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Victoria’s Requiem for 4 Voices on All Souls in Littleton, Colorado4

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The FSSP parish of Our Lady of Mount Carmel in Littleton, Colorado will celebrate High Mass on All Saints’ Day and All Souls’ Day, both starting at 7 pm. On All Saints, the music will include Mass II, the Gregorian propers of the day, and selected motets. On All Souls’ Day, the church will host both professional singers and members of the Vittoria Ensemble in Denver, joining with its own choir to sing Victoria’s Missa Pro Defunctis, along with several motets and the immemorial Gregorian Chants. The musicians will be performing the Victoria Requiem Mass for 4 voices, which is rarely used, since the 6-part requiem seems to have taken all the attention among Victoria’s works. The church is located at 5620 S. Hickory Circle.

“What Were They Smoking?”: On Liturgical Art from the 1970s

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My liturgical library contains two types of books: ones that I look at because they are beautiful, edifying, or full of wisdom and piety; and ones that I keep precisely because they are the opposite. As I once said to a friend, “You need to know what people were thinking when they destroyed the liturgy. We can make all the guesses we want, but if we don’t actually read the authors of the fifties, sixties, and seventies, we won’t be able to get into their mindset and see what makes them tick.” In this latter category of my library would be such recently added gems as the collection of essays Secular Priest in the New Church (Herder and Herder, 1967), George McCauley’s Sacraments for Secular Man (Dimension Books, 1969), and Leonardo Boff’s Sacraments of Life, Life of the Sacraments (a translation of a 1975 book). Boff’s book is notable for the coffee cup, hunk of bread, and burnt-out cigarette on the cover, which allude to the chapter “My Father’s Cigarette Butt as Sacrament.”

Among these peculiar treasures is a smallish fake-leather-covered red book called The Sunday Missal, first published in 1975 by Collins in London. Here it is, in all its faded glory:
The book opens with a hauntingly melancholy Preface by the long-suffering John Cardinal Heenan, Archbishop of Westminster, well known to traditionalists for his correspondence with Evelyn Waugh, in which he repeatedly stated that the liturgical reforms were just about over -- right when they were going to get worse and worse. Heenan’s Preface is pathetic, as he palpably longs for a better past and half-hopes that this missal will half-match up to it:

The Introduction, while not heretical (unlike the original version of the General Instruction that was hastily rewritten after the Ottaviani Intervention), nevertheless displays the same sort of “theology lite” that was and still is characteristic of the post-conciliar period. Characteristically, “eucharist” is not capitalized. Jesus gives himself “under the eucharistic signs of bread and wine to be the life and food of the community.” (This could be straight from Boff, incidentally.) “When the priest greets the people with the words ‘The Lord be with you,’ he is stating a fact -- the Lord is with his people as they gather to celebrate the eucharist.” Curious how a blessing in the subjunctive has turned into a declarative statement. The second paragraph is actually pretty Tridentine. The third paragraph apologises for the length and number of the readings. In the fourth paragraph we see the conciliar tricolor waved from the barricades as the old city smoulders below: “The more the people enter into the mystery of the eucharist by conscious, active, and fruitful participation, the more they grow in holiness.”


The real wonders begin when we start to see the block prints that are, it is to be believed, meant to depict in graphic form the wonderful liberating energy, the controlled chaos as of split rocks, and the implicit but nearly emergent parousia brought to the People of God by the renewed rites.

Since the art speaks for itself, no more words are necessary. Enjoy!











ADDENDUM: A Sample of Liturgical Art from the 1960s

After I wrote the original version of this post, my son returned from a week spent at a seminary and excitedly shared with me photos of a number of books he had found in the excellent library -- books both beautiful and ridiculous. Here, for the delectation of the curious and the admonition of future artists, are some of the worst examples of religious art I have ever laid eyes upon. This is from The People’s Mass Book: A Complete Sunday Missal, published in 1966. (OED editors, take note: this title appears to give “complete” an entirely new ironic meaning in the English language.)




Dominican Rite Sung Mass, SF Bay Area, November 4

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The next First Saturday Dominican Rite Missa Cantata at the Priory of St. Albert the Great, the house of studies of the Western Dominican Province in Oakland, CA, will occur on Saturday, November 4, at 10:30 am.

The celebrant will be Fr. Augustine Thompson, O.P.,  Professor of Church History at the Dominican School of Philosophy & Theology.  The servers and singers will be the students of Western Dominican Province.

The St. Albert the Great Priory Chapel is located at 6170 Chabot Road, Oakland, CA 94618, with ample parking available on the street or the basketball court parking lot.

The next Dominican Rite Sung Mass for the First Saturday Devotion will also be celebrated on
December 2.

