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Two Bits of News

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Just a couple of quick tidbits of news I wished to share.

The first is the fact that Rev. John Hunwicke, who will of course be familiar to many of our readers as the erudite and scholarly blogger at "Liturgical Notes", formerly of the Anglican communion and now part of the Ordinariate, is due to be ordained to the Catholic priesthood this Wednesday June 27, at 7.00pm in the Oxford Oratory.

(Thanks to Fr. Ray Blake for the tip off here.)

Heartfelt NLM congratulations to him.

The second bit of news, or really more of an update, pertains to the FSSP in Ottawa, Canada. As we have noted on here on a couple of occasions, the decision had been made by that parish to re-locate from their present, relatively modern church building to the historic parish church of St. Anne's. The process of moving into their new church has now begun, as evidenced in part by the erection of new signage on the historic grounds:



Our congratulations go out to them as well as they take possession of their beautiful new ecclesial home.

Pontifical Vespers in Toledo, Spain

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It has been far too long since we have featured some sights and sounds from the solemn celebration of Vespers, and fortunately an event recently came to light after we were emailed about it by the Fraternity of Christ the Priest. Namely, the Primate of Spain and Archbishop of Toledo, Braulio Rodríguez Plaza, presided over Pontifical Vespers at the Iglesia del Salvador, the church of the Fraternidad de Cristo Sacerdote y Santa María Reina on May 25th.















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Here some video:





See more video here.

Still Further New Vestment Work from St. Louis

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Continuing on with some further samples from our anonymous St. Louis area vestment maker, here is yet another set -- a rose set -- this time having a cut influenced by the 17th century.

Particularly striking is the incorporation of the Jesuit IHS monogram in violet.








The Transfiguration as a Symbol of the Liturgy and Our Participation in Christ's Glory

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I recently read Jean Corbon's book The Wellspring of the Worship. In it Fr Corbon describes how an ordered participation in the liturgy opens our hearts in such a way that we accept God's love and enter into the mystery of the Trinity; in which we worship the Father, through the Son in the Spirit. This renews and transforms us so that we are rendered fruitful for God. The icon of the Transfiguration, he says, reminds us of this. It is an icon of the liturgy.

At one level the icon of the Transfiguration portrays, of course, the events as they happened in the bible. The composition of the icon shown above, by Theophanes the Greek, is ordered to Christ. He is flanked by the prophets Moses and Elijah who bow reverently. His appearance changes so that he and his clothing shine with uncreated light. Peter on the left is shown talking to Christ, he and the others all looking disoriented by what they are seeing and hearing. Three rays extend to the ears of the apostles as they hear the voice of the Father.

The biblical description of the Transfiguration, says Corbon, point not only to Christ's transfiguration but also to our own through participation in the liturgy. Through the liturgy, he says, the Church becomes the 'sacrament of communion between God and man' and as members of the mystical body of Christ we we partake of the divine nature becoming 'God as much as God becomes man' (quoting Maximus the Confessor). We participate in this glory. The disciples see Christ because they are raised up also in purity, symbolised by their going up the mountain. This enables them to see and to hear the divine light and voice. In this life we too by degrees, through our participation in the liturgy and participate in this glory and ascend the holy mountain. The complete transformation does not take place until the next life.

For Corbon, there is a threefold manifestation taking place here. First the revealing of Christ, second the purification of the hearts that enable us to see and grasp the truth; third and finally 'if we are given the gift of "believing in his name" and if we have received "power to become sons of God" (Jn 1:12), it is in order that he may send us into the world as he himself was sent by his Father. His Spirit gives us a new birth in order that his glory may be manifested to others through us and that they in turn may be transformed into the body of the Lord. This final extension of the life giving light is intended to communicate the reality that is the body of Christ and introduce into communion with it the scattered children of God.

This tells us how that in order to be agents of evangelisation, we must shine with the light of glory and it is through our ordered and active participation in the liturgy. 'If we consent in prayer to be flooded by the river of life, our entire being will be transformed: we will become trees of life and be increasingly able to produce the fruit of the Spirit : we will love with the very Love that is our God...This process is the drama of divinisation in which the mystery of the lived liturgy is brought to completion in each Christian'.

So do we really shine with light? I have never seen anyone shining like Christ as portrayed in these examples of the Transfiguration. If what Corbon says is true, one might at least expect to see a few halos or feint light of partial divinisation occasionally, if not a full-blown transfiguration. I fact, I feel I probably have seen saintly people who are shining with light, but without knowing it. The fact that I do not see the light of glory in them is as much a reflection on me as the people I have met.

When I was learning to paint icons, my teacher who was an Orthodox monk told me a story that relates to this. I cannot remember the detail but the essence of it was this: two saints met and as they spoke to each other, each saw the other shining with halos of uncreated light. They were both amazed and later described what they had seen to a third party. On hearing the tale from each one, the third party realised what was happening, that each was a holy man, shining with the uncreated light but unaware of it. Because of their holiness and purity they were able to see the uncreated light of the other. The third person, who knew both, could not see the light in either.

