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Bishop Athanasius Schneider in New York, Connecticut in Coming Week

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Those of you in the Brooklyn, New York and Norwalk, CT. area might be interested to know about these events involving Bishop Athanasius Schneider in the coming days:

We at the Society of St. Hugh of Cluny are honored to sponsor the visit to Brooklyn, Norwalk and New York of his Excellency Athanasius Schneider ORC, auxiliary bishop of Astana, Kazakhstan and titular of Celerina. Bishop Schneider is a noted author and speaker. His best known work is Dominus Est – It is the Lord! – a defense of the Traditional discipline of receiving communion.

On Saturday, January 5, at 2 PM, Bishop Schneider will celebrate a pontifical liturgy at the Cathedral of St. James in Brooklyn. Afterwards, Bishop Schneider will give a lecture on “Holy Communion and the Renewal of the Church.”

On the Feast of the Epiphany, Sunday, January 6, at 9:30 AM, Bishop Schneider will celebrate a pontifical liturgy from the throne at the parish of St. Mary in Norwalk, Connecticut. Music of Morales, Bruckner, Victoria and Byrd will be sung. A light reception in the parish hall will follow.

On Sunday, January 6 at 5 PM, Bishop Schneider will preside at solemn vespers at the church of the Most Holy Redeemer, 173 East 3rd Street New York.

Source: Society of St. Hugh of Cluny

Octave Day of the Nativity

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NLM will return to its regular posting schedule tomorrow, but in the meantime, here is a reprint from two years ago for this day.

* * *

Today is the Octave Day of the Nativity of Our Lord in the Roman rite. Within the Byzantine calendar, January 1st is the Feast of the Circumcision of Our Lord.

The Troparion from the Byzantine liturgy for January 1st:

O Jesus, enthroned on high together with Your eternal Father and Divine Spirit, You willed to be born on earth of a maiden and virgin mother and on the eighth day you were circumcised. Glory to Your most noble decision. Glory to plan of salvation. Glory to Your condescension; You alone love mankind.

As an interesting aside for those interested in 20th century liturgical reforms, within the Roman missal prior to 1960, today's feast was denoted as the "Feast of the Circumcision of the Our Lord and Octave Day of the Nativity". From the 1960 editions on, it is simply denoted as the Octave Day of the Nativity. However, whether pre or post 1960, today's Mass in the usus antiquior continues to have the same propers inclusive of a Gospel reading from St. Luke 11:2, which is about Our Lord's circumcision eight days after his birth.



Within the 1965 Missale Ambrosianum, January 1st remained denoted as both the Octave Day of the Nativity and Circumcision of Our Lord. The Circumcision of the Lord also appears in the modern Missale Hispano-Mozarabicum.

Within the modern Roman liturgy, today is both the Octave Day of the Nativity, as has already been mentioned, and the Solemnity of Mary, Mother of God.

New Community of Sisters in U.K. Ordinariate

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The following press release came NLM's way yesterday:

ORDINARIATE ESTABLISHES NEW COMMUNITY OF SISTERS

A new community of sisters has been formally established within the Personal Ordinariate of Our Lady of Walsingham.

The community, the Sisters of the Blessed Virgin Mary (SBVM), was erected by decree of the Ordinary of the Personal Ordinariate, Monsignor Keith Newton, on New Years’ day.

At a Mass celebrated in the Oxford Oratory, eleven former members of the Anglican Community of Saint Mary the Virgin, based in Wantage, Oxfordshire, were received into the full communion of the Catholic Church. Together with Sister Carolyne Joseph, formerly of Anglican community in Walsingham, the sisters will comprise the new community.

The Sisters of the Blessed Virgin Mary will continue many of the traditions of the Wantage community, while also officially adopting the Rule of Saint Benedict. As such, the habit of the Wantage community has been adapted to black, and the sisters have adopted the traditional wimple of the Benedictine order.

During the initial stages of the life of the new community, The Sisters of the Blessed Virgin Mary will exist as a Public Association of the Faithful, as permitted under the Code of Canon Law and envisaged by the founding documents of the Personal Ordinariate.

A spokesman for the Personal Ordinariate said, “We are delighted to have a community of sisters at the heart of our work. As we continue to welcome Anglicans into the full communion of the Catholic Church, and establish a distinctive life of witness to the gospel of Jesus Christ, the prayerful support of these sisters will be invaluable. We look forward, also, to receiving a great deal from their rich liturgical and musical heritage, which is rightly respected far and wide as a positive contribution to the wider renewal of the Sacred Liturgy which we are currently seeing in the Catholic Church”.