All Saints and All Souls Announcements: O. Praem. in California; St John Cantius in Chicago; Columbus, Ohio

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Here are a couple of other announcements about liturgies for tomorrow’s solemnity of All Saints and the Commemoration of All the Faithful Departed on Thursday.

Premonstratensian Rite in Wilmington, California
The church of Ss Peter and Paul in Wilmington, California, will have solemn Mass in the Premonstratensian Rite, celebrated by the Norbertine Fathers of St Michael’s Abbey, on All Saints’ Day and All Souls, both starting at 7:30 pm. The church is located at 515 West Opp Street; see the current parish bulletin here.

The deacon at a Premonstratensian Mass, wearing the almuce, which is donned only for the singing of the Gospel and the Ite, missa est. a unique custom of the Norbertines. 
Mozart’s Requiem in Chicago at St John Cantius
On Thursday, November 2nd, the annual All Soul’s Requiem Mass will be offered in the Extraordinary Form of the Roman Rite at the church of St John Cantius in Chicago, Illinois. The Requiem Mass in D minor (K. 626) by W.A. Mozart will be sung by the St Cecilia Choir and Orchestra., as well as the Miserere of Johann Adolph Hasse (1699-1783) and Pie Jesu by Andrew Lloyd Webber (b. 1948). The Mass begins at 7:30 pm; the church is located at 825 North Carpenter Street.

Holy Family, Columbus, Ohio
The Latin Mass Community of Columbus, Ohio, will have Mass for All Saints will be at 5:30pm, a first Mass for All Souls at 9am, and a Solemn Requiem at 7pm. All three Masses will be at Holy Family Church, located at 584 West Broad Street.

St Wolfgang of Regensburg

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Traditionally, the vigil of All Saints was kept in much of Germany as the feast of St Wolfgang, who died on October 31st of the year 994. Our thanks to our friend Jordan Hainsey for providing us with this brief article, as well as the photos, and the recording of an antiphon from the Office of St Wolfgang used at Regensburg, given below.
Saint Wolfgang (934-994) was born in Swabia, a region in the southwest of Germany, and studied at the Benedictine Abbey of Reichenau before taking up studies in Würzburg, where he became a teacher at the cathedral school of Trier. His ascetic tendencies led him to join the Benedictines at Einsiedeln, Switzerland, where he was appointed head of the monastery school. Wolfgang was ordained in 968 by St Ulrich, who sent him with a party of monks to preach to the Magyars of Hungary, whose resistance to the faith was a threat to the Empire. In 972, the Emperor Otto II appointed him Bishop of Regensburg; he immediately initiated a reform of the clergy and religious life, preached with vigor and effectiveness, and demonstrated special concern for the poor. As his life drew to a close, Wolfgang became a hermit. He retreated to the Salzkammergut region of Austria, where he dwelt in caves wearing his episcopal ring and carrying his crozier. Inspired to build the first church there, he threw his axe and vowed to build a church on the spot it landed. Three days later he found the axe and built the church on the rocky hill next to the lake, today know as Wolfgangsee. His time as an ascetic life was cut short however; he was so beloved by the Regensburg people that they came and carried him back to be their bishop again. In 994, while traveling in Austria, Wolfgang became sick and died in the village of Pupping. Miracles associated with his tomb, including many healings, led to his canonization in 1052. Several of St Wolfgang’s devotees experienced relief from stomach ailments, and he remains a patron saint of such troubles today.
St Wolfgang with his axe
History of the Office of Saint Wolfgang
Much of the excellent historical research on the early Offices of Regensburg’s Saints, including that of Saint Wolfgang, has been undertaken by Dr David Hiley, an accomplished scholar in music history and theory, who serves as a professor at Universität Regensburg. The earliest extant copy of the Office of St Wolfgang is found in a 15th century manuscript from St Emmeram’s Monastery in Regensburg. During St Wolfgang’s episcopate, there was a renaissance in the production of liturgical manuscripts and music books in Regensburg, including a famous gradual now in the Bamberg Staatsbibliothek.

In the 11th century, St Wolfgang’s remains were translated to a new crypt in St Emmeram (both pictured below), and it is likely that a new vita and liturgical Office were composed for this occasion. The author is likely Otloh, a monk of St. Emmeram who was a prolific writer of Saints’ lives, and a music theorist. Musicologists have also speculated that it may have been composed by a student of Otloh’s at St Emmeram, William of Hirsau, or a monk from the Abbey of Reichenau where Wolfgang studied.


Arranged in modal order, the Office’s melody employs a Gallican cadence, the liturgical plainchant of the Gallican rite of the Roman Church prior to the advent of Gregorian chant. While the antiphon adheres to a clear tonal structure, it expresses an extraordinary freedom of movement, with quick leaps from one scale segment to another, scale passages through them, and even oscillations.

