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Book Notice: The Liturgical Vision of Pope Benedict XVI

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The Liturgical Vision of Pope Benedict XVI: A Theological Inquiry

Mariusz Biliniewicz

Book synopsis

This book presents and evaluates the liturgical vision of Pope Benedict XVI and the theological background underlying that vision. It describes the main features of Joseph Ratzinger’s theology of the liturgy and analyses them within the context of his theology as a whole. Ratzinger’s evaluation of the contemporary Roman Catholic liturgy is explored in relation to his overall assessment of the post-Vatican II era in the Church, alongside an examination of his project of liturgical renewal (‘reform of the reform’) and its practical implementation during his pontificate. The author discusses the various critical voices which have been raised against the Pope’s liturgical agenda and against certain aspects of his general theology. Overall, the book offers an assessment of the importance of Ratzinger’s vision for the Church at the threshold of the third millennium.

Contents

Contents: Basic features of Joseph Ratzinger’s theology of the liturgy – Ratzinger’s assessment of the Roman Catholic liturgy after the Second Vatican Council – ‘Reform of the reform’: Ratzinger’s project of liturgical renewal – Benedict XVI and the liturgy: implementation of Ratzinger’s plan – Critical voices regarding Ratzinger/Benedict’s liturgical vision and actions – Evaluation of Ratzinger/Benedict’s liturgical vision and its importance for the Church at the threshold of the third millennium.

Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien, 2013. X, 341 pp.
ISBN 978-3-0343-0923-3 pb. (Softcover)
ISBN 978-3-0353-0440-4 (eBook)


Product website: Peter Lang International Academic Publishers

The First Minute of the Sede Vacante at St. Peter's

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Students from the Rome program of the University of St. Thomas in Minnesota recite the rosary in Piazza San Pietro with their chaplain, in the final minutes of Pope Benedict XVI's pontificate.
The bells of St. Peter's toll 8 o'clock in the evening, the moment at which Pope Benedict XVI's reign officially ended.

King David

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Here is a painting, just completed, of King David. As the author of so many of the psalms and a musician, he seems to me to be patron of the liturgical renewal! This image is based upon the one that is the the early 13th century English illumination in the Westminster Psalter. The dimensions of the internal image (i.e. without the border) are 10" x 6". So like the original this has the ratio of 5:3 which is one of the fundamental ratios that one sees in gothic proportion.

Study Sacred Music from Your Laptop

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On Sunday afternoon, I'm teaching a short introduction to sacred music. I'll cover the contents of the Parish Book of Chant and the general framework for music in the Roman Rite. I'll talk for 45 minutes and take Q&A for 45 mins. If you would like to come, great. If you know someone who you think needs to be there, send that person the link.

The cost is $19. Register here. Class size limit: 24.

Book Sale: Medieval English, Celtic, Byzantine Liturgical Studies, etc.

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The great book sale continues, this time focused on some medieval English, Byzantine, Anglican and other books related to liturgical history.

For this particular sale, rather than doing all kinds of particular posts of images, I am going to give a general view of the items. More photos can be provided on request if needed.

Here is a general view in three photos:







Here are the titles. If you need more details, please just ask. Prices are in USD and do not include shipping costs. Payment by Paypal is preferred.


The Church of Our Fathers: As Seen in St. Osmund's Rite for the Cathedral of Salisbury (4 vols), Fr. Daniel Rock
Price: $250.00 USD

The Ancient Liturgy of the Church of England according to the Uses of Sarum, York, Hereford and Bangor and the Roman Liturgy arranged in Parallel Columns with Preface and Notes, W. Maskell (ed.), Oxford 1882.
Price: $150.00 USD

The Old Service Books of the English Church (2nd ed.), Wordsworth & Littlehales
Price: $40.00

Ecclesiological Essays, J. Wickham Legg
Price: $30.00

Walter Howard Frere: A Collection of His Papers on Liturgical and Historical Subjects, W.H. Frere, Alcuin Club Collections
Price: $50.00

Essays on Liturgiology and Church History, J. M. Neale, 1867.
Price: $150.00

Sequences from the Sarum Missal with English Translations, Charles Buchanan Pearson (ed.), 1871
Price: $50.00

The Monastic Breviary of Hyde Abbey, Winchester, Vol. VI, Introduction to the English Monastic Breviaries, Henry Bradshaw Society
Price: $100.00

The Liturgy and Ritual of the Celtic Church, F.E. Warren
Price: $60.00

The Stowe Missal (2 vols), Henry Bradshaw Society
Price: $175.00

Processions of Sarum and the Western Church, Terence Bailey
Price: $50.00

The Liturgy and Ritual of the Ante-Nicene Church, F.E. Warren
Price: $30.00

The Mozarabic Psalter, Henry Bradshaw Society
Price: $100.00

The Byzantine-Slav Liturgy of St. John Chrysostom, Fr. Casimir Kucharek
$40.00

A History of the Liturgy of St. John Chrysostom: The Great Entrance, Fr. Robert, Taft, S.J.
Price: $70.00

A History of the Liturgy of St. John Chrysostom: The Diptychs, Fr. Robert, Taft, S.J.
Price: $60.00

A History of the Liturgy of St. John Chrysostom: The Precommunion Rites, Fr. Robert, Taft, S.J.
Price: $70.00

A History of the Liturgy of St. John Chrysostom: The Communion, Thanksgiving and Concluding Rites, Fr. Robert, Taft, S.J.
Price: $110.00

The Dominican Ceremonial for Mass and Benediction, W. Bonniwell
Price: $75.00

The Lectionary: Its Sources and History, J. Baudot
Price: $50.00 (ex-lib)

The New Psalter and Its Use, Burton & Myers
Price: $30.00


These are also still available (at reduced prices):

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Breviarium S.O.P., 1875 (Pre Pius X edition)

The breviaries which sit prior to the reforms of St. Pius X are of great interest to liturgical scholars and hobbyists insofar as they retain unique features and aspects which were lost and flattened out in many cases following to the reform. They are rather difficult to find.

