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Pentecost: Church of St. Agnes, New York City

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The following photos came to my attention. They are from the Mass of Pentecost celebrated by Father Michael Barone of Newark, New Jersey in the Church of St. Agnes in Manhattan.









Photos courtesy Diana Yuan Yuan

Pentecost: Opera Familia Christi, Rome

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Continuing on with some of our coverage from this past Pentecost Sunday, we turn to Rome and Opera Familia Christi from the Palazzo Altemps.









Chartres Pilgrimage 2012: Official Photos

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The official photos of the "Pèle" (as the Chartres Pilgrimage is affectionately known in France) are now in, and as usual, we want to provide some highlights from the three day event. We begin in Paris and we conclude, by the end of these photos, in Chartres.
























See the full photo album.

We might have more to say, and more coverage, in coming days.

Cardinal Burke at the London Oratory

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The formal photos are now in from Cardinal Burke's Pontifical Mass, celebrated at the London Oratory on the occasion of St. Philip's Day -- St. Philip Neri, of course, being the founder of the Oratory.

The full text of the Cardinal's homily has been published by the Catholic Herald here: ‘Never cease to centre your lives in the Sacred liturgy’.

In that homily, Cardinal Burke commented upon St. Philip's love of the sacred liturgy, and the attention to beauty in the sacred liturgy and liturgical arts:

...it is important to underline one aspect, that is, Saint Philip’s attention to the beauty of the Sacred Liturgy, of the art and architecture of churches and chapels, and of everything employed for the worship of God. Saint Philip understood that our lives are first and foremost centered upon Christ, firmly and fully grafted into His Life, by means of Sacred Worship. For Saint Philip, everything about Sacred Worship must point to the beauty of Christ alone and of the eternal salvation which He has won for us. It is not by accident that the first two chapters of the original Constitutions of the Congregation of the Oratory treat, first, prayer and the oratory as primarily the place of prayer, and, second, the church and Divine Worship. Before the daunting challenges of Christian living in our time, let us never cease to centre our lives in the Sacred liturgy handed down to us in an unbroken tradition from the Apostles. Let us always discover anew the beauty of our life in Christ in the immeasurable beauty of His life with us through the Sacred Liturgy.


New Vestment Work

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We have been endeavoring to show various examples of new vestment work in various styles and cuts lately and I am pleased to present some more new work, this time coming from a private maker in the United States (who wishes to remain anonymous).

Many of our readers will have seen his work before as it is often featured in photos coming from the Oratory of SS. Gregory and Augustine -- examples which usually feature conical chasubles with appareled albs and amices. (Here, for example, is one of his solemn vestment sets.)

That said, he also tries his hand at other styles. Here is one of his latest creations.


Visitation Tapestry

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The Burrell Collection in Glasgow is an astonishing collection of over 8000 objects amassed by a wealthy Glaswegian shipping magnate from c.1875. In 1944 he donated his collection to the city of Glasgow. This collection, which includes much medieval ecclesiastical art, is now housed in a purpose-built museum opened in 1983.

Shown here is a section of a tapestry made by a Dominican nun in Switzerland, c.1450-75. The entire wool and linen tapestry includes scenes of the Nativity of the Lord, the Adoration of the Magi, and the Presentation in the Temple. However, for today's feast of the Visitation, I would highlight the depiction above of Our Lady and St Elizabeth. Many artistic representations of this scene have the two women in red and blue garments, and almost invariably Our Lady is shown in blue. However, in this tapestry Our Lady is unusually depicted on the right in red as she sings her Magnificat.

It is thought that the good sister who wove this tapestry included herself in the work, and she is shown below.

12th Century Vestments of St. Thomas à Becket, Treasury of Sens Cathedral

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By way of a reader, I came across the very interesting website of Dr. Genevra Kornbluth which, amongst other treasures, contains her photographs of vestments which are said to have been used by the 12th century saint, Thomas à Becket, and which are housed in the Treasury of the Cathedral of Sens.

