions it in connection with Holy Thursday, councils, synods, and conventual Masses, although not in such terms as to exclude the possibility of concelebration on other occasions. As the Church’s law stands now, it is of course licit for a group of 50 priests to concelebrate a Mass with no music at all on a green feria. Whether it is a wise, or necessary, or spiritually profitable thing for them to do so is another question altogether.
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