Price: $300.00 USD


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Breviarium O.Praem, 1892 (Pre Pius X edition)

The breviaries which sit prior to the reforms of St. Pius X are of great interest to liturgical scholars and hobbyists insofar as they retain unique features and aspects which were lost and flattened out in many cases following to the reform. They are rather difficult to find.

Price: $300.00 USD


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Missale Romanum, 1956
Price: $150.00 USD


Email if interested: stribe@newliturgicalmovement.org

Arms of Benedict XVI by Matthew Alderman

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For those of you looking for a way to commemorate the pontificate of Pope Benedict XVI, I recently saw that Matt Alderman has done up a lovely rendition of Benedict's papal coat of arms -- which came as a result of a commission for the same from Paul Tiseo of Theandric Music -- which he has made available on his Zazzle site. You can get everything from a traditional print for framing, to the usual mugs and t-shirts, as well as an iPhone or iPad case.

Compendium of the 1961 Revision of the Pontificale Romanum - Part 2.8: The Translation of the Relics (1595)

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The preface being finished, the bishop returns to the altar, where he uses the Gregorian water to make mortar or cement. (It is to be supposed that a stonemason is present to help him.) This is blessed with the following prayer, (preceded by “Dominus vobiscum. Oremus.” The mortar is laid aside to be used later, while the rest of the Gregorian water is poured around the base of the altar.)
God most high, who preservest all things, highest, middle and lowest, and encompass every creature to its very depth, sancti + fy and bless + these creatures of lime and sand. (short conclusion)
The bishop proceeds, accompanied by the clergy, to the place where the relics have been kept since the previous day; before he enters, he says this prayer, which is also said at the beginning of Mass, (here preceded by “Oremus. Flectamus genua. Levate.”)
Remove from us, o Lord, our iniquities, that with pure minds we may worthily enter the Holy of Holies. (short conclusion)
The bishop, ministers and clergy enter the place, while the choir sings the following antiphons. The choir may sing a responsory from the Office of the Saint or Saints whose relics are soon to be brought into the church.
Ant. O how glorious is the kingdom in which all the Saints rejoice with Christ, clothed in robes of white, and follow the Lamb where ever he goeth.
Ant. Be moved, o Saints of God, from your abodes, and hasten to the places which have been prepared for you.
Ant. Behold the people that keepeth justice, and observeth truth, in Thee have they hoped, o Lord, forever.
Ant. The way of the Saints is made straight, and their path prepared.
The last of these is sung with Psalm 94 Venite, exsultemus, without Gloria Patri at the end. The bishop then says another prayer, also preceded by “Oremus. Flectamus genua. Levate.”
Grant, we beseech Thee, o Lord, that we may worthily touch these relics of Thy Saints, which have been specially dedicated to Thee; whose patronage we desire unceasingly to enjoy. (short conclusion)
He now imposes incense in a thurible, and a procession is arranged as follows: first the acolytes with candles, then the Cross, the clergy, torchbearers (normally clergy), and the relics on a bier, carried by priests in red chasubles. The thurifer walks before the bier, incensing the relics continually; the rubrics of the Pontifical say he walks “juxta – beside” the relics, and the illustration in some Pontificals seems to show him thus. The bishop and his ministers follow; as the procession begins, the bishop intones the first antiphon, which is continued by the choir, and followed by three others. (The first three are proper to this ceremony; the fourth is from the Office of Several Martyrs.)
Ant. With rejoicing ye shall go out, and with gladness be led forth, for the mountains and hills shall leap for joy, awaiting ye with gladness, alleluia.
Ant. Arise, ye Saints of God, from your abodes; sanctify these places, bless the people, and keep us sinful men in peace.
Ant. Advance, ye Saints of God, enter the city of the Lord; for a new church is built for you, where the people may adore the majesty of the Lord.
Ant. For theirs is the kingdom of heaven, who despised the life of the world, and have come to the rewards of the kingdom, and washed their garments in the blood of the Lamb.
When the procession arrives at the door of the church, the choir remain there and continue the chanting of the antiphons, while the procession goes around the outside of the church counter-clockwise, all saying, “Kyrie, eleison”. Having returned to the door, the bier with the relics is laid on a table on the left side of the door, while the bishop sits on a faldstool on the right side.

He now delivers an exhortation to the people, a fixed text given in the Pontifical, after which the archdeacon (or any priest) reads two decrees of the Council of Trent concerning the proper use of ecclesiastical endowments. The bishop then addresses the founder of the church, asking him about the endowments, to which the founder replies as he deems best. “The bishop then commands them to pray for him who built and endowed the church, and for him who ask for it to be consecrated, and grants them a part in all the good things that shall perchance to happen therein.” (rubrics) All of this, however, was normally omitted well before the 1961 revision was done, although the texts were not removed from the Pontificale. Since the exhortation, decrees and address to the founder are very long, they will be given later as a separate post.