If this is the extent of it, then it doesn't help us much, for only the holy, the already converted, are open to being conversion because they are the only ones who can see the light of glory. However, through God's grace there are other ways that we grasp with our inner eye of faith the glory that shines out of those we meet. In my own conversion there are a number of things that brought me to the Church. One was the beautiful liturgy of the Brompton Oratory. But it was also the examples of the people that I met who had an effect on me: their conduct, the glint in their eye, the sense of peace, the dignity and calm with which they went about their business. Although they didn't speak of their Catholicism much - just the occasional reference to it - I somehow knew that these qualities in them. This drew me to them and because I wanted these things too, to the Church which was the source. I always imagine that perhaps Christ's glory was shining through them, or some of them anyway. It was one of these people who, in a matter-of-fact way suggested that I might like to visit a church in South Kensignton one Sunday 'and if you do go, make sure you go to the eleven o'clock,' he said. I didn't even know that he was sending me to Catholic church, let alone Solemn Mass at the Oratory.

Corbon is telling me how I can be one of these people, an agent of transformation in the lives of others. Because society is the vector sum of personal relationships, this is the answer to the transformation of society as well. In the final slim but powerful chapter of the book he describes how this is the answer to the transformation of every aspect of the culture, including even economics and injustice in the workplace (I was amazed by this and wrote about it in my blog here).

The images shown are the Transfiguration, first by Theophan (or Theophanes) the Greek, and Fra Angelico. Interestingly in this second image by the 15th century Dominican, St John is the one shown looking directly at Christ. One wonders if perhaps Fra Angelico is indicating that John has that purity of heart that enables him to look directly at the Lord. St Augustine tells us (cf Office of Readings, Saturday after Ascension) that the Church knows two lives: one is through faith, the other through vision; one is passed on pilgrimage in time, the other in our eternal home; one is life of action, the other of contemplation. The apostle Peter personifies the first life, John the second. Maybe this is what Fra Angelico is trying to communicate to us.



McCrery: Saint Mary Help of Christians, South Carolina

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McCrery Architects have some new work up which was brought to my attention and I thought it would be of some interest to our readership.

The first, which I wished to share with you today, is a design for Saint Mary Help of Christians in Aiken, South Carolina. This proposal was commissioned by Father Gregory Wilson, the pastor of the same.

McCrery comments that "this project is for an entirely new church building and gardens situated in the midst of the city of Aiken in western South Carolina... Its design is inspired by the great number of fine buildings in Aiken, by Renaissance architecture, and the churches of the very early Christian period."

Here are some of the watercolours of the proposed church:







Wonderfully, it would appear that a ciborium is planned. My one comment is that the altar itself (if the drawing is indicative of the parish's intent) is pushed toward the nave and thus to versus populum celebrations. My own suggestion would be to centre this altar beneath the ciborium, both for reasons of symbolism and symmetry related to altar and ciborium, and also to ensure the most ceremonial ease regardless of whether Mass is celebrated versus populum or ad orientem.

With more and more clergy opting to use both forms of the Roman liturgy, and with an increasing interest in our tradition of ad orientem, it would certainly seem very prudent and forward thinking to facilitate these potentialities and likelihoods.

That said, the design looks quite edifying. Yet another nice proposal from McCrery.

Corpus Christi, Mass propers in English

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If you aren't singing propers, you are leaving out an important part of the liturgy.








And the Sequence in Latin


First Photos from the New Parish Church of the FSSP in Ottawa

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As we have noted on here on a few occasions, the FSSP community in Ottawa was given the opportunity to relocate to one of the historic parishes in the city of Ottawa, St. Anne's. The following show some images from one of their first Masses in the new building, taken on Trinity Sunday.

As you will see, renovations have been undertaken within the church, so now the process will no doubt begin to restore the church to its historical integrity -- or at least closer to its historical integrity. Given the French-Canadian history of this parish, its interior at one time would have likely looked very much like what one might see in the old churches of Quebec.











Fr. Aidan Nichols: The Future of the Church in England


Pentecost in Rome

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While Pentecost is now a couple of Sundays ago, I could not resist sharing this image of the vespers of Pentecost taken by Henri Adam de Villiers at the FSSP parish in Rome, Ss. Trinita.



And as a bonus, here are two images from the Solemn Mass of Pentecost from the same:






Solemn Pontifical Mass in Dublin Features Missa Papae Marcelli of Palestrina

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As previously announced, yesterday, Monday, June 11th 2012, a Solemn Pontifical Mass was offered by the Archbishop of Ottawa, the Most Rev. Terrence Prendergast, in St Kevin's Church, Dublin as part of the 50th International Eucharistic Congress events taking place in that city.

The setting used for this Mass was the famed Missa Papae Marcelli of Palestrina. It was sung by the Lassus Scholars under the direction of Ite O'Donovan.

One of the most glorious pieces of that setting -- in my own estimation -- is the Kyrie. Here it is. (Unfortunately you will only get a very brief views of the liturgy itself at the beginning.)



Here, also, is the Gloria:

Corpus Christi in Valloria, Italy

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We have been somewhat inundated here at NLM with Corpus Christi photos, so I shall do my best to show at least some of them in the next few days.