Some of you will have no doubt seen some images of a reproduction of this particular chasuble, but these are the first high quality images I have seen of the original itself -- not to mention photographs of other period medieval vestural elements as well.

I am pleased to reprint them here with the kind permission of Dr. Kornbluth. (Please click each image to enlarge them for more detail.)

The chasuble with its famous orphrey pattern

A more detailed view of the orphrey

Alb. Take note of the ornamental apparel as well as the ornamental cuffs. 


The apparel which would have attached to the amice.

Maniple and stole. The cuffs and apparels on the alb are also more visible here.

Pontifical Sandals

You can see more details here.

Photos reprinted with permission. www.KornbluthPhoto.com

Pentecost Varia

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Holy Name, Manchester, UK
Imperia, Italy
Genoa, Italy
Philadelphia, USA


Pentecost: The Grandest Octave?

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[The following was sent in to us by Fr. Guy Nicholls of the Oratory.]

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Pentecost: The Grandest Octave?


“…consider the breviary offices for Pentecost and its Octave, the grandest, perhaps in the whole year…”
(Blessed John Henry Newman)


Last year I read with great interest Gregory Dipippo’s article on the Octave of Pentecost.

In the light of that, and in view of the current liturgical season, your readers may be interested to know of a new initiative taking place this Pentecost at Dorchester-on-Thames, Oxfordshire, England, a church which has featured several times on the NLM website. To this account I have added my own reflections on the importance of restoring the liturgical observance of the Octave of Pentecost.

Whitsunday (i.e. Pentecost Day) was celebrated at Dorchester with a magnificent High Mass in the Novus Ordo, preceded by the solemn singing of Terce in Latin from the pre-1970 breviary (comprising principally the Veni Creator and sections III-V of psalm 118). While the Mass began in the vernacular and was mostly sung, Latin took over from the Pater noster until the end. The Celebrant was assisted by a Deacon and an Acolyte wearing the tunicle. The ordinary of the Mass, Morales’s Missa L’Homme Arme’, was sung by the Newman Consort of Oxford, a group connected with the Ordinariate of Our Lady of Walsingham, who also sang Byrd’s Confirma hoc Deus.

Most fittingly and movingly, two young adults, recently baptized, were confirmed by special indult after the homily. They wore the white robes of the newly baptized, thus illustrating the origin of the familiar English name of this feast, “Whitsunday”, since it was the usual time for the celebration of adult baptism in ancient times in our cold northern climate. After the chrismation, the entire congregation, having renewed their baptismal faith with the candidates in place of the Creed, was sprinkled with baptismal water accompanied by the singing of the Vidi aquam.

Since it seems that such a great feast of the “Birthday of the Church” is more fittingly celebrated over an extended period than is allowed for in the single day of the 1970 Missal, the Octave of Pentecost is currently being celebrated at Dorchester as a series of votive Masses of the Holy Spirit, but with some important differences.

In accordance with the Holy Father’s mind expressed in Summorum Pontificum, that the two forms of the Roman Rite should be mutually enriching, the Octave is being celebrated largely in the Ordinary Form, though using significant elements drawn from the Masses of the pre-1970 Octave. The Proper chants of the Masses of the pre 1970 Graduale, and particularly the Alleluia and its Sequence Veni sancte Spiritus are sung in Latin. Each day’s readings are those provided in the old Missal, especially extended on the Ember Days of Wednesday and Saturday. In place of the Graduals, for weekday Masses Responsorial psalms have been provided from the current Lectionary to match the particular character of each day.

For instance, Tuesday’s Gospel of the “Door of the sheepfold”, has psalm 22 as a fitting prelude, while Saturday’s long series of Old Testament Readings takes up one of the ancient pre-Christian themes of the Jewish feast of Pentecost, the offering to God of the first fruits of the harvest, for which psalms 64, 106 and 125 are provided in the Novus Ordo lectionary, and so are selected here.