The choir now sings a responsory:
R. The Lord shall be my God, and this stone which I have erected, a title, and this shall be called the house of God, and of all that Thou has given me, I will offer Thee tithes and peace-offerings. V. If I shall return to the house of my father. I will offer Thee tithes and peace-offerings.
Standing before the door of the church, the bishop says this prayer, (preceded by “Dominus vobiscum. Oremus.”)
Mercifully enter Thy house, we beseech Thee, o Lord, and in the hearts of Thy faithful build for Thyself a perpetual dwelling; and grant that this house, which is solemnized by Thy dedication, may be exalted by Thy dwelling therein. (short conclusion)
He marks the door with the holy chrism saying:
In the name of the + Father, the + Son, and the Holy + Spirit. Door, be thou blessed, sanctified, consecrated, sealed, and given over to the Lord God; be thou the entrance of salvation and peace; be thou the door of peace, through Him, who called Himself the door, Jesus Christ our Lord, who with the Father etc.
The priests now take up the relic-bier, and enter the church; the bishop intones the first of the following antiphons, and then comes into the church behind the relics as they are brought to the altar. The clergy and faithful, who have hitherto been waiting outside, now enter the church behind him.
Ant. Enter, ye Saints of God, for your dwelling place is prepared by the Lord; and the faithful people follows your path with joy, that for us ye may pray the majesty of God, alleluia.
Ant. The souls of the saints rejoice in heaven, they who have followed in the footsteps of Christ, and because for the sake of His love they poured forth their blood, therefore they exult with Christ without end.
Standing at the altar, the bishop intones the antiphon “The Saints shall exult in glory, and rejoice in their beds.” It is completed by the choir, who sing it with psalms 149 Cantate Domino, and 150 Laudate Dominum in sanctis ; Gloria Patri is not said at the end of either psalm. As it is repeated at the end, the bishop ascends the predella, where he says “Oremus” and the following prayer. (This prayer is also said at the conclusion of the blessing of the church’s corner-stone.)
O God, who of Thy clemency and kindness art present in every part of Thy dominion to dedicate it, hear us, we beseech Thee, and grant that henceforth, the building of this place remain inviolable: and may the society of all the faithful, which Thee imploreth, merit to receive the benefit of Thy favor. (short conclusion.)
He now anoints the sepulcher, a depression cut into the mensa of the altar, into which the relics will be sealed. Dipping his right thumb in the holy chrism, he makes a Cross with it twice in each corner, saying, “Let this sepulcher be conse + crated, and sancti + fied. In the name of the + Father, and of the + Son, and of the Holy + Spirit. Peace be unto this house.” At the words “In the name of the Father etc.” he makes the sign of the Cross three times with his right hand over the place he has anointed. The relic-bier is carried over to the altar; the bishop reverently receives the relics and lays them in the sepulcher. As he lays them in their place, he intones another antiphon, which is completed by the choir, who then sing it with two verses and repeat it, without Gloria Patri.
Ant. Beneath the altar of God ye have received your resting places, Saints of God, intercede for us to the Lord Jesus Christ. V. The Saints shall exult in glory. R. And rejoice in their beds. Beneath the altar etc.
As it is being sung the bishop incenses the relics. Next, he anoints the stone which is used to seal the relics in their place, making a cross twice in the middle with the chrism, on the side which will face downwards, and saying, “Let this tablet (or “stone”) be conse + crated, and sancti + fied, through this anointing and the blessing of God. In the name of the + Father, and of the + Son, and of the Holy + Spirit. Peace be to thee.” As before, he makes the sign of the Cross with his hand at “In the name of the Father etc.”
H.E. Bishop Fabian Bruskewitz incenses the relics of the Saints during the Dedication of the chapel of Our Lady of Guadalupe Seminary. Photo © 2010 F.S.S.P. www.fssp.org
With the help of the stonemason, he spreads the cement previously made and blessed, and uses it to fix the tablet in its place. He then intones the first of the following antiphons:
Ant. Beneath the altar of God, I heard the voices of the slain, saying, ‘Why dost Thou not defend our blood?’ And they received the divine answer, ‘Wait ye yet a little while, until the number of your brethren be fulfilled.’
Ant. The bodies of the Saints are buried in peace; and their names shall live forever. Glory be. As it was. The bodies of the Saints etc.
The bishop says the following prayer, preceded by “Oremus” only:
O God, who from the dwelling-together of all Thy Saints, buildest to Thy Majesty an eternal habitation, give from heaven increase to what Thou hast built, and grant that they whose relics we here embrace with pious love, may ever aid us by their merits. (short conclusion)
With the help of the stonemason, the bishop now secures the tablet or stone in its place with more cement, and then anoints it twice on the upper side, saying, “Let this altar be + sealed and sancti + fied. In the name of the + Father, and of the + Son, and of the Holy + Spirit. Peace be to thee.” As before, he makes the sign of the Cross with his hand at “In the name of the Father etc.”

After imposing incense and blessing it as at Mass, the bishop intones the following antiphon:
Ant. An Angel stood by the altar of the temple, having a golden censer in his hand, and much incense was given to him, and the smoke of its perfumes rose in the sight of God, alleluia.
As it is sung, the bishop incenses the altar, first to the right, then the left, the front and the top. Standing in front of the altar, he then says:
Let us pray. Let our prayer, we beseech Thee, o Lord, ascend as incense in Thy sight, and the Christian people obtain plentiful benefits; so that whoever shall devoutly present to Thee on this altar offerings to be consecrated, or when consecrated shall receive them, may obtain the blessings of the present life, together with the remission of all sins, and attain the peace of everlasting redemption. (short conclusion) 
The altar is then wiped clean to prepare for the final part of the ceremony.

New EF Mass in Charlotte, North Carolina

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A reader in Charlotte, North Carolina recently sent in news to us of a new EF Mass there at Saint Ann Catholic Church, offered by the pastor of the same, Fr. Timothy Reid.

The families of the Diocese of Charlotte making up the group Coetus Fidelium (meaning: stable group of faithful) who have requested a permanent and regular Sunday Traditional Latin Mass would like to express our profound gratitude to our beloved bishop, His Excellency Peter Jugis, and to Rev. Timothy Reid, Pastor of Saint Ann Catholic Church, for their part in granting this request and providing for the spiritual needs of our families. We offer this gratitude accompanied by a spiritual bouquet of 11,951 rosaries, pledged in thanksgiving as a sign of our love and fidelity.

Background: After each of the Masses at Saint Ann Catholic Church on Sunday February 10, 2013, an announcement was read stating that in response to the request of our group, beginning March 3, 2013 a new permanent and regular Sunday Latin Mass time would be instituted at the 12:30 P.M. time slot. In addition to this announcement, a statement was published in the parish bulletin the following Sunday.

Our Coetus Fidelium group initiated this request approximately 18 months ago on August 15, 2011, on the Feast of the Assumption of the Blessed Virgin Mary and the 56th Anniversary of the consecration of Saint Ann Catholic Church. Prior to making this request, our group sought and received the blessing of our Pastor, Father Reid, and we followed the protocols established by the Holy Father Pope Benedict XVI, in his Apostolic Letter Summorum Pontificum and the subsequent instruction Universae Ecclesiae of the Pontifical Commission Ecclesia Dei, approved by the Holy Father [in forma communis]. These protocols established a process for laypeople to make requests of this nature which include seeking secondary hierarchical recourse with the Pontifical Commission Ecclesia Dei in Rome, the competent authority who ultimately intervened in this matter

Here is a photo from this past Sunday, showing the first such Mass.