Antiphon - Office of Saint Wolfgang
for the Magnificat at First Vespers
Gaudeat tota virgo mater ecclesia, egregii presulis Vuolfgangi meritis insignibus iocundata; letetur foelix Sueuia, tam suaui prole fecundata. Exulta precipue ciuitas Ratispona, tanti pontificis tui doctrina patrociniis et corpore sacro gloriosa. Cuius sacratissimum votis omnibus recolentes transitum, ejus pium apud dominum deum nostrum iugiter sentire mereamur suffragium.

Let the whole Church, our virgin mother, rejoice, delighted by the distinguished merits of the excellent Bishop Wolfgang; let happy Swabia be joyful, made fruitful by so sweet an offspring. Exult especially, o city of Regensburg, made glorious by the teaching of so great a man, your bishop, by his patronage, and by his sacred body. Commemorating his most holy death in all our prayers, may we always merit to experience his holy assistance before the Lord, our God.


Photopost Request: All Saints and All Souls 2017

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Our next photopost will be for the feast of All Saints and the Commemoration of All Souls, tomorrow and Thursday. We welcome pictures of Mass in either Form, as well as celebrations of the Divine Office / Liturgy of the Hours for both of these days. Please be sure to include the name and location of the church, and always feel free to add any other information you think important; email them to photopost@newliturgicalmovement.org. (Zipfiles are preferred.) Evangelize through beauty!

From last year’s All Saints and All Souls photopost - the OF done right at the church of the Sacred Heart in Clifton, New Jersey.

The Feast of All Saints 2017

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From the Roman Breviary of 1529, the beginning of the sermon for the feast of All Saints.
We read in the histories of the Church that Saint Boniface, who was the fourth bishop of Rome after the blessed Gregory, by his entreaties obtained from the Caesar Phocas that the temple of Rome which was called the Pantheon by the ancients should be given to the Church of Christ, since it seemed to be be as it were the image of all of the gods. In this temple, having cleaned away all the filth, he made a church in honor of the holy Mother of God and of all the holy Martyrs of Christ, so that, the multitude of demons being shut out, the multitude of Saints might be held in memory there by the faithful, and the whole people on the first of November might come together to the church consecrated in honor of all the Saints…therefore, from this custom of the Roman church, as the Christian religion grew, it was decreed that in the church of God built through the length and breadth of the world, the honor and memory of the Saints should be kept in the day we have mentioned, so that whatever human frailty by ignorance or negligence or occupation with the affairs of this world did less fully on the solemnities of the Saints, might be completed by this holy observance, and so that, protected by their patronage, we may be able to come to the joys of Heaven. Now therefore, dearest brethren, …we must praise and glorify Him who made all the Saints, through whom all things were made, through whom all parts of the world subsist, whose majesty beginneth not nor endeth.
Mass celebrated in the Pantheon on May 13, 2009, the fourteenth centenary of the building's dedication as a Christian church. Photo courtesy of John Sonnen.
In the Middle Ages, the sermon read at Matins on the feast of All Saints was the same in almost every Use of the Roman Rite, called from its first words “Legimus in ecclesiasticis historiis”; the real author is unknown, although it was frequently attributed to St Rabanus Maurus. The first lesson refers to the institution of the feast of All Saints, and the dedication of the Pantheon as a church. The second lesson is about God, while the six lessons that follow descend through the hierarchy of the Saints: the Virgin Mary, the Angels, the Patriarchs and Prophets, the Apostles, the Martyrs, and the various types of Confessors. The holy Virgins and other female Saints are mentioned in the same lesson as the Virgin Mary, the model of consecrated life; the ninth lesson is taken from a homily of St. Augustine on the Sermon on the Mount, the beginning of which is the Gospel of the feast. For the eighth year in a row, we will celebrate the feast of All Saints and its octave by going through one of these beautiful sermons day by day.

O quam gloriósum est regnum in quo cum Christo gaudent omnes Sancti, amicti stolis albis sequuntur Agnum quocumque íerit! - O how glorious is the kingdom where all the Saints rejoice with Christ; clothed in white robes, they follow the Lamb wherever he goeth! (The antiphon of the Magnificat at Second Vespers of All Saints, setting by Tomás Luis de Victoria.) 

Liturgical Arts Journal: A New Endeavor from Shawn Tribe

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Our founding editor, Shawn Tribe, has just officially launched a new website, Liturgical Arts Journal.

“It is with great pleasure that I announce to you today the launch of a new site dedicated exclusively to the liturgical and ecclesiastical arts: Liturgical Arts Journal (LAJ). As before with NLM, the approach and focus will be non-polemical, concentrating on the history of liturgical arts, and showcasing the very best contemporary work in the sphere of liturgical-ecclesiastical art and design: work characterized by the Benedictine principle of continuity, and development in continuity. The focus will primarily be on ‘what we are for’, rather than ‘what we are against.’ Where critique is offered, it will be constructive critique. Focus is not limited to one particular liturgical rite or use.