Reflections on the Recovery of the Pentecost Octave

The transition to Ordinary time on the Monday after Pentecost is disjunctive. It is not simply the return to Ordinary time per se that jars, since that must happen at some time anyway. No, the problem that several of your correspondents share with me is the sense that the first green Monday after Pentecost has come from nowhere. In addition to the abruptness of this transition, the ferial days which now follow Pentecost belong to an entirely disconnected sequence that was broken off before Lent and so has no token of continuity with what has immediately preceded it. The transition was formerly more intelligible since the Octave of Pentecost came quietly to an end on Ember Saturday, emerging easily in First Vespers of Trinity Sunday, the beginning of a new week and season, and a feast, indeed, which celebrated and contemplated the mysteries which were fulfilled in the descent of the Holy Spirit "leading the Church into all truth".

What is the effective result of the loss of the Pentecost Octave?

First, it has the most unfortunate effect of reducing Pentecost to a mere end point. Because it is now simply a single day at the conclusion of Paschaltide from which all that follows is discontinuous, Ordinary Time does not seem to succeed Pentecost, but to supplant it. Thus Pentecost now seems only to look backwards to Easter of which it is the concluding celebration, rather than both back to Easter and forwards towards “green time” representing the post-Pentecostal life of the Church until the Second Coming.

Secondly, this rupture and discontinuity is further increased by the nomenclature of "Ordinary Time". While from the designation of "Time after Pentecost" alone the Church might have posited a relationship to that feast (albeit in a different way from "Time after Easter" to Easter Day itself), there was indeed a more than merely nominal connection. Of course Paschaltide is more organically and thematically linked to Easter than is the whole "post Pentecosten" period to Pentecost. Nevertheless the correspondence between Time after Pentecost on the one hand and the entire era of the Church, endowed with the Spirit and awaiting the Parousia on the other, was formerly more manifest in this long "green" period of the Church Year. This was especially clear both at the outset of the season with the Mystery-contemplative feasts of Trinity and Corpus Christi, and at the very end on account of its eschatological Sunday Gospels.

Thirdly, the greatly reduced presence of Pentecost as a one-day wonder leaves a vacuum which the charismatic pentecostalists would seek to fill. Although historically there are many reasons why this movement has grown up within the Church, it cannot be without significance that their non-liturgical character as the would-be standard bearers of a pneumatologically-based devotional life in the Latin Church has coincided with that Church's now very reduced celebration of the Spirit's coming and His role in the Church until the Parousia.

With regard to a pneumatological focus to the liturgy, I find it difficult to see how the pre-Pentecost Novena (as argued by Mgr Bugnini) can adequately replace the weight of the post-Pentecost Octave. Let me admit immediately that I believe that the Masses of the OF for the period from Ascension to Pentecost are admirable in providing that focus on the prayerful preparation for the descent of the Spirit, and is a good example of the ways in which certain aspects of the OF do represent an enrichment from which the EF might well benefit (as does the euchology and lectionary for the entire Paschal season). Still, it has to be granted that a period of preparation is just that: a preparation and not the fulfilment thereof. The Pentecost Octave represents the fulfilment of the outpouring of the Spirit as manifested in the Church's post-Pentecostal life.

To those who suggest that the Church should simply "get on with it" and go straight from Pentecost Sunday to Ordinary Time without any delay, I say that the Octave of Pentecost, far from being a delay in "getting on", is setting the scene for Ordinary Time which follows. Any careful reader of the Masses and Offices of the Octave notes immediately that they are not simply historical reminiscences of aspects of the descent of the Holy Spirit. In fact, the Spirit is not explicitly mentioned  in the Gospels of any of the Masses throughout the Octave! The Votive Masses in the Paul VI Lectionary do indeed contain an exhaustive collection of Gospel pericopes which mention the Holy Spirit explicitly, but that is not what the Church was aiming to do in the  Masses of the Octave of Pentecost: It is the effects of the Spirit's outpouring that are celebrated in those Gospel passages. Why then did the Church use Gospel passages without reference to the Coming of the Spirit during the Octave of Pentecost? This is, of course, a consequence of the baptismal nature of the Octave, beginning of course with its Vigil. It is that baptismal character which has formed the shape and catechetical matter of the Octave and given it its peculiarly solemn rank, equal to that of Easter alone.