Seville, Oratorio de la Santa y Venerable Escuela de Cristo

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It has been a little while since we've featured anything from Spain, so here are some photos taken yesterday in Seville at the Oratorio de la Santa y Venerable Escuela de Cristo.

As a point of interest, this is a new venue for the EF Mass in Seville.



Dominican Rite Mass for Feast of St. Thomas Aquinas, Charlottesville VA

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Fr. Pius Pietrzyk, O.P. sends the following news:

The University Parish of St. Thomas Aquinas, 401 Alderman Road, Charlottesville, Virginia, will celebrate its patron saint with a Missa Cantata on the Feast of St. Thomas according to the Dominican Rite.

The Mass will be on Thursday, March 7, 2013 at 5:15pm. The Preacher for the Mass will be Fr. Andrew Hofer, O.P., Instructor in Patristics and Ancient Languages at the Pontifical Faculty of the Immaculate Conception, and the current Master of Students. All are welcome to attend.

More information may be found here.


NLM Exclusive: Bishop Dominique Rey on Sacra Liturgia 2013

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NLM is pleased to be able to present this interview with Bishop Dominique Rey, the Bishop of Fréjus-Toulon, France, and convenor of the forthcoming Sacra Liturgia 2013


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How did the idea for this conference come about?

Mgr. Rey:Sacra Liturgia 2013 is inspired by the liturgical teaching and example of Pope Benedict XVI. Both as Cardinal and as Pope, he frequently emphasised the absolutely vital role of the liturgy in the life of the Church.

I wanted to bring together pastors and leading liturgists from around the world to promote the centrality of the liturgy in the life and mission of the Church in the Church of the twenty-first century, the Church called to the New Evangelisation.

It seemed only right to come to Rome for this conference—to be close to Peter. Because of this I was delighted when, shortly after I informed Pope Benedict about Sacra Liturgia 2013 during my ad limina visit last December, I received a message from the Secretariat of State conveying his “strong encouragement” for this initiative. Now that he has announced his retirement I hope that the conference will serve to promote and reflect on his liturgical teaching and vision. This is a precious gift he has given to the Church which will not become obsolete with the end of his pontificate.


Why is this conference so important to the Church today?

Mgr. Rey: Because the liturgy is the source and summit of the life and mission of the Church. Pre-eminently in the Holy Eucharist, the Mass, of course, but in all the liturgical life of the Church—the other sacraments, the divine office, the blessings, etc. It is in the liturgy that we encounter Christ most fully, not as individuals, but together as members of the Church. It is there that Christ acts upon us most powerfully.

Sometimes our efforts at renewal and evangelisation have neglected the centrality of the liturgy. But as Cardinal Ratzinger once said, “the true celebration of the Sacred Liturgy is the centre of any renewal of the Church whatever.” So the liturgy must be central to the New Evangelisation. It should sustain us in our mission to the world. All our missionary activity is about leading people to Christ, with whom we enter into relationship through Baptism, Confirmation and the Holy Eucharist. The other liturgical rites sustain us in that relationship—in the life of faith.

But the liturgy cannot fulfil its central role if our liturgical catechesis and formation and celebration are not what the Church intends them to be. We must look at these areas and see where we can do more, according to the mind of the Church.

The importance of Sacra Liturgia 2013 is to re-emphasis this reality and to help form people in it. This is not a conference about liturgical minutiae. Of course we must always take care to follow the liturgical directives, but in Rome we will be also addressing some larger and also some contemporary questions: catechesis and formation, the connections between liturgy and human psychology, the role of the internet in the promotion of the liturgy, the place of liturgical music in the new evangelisation, etc.


What do you hope this conference will achieve?

Mgr. Rey: I hope the conference will help further the liturgical renewal so dear to Pope Benedict’s heart and demonstrate liturgical foundation the of New Evangelisation in this Year of Faith commemorating the 50th anniversary of the opening of the Second Vatican Council.

Sacra Liturgia 2013 will also bring people together for teaching and formation that will help strengthen that renewal. It will also be a time to form new links between people from around the world, new friendships that will help the ‘new liturgical movement’ to spread. Already there are confirmed participants from over 20 countries who will be present, so it promises to be a truly international conference.


To what extent do you believe the conference will help to resolve some of the disputes about how liturgy should be celebrated?

Mgr. Rey: First, I want to say how sad and destructive such disputes are and how important it is that we overcome them.

The liturgy is something that the Church gives us, not something we create, and we must celebrate it with respect and as the Church directs us to celebrate it. There are legitimate options and styles, of course, and Conferences of Bishops may make certain adaptations. But the liturgy remains something precious given to us by the Church which we must treasure and respect—even a bishop is limited in changes he can make! If we all have this respect we are already beginning to overcome many disputes.

There have been sharp divisions between those who want to celebrate the older liturgy or the new one. This is not necessary. At Sacra Liturgia 2013 we will celebrate both: Cardinals Canizares and Brandmüller will be the celebrants. As Pope Benedict has made very clear, both have a legitimate place in the life of the Church.

And both have a role in the New Evangelisation ! In my diocese one community that celebrates the older liturgy has the mission of the evangelisation in neighbourhoods where many Muslims live. Some of my clergy celebrate according to both forms of the rite and some young people and seminarians find it brings them closer to Christ. Its riches have positive impact on people today.

There does not need to be opposition or division about the liturgy. The modern rites should be celebrated as the Church intends them to be celebrated, with the ars celebrandi spoken of and demonstrated by Pope Benedict, and the older rites should be freely available to those who want them—they should be celebrated well also. We encounter the same Christ in both forms!

What is essential is that we do encounter Christ in the Sacred Liturgy so that we are strengthened for our Christian life and mission in the world, that we are empowered for the New Evangelisation. Sacra Liturgia 2013 is about that.