Call for Content Submissions and Guest Articles: If you have stories, photos, news, etc. that you would like to submit for publication consideration now or in the future, please email them to me at stribe@liturgicalartsjournal.com, or send them via Facebook message on the LAJ Facebook page. If you are interested in contributing an article to LAJ, please send an abstract of your proposed submission at the same email or via the Facebook page.

I hope that I can count on your support to help make this new endeavour a success!”

Website: http://www.liturgicalartsjournal.com/
Facebook: https://www.facebook.com/LiturgicalArtJournal/
Twitter: https://twitter.com/LiturgicalArtsJ

The site was officially launched today, but there are already a few backdated posts, including an introductory post on the scope and purpose of the site. We are very happy to congratulate Shawn on the beginning of his new project, and wish him every success! I expect there will be a good amount of collaboration between NLM and LAJ.

The Feast of All Saints 2017: God the Creator

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From the Roman Breviary of 1529, the continuation of the sermon for the feast of All Saints.
Now therefore, dearest brethren, at the origin of all the Saints, we must name, praise and glorify Him who made them, through whom all things were made, through whom all parts of the world subsist, whose majesty beginneth not nor endeth forever, that He may rightly be named as the beginning and end of every creature. Whence it was said by a wise man, “All wisdom is from the Lord God, and hath been always with Him, and is before all time. Who hath measured the height of heaven, and the breadth of the earth, and the depth of the abyss? Who hath numbered the sand of the sea, and the drops of rain, and the days of the world?” (Sirach 1, 1-2) He alone can search out and measure and number all these things, who in His wisdom encompasseth the circuit of heaven, and in His might reacheth unto the depth of the abyss.

A famous poet considereth that the wisdom of God can do and know all things, saying “Who numberest the stars, whose names dost Thou alone know, their signs, powers, courses, places and times.” (Sedulius, Carmen Paschale I, 66-67) And the Apostle, led by the Holy Spirit, reminds us that it is beyond the measure of man to search out His beginning and power, saying “O the depth of the riches of the wisdom and of the knowledge of God! How incomprehensible are his judgments, and how unsearchable his ways! For who hath known the mind of the Lord? Or who hath been his counsellor? Or who hath first given to him, and recompense shall be made him? For of him, and by him, and in him, are all things: to him be glory for ever. Amen.” (Romans 11, 33-36, the Epistle of Trinity Sunday.)

The Adoration of the Holy Trinity, by Vicente López y Portaña, 1791-92

The Dominican Libera me, Domine

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One of the most beautiful and beloved pieces of the Gregorian chant repertoire is the last responsory of Matins of the Dead, Libera me, Domine, which is also sung during the Absolution at the catafalque. The Roman version, certainly the best known, is one of the rare examples of a responsory with more than one verse; another very prominent example is the very first responsory of the liturgical year, Aspiciens a longe on the First Sunday of Advent. Many medieval Uses expanded Libera me by adding more verses, and there are dozens of variants recorded. Here is the text of the Dominican version as sung on All Souls’ Day, which had three additional verses; the last and longest of these is particularly beautiful. (Unfortunately, I was unable to find a recording of it; the Roman one is given below.) Note that the verses Tremens factus sum and Dies illa are in the opposite order from the Roman version, and the Dominicans do not sing the words Requiem aeternam ... luceat eis with any of the responsories in their Office of the Dead. The verses Quid ego miserrimus and Nunc Christe are sung only on November 2.

R. Líbera me, Dómine, de morte aeterna in die illa tremenda, * Quando caeli movendi sunt et terra, * Dum véneris judicáre sáeculum per ignem.
V. j. Dies illa, dies irae, calamitátis et miseriæ, dies magna et amára valde. Dum.
V. ij. Tremens factus sum ego et tímeo, dum discussio vénerit atque ventúra ira. Quando.
V. iij. Quid ego misérrimus, quid dicam, vel quid faciam, cum nil boni pérferam ante tantum júdi-cem? Quando.
V. iv. Nunc, Christe, te pétimus, miserére, quæsumus; qui venisti redímere pérditos, noli damnáre redemptos. Dum.
V. v. Creátor omnium rerum Deus, qui me de limo terrae formasti, et mirabíliter proprio sánguine redemisti, corpusque meum, licet modo putrescat, de sepulchro facies in die judicii resuscitári: exaudi, exaudi me, ut ánimam meam in sinu Abrahae, Patriarchae tui, júbeas collocári.
Repetitur R. Líbera me.