Fourthly, if the character and solemnity of the Pentecost Octave are ultimately connected to the baptismal celebrations of Pentecost, should the Octave continue to exist in the same form as it did until 1970 and should there be two celebrations of Baptism of like solemnity at either end of the same season? If not, then should Pentecost continue to be marked by such a solemn Octave as that which used to give it such splendour?

Regarding the first point, it is arguable that the "doublet" of the Pentecost Vigil as a celebration of baptism is redundant. It can be seen as simply postponing the baptismal ceremony from Easter to a later and warmer time of the year. Yet the Church felt no incongruity for centuries in celebrating both Vigils, even if baptism was celebrated at only one of them in any place at any time. I would argue thence that this “doublet” is not simply a reduplication. As the Latin Church has celebrated the liturgy for most of her history, Easter and Pentecost are both understood as fontal feasts. Both of them in complementary ways are a celebration of sacramental fecundity. The Resurrection and the outpouring of the Spirit should not be treated as reducible to one and the same event, but as successive stages in the one Paschal Mystery in which the Second and Third Persons of the Godhead act specifically according to the salvific will of the Heavenly Father.

To take the second point, viz. If baptism ought not to be celebrated with the same kind of outward solemnity at Pentecost as it is at Easter, then should Pentecost be endowed with an octave of the same rank and character as the avowedly baptismal octave of Easter? This in turn raises the question of the character of the Easter Octave precisely as baptismal. All the Easter Octave Masses have Gospel pericopes drawn from the accounts of the Resurrection appearances. In this respect the character of the Easter Octave, though clearly a Baptismal one from its Introits, prayers and epistles, is more closely allied to the historical event which it celebrates than is the Octave of Pentecost. In fact, from the point of view of the Gospel pericopes, Pentecost has the more clearly post-baptismal liturgical character. Looking carefully at both Octaves it becomes clear that they are united by their baptismal character, but in complementary ways: the first based on the historical event of the resurrection as the originating cause of our salvation, and the second celebrating the outpouring of the Spirit as the means of continually accomplishing this salvation in the Church's sacraments.

Moreover, if all the gifts of the Spirit which are given at Baptism are explicitly celebrated at Easter, why should the Church recognise a need liturgically to celebrate Pentecost at all, and why prepare for it with a Novena following the Ascension?

Fifthly, Pentecost is a feast which demands “resonance” for its importance in the Church's life to be made clear. An octave provides a feast with room to resonate. It is the counterpart to Pope Paul VI's image of the Church bell which rings out before Mass, thereby preparing the faithful psychologically to take part in the liturgy. To extend the image we may say that the earlier the bell rings and the greater the number of bells which are rung, the greater the celebration they announce and prepare the way for. Similarly, just as a great sound needs time to unfold so that its timbre may be appreciated, so too does a great feast. That which is over in one day has little room to resound and gives the impression that it has not much to say to us needing to be heard at leisure. I would argue that a great octave lends proportionate splendour in advance to the feast and to the character of its celebration.

Fimally, it is important also not to forget the Breviary Offices of Pentecost and its Octave, which Blessed John Henry Newman called “the grandest, perhaps, of the whole year” (v. An Essay in Aid of a Grammar of Assent, ch. 5, section 2, “Belief in the Holy Trinity”). These reflections from the Fathers upon the Gospel readings of each day invite us to deepen our assimilation of the mystery of the Life of the Church whose soul is the Holy Spirit (v. Catechism of the Catholic church no. 797).

In summary, the character of Pentecost as a consummation and fulfilment of the Paschal Mystery suggests that it is fitting to celebrate it with an Octave similar in character and rank to that of Easter. Easter looks both backwards to Our Lord's Passion as His “passing to the Father” and forwards to Eastertide as the season in which the resurrection and its meaning for our eternal life is unfolded for us. In a parallel way Pentecost looks both backwards to the promise of the gift of the Paraclete made at Easter and forwards to “Tempus post Pentecosten”, representing the life of the Church under the Holy Spirit's constant guidance and enriched with His lifegiving sacraments.