Revival of Sacred Music and Ad Orientem at University Chapel

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While this chapel is quite simple (a converted room really), there are some rather interesting things going on here by the sound of it; from ad orientem to the revival of chant and polyphony -- and might I further add that this is, wonderfully, a university chapel.

I am emailing you a picture of the chapel at Blessed John Paul II University Parish in Denton, Texas. The University Parish is the Catholic Campus Center for the University of North Texas and Texas Women's University in Denton, Texas... The parish is within in the Diocese of Fort Worth. Last semester, a parish choir [was started] that consists of 16 choristers (8 women and 8 men) who sing Gregorian chant and Sacred choral polyphony for the 11 AM mass on the UNT campus at Goolsby Chapel. The choir is called the Schola Sancti Gregorii.

[...]

Ad orientem is currently being offered on Tuesday weekday masses and will hopefully be gradually a part of the liturgical life of the parish.


Photo credit: Benjamin Austin

Congratulations to those there who are making active pursuits to promote Benedict's new liturgical movement.

Compendium of the 1961 Revision of the Pontificale Romanum - Part 2.9: The Translation of the Relics (1961)

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For a description of this part of the ceremony in the Pontifical of Clement VIII, click here.
Before going to the place where the relics are, the bishop and major ministers change their vestments from violet to white. While they proceed to the place, the following antiphons are sung; these were formerly sung while the bishop stood before the chapel or tent where the relics are kept, waiting to enter.
Ant. O how glorious is the kingdom in which all the Saints rejoice with Christ, clothed in robes of white, and follow the Lamb where ever he goeth.
Ant. Be moved, o Saints of God, from your abodes, and hasten to the places which have been prepared for you.
Ant. Behold the people that keepeth justice, and observeth truth, in Thee have they hoped, o Lord, forever.
Ant. The way of the Saints is made straight, and their path prepared.
The fourth antiphon is no longer sung with psalm 94. A fifth antiphon is provided for optional use with this procession; its text is the same as the third and fourth put together, but set to different music. (This version is found in two ancient antiphonals.) The rubrics provide that a responsory, or a hymn, or a “popular song” may be sung in honor of the Saint or Saints whose relics are soon to be brought into the church.

The bishop and minister proceed straight into the chapel or tent; the prayer formerly said before the door is suppressed. Standing before the relics, the bishop says:
Let us pray. Grant, we beseech Thee, o Lord, that we may worthily touch these relics of Thy Saints, which have been specially dedicated to Thee; whose patronage we desire unceasingly to enjoy. (short conclusion; words in italics omitted)
He now imposes incense in a thurible, and incenses the relics. (They are not incensed at this point in the previous version.) A procession is arranged as follows: first the acolytes with candles, then the Cross, and the clergy. The torchbearers are now “beside” the bier, and the thurifer before it. It is now carried by deacons in red dalmatics, rather than priests in red chasubles. The bishop and his ministers follow. As the procession begins, a single antiphon is sung, (no longer intoned by the bishop), and repeated after each two or three verses of psalm 149 Cantate Domino, without Gloria Patri at the end. This antiphon is borrowed from the office of Several Martyrs; the three antiphons proper to this ceremony, and sung at this point in the 1595 ceremony, are suppressed.
Ant. For theirs is the kingdom of heaven, who despised the life of the world, and have come to the rewards of the kingdom, and washed their garments in the blood of the Lamb.
The relics are no longer carried in procession around the church. The long-disused exhortation to the people, the readings of the two decrees of the Council of Trent, the bishop’s address to the church’s founder, and the founder’s to the bishop are all formally suppressed. The responsory sung before the door “The Lord shall be my God”, and the prayer said before entering the church are suppressed. The anointing of the door is moved to a later part of the ceremony. The relics are therefore carried directly from the chapel or tent to the altar of the church.

As the procession enters the church, the following antiphon is sung, and repeated after each two or three verses of psalm 150 Laudate Dominum in sanctis, without Gloria Patri at the end. An alternative version in a different chant mode is provided, which begins “Enter ye blessed of God”, but is otherwise the same text.
Ant. Enter, ye Saints of God, for your dwelling place is prepared by the Lord; and the faithful people follows your path with joy, that for us ye may pray the majesty of God, alleluia.
On reaching the altar, the relics are laid down near it, and the bishop incenses them again. The antiphon “The Saints shall exult in glory, and rejoice in their beds,” formerly sung at this point with psalms 149 and 150, is suppressed. The prayer said by the bishop before he anoints the sepulcher is suppressed. The sepulcher is no longer anointed or blessed. The relics are received by the bishop and laid in it. The schola may sing one or more of the following antiphons, none of which is now intoned by the bishop.
Ant. Beneath the altar of God ye have received your resting places, Saints of God, intercede for us to the Lord Jesus Christ.
Ant. Beneath the altar of God, I heard the voices of the slain, saying, ‘Why dost Thou not defend our blood?’ And they received the divine answer, ‘Wait ye yet a little while, until the number of your brethren be fulfilled.’
Ant. The bodies of the Saints are buried in peace; and their names shall live forever.
The first of these was formerly sung with a versicle and response, which are now suppressed. The second and third were formerly sung when the bishop fixed the tablet or stone over the relics. The third was formerly sung with Gloria Patri and Sicut erat, and repeated; these are now suppressed.

Cement is now made with the Gregorian water by a stonemason, no longer by the bishop himself. (Before the invention of modern quick-drying cement, the cement was made at the beginning of this part of the ceremony, before the bishop and ministers processed to the chapel where the relics were kept.) The bishop blesses it with the following prayer, preceded by “Dominus vobiscum. Oremus.”
God most high, who preservest all things, highest, middle and lowest, and encompass every creature to its very depth, sancti + fy and bless + this creature of mortar. (formerly “these creatures of lime and sand.” short conclusion, italics omitted.)
The bishop, with the help of the stonemason, lines the tablet or stone with cement, and fits it into its place. The stone is not anointed or blessed, either on the top or bottom. The second sealing of the stone in its place with cement is omitted. The bishop says the following prayer, preceded by “Dominus vobiscum. Oremus.” only; it is retained from the analogous position in the previous rite, and slightly modified.
O God, who from every union of the Saints, buildest to Thyself an eternal habitation, give from heaven increase of what Thou hast built, and may they whose relics we here embrace in a pious manner, ever aid us by their merits. (short conclusion. I suspect that the word “more – manner” here may be a typo for “amore – love”, as read previously.)
previous version : O God, who from the dwelling-together of all Thy Saints, buildest to Thy Majesty an eternal habitation, give from heaven increase to what Thou hast built, and grant that they whose relics we here embrace with pious love, may ever aid us by their merits. (short conclusion)
The incensation of the altar and the prayer after it, which formerly took place after the final sealing of the relics in their place, are suppressed.