R. Deliver me, O Lord, from eternal death on that awful day * when the heavens and the earth shall be shaken, * when Thou shalt come to judge the world by fire.
V. j. That day shall be a day of wrath, of calamity and misery, a great day, and exceeding bitter. When the heavens...
V. ij. Trembling do I become, and fearful, when the trial and wrath shall come. When Thou shalt come...
V. iij. What shall I say or do, most wretched man that I am, since I have no good to bring before so great a judge? When the heavens...
V. iv. Now, o Christ, we ask Thee, have mercy, we beseech Thee; Thou who came to redeem the lost, condemn not the redeemed. When Thou shalt come....
V. v. Creator of all things, o God, Who formed me from the slime of the earth, and wondrously redeemed me with Thy own Blood, and, although it now rot, will cause my body to be raised up from the grave on the day of judgment: hear, o hear me, that Thou may command my soul to be placed in the bosom of Abraham, Thy Patriarch. Deliver me, o Lord...

The Origin of All Saints’ Day

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In the course of research on All Saints’ Day for a planned piece in the Liturgical Notes series, I have come to believe that the traditional story about the feast’s origin may be either incorrect, or at least very incomplete. I propose therefore to give a summary of the traditional explanation, which seems to be basically the same in a variety of reference works (the Catholic Encyclopedia, Bl. Schuster’s Liber Sacramentorum, the revised Butler’s Lives of the Saints, etc.) and then explain what I think the problem with it is. What I write here is to some degree tentative, and I shall be very glad to see what people may have to add in the combox to clarify or correct matters.

The classic account of the feast’s origin is as follows. A commemoration of all the martyrs was instituted in the Eastern churches fairly early on. St Ephraim refers to such an observance on May 13th around the year 360, (Carmen Nisibenum 6) and St John Chrysostom preached a sermon “on all the Saints who suffered martyrdom throughout the world” towards the end of the same century. (PG 50, 705) This latter is routinely described as the first reference to the custom still observed by the Byzantine Rite of keeping the feast of All Saints on the Sunday after Pentecost, even though the sermon begins with the words “The number of seven days has not yet passed since we completed the holy assembly of Pentecost.” Butler’s Lives notes that a feast of all the martyrs was kept on the Friday of Easter Week by the Syrian church, a custom still observed to this day by the Chaldean Catholics and Nestorians. This leads me to wonder whether Chrysostom’s words refer rather to a similar custom on the Friday of Pentecost week, which often imitates the customs of Easter week.

The interior of the Pantheon, by Giovanni Paolo Panini (1692-1765) Over the architrave are quotations from Psalm 149, “His praise is in the church of the Saints”, and Psalm 150, “Praise the Lord in His Saints”, words that were formerly sung every single day in the psalmody of Lauds. This inscription has been removed by modern restorations.
In the year 608, Pope St Boniface IV obtained the Roman building known as the Pantheon, the “temple of all the gods”, from the Emperor Phocas, and dedicated it as a church to the Virgin Mary and All Martyrs, as stated in the Liber Pontificalis. The date of this dedication, May 13th, is the same date as that mentioned by St Ephraim, which seems unlikely to be a coincidence. Since at the time, as it is repeatedly stated, only the martyrs were venerated as Saints, the dedication to all the martyrs is effectively the same as a dedication to all the Saints. Later, however, for reasons unknown, the feast was transferred to November 1st. This is usually said to have been done by Pope Gregory IV (827-44), although the feast was kept on that date before his time in some places. On the other hand, an Irish martyrology of the late eighth century puts it in April. We do not have a decree of Pope Gregory to such effect, but the tradition is recorded in the nearly contemporary Martyrology of Ado, bishop of Vienne, compiled in the 850s; from there it passes into the traditional text of martyrologies, all the way to the Roman Martyrology revised by Card. Baronius after Trent.

The liturgical commentators of the later Middle Ages such as William Durandus believed that the feast was instituted to displace the worship of pagan gods in the Pantheon. “Since the individual idols of the Romans could not each have a temple in Rome, they built a temple in honor of Cybele, the mother of the gods, and of all their gods.” After Pope Boniface had obtained it from the Emperor, “casting out the idols, he dedicated it … to the honor of Blessed Mary and all the martyrs, and the feast was called ‘of Blessed Mary at the Martyrs’, for feasts of Confessors were not yet kept, but only of Martyrs.” (Rationale 7, 34) He also notes the transfer of the feast to November 1st by Gregory IV; the same story is told more briefly by Sicard of Cremona. (Mitrale 9, 24) Ironically, this story was also seized upon by some protestant controversialists as evidence of the paganization of Christianity by the Romish church.