Guy Nicholls
Cong Orat
June 25th 2011 and 29th May 2012

Western Iconography: Work by Students of Thomas More College of Liberal Arts

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A couple of weeks ago I posted an article about an education that transmits to young people the sensibilities of a Catholic culture and suggested that we some might try to focus on illuminations from Western psalters. In this I mentioned that I had tried out using with the students at Thomas More College of Liberal Arts with what I felt were good results. Here is some of their work. The medium used is egg tempera on good quality watercolour paper.

They are in the order they appear: St Christopher by Nicole Martin; St Jerome by Ian Kosko; St Maurice by Amy Green; and Daniel in the Lion's Den by Alison Trapp. Of these students one has had some experience of academic art classes and arrived with some skill with brush and pencil. The others, as far as I am aware are largely untrained prior to the class.

This is just the sort of work that students who attend the iconography class at the Way of Beauty Atelier, this summer can expect to be doing if they wish to.

Trinity Sunday, Simple English Propers

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The Gregorian propers for this Sunday are of course fantastic. But if you aren't going to sing them, the Simple English Propers offer alternatives that preserve the mode and the text as it applies to this particular day of the Church year.






Solemn Mass of Fr. Jonathan Robinson on the Occasion of the 50th Anniversary of His Priesthood

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Father Jonathan Robinson of the Toronto Oratory will surely be no stranger to most of our readership. Aside from his other accomplishments (which are many) he is perhaps best known to our readers as the author of a unique and important liturgical study, The Mass and Modernity, published by Ignatius Press.

On May 13th Father Robinson marked an important milestone: the 50th anniversary of his ordination to the priesthood. The centerpiece of the celebrations was a Solemn Mass offered at St. Vincent de Paul church in Toronto, Canada according to the usus antiquior.

Suffice it to say, as you've come to expect from the London, Birmingham or Oxford Oratories, likewise from the Toronto Oratory: excellence, beauty, reverence and substance.

While I was sadly unable to attend this grand occasion in person, we can all be thankful that a full audio recording has been made of the Mass, augmented by a number of photographs from the Mass. The setting for the Mass was Mozart's Missa Brevis in D K.194

Here is a sample. The music is from the Gloria, the photos pick up from the rite of Asperges.



Here too are the other parts. Listening in for the music alone will be worth your while, but the photos are glorious as well:

Part I: Introit
Part II: Kyrie
Part IV: Credo
Part V: Sanctus
Part VI: Agnus Dei

Incidentally, lest anyone think the music quality heard within these videos is indicative of them surely being studio/CD recordings, do take note that one will hear the sounds of a young toddler in some of the videos, and thus delightful evidence of the fact that what you are hearing is a recording from the Mass itself -- and thereby, also a testimony to the liturgical excellence that was seen (and heard) on this grand occasion.

Heartfelt NLM congratulations to Fr. Robinson and the Toronto Oratory.

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As a final bit of information around this occasion, the parishioners of the Toronto Oratory's other parish church, Holy Family, commissioned the following work from Canadian artist Cyril Leeper as a gift for Fr. Robinson's 50th anniversary. It shows St Philip in Ecstasy spied upon by, in this instance, none other than Fr. Robinson himself.


Liturgical Developments for the Anglican Ordinariate: The Customary of Our Lady of Walsingham

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Here is some further liturgical news coming from the Personal Ordinariate of Our Lady of Walsingham.

I would note that I am particularly pleased to hear that the Ordinariate will retain the usage of "traditional language" -- meaning, sacral or hieratic English -- in its liturgical books (or at least in this particular liturgical book, though let us hope for more of the same as things develop with the Ordinariate's other liturgical books) and that this has been "a deliberate decision by the Holy See."