The custom of placing relics in the altar derives from the very ancient tradition of building churches over the tombs of martyrs. Here we see a later version of this, from the era in which the translations of relics had become very common, and the original burial places of many Saints were either unknown or inaccessible. The relic seen here in the part beneath the altar of the church of San Giorgio in Velabro is venerated as the head of St. George. The altar is deliberately arranged so that the relic can be properly seen and venerated by the faithful.

The Renaissance of the Mass Propers

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The Renaissance of the Mass Propers

March 05, 2013

After years of neglect in many American parishes, chanted Mass propers are making a comeback, thanks in part to new online resources.

J. J. Ziegler


Members of the choir sing during the annual Christmas concert at St. Malachy's Church -- The Actors' Chapel in New York Dec. 13, 2010. (CNS photo/Gregory A. Shemitz)

The publication of the new English translation of the Roman Missal has helped revive interest in the use of chant in the ordinary form of Holy Mass. The Roman Missal includes many more chanted texts than did the previous edition, allowing clergy and people alike to “sing the Mass, rather than merely to sing at Mass,” as Msgr. Andrew Wadsworth, executive director of the ICEL (International Committee on English in the Liturgy) Secretariat, said in a 2010 address.

The new Roman Missal includes a new translation of the General Instruction of the Roman Missal (GIRM), which also has fostered greater interest in chant. Citing Sacrosanctum Concilium (the Second Vatican Council’s Constitution on the Sacred Liturgy) and subsequent curial documents, the GIRM states that “the main place should be given, all things being equal, to Gregorian chant, as being proper to the Roman Liturgy.… Since the faithful from different countries come together ever more frequently, it is desirable that they know how to sing together at least some parts of the Ordinary of the Mass in Latin, especially the Profession of Faith and the Lord’s Prayer, according to the simpler settings” (nos. 41-42).

When Catholics think of Gregorian chant at Mass, many tend first to think of chants associated with the Ordinary of the Mass—that is, the parts of the Mass that tend not to vary from day to day—for example, the Kyrie, Gloria, Profession of Faith (Credo), Sanctus, and Agnus Dei.

But there is also another set of chanted prayers at Mass: the propers, that is, five chants that are proper, or specific, to each Mass. The past two years have witnessed a revival of interest in the propers in parishes in the English-speaking world.

“I would contend that there are two primary reasons for the increased popularity of chanting the propers at Mass,” Father Dan Merz, associate director of the Secretariat of Divine Worship of the United States Conference of Catholic Bishops, told CWR. “First, there is a renewed interest in the texts proposed by the Church herself for the Mass, as opposed to individual choices that may not coincide with the rest of the Mass as well. This goes together with the desire for more accurate translations of texts used at the Eucharist and the other liturgies of the Church. The entrance and Communion antiphons are often scriptural and serve as an official commentary or meditation of sorts on the Mass of the day, as opposed to hymns or songs chosen on the local level.”

“Second, there is a renewed interest in chant itself, including Gregorian chant,” he added. “Many Catholics grew up without any experience or knowledge of chant, and so there is a natural desire to uncover a part of the tradition that was lost—at least to them.”

Read the rest of the article at Catholic World Report.

Short Documentary on the Life of Pope Benedict XVI

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Some of you recently enjoyed Philip Chidell's video on the ICRSS "Dome of Home" parish in the U.K. He recently also put together this short, 10 minute video documentary on the life of Pope Benedict XVI which some of you may enjoy.


Incidentally, here is another video from Rome Reports that might be of interest.


The Feast of St. Thomas Aquinas

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Today is the traditional feast day of St. Thomas Aquinas, who died on this day in the year 1274 at the Cistercian Abbey of Fossanova, while traveling to attend the Second General Council of Lyons. (Thomas was born at the castle of Roccasecca in 1225; one of my Latin teachers was fond of pointing out that Thomas was born on Dry Rock, and died in New Ditch.) On the General Calendar of the Ordinary Form, his feast was moved to January 28, the day on which his relics were translated to the French city of Toulouse, the cradle of the Order of Friars Preachers. Some places, however, still keep the feast on the older day even in the new rite, one of them being the Dominicans’ Roman University, officially named for St. Thomas, but commonly called the Angelicum, as he is commonly called the Angelic Doctor.
The Vision of Saint Thomas, by Santi di Tito; in the church of San Marco, one of the two Dominican churches in Florence.
We are also in the middle of the 3rd week of Lent, a season in which the Dominican Use brings forth some its best treasures for the singing of the Hour of Compline. (Like many medieval Uses, Dominican Compline is far more variable than that of the traditional Roman Use, often changing the antiphon of the psalms, the hymn, and the antiphon of the Nunc dimittis.) The most famous of these is certainly the Media vita, a piece which will always be associated with the Angelic Doctor, whose biographers note that he would always weep copiously when it was sung. Although written as a responsory, with verses and the repetition of the second part of the beginning, it was sung in many uses as an antiphon for the Nunc dimittis. As Father Thompson has noted previously, the Media vita may now be used by the Dominicans as a responsory, rather than as an antiphon, and it is thus that we can hear it sung by the Dominican students at Blackfriars.