The Personal Ordinariate of Our Lady of Walsingham was established in 2009 as a jurisdiction of the Catholic Church, allowing groups of Anglicans to enter into full communion whilst maintaining aspects of their heritage and traditions which are consonant with Catholic faith and practice.

Other Anglican religious to have joined the Personal Ordinariate include three sisters of the Society of Saint Margaret, Walsingham, and a member of the Community of the Resurrection, Mirfield, former Anglican bishop Robert Mercer.

More on this story is available off the website of the Oxford Oratory: The Reception into Full Communion with the Catholic Church of the Sisters of the Blessed Virgin Mary.

They also provide some pictures:



Midnight Mass in an Ordinariate Parish

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Our readers may recall an article from a few days back about a new set of vestments commissioned for the parish priest of the ordinariate community of Bl. John Henry Newman Catholic Church in Santa Ana, California. Fr. Bartus was kind enough to share some photos of this year's Christmas Midnight Mass, where the vestments got their first public use. We are always eager to share news of the ordinariates across the world, so, interested readers, please feel free to send us updates. I share these images not only as an example of the liturgical praxis and development of the fledgling Anglican ordinariates within the Catholic Church, but also to illustrate how the ordinariate's dignified vernacular liturgy, conducted here with traditional ceremonial, could be an example to the wider church of the "Reform of the Reform." Photos below provided by Fr. Bartus and taken by Elizabeth Vallentine.
Here, just before mass begins, Fr. Bartus is chanting the Martyrology, a laudable embellishment to the liturgy that could also be incorporated in mainstream parishes using the modern form of the Roman rite.
This photo shows a distinctive element of Anglican liturgical patrimony, in which the Gosple is read or sung from the central aisle. Perhaps our readers may be able to comment in more detail on the origins of this custom.

Liturgical News from the Basilica of St. John the Evangelist, Stamford

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Some news has been sent in regarding the Basilica of St. John the Evangelist in Stamford, CT. where they have been pursuing some restoration work. This basilica had, until recently, a marble altar rail; that altar rail was in poor condition, however, rather than simply tear out the altar rail they took a different approach (and a refreshing approach at that): they had a wooden altar rail installed which is based off the designs of the original 1886 altar rail:



I also wanted to note that this church sees both forms of the Roman liturgy celebrated, and that includes an OF liturgy which is celebrated ad orientem accompanied by a professional choir.

Further, I was also delighted to hear that they have recently begun sung parish Vespers each Sunday at 4:00pm.

All very encouraging. Congrats go out to the parish and its pastor, Msgr. Stephen Di Giovanni.


More Ordinariate News: London Church Designated

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More news from the Ordinariate in the U.K.:

London church designated for Ordinariate use

Wednesday, January 02, 2013

The Archbishop of Westminster, the Most Reverend Vincent Nichols, has today announced that the church of Our Lady of the Assumption and Saint Gregory, Warwick Street, is being dedicated to the life of the Personal Ordinariate of Our Lady of Walsingham.

The historic church, which is situated in Soho, previously served as the chapel of the Portuguese, and later Bavarian, embassies. In the nineteenth century the sanctuary was rebuilt by the architect, J. F. Bentley, who designed Westminster Cathedral. In his ‘Apologia’ Blessed John Henry Newman mentions a visit to the church as a young boy with his father. He converted from Anglicanism to the Catholic faith in 1845and is the patron of the Personal Ordinariate.

Speaking of the news, Monsignor Keith Newton, the Ordinary of the Personal Ordinariate, said, “We are very grateful to Archbishop Vincent Nichols for this gesture of goodwill and support for the Ordinariate. The church is a beautiful example of ecclesiastical architecture in a very central part of London. We will be challenged to provide a strong Christian witness to those who frequent the surrounding area of Soho. It will also provide a fitting place for the liturgical and spiritual traditions of the Anglican tradition to flourish, in complete union with the Catholic Church. These demonstrate our fervent hope for the realisation of the ultimate goal of all ecumenical work, the restoration of full ecclesial communion”.