Perhaps this exercise might eventually see others seeing the benefit of its expansion beyond the confines of the Ordinariate and into English language renderings of the texts of the Roman Missal as well (the benefits of which I have argued before, both in 2007 and 2009.)

As was already noted in March 2012, the liturgical calendar of the Ordinariate will retain the "Sundays after Trinity" and also includes Septuagesimatide, Ember Days and the ancient octave of Pentecost.

Certainly all of these elements raise again the prospect that, not only is the Ordinariate offering something of value to former Anglicans, it is also a player in the broader new liturgical movement and reform of the reform.

Here then, the most recent liturgical developments:


Mgr Andrew Burnham: The Customary of Our Lady of Walsingham

Friday, June 01, 2012

Mgr Andrew Burnham, Assistant to the Ordinary, writes in this month's Portal:

The Customary of Our Lady of Walsingham is to be published very soon now by Canterbury Press. In a month or two we shall have access to this very handsome publication. It will contain the Ordinariate’s own form of Morning and Evening Prayer, drawn from the Book of Common Prayer, together with the Litany, minor offices for use during the day, and a traditional order for Compline.

The Coverdale Psalter will be included, as will lectionary tables which closely follow the not as yet well-known, but superb, two-year sequence of Scripture readings devised for the daily Office of the Roman Breviary. There will also be the Ordinariate Calendar and, most notably, a rich anthology of post-biblical readings drawn from the riches of the British spiritual tradition. This anthology complements the Roman Divine Office as well as the Ordinariate Office, for it will be possible to use many of the post-biblical readings for the Office of Readings.

Evensong and Benediction

Some will find themselves using the different Office books for different purposes – one for individual prayer and devotion, the other for public worship. Those who want to use the Roman Office books in the morning and the Customary in the evening – or the other way round – will be able to do so without too much difficulty. The particular value of the Customary is that it makes available one of the acknowledged treasures of the Anglican tradition – the public celebration of the Office, and in particular of Evensong. The reform of the Roman Office following the Second Vatican Council sought the development of the public celebration of the Office and, truth to tell, that is a reform yet to be realised. In these early days of the Ordinariates, there have been already many celebrations of Evensong and Benediction and it is intriguing to know not only that this has been in accordance with the Holy Father, Pope Benedict’s wish, but also that it has been his great pleasure, that this should have been so.

Traditional language

It is hoped that the Customary will be ecumenically helpful too. There has been a deliberate decision by the Holy See that the Ordinariate’s distinct Use should be predominantly in traditional language. This is not to criticise in any way the modern language translations and compositions of recent Anglican revisions. Rather it is a recognition of the value of the sacral language of the Prayer Book. Members of the Ordinariates in North America and Australia are great devotees of Prayer Book English. Moreover, the 400th anniversary of the 1611 Authorised Version of the Bible (AV) – and the immense popularity still of cathedral Evensong – shows that the British public too are aware of the beauty and importance of a traditional sacred dialect. It is that dialect which the Customary and the Revised Standard Version (RSV) of the Bible preserve and make available.

‘Common Bible’

Why the RSV and not the King James Bible? The answer lies in the subtle development of the English Bible tradition. For accuracy’s sake, twentieth century students began to rely on the Revised Version of 1881-1894. Meanwhile the Revised Standard Version of 1946-1957 was becoming established and, in 1966, was accepted by Catholics and Protestants as a ‘Common Bible’. It was the first truly ecumenical Bible and brought together the two traditions – the Catholic Douay-Rheims Bible and the Protestant Authorised Version. Thus, whenever the Customary quotes extensively from the Bible, it is the RSV that it uses. The Catholic Church in the 1970s in Britain opted (mistakenly as it now seems) for the ‘dynamic equivalent’ Jerusalem Bible translation. That version greatly helped public understanding of the Scriptures, but, like the Mass translation of the same period, was based on a theory of translation that is of great value in paraphrasing and communicating the meaning of, for example, modern literature written in other languages, but no longer thought appropriate for representing sacred texts written in ancient languages.