We begin with the parish church of Santi Gervasio e Protasio in Valloria in the diocese of Albenga-Imperia in Italy. (A few thoughts following the photos.)











The use of flowers as ornaments for the sacred liturgy is a subject which interests me, both positively insofar as they can bring added beauty and festivity into festal liturgies, but also for critical reasons insofar as they are quite often approached in a way which I personally find rather lacking (namely, the "more is better" approach which typically sees all manner of flowers crowded into a sanctuary, near or on the altar and so on; the result is rather chaotic and cluttered).

I wrote two separate articles on this very subject a few years ago. The first in 2007, Adorning God's Altar: Some Thoughts upon Floral Ornamentation on a Traditionally Oriented Altar. The second, in 2009: Seasonal and Festal Decoration of Altars and Sanctuaries.

The reason I mention this is because I was quite positively struck by the floral arrangements we see in these photos, which employ a nice, but restrained use of colour, while being further restrained in number -- excepting only the arrangement seen on the altar rail, which I think should have be done without.

Nicely done.

Corpus Christi in Singapore

Corpus Christi: Paris, France

Corpus Christi, Leiden, the Netherlands

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Continuing on with our Corpus Christi coverage, we have some photos from a parish in Leiden in the Netherlands. The procession started at St. Josephkerk and concluded at Heilige Lodewijkkerk.











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If you are like me, the first photo probably had you somewhat curious as to the nature of the mural work found above the high altar. I was able to dig up the following photo which shows a bit more from St. Josephkerk:




I would certainly be interested in seeing a wider view yet of this church. If any of our readers can oblige, please email me.

Corpus Christi from the Ordinariate Parish, Mount Calvary in Baltimore

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Corpus Christi at Mount Calvary Church in Baltimore -- a parish which is part of the newly founded Anglican Ordinariate in the USA -- also happened to be the first Catholic Mass of Fr. Jason Catania, who was ordained for the Ordinariate only the day before.

The parish’s other two new priests, Fr. David Reamsnyder and Fr. Anthony Vidal, assisted as deacon and subdeacon for the Mass, along with Fr. Warren Tanghe, former chaplain of the All Saints Sisters, who was the assistant priest.

The community processed four blocks to the former grounds of Saint Mary’s Seminary for Sext and Benediction in the historic chapel there.








Corpus Christi: Berlin, Germany (Institute of St. Philip Neri)

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[We continue with Corpus Christi photos from around the world. It is evident that many of our readers are eager to share these, and evidently many are also eager to see them. We shall publish as much as we reasonably can before we prepare to move back into our normal range of NLM coverage and topics.]



















Institut St. Philipp Neri

Corpus Christi: Varia from the USA

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St Paul Church, South Philadelphia




Holy Rosary, Lander, Wyoming

(At Holy Rosary, this is the first time in 20 years that they have apparently had the Corpus Christi procession again. The intent is to now have it each year. Some of our readers may recognize that this is the parish associated with Wyoming Catholic College.)






Cathedral of St. Raphael, Madison, Wisconsin


Photo by Tom Reitz










Photo by Tom Reitz

Further Details for Forthcoming Fota Liturgical Conference in July

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Further details have now been made about the contents and activities of the Fifth Fota International Liturgy Conference which will take place form July 7-9th in Cork.

Here is the programme:


Final Corpus Christi Photos

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Just a final few Corpus Christi photos. Thanks to all those who sent photos in, including those we weren't able to use this time around.


Catholic Community of Bl. J.H. Newman, Melbourne, Australia


Old St. Patrick Oratory, Kansas City (ICRSS)


Canons Regular of the New Jerusalem, Charles Town, WV


Ste. Marie Church & St. Joseph Cathedral, Manchester, NH


Cosmati Patterns for a Church Floor designed by students from Thomas More College of Liberal Arts

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For the final part of the spring semester, the students were assigned a project in which they were asked to design a church floor using traditional forms. I gave them two options. the first was that they design a sanctuary floor, which must include the quincunx - four circles spinning out of a central circle. This is a geometric representation of the four Evangelists taking the Word of God, represented by the central circle, out to the four corners of the world through their gospels. Second, they could design the floor of a nave, the main body of the church, and this must employ a shape called the guilloche, which is a chain of interconnecting circles.

In each case they had to follow the general design principle of ordering the space into regular orthogonal shapes and then filling in each compartment with a repeated geometric pattern. In the nave designs you can see that each has been sub-divided into a series of rectangles. I gave a selection of tradition Romanesque geometric patterns for them to choose from.

When I showed the designs from the class last year, it created quite a flurry of positive comments from readers. In fact I was approached by someone who wanted to contact one of the students so that he could discuss commissioning some original work (designs for a website). As with last year this is a freshman class and none had done any geometric design work like this before the beginning of the semester. One of them has shown an interest in developing this further throughout her time at the college

The students whose work you see are, from top: Nicole Martin, Augustine Kamprath, Erin Monfils, Aleth Sargent, Teresa Webster and Cecilia Black.

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