"The missionary work of the slum clergy of our Anglican forebears to the marginalised of our society must be at the heart of our mission. We relish the opportunity to engage in this important pastoral ministry, faithfully presenting the teaching of the Catholic Church as the means by which light of Jesus Christ can shine on the dark places of our world. Together with the recent formation of a religious community of former Anglican religious within the Ordinariate this is really good news as we begin 2013".

Ten former members of the Anglican Community of St Mary the Virgin in Wantage were received into the full communion of the Catholic Church on 1 January, the Solemnity of Mary the Mother of God, by Monsignor Newton at the Oxford Oratory. Together with two other sisters, who were already Catholics, they form a new religious community to be called the Sisters of the Blessed Virgin Mary. Monsignor Newton erected the community as a Public Association of the Faithful with the view to it being eventually granted the status of an Institute of Consecrated life.

The Personal Ordinariate of Our Lady of Walsingham was established by Pope Benedict XVI in 2011 as a way for groups of Anglicans to enter into communion with the Catholic Church, whilst retaining aspects of their Anglican tradition, both to nourish the faith of the members of the Ordinariate, and as a treasure to be shared with the wider Church.

Russian Catholic Ordinations

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Attached are some photos of the Services of Placing-of-Hands (ordinations) to reader, subdeacon and deacon and Divine Liturgy from last Sunday, 16 December 2012, the festival day of Holy Prophet Zephanias, in case these are of interest to NLM readership.

The ordinations were served at Holy Trinity-St Nicholas Russian Catholic Church in St Kilda East, a suburb of Melbourne, Australia.

The ordaining hierarch was the Most Reverend Robert (Rabbat), Melkite Eparch of Australia and New Zealand, who ordained under dimissorial letters issued by the Most Reverend Denis Hart, Metropolitan of Melbourne (who currently has hierarchical care of Russian Greek-Catholics in Melbourne).

Of perhaps more particular liturgical interest: one photo shows the felonets (short phelonion) that is worn by readers briefly during their ordination (the only other use of the vestment being by altar-servers in the Old Believer churches - visible also in the video last Thursday). Another shows the blessing of the deacon to wear the ryasa (outer cassock).


Before the vesting of the hierarch


Ordination of Reader


Before Ordination to the Subdiaconate


New subdeacon holds ewer and basin at beginning of the Divine Liturgy


Diaconal ordination


Bishop blesses ryasa for deacon

Photo credits: Shaun Harper

New Icon in the Style of the St Alban's Psalter

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Here is a recently completed icon by the British icon painter Peter Murphy which caught my eye. It is an image of the three angels from the account of the Hospitality of Abraham and it is in the style of the St Alban's Psalter. For comparison, the curious may wish to visit the Wikipedia page of the original psalter, which dates from the first part of the 12th century, is here.


I find the images in the Romanesque period psalter very interesting because stylistically they always strike me in the design of the figures and drapery as owing something to earlier Ottonian styles of art; but also some of the faces are in profile, anticipating an element of the future gothic style. Peter has captured all of this in his work very well I think.

It is good to see an artist seeking not only to reproduce works from the period that he loves, but also seeking to produce original designs in that style. Very helpfully for me, it arrived in my Inbox just as I was writing last week's piece about how important creativity in traditional forms is if we re-establish our traditions as living traditions.

For any who wish to contact him, Peter Murphy's email is  murphype@aol.com

St. Edmund Campion Hymnal and Missal

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I thought our readers might enjoy a preview of this. Incidentally, there will be a guest series of six articles presenting various aspects of this missal-hymnal.

St. Edmund Campion Missal & Hymnal: Part 1

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NLM Guest article by Jeff Ostrowski

In a series of six (6) articles, I will be providing details about the St. Edmund Missal & Hymnal for the Traditional Latin Mass:

    1. Sacred Hymnody
    2. Mass Propers & Mass Ordinaries
    3. Religious Artwork & Illuminated Letters
    4. Manuscripts of Gregorian Chant & the Roman Canon
    5. The Solemn & Low Mass in Pictures
    6. Rare Hymns written by the English Martyrs

The website for the Campion book (referred to many times below) is: ccwatershed.org/Campion

The subject of the following article ("Part 1") is Hymnody in the Campion book. More information regarding this topic is given at the website, but I will here attempt to provide an "overview" which I hope will be of interest to the reader.