The problems with this story as I see them are as follows. First, there is very good reason to doubt that the Pantheon was in fact a temple. The word “Pantheon” means “building of all the gods”, not specifically “a temple”. There is no clear understanding of its function, but architecturally, it is completely unlike any Roman temple, and it has no altar. Furthermore, there is no evidence that the Romans had a collective worship of all the gods together. (See Amanda Claridge’s Oxford Archeological Guide to Rome.) The idea that it was a temple seems to have originated in the early Middle Ages, when the Christians could hardly imagine that such an imposing structure could be anything other than a temple.

Secondly, it is not correct to say that since “martyr” was synonymous with “Saint”, a church of all the martyrs was effectively the same as a church of all the Saints. It is certainly true that anciently, when there was no formal process of canonization, the great majority of Saints were regarded as such because they had suffered martyrdom. A great majority, however, is not the same as a totality, and in fact, devotion to sainted confessors is not as late a development as Durandus thought it was. In 386, St John Chrysostom, while still a priest of Antioch, preached a sermon on St Philogonius, who was bishop of that see from 320 to 323, and not a martyr. “The day of the blessed Philogonius, whose feast we are now keeping, has called our speech to the telling of his righteous deeds.” (PG 48, 747-56. The beginning of this sermon is included in the Breviary of St Pius V as a generic lesson of the second nocturn for simple Confessors.)

The “Wise Order of the Doctors”, from the vaulting of the Chapel of Saint Brice in Orvieto Cathedral, by Luca Signorelli, 1499.
In the West, St Gaudentius, bishop of Brescia in northern Italy from 387 to 410, preached a sermon on the dedication of a church for which he had obtained relics of the Forty Martyrs of Sebaste from the nieces of St Basil the Great; in it, he twice refers to Basil as a “blessed confessor.” The oldest lectionary of the Roman Rite, the Comes of Wurzburg (ca. 650 AD), contains feasts of Pope Silvester I (314-335), of his very brief-lived successor, Pope Mark (January to October 336), and Martin of Tours. St Mark also built a church near the Capitoline Hill in Rome, which is named for him, and is the station church of the Monday of the third week of Lent. It is reasonable to imagine that the seed planted by some of the early hagiographies, such as St Athanasius’ Life of St Anthony or St Jerome’s Life of St Hilarion, flourished earlier than the 7th century, the era of the Pantheon’s dedication.

Given that there was distinction between martyrs and confessors, and that some of the latter were honored as Saints before the 7th century, the Pantheon as a church is always called “ad martyres” in early Roman liturgical sources, not “ad sanctos” or “ad martyres et confessores.” This strongly suggests to me that it was not originally thought of as a church dedicated to all the Saints. Its first appearance on a list of Roman station churches, also in the Wurzburg lectionary, may perhaps better explain its earliest liturgical use.

The stations from Holy Saturday to Easter Friday are arranged in descending hierarchical order, starting, of course, at the cathedral, which is dedicated to the Lord Himself. On Easter Sunday, the station is at the oldest church in the world dedicated to the Virgin, St Mary Major, followed on the next three days by the principal churches of Rome’s patron Saints, St Peter at the Vatican, St Paul on the Ostian Way, and St Lawrence outside-the-Walls. The station of Thursday is “ad Apostolos”, the church of the Twelve Apostles, and that of Friday “ad martyres”, the Pantheon. We may note here in passing that Rome therefore keeps the Friday of Easter week “ad martyres”, the same day on which the Syrian churches have their commemoration of all the martyrs; this may also not be just a coincidence.

The last station of the Easter octave is also at the cathedral, which is more commonly known as St John in the Lateran. “John” is actually both the Baptist and the Evangelist, who share the church with Christ in a triple dedication. In the early station lists, it is usually just called “the Lateran”, but there is a broad consensus that this triple dedication is fairly early. By the year 468, the Lateran baptistery also had chapels dedicated to both Saints John. This would perhaps explain in part why the station of Holy Saturday is repeated only a week later. The term “confessor” originally meant someone who had suffered for the faith without being killed, and the very first such confessor is St John the Evangelist. According to a tradition already known to Tertullian at the end of the second century, in Rome he was thrown into a pot of boiling oil, but miraculously preserved. The station at the church also dedicated to him would then complete the hierarchy of the Saints by having him represent the order of confessors.
The entrance to the chapel of St John the Evangelist in the Lateran Baptistery. On the architrave is written “Bishop Hilary, the servant of Christ, to his deliverer, John the Evangelist.” Pope St Hilary (461-68) was, as a priest of Rome, one of St Leo the Great’s legates to the false Council of Ephesus in 449, deemed “the Robber Synod” not only because of the heresy which it embraced, but because of the violence with which the Patriarch Dioscurus of Alexandria treated his opponents. which directly caused the death of St Flavian, the Patriarch of Constantinople. This chapel and another facing it on the opposite side of the baptistery, dedicated to St John the Baptist, were built by Hilary as a gesture of thanks for his safe escape from the council.
If the Pantheon was dedicated and used liturgically as a church of the martyrs, and not of all the Saints, then we may wish to look somewhere other than its dedication for the origin of the feast of All Saints. I suspect that the real origin lies in the church of Rome’s response to the iconoclast heresy in the eighth and ninth centuries.