R. In the midst of life, we are in death; whom shall we seek to help us, but Thee, o Lord, who for our sins art justly wroth? Holy God, holy mighty one, holy and merciful Savior, hand us not over to bitter death. V. Cast us not away in the time of our old age, when our strength shall fail, forsake us not, o Lord. Holy God, holy mighty one etc.
The Use of Sarum appointed Media vita to be sung at the same time as the Dominicans, during the third and fourth weeks of Lent, but with more verses, and the division of the refrain as follows:
Ant. In the midst of life, we are in death; whom shall we seek to help us, but Thee, o Lord, who for our sins art justly wroth? Holy God, holy mighty one, holy and merciful Savior, hand us not over to bitter death.
V. Cast us not way in the time of our old age, when our strength shall fail, forsake us not, o Lord. Holy God.
V. Close not Thy ears to our prayers. Holy mighty one.
V. Who knowest the secrets of the heart, show mercy to our sins. Holy and merciful Savior, hand us not over to bitter death.
Many composers have put their hand to this text; one of the finest versions of it is the setting by the Franco-flemish composer Nicolas Gombert. (1495-1560 ca.)

St. Thomas’ great contribution to the liturgy of the Church is of course the Office of the Feast of Corpus Christi, which he composed at the behest of Pope Urban IV in 1264, when the feast was formally promulgated by the Pope for the entire Latin Church. If I may indulge in a personal reminiscence: although I am normally pretty averse to large crowds, on June 2, 2010, the day before Corpus Christi of that year, I decided to attend the Pope’s general audience for the first time in quite a while, for no particular reason that I can recall. I knew that the Pope was in the midst of his series of audiences on great theologians and other important figures in the history of the church, but I did not know when I went to the audience that he had reached the thirteenth-century, and would be talking about St. Thomas. I was joyfully surprised when I realized whom he was talking about, not only for the sake of the topic, but also because my father, who had passed away the previous December, was born on St. Thomas’ day, and given his name in baptism for that reason. Pope Benedict spoke like the kind of professor whose lectures people remember 20 years after they graduate, learned and passionate about his subject, and eager to share that passion with his listeners. The most beautiful moment, though, was at the end, when the Pope told the following story.
The life and teaching of St Thomas Aquinas could be summed up in an episode passed down by his ancient biographers. While, as was his wont, the Saint was praying before the Crucifix in the early morning in the chapel of St Nicholas in Naples, Domenico da Caserta, the church sacristan, overheard a conversation. Thomas was anxiously asking whether what he had written on the mysteries of the Christian faith was correct. And the Crucified One answered him: “You have spoken well of me, Thomas. What is your reward to be?”. And the answer Thomas gave him was what we too, friends and disciples of Jesus, always want to tell him: “Nothing but Yourself, Lord!”
As he delivered these words, Pope Benedict himself seemed moved to tears. Given recent events, I now wonder whether His Holiness was perhaps also thinking of the end of St. Thomas’ life, which he recounted thus, (in the paragraph preceding the one cited above.)
The last months of Thomas’ earthly life remain surrounded by a particular, I would say, mysterious atmosphere. In December 1273, he summoned his friend and secretary Reginald to inform him of his decision to discontinue all work because he had realized, during the celebration of Mass subsequent to a supernatural revelation, that everything he had written until then “was worthless”. This is a mysterious episode that helps us to understand not only Thomas’ personal humility, but also the fact that, however lofty and pure it may be, all we manage to think and say about the faith is infinitely exceeded by God's greatness and beauty which will be fully revealed to us in Heaven. A few months later, more and more absorbed in thoughtful meditation, Thomas died while on his way to Lyons to take part in the Ecumenical Council convoked by Pope Gregory X … after receiving the Viaticum with deeply devout sentiments.
In his book “St. Thomas Aquinas”, Jean-Pierre Torrell O.P. writes that Thomas was particularly moved by the versicle of the Media vita, “Cast us not way in the time of our old age, when our strength shall fail, forsake us not, o Lord.”

New Blog: View from the Choir Loft - Reflections on Sacred Music & the Roman Liturgy

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NLM readers may be interested to learn about a relatively new sacred music blog on the scene, hosted by Corpus Christi Watershed: Views from the Choir Loft: Reflections on Sacred Music & the Roman Liturgy.

Contributors to the blog include Jeff Ostrowski, Cynthia Ostrowski, Aristotle A. Esguerra, Dr. Peter Kwasniewski, Andrew R. Motyka, David J. Hughes, Rev. David M. Friel and Richard J. Clark. (You can read more about the conributors here.)

Head on over and take a look.

Solemn Vespers for the Intention of the Election of the Supreme Pontiff

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The excellent Institute of Catholic Culture, which I reported on last year, here, is organising Solemn Laetare Sunday Vespers and Benediction (Extraordinary Form) in Virginia, at St Mary's Catholic Church, Alexandria, Virginia; it is this Sunday, March 10 at 7pm. It is the third year that Laetare Sunday Vespers has been organised in accord with a general aim of encouraging the regular practice of having Vespers in parishes. This year it will be offered by the Canons Regular of the New Jerusalem and the Suspicious Cheese Lord's Choir with the special intention pro eligendo Summo Pontifice. 

For more information, please call 540 635 7155; or visit their website at www.instituteofcatholicculture.org, There is a direct link the notice on the site here.

Compendium of the 1961 Revision of the Pontificale Romanum - Part 2.10: The Bishop's Address to the People (1595)

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As previously noted, in the Pontifical of Clement VIII, the translation of the relics of the Saints into the church was interrupted, by an address of the bishop to the people, by the reading of two of the disciplinary decrees of the council of Trent, and by the address of the bishop to the founder of the church, who then replied to the bishop. The reader will understand immediately that much of what these texts say (though certainly not all of it) had become quite obsolete by the 19th century. A decree of the Sacred Congregation of Rites issued on May 17, 1890 (S.R.C. 3729 ad octavum) simply takes for granted that these texts are no longer used, but clarifies that the responsory which follows them, which refers to the giving of tithes, is not to be omitted. (The decree which permitted the omission of these texts is not included in the official collection of the S.R.C.’s decrees published by the order of Pope Leo XIII in 1901.) As was generally the policy in those, the texts continued to be printed in their proper place with their proper rubrics, even when they were no longer use. They were expunged entirely, along with the responsory that follows in the 1961 revision.