The process of choosing hymns for the Campion book required careful reflection and considerable research. My choices profited greatly from assistance by several Catholic organists whose knowledge of hymns might best be described as "encyclopedic." It was also necessary for me to consult about thirty-five (35) different hymnals, and many of these were published in the early 20th century. Looking through these publications, I found myself very much in agreement with Fr. Adrian Fortescue, who wrote in 1916:

In nothing are English Catholics so poor as in vernacular hymns. The real badness of most of our popular hymns, endeared, unfortunately, to the people by association, surpasses anything that could otherwise be imagined. When our people have the courage to break resolutely with a bad tradition, there are unworked mines of religious poetry in the old hymns that we can use in translations. If we do, there will be an end of the present odd anomaly, that, whereas our liturgical hymns are the finest in the world, our popular ones are easily the worst.

I also found myself very much in agreement with the Preface to the New St. Basil Hymnal (1958):

The majority [of popular Catholic hymns] reflect the sentimental, individualistic piety of the late Victorian period. Too frequently their melodies are poor copies of the secular music of that era, while their texts unduly emphasize the human nature of the Savior, tending to bring God to a purely human level rather than to lift man’s thoughts to God. Such hymns are more than dated; they are positively harmful in that they attempt to express a religious emotion which is exaggerated, over-familiar and, eventually, false—since they teach the singer to pray badly. In the present collection, then, they have yielded place to better, and in some cases older hymns of genuine piety and dignity.

Since I am quoting wise admonitions, I should also include words written by Monsignor Richard J. Schuler in 1984:

How many hymns does a parish need? Certainly not the vast number crowded into so many modern hymnbooks. If a parish has twenty-five good hymns, it can develop a great enthusiasm for singing. The people don't mind repetition of good music; in fact, the more they sing the great hymns the more they love them. It is the junk that they don't sing and don't want to hear. With care for the seasons of the church year, with selection based on the parts of the Mass, with some hymns for the Blessed Virgin and for the Holy Eucharist, a parish hymnal can be a modest volume and useful throughout, not limited to a piece here and there as so often is the case with the books now on the market.

As the reader may have already deduced from these quotes, I felt that my job as editor was to meticulously comb through the various Catholic hymnals, choosing only the most excellent texts and melodies. That being said, it was also necessary to make absolutely sure a good number of the hymns would be familiar to Traditional Catholic communities, because a hymn book containing only tunes and texts nobody knows would not be welcomed (and rightly so).

When all was said and done, I ended up including 150 hymns which, in my view, are elegant, dignified, and sturdy (musicians will understand what it means for a melody to be "sturdy"). Needless to say, this number (150) does not include the congregational Latin chants (such as the Regina Caeli), nor the complete Gregorian Kyriale (all eighteen Masses), as those comprise different sections of the book. I am pleased to announce that our book avoided a pitfall which is very common in many Catholic hymnals, namely, an excessive amount of hymns for certain seasons (usually Advent and Christmas) yet a lack of hymns for important feasts (Sacred Heart, Holy Cross, Most Precious Blood, and so forth). Our book has a balanced collection of hymns.

Contained in the book's 992 pages are hundreds of translations for the ancient Latin prayers and poems of the Roman Liturgy. Literal translations are used, to allow the faithful to fully grasp the meaning. Through the centuries, however, many Catholics have created metrical translations of Latin hymns. For example, St. Robert Southwell (†1595) created a metrical English version of the Lauda Sion Sequence. Many of these "poetic yet faithful" translations into English can be found in the Campion book, and the reader might be surprised to learn just how many of our hymns are actually ancient Latin texts. Click here [pdf] to see a chart.

One of the hymnals I found most useful was Arundel Hymns, a Catholic hymnal published in 1898 with the blessing of Pope Leo XIII. Between this book and St. Edmund Campion's martyrdom there is a special connection, which I cannot go into for want of space, but which will be explained later on the website. Arundel Hymns used texts exclusively by Catholics, and I adopted this principle for the Campion book. However, I did allow exceptions to this rule, for instance, Hark! The Herald Angels Sing, which was not written by a Catholic. Some metrical translations by Dr. John Neale (†1866) were also admitted, though he was not Catholic. Fr. Fortescue said in 1913: "After Dr. Neale’s beautiful poetic translations of nearly all our hymns it seems vain for anyone else to try to rival them." I am so pleased that the Campion book includes settings of outstanding texts by luminaries such as Blessed John Henry Cardinal Newman (†1890), Oratorian Father Edward Caswall (†1878), Alan McDougall (†1965), and others. Many of these glorious texts have never before been set to music. To remedy this, I paired these texts with sublime hymns tunes from tradition, or (in some cases) the tunes were written by today's leading composer of Sacred music, Kevin Allen.