When iconoclasm broke out in the year 726, the Popes were swift to condemn it. St Gregory II (715-31), in a famous letter to the inventor of the heresy, the emperor Leo III, wrote, “It grieves us that the savages and barbarians are becoming tame, while you, the civilized, are becoming barbarous.” The “savages” are the peoples of northern Europe, then being converted to Christianity by St Boniface, whom Gregory himself had sent to Germany.

His successor, St Gregory III (731-41), was a Syrian, elected Pope by acclamation during Gregory II’s funeral procession. In the first year of his reign, he held a synod in Rome, at which it was determined that all those should be excommunicated who “take down, destroy, profane or blaspheme against the veneration of the sacred images of Our Lord, and His Mother, the glorious and immaculate ever Virgin Mary, of the blessed Apostles, and all the Saints,” as recorded in the Liber Pontificalis. It is also stated that he constructed an oratory in St Peter’s dedicated to all the Saints, filling it with relics, and decreeing that in the Masses celebrated in that oratory (and there alone), the words “whose solemnity is celebrated today in the sight of Thy majesty, o Lord, our God, throughout the world” should be added to the Canon.

In the book “Images, Iconoclasm, and the Carolingians”, Thomas F.X. Noble (Univ. Penn. Press, 2009) points out that this custom was established by a synod held on Palm Sunday of 732, the decrees of which were cut into a marble inscription and hung on the walls of the oratory; “in a case almost unique in early medieval Rome, the records of a church council were inscribed and hung in public.” (p. 125) The Liber Pontificalis goes on to describe several other artistic projects of Pope Gregory, which Noble describes (p. 126) as “an image-decorating campaign” and “a calculated affront to the emperor’s policies”, with elaborate and high-quality images of Christ and the Saints set up in several important Roman basilicas.

The lower basilica of St Chrysogonus in Rome’s Trastevere region preserves a large amount of frescoed images of the Saints, unfortunately not very well preserved, from time of St Gregory III. (Image from Wikimedia Commons by Sailko.)
Although iconoclasm was officially condemned by the Second Ecumenical Council of Nicea in 787, it was revived from 814-842 under the Emperors Leo V, Michael II and Theophilus. This second period coincides with the reign of Pope Gregory IV (827-44), who, as mentioned above, is said by a near contemporary source to have universally established All Saints’ Day on November 1st.

The churchmen and scholars of Carolingian and post-Carolingian Gaul also took a keen interest in the iconoclasm controversy, and the matter was discussed at more than one Gallican synod of the era. In 794, a synod at Frankfurt, working off a very bad translation of the acts of Second Nicea, condemned that council, and what it mistakenly believed to be its teaching on the use of images. Their mistake was then refuted by Pope Adrian I. In 824, the Emperors Michael and Theophilus sent a letter to Charlemagne’s son and successor Louis the Pious, justifying their opposition to the holy images. In response, a synod was held in Paris in the year 825, which to a large degree repeated the mistakes of Frankfurt. At this point, however, we have no record of the papal response or the immediate aftermath of the synod. Gregory IV was then elected in mid-to-late October of 827.

St Gregory III’s Roman synod of 731 was convoked on November 1st, as was the Parisian synod of 825. (Mansi vol. 12, col. 299; vol. 14, col. 421) If this is a mere coincidence, it is certainly a very remarkable one. Might it not be that those places which celebrated All Saints on November 1st did so in memory of what Pope St Gregory III had done on that day, upholding the true teaching on sacred images, and by extension, on the proper place of the Saints in the Church’s worship? And might it not also be that Gregory IV established that same day as a universal feast, partly in reply to the Parisian synod, and partly to assert that Rome continued to uphold the true teachings on sacred images?