Our prayer is that the Customary will be a treasury not only for the Ordinariates but for the whole English-speaking world.

__

The Customary of Our Lady of Walsingham is available to 'pre-order' from Amazon.co.uk here.

Exhibition of Sacred Vestments, Dublin

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We recently mentioned some of the events attached to the Eucharistic Congress in Dublin, Ireland this June 10th-17th and a further item of interest was sent our way.

St. Mary's, Haddington Road, is hosting an exhibition of liturgical vestments "used in the sacred liturgy for 250 years."

The exhibition comes from the collection of vestments of St. Mary's, as well as from a priest's own collection, and will be open for viewing from Saturday June 9th until Monday June 11th from 9:00am to 7:00pm each day.

In addition, a concert of sacred music sung by the Lassus Scholars under the direction of Ite O'Donovan will also be hosted by St. Mary's on Saturday June 9th at 3:30pm.

The First EF of a Newly Ordained Priest in the Archdiocese of Vancouver

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It is always encouraging (never mind interesting) to hear of newly ordained diocesan priests who very quickly demonstrate their interest in the liturgical patrimony of the Church by means of the use of the more ancient liturgical books. This phenomena, if that is the right word for it, seems to rather quickly becoming more and more of a routine occurrence. For any of those who are either interested in the propagation of that patrimony, whether through the usus antiquior or through the reform of the reform, this can only be good news.

Two such examples came to my attention in the past day alone, one of which I will share with you today. In this instance, I refer you to Father Pablo Santa Maria, who was ordained to the priesthood for the Archdiocese of Vancouver on May 26th and who celebrated his first Mass according to the usus antiquior one week later. Here are a few photos from that joyous event.









Photos: Clayton Long, Momentum Veritatis

Parallels to Dynamic Equivalence - Circa 1903

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[The following was sent into us by Jeff Ostrowski, the president of Corpus Christi Watershed.]

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An Astounding Latin Mass Document from 1903


by Jeff Ostrowski
President, Corpus Christi Watershed

Thanks in large part to the efforts of the Adoremus Bulletin during the 1990's, many NLM readers are probably familiar with the theory of "dynamic equivalence" (as found in Comme le prévoit, 25 January 1969) that was superseded when Liturgiam Authenticam (28 March 2001) called for "formal equivalence" in liturgical translations. In light of this, I was astonished to discover the following document: 1903 Mass Ordinary Translation by Solesmes Abbey

As you can see, it almost seems like a "dynamic equivalent" approach to the Extraordinary Form!



Needless to say, the monks of Solesmes never claimed that this was a literal translation of the Mass. I suspect they thought of it more as a spiritual reflection, to help people enter more fully into the sacred prayers of the Mass. For instance:

LATIN: Oramus te, Domine, per merita Sanctorum tuorum, quorum reliquiae hic sunt, et omnium Sanctorum: ut indulgere digneris omnia peccata mea. Amen.

LITERAL ENGLISH: We beseech Thee, O Lord, by the merits of Thy Saints, whose relics are here, and of all the Saints, that Thou wouldst vouchsafe to forgive me all my sins. Amen.

1903 SOLESMES: Generous soldiers of Jesus Christ, who have mingled your own blood with his, interceded for us that our sins may be forgiven: that so we may, like you, approach unto God.

As alluded to above, the theory of "dynamic equivalence" for the Mass texts was eventually abandoned for two main reasons:

1. The early translators of the Mass "went too far" with the theory and increasingly became the object of criticism. For instance, it does not take a Latin scholar to realize that the former translation of the Exsultet was severely lacking, even omitting entire paragraphs.

2. More importantly, the Church is now stressing that to change the original phrases of the ancient prayers cannot help but strip away a tremendous amount of richness and beauty.

For this reason, I feel that the 1903 Solesmes Mass Ordinary, while certainly interesting and beautiful, can not compare to a literal rendering of the Latin.