I doubtless echo the sentiments of many readers when I say: "Oh, how glorious is the singing of hymns, when they consist of truly noble texts and tunes!" I feel so very blessed to have been given an opportunity to help supply Catholic congregations with worthy texts and melodies, which (I pray) will be sung for generations to come. Furthermore, I believe that congregations will absolutely fall in love with many of these tunes, which are not known by Catholics to the degree they ought to be: breathtaking gems like RUSTINGTON, ALL SAINTS, THAXTED, and REGENT SQUARE.

To see an example of the layout chosen for the hymns, please click here [pdf].

To hear an example of a traditional hymn tune which ought to be done more often, please click here [video].

To listen to a newly-composed setting by Kevin Allen, please click here [video].

Some may ask: "Why are we talking about using vernacular hymns for the Latin Mass? Is such a thing even allowed?"

It would be impossible to give a complete answer to these questions without writing a mini-dissertation. However, let us understand a few basic points. Each traditional community must decide for itself the precise way vernacular hymnody will be used. This can only be done after studying Church legislation, and a good starting point would be §14b, De musica sacra et sacra liturgia, Sacred Congregation of Rites (3 September 1958). Traditionally, vernacular hymnody has played a larger role at Low Mass than at Solemn Mass. Different countries also have different customs regarding vernacular hymns. However, in general, I believe the history of vernacular hymns at the Latin Mass is not generally known, and will surprise those who research it. For instance, surely I am not the only one shocked to read paragraphs like this:

During a Low Mass there is usually time for four hymns — one from the beginning of Mass up to or through the Gospel, but certainly to be finished by or before the end of the Gospel, so as not to interfere with or delay the making of announcements or the preaching of the sermon. A second hymn can be started at the Credo; another after the Elevation, and the last one during Communion, to end with the last Gospel for the prayers after Mass. — Caecilia Magazine of Catholic Church Music, 64: 4 (1937)

Finally, the Campion book uses remarkable hymn texts by the English Martyrs of the Renaissance: St. Thomas More (†1535), St. Robert Southwell (†1595), and St. Philip Howard (†1595). These texts are exceedingly rare, and many have never been set to music before. However, discussion of these texts will come as "Part 6" of this series of articles.

Mass and Vespers with the Bishop of Trenton

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While the march of liturgical time forges on, I nonetheless thought some of our readers would be interested to see some photos of Mass and Vespers celebrated by Bishop David O’Connell, C.M. of the Diocese of Trenton, New Jersey on December 31st in Hamilton, New Jersey at the parish of St. Gregory the Great. Mass and Vespers were celebrated in accordance with the Ordinary Form.

Once again, permit me to comment that it is encouraging to see the celebration of the divine office within a parish context.





You can see more photos here. (Photos courtesy Maria Hidalgo Dolan)

Images from the Cistercian Rite

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With mention recently on Rorate Caeli about a Cistercian monastery in the Czech Republic which has reportedly restored the Cistercian rite as its primary form of liturgical worship, I was reminded of a few photos I had which show the Cistercian rite in action:





(Photo source)

Abbey of Santa Maria di Cerrate, Lecce, Italy

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Readers will know that one thing I enjoy doing is showing various interesting historic churches, particularly those of styles which are perhaps less frequently seen (by comparison with other styles that is). Today I would like to show the Abbey of Santa Maria di Cerrate located in Italy, close to the city of Lecce. The abbey was built around the 12th century, commissioned by one of the nobles of Lecce.

As you will see in the photos below, the abbey church includes beautiful stonework and mosaics, and a rather beautiful carved altar with a rather unique looking ciborium.



A closer view of the altar and ciborium



Detail of some of the exterior carving

More photos may be seen here.

Mozarabic Potentialities for Contemporary Church Architecture?

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Speaking more now on the subject of interesting architecture, sometimes when we post certain architectural examples, comments will be made by some of our readers about their potentialities for church design today. The idea is that some of the earlier styles might be both more achievable financially while still providing a Christian and liturgical ethos -- something which can be lacking in a certain forms of modern architecture, though certainly not all.