In this post, I will give only the bishop’s address to the people itself, since it is quite lengthy; the decrees of the Trent and the bishop’s words to the founder will be given later as a separate post. Fixed sermons of this kind, many of them dating back to the Carolingian era, are of course a common feature of Pontifical ceremonies; several of the most beautiful ones are found in the rites of Ordination.

The sermon : Dearly beloved brethren: the sacred canons, the civil laws, and the universal religious sense of the faithful, declare how great is the reverence due to churches and places dedicated to God. For nowhere else but in the sacred basilicas may sacrifice be offered to the Lord, (The rest of this sentence and the next are a broad citation of the beginning of the Third Part of Gratian’s Decretum, one of the fundamental texts of medieval canon law.) by Whose command through Moses were consecrated the tabernacle with the altar and table, the brazen vessels, and other utensils for the purposes of Divine worship, and we read further that not only did he consecrate the Tabernacle, but that he anointed it with oil. In this Tabernacle none others but the consecrated Priests and the Levites, clad in sacred garments, celebrated the mysteries, and offered sacrifices for the people. In later times, both the Jewish Kings and the Christian Roman Emperors held in highest reverence the basilicas they had built, and willed that they be free from common noise and bustle, so that the house of prayer might be devoted to no other purpose or use. They further willed that they have such privileges and immunities, that every sacrilegious violation thereof should be visited with the most severe punishments. For it did not seem to them right that the dwelling of the Most High God should be exposed to sacrilegious outrage, or that, to use the words of Truth, it should be a “den of thieves.” It is a place of salvation, a harbor for the shipwrecked, where they may ride at anchor in safety from the storm. Hither do they come that ask for favors, and their lawful prayers are granted. Hither do those condemned to die flee for refuge, and by the entreaties of the priests obtain the pardon of their deeds. May ye, therefore, dearest brethren, enter the basilicas dedicated to God with great reverence, and offer therein to the Lord the sacrifice of a heart cleansed from guilt.

This church you have founded (or N. has founded), to which the Supreme Pontiffs N. and N. have granted privileges, and which you have (orN. the founder has) humbly besought us to consecrate, is one of these Basilicas. Now we, yielding to your (his) reasonable petition, do dedicate it in honor of God Almighty, of Blessed Mary ever Virgin, and of all the Saints, and in memory of St. N. In the altar thereof we have determined, with God's blessing, to place the Relics of Saints N. and N., and under such an altar, (or such a place), lie the bodies or the Relics of Saints N. and N., and all who devoutly visit them may obtain an Indulgence of . . ., granted by ... .

I further remind you, dearest brethren, that you should pay to the full to the priests and churches the tithes which are a tribute to God. The Lord claims them for Himself, in token of His universal dominion. Listen to St. Augustine: (from a sermon erroneously attributed to St. Augustine ‘On the paying of Tithes’) “Tithes are a tribute paid for the need of our souls. If thou pay tithes, thou shalt be rewarded, not only with increase of store, but with health of soul and body. For it is not gain, but honor that God requires at our hands. For our God, Who has been pleased to bestow on us all we have, is content to receive from us a tenth in return, not for His own, certainly, but for our advantage. But if it be sinful to be slow in paying, how much greater the guilt of withholding them? Pay the tithe of what accrues to thee from military service, from thy trade or handicraft. For as by paying tithes thou ensurest to thyself both earthly and heavenly rewards, why shouldst thou suffer covetousness to rob thee of a twofold blessing? For God's dealings are most fair; if thou refuse Him the tithe, He will strip thee of all but a tithe. Thou shalt yield perforce to a brutal soldier what thou withholdest from the Priest; the public treasury will swallow up what has been refused to Christ. “Return ye unto Me,” saith the Lord, by the Prophet, (Malachias 3, 7-12) “and I will turn to you. And you have said, ‘Wherein shall we return?’ Shall a man rob God? Yet do you rob Me. But you say, ‘Wherein have we robbed Thee?’ In tithes and first-fruits. Ye are cursed with dearth, for you have robbed Me, even the whole nation of you. Bring all the tithes into My storehouse, let there be food in My house, and prove Me now herewith, saith the Lord, if I will not open unto you the flood-gates of the heavens and pour out unto you a blessing until there be not room enough to receive it. And I will rebuke the devourer for your sakes, and he shall not destroy the fruits of your land, neither shall your vine be barren in the field, saith the Lord of Armies. And all nations shall call you blessed, for you shall be a land of delight, saith the Lord of Hosts.’ ” The indignation of God is to be avoided, and tithes paid, and tributes given to God, and the rewards we look for not forgone, for a momentary profit. Mindful of them, then, dearest brethren, receive these truths, and cheerfully put them into practice, that so ye may deserve eternal good things in reward of temporal benefactions.

The Prophet Malachi, from the front predella of the Maestà of Duccio di Buoninsegna, 1308; Siena, Museo dell’Opera.

St Mary's University College Offers a Certificate in Sacred Arts

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St. Mary's University College, which is an independent Catholic liberal arts university located in Calgary, Alberta, Canada is launching a Certificate in Sacred Arts. This is open to anyone. there are practical classes and lectures, but the emphasis appears to be learning through doing. Three of the teachers are known to me and cause me to recommend it. My contact there is with Martinho Correia whom I met when I was studying in Florence is teaching the Western naturalistic tradition; second my own teacher Aidan Hart is teaching iconography and third Jed Gibbons who teaches illumination. The organiser of the programme is Dr Mark Charlton who is on the faculty at the college.

Students have the choice of either taking a single workshop or registering for a series of workshops to qualify for the newly-created Certificate in the Sacred Arts – Foundations. The first courses being offered in 2013 include:

Methods of the Masters of the Western Sacred Art Tradition taught by Martinho Isidro Correia


The Foundations of Calligraphy taught by Renate Worthington
 Iconography taught by Aidan Hart
The Art of Manuscript Illumination taught by Jed Gibbons
Stained Glass for Beginners taught by Jody Martin
Gregorian Chant Workshop taught by Malcolm Edwards

For a more detailed description of the courses see: www.stmu.ca/sacredarts



Art shown is by, from top, Martinho, Aidan and Jed.




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