Very soon, I will have the pleasure of introducing NLM readers to the brand new St. Edmund Campion Missal & Hymnal for the Traditional Latin Mass. For this project, we found it absolutely essential to give a "formal equivalence" rendering to all prayers, and have therefore scrupulously adhered to the hieratic, superb, literal translations of Father F. X. Lasance. More on this coming soon!

Medieval English Mitre

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This mitre, belonging to the treasury of Westminster Cathedral, is currently on display in the Victoria and Albert Museum. It dates to c.1160-1220, and so, is contemporaneous with the life of St Thomas Becket.

Since the 19th century it has been associated with the relics and mitre of St Thomas Becket at Sens Cathedral, although this association is now disputed. The lappets do not match because the one embroidered with an apostle was formerly attached to another mitre, c.1180-1210 also at Sens Cathedral; the floriate lappet is original.

In form and decoration, this mitre does resemble the famed Becket Mitre. The scrolls and floriate embroidery are silver-gilt thread worked on padded white silk. The circular compartments in the embroidery and the red band of silk would have been ornamented with jewels and enamels but these have been removed.

The mitre is 27cm x 23.5cm with a 3cm-wide lappet (extending to 6.5cm at the base) that is 44cm long.

St. Edmund Campion Missal & Hymnal for the Extraordinary Form

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Guest article by Jeff Ostrowski


In this article I wish to share information about a brand new Latin Mass pew book which I feel will interest many NLM readers. This project, which has been a major investment of our time and resources, will hopefully help many Catholics to "pray the Mass" (St. Pius X).

Listed below are some features you will find in the St. Edmund Campion Missal & Hymnal for the Traditional Latin Mass.

• 100+ full color photographs taken in several of the most magnificent churches in Europe.

• Two (2) carefully typeset versions of the Mass Ordinary: one for Solemn Mass, the other for Low Mass.

• More than 300 traditional line art illustrations, collected from a rich Benedictine archive. (samples)

• Gorgeous illuminated capital letters created exclusively for our book. (samples)

• Complete Propers of the Mass in Latin & English for all Sundays, Holy Days, and First Class Feasts in the 1962 Missal. (samples)

• All eighteen Gregorian chant Masses and six versions of the Credo in Gregorian chant notation. (samples)

• Photographs made possible by priests and seminarians of the Priestly Fraternity of St. Peter. All vestments used were 200+ years old.



• Kevin Allen has composed Sacred music exclusively for our book.

• We use the elegant, literal translations of Fr. Lasance (completely re-typeset, not scanned!)

• The "hymn section" is made up of only the very best traditional hymns.

• Other items for parish use are included, such as the Stations of the Cross by St. Alphonsus Liguori.

• Numerous other items, including a truly unique feature that will be revealed after publication.



Currently, nine (9) different Latin Mass images can be freely downloaded for Desktop or Screensaver, and here is an example:

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Our book often features gestures and motions performed by the priest that would otherwise not be noticed by the congregation. For instance, during the Low Mass section, the pictures often focus on the priest's hands:



I would encourage the reader to visit the St. Edmund Campion website and learn about the other features that make our book special. If I could mention just one more, the European architecture often makes such a lovely backdrop for the pictures:



I am grateful for this opportunity to share information with the NLM readers, and humbly invite you to help "spread the word" among your friends and colleagues.

Jeff Ostrowski
President, Corpus Christi Watershed

Bishop Athanasius Schneider in Albenga-Imperia, Trinity Sunday

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On Sunday, June 3rd -- Trinity Sunday -- Bishop Athanasius Schneider celebrated an EF Mass in the Chiesa N.S. Di Loreto in Borgo Peri in the diocese of Albenga-Imperia in the north of Italy.

This Mass took place as part of the ongoing 250th anniversary celebrations of the consecration of this church.
















Further New Vestment Work from St. Louis

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We recently showed our readers some new vestment work by a vestment maker in the St. Louis area. As noted then, this is a private maker who wishes to remain anonymous, but who has kindly allowed us to showcase some of his work.

Today I wished to show you two further examples of his work, this time the hood of a cope and a burse.





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