Typically these comments have come in relation to Romanesque architecture, however, on seeing this tenth century Mozarabic example -- that of the church of San Cipriano, San Cebrian de Mazote, Valladolid -- it struck me as having a simple and noble quality to it; one which could well serve as a source of inspiration for modern ecclesiastical architects.


(I would point you to this view and this view as well.)

Certainly there might be certain design elements we might like to see added or tweaked, but my focus here is the basic framework and "bones" (if you will) of this form of architecture.

Personally, I think it is a form of architecture which could work well if more decorated, but, importantly, also works well even in this relatively simple form.

Bishop Athanasius Schneider at St. James Cathedral-Basilica, Brooklyn

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Bishop Athanasius Schneider ... visited the NYC area on January 5-6 2013. One of the Bishop's events was a Pontifical Mass in the St. James Cathedral-Basilica, Brooklyn, New York. The Mass was in the Extraordinary form of the Roman Rite. The music was made possible under the direction of Mr. David Hughes.

Here is some video which our reader directs us to from the Pontifical Mass.


St. Edmund Campion Missal & Hymnal: Part 2

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Guest article by Jeff Ostrowski

As if it were yesterday, I remember complaining to my mother about a sermon that struck me as rather long and rambling. She replied to me, "I wish they would teach our young priests what they used to: Say what you're going to say, say it, and then say what you said." In other words, have a clear point and stick to it no matter what. In this second installment of my six-part series, I shall do my best to follow my mother's wise advice, but it will not be easy with such an elaborate topic. The subject of Part 2 is "Mass Propers & Ordinaries in the St. Edmund Campion Missal & Hymnal for the Traditional Latin Mass." Part 1 of the series can be found here [url].

The overriding idea behind the Campion book was to "enshrine the Mass." In so many of the "typical" Latin Mass daily missals, which are usually reprints of books published in the early 20th century, it seems as though the publishers were trying to cram onto each page as much text as could possibly be made to fit. Considering the printing capabilities in those days, this technique was (perhaps) understandable, but I would argue that such an approach is unacceptable in the year 2013. For one thing, the font size in such publications is extremely small and hard to read (especially for the elderly). Secondly, numerous page turns are required. Finally, the result of such "cramming" is not beautiful.

Therefore, in this article, I will describe our attempt to "enshrine the Mass," and when the books start shipping in early February, those who purchase it may judge for themselves the extent to which we met our goal. I should briefly mention that extensive research on possible layouts was undertaken prior to publication. Here is a sample page from an 1843 Missal for the Laity (Eugene Cummiskey, Philadelphia):


To view a sample page from an 1885 book (D. & J. Sadlier & Co., New York), please click here [image]. Much to the delight of those interested in these historical editions (and I am one!), many such books were printed through the years, and it is important for publishers to at least be cognizant of these past editions, carefully noting the advantages and disadvantages of each approach.

The goal with the Campion book was for each of the 992 pages to be as unified as possible in layout, treatment of ligatures, spellings, accents, rubrical instructions, and all the other choices publishers must decide upon. Many readers doubtless know that some Latin words have been spelled differently through the centuries: coeli vs. caeli, repulit vs. reppulit, and so forth. Rev. Brian Austin, FSSP, has written about a decree from the Sacred Congregation of Rites (November 1961) which specified certain orthographical changes for official liturgical books, but that ruling does not govern books for the laity. Incidentally, several generous volunteers spent hours and hours combing through the proofs in search of errors. Some readers might be surprised to learn that even the most distinguished publications contain typos and errors. For instance, note the way "ciborium" and "the" are spelled in Mass & Vespers (Solesmes, 1957):


Even the famous Hymnal Noted (1851) has errors, as Latin scholars will notice by clicking here [image].

Now for a brief word about the physical qualities and dimensions (although the best way to judge these is to purchase the book, which will begin shipping in early February). The Campion book is 992 pages long. By way of comparison, GIA's Worship IV Hymnal is 1232 pages long, and CCW's Vatican II Hymnal is 750 pages long. The Campion book has a gorgeous hardcover. GIA's Worship IV has a very slippery cover, which makes that heavy book quite unpleasant to hold, in this author's opinion. In the Campion book, 872 pages are black and white, while 120 are full color. The pages are incredibly opaque, and the durable, Smyth Sewn binding is the absolute highest quality available and will last for decades. The book is 9x6, just like most hymnals. Some people are amazed that such a book is being sold at such a low price (as opposed to most Sunday Missals, which cost 3-4 times as much), but it must be remembered that the purpose of this book is not to make money — it is to promote the Traditional Latin Mass.

To view sample pages from the Mass Propers from the Campion book, please click on the following:

     *  Mass Propers (sample) [pdf]

The Campion book uses a very large font size, especially compared to other missals for the laity. Please click on the following to view this contrast:

     *  Comparison of font size (Mass Propers) [pdf]

Notice that our capital letters are placed without "collisions." Also, notice that we give Latin & English equal weight. In order to save space, some missals shrink the Latin down to a much smaller size — this makes the pages look quite uneven, whereas the layout ought to be balanced, just like the sacred liturgy is balanced. A priest who says the Traditional Mass on a daily basis told me that to shrink down the Latin is like "discrimination" in his opinion.

To view sample pages of the Kyriale from the Campion book, please click on the following:

     *  Kyriale (sample) [pdf]

How large is the size of our (complete) Kyriale compared to other missals? Please examine the following:

     *  Comparison of Kyriale print size [pdf]

The Campion book contains all possible feasts that could ever occur on a Sunday or Holy Day according to the 1962 Missal, as the reader can see by viewing this chart [pdf].

One of the major drawbacks of so many daily missals is the excessive amount of page-turning required. In our book, we worked very hard to eliminate all page turns. To give an example, there are special feasts which occur depending on the number of "Sundays after Pentecost." Most missals just say, "For these feasts, take the Propers from here and the readings from here." We find this totally unacceptable, so we followed the example of Fr. Francis Xavier Lasance (1860-1946), and carefully printed each of the Extra Sundays after Pentecost [pdf].

Speaking of Fr. Lasance, his works served as the basis for the entire Campion book. Looking back, nothing would have been easier than to "copy and paste" all the Mass texts (Introits, Collects, Epistles, etc.) from random sources. However, it seemed important to provide unity of style throughout the book, and for this reason, we scrupulously adhered to Fr. Lasance: his spellings, punctuation, capitalization, etc. There were any number reasons we decided the work of Fr. Lasance was "the best" for our purposes. However, if I were forced to summarize all of them into a single sentence, it might go something like this: The elegant English translations found in the works of Fr. Lasance are quite literal, conveying the beauty of the ancient Latin prayers in a marvelous way that is "hieratic" (Thee, Thou, etc.) yet able to be understood perfectly even by school children. To see our book juxtaposed with that of Fr. Lasance, please click on the following:

     *  Side-by-side Campion & Lasance [pdf]

The following video also has several close up views of the Mass Propers and Gregorian chant Editio Vaticana Kyriale:



Needless to say, I have not exhausted the subject of the Mass Propers & Ordinaries, especially with regard to the line art we have used to enhance these. However, this discussion will have to wait for the next installment of the series.

Vestments of La Encarnación

Epiphany Parish Vespers in Connecticut

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Speaking (gladly) of parish Sung Vespers, here are some of the sights from St. Gabriel's church in Stamford, CT. from the feast of the Epiphany.




Celebrating the Feast of St Mungo

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This year the Solemnity of St Mungo (also known as St Kentigern) falls on Sunday 13 January. As patron saint of the Archdiocese of Glasgow, his Solemnity will be celebrated in churches throughout the archdiocese rather than the Feast of the Baptism of the Lord.

My attention was drawn in particular to the music being prepared for the 11am Mass this coming Sunday in St Columba's church in Hopehill Road, Glasgow. The church is under the care of the Dominican friars and its choir is conducted by James MacMillan CBE.

On this occasion the choir will be joined by Canty, Scotland's only professional medieval music group. They will perform chant from the Office for St Kentigern, found in the 13th-century 'Sprouston Breviary'. In addition, a new setting by MacMillan of the psalm will be sung, as well as his 'St Anne's Mass'.

More information from the choir's website here.

Duomo of Monza

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While I was looking into some of the recent architecture posts we have shown here, I happened across the following image of the Duomo of Monza. The first thing that struck me was how the facade is similar to the Duomo of Milan -- and, indeed, it is perhaps no surprise that this basilica is located quite near to Milan -- in fact, only a few kilometres from it.


(From other views of the basilica, it would appear that the pale stone exterior facade is not the original, but rather replacing an even earlier facade of darker stone -- similar to the belltower. This, however, is speculation on my part.)

Here is a view of the interior of the basilica:


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