The Feast of All Saints 2017: the Virgin Mary, Model of the Saints

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From the Roman Breviary of 1529, the continuation of the sermon for the feast of All Saints.
We must certainly believe that the blessed Mother of God and ever-Virgin Mary, the temple of God, the shrine of the Holy Spirit, Virgin before, during and after the birth (of Her son), has a part in the present solemnity, along with the (other) virgins. By her actions she admonished the people of God to disdain the luxuries of the world that passeth away, to turn aside from the allurements of our mortal nature, to preserve within the heart the purity of the body with the honor of virginity; and by her examples she affirms that she is the queen of all virtues, the delight of perpetual salvation, and the companion of the Angels. And thus an innumerable multitude of both sexes has followed in Her footsteps, and abandoning the union of matrimony and the begetting of children, have chosen to be joined to the eternal Spouse in Heaven in mind and action, habit and deed, devoting themselves to prayers, keeping fasts, loving the sacred vigils, offering alms, refreshing the poor, clothing the naked, visiting the sick, rejoicing in tribulation, suffering from words of calumny and insult, humble in the increase of their (religious) profession, giving thanks to God in the loss of temporal things. For the desire of the kingdom of Heaven, and because of the hope of eternal reward, with most fervent love they pursue these and like things, unfailingly and willingly. And thus, persevering in the love of God and of their neighbors, they rejoice to end their life for God alone.

Virgo inter Virgines, by Gerard David, ca. 1509; Musée des Beaux Arts de Rouen. From left to right: St Dorothy with a basket of roses and the painter behind her; St Catherine of Alexandria, with her wheel worked into her crown as a decoration; St Agnes, with a lamb, and her foster-sister St Emerentiana behind her; St Fausta with a saw, (the instrument of her martyrdom); St Apollonia with the tongs used to pull out her teeth; St Godelina with the scarf her husband used to have her strangled; St Cecilia beside an organ; St Barbara, with her tower worked into her hat as a decoration; Cornelia Cnoop, the painters wife; St Lucy holding her eyes. (A high resolution image with close-up is available here on the museum’s website.)

“What Were They Smoking?”: Liturgical Reform Edition

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Earlier this week, Dr Peter Kwasniewski shared some examples of liturgical art from the 1970s, rightly saying that: 

You need to know what people were thinking when they destroyed the liturgy. We can make all the guesses we want, but if we don’t actually read the authors of the fifties, sixties, and seventies, we won’t be able to get into their mindset and see what makes them tick.
Of course, occasionally one comes across ideas from this period so cringe-worthy and horrifying that it becomes a genuine struggle to get into the mindset of the author. Earlier this month, on a research trip to the British Library in London, I happened to come across such an idea from the immediate post-Vatican II period. The following extract dealing with the Liturgy of the Word is one of the more extreme examples of what Dom Alcuin Reid has previously called the it-seemed-like-a-good-idea principle of liturgical reform (cf. Sacrosanctum concilium and the Reform of the Ordo Missae, Antiphon 10.3 [2006] 277-295, p. 291) – from which may the Lord preserve us!

It is worth noting that the book from which this extract comes contains the proceedings of the 1966 Conference on Practical Liturgy held at Spode House (Staffordshire, UK), at the time owned by the Dominicans. (The Order left Spode in 1988, and the house is now known as Hawkesyard Hall.) The conference included papers given by the influential British liturgist J.D. Crichton and the Protestant biblical scholar C.H. Dodd.

I will leave NLM readers to discuss the extract if they wish to, but I have emphasized in bold the parts I found most interesting – so, caveat lector!

Extract from Oliver Pratt, “The Word—Preparation and Response” in Paulinus Milner (ed.), The Ministry of the Word (London: Burns & Oates, 1967), pp. 98-122

[p. 117] The future

Now I want, finally, to let my imagination run ahead a few years and describe what I feel may be one possible form in which the Ministry of the Word will develop in the future. Mass has just begun in the church of an urban industrial parish on one of the first few Sundays after Pentecost.

The Celebrant says: The Jews knew that they were God’s chosen people but in this passage we see that the prophets were concerned to make clear to them that Jahveh’s plan of salvation was intended ultimately for the whole of mankind.

A laywoman comes forward and reads the Lesson: [Isaiah 49:1-6] [...]

[p. 118] The Celebrant says: The first Christians were made up of Gentiles of many different races together with Jewish converts. This mixing together led to trouble and some groups tried to set themselves up as better than others. St Paul makes clear here that all have put on Christ by their baptism and therefore all are equal before God. There can be no second-class citizens in the Christian fellowship.

Then a Pakistani layman comes forward to read the epistle: [Galatians 3:23-29] [...]

[p. 119] All of this will have only taken a minute or so apart from the actual Scripture readings themselves. In case anyone is finding it difficult to place which Sunday it is, it should be explained that the calendar has already been revised and enriched. There is a regular reading from the Old Testament added, a much wider range of Scripture is covered over a longer cycle and the texts are often grouped together in such a way that they can be made more meaningful.

The Celebrant says: This passage explains the meaning of Christian fellowship in terms of how our actions will be judged by Christ at his second coming.

A deacon comes forward and reads the gospel: [Matthew 25:31-40] [...]

[p. 120] Now another layman comes forward and draws the attention of the congregation to a display of pictures and diagrams that have been put up on the wall of a side chapel. (It is an old-fashioned church built in the 1960’s.)He takes a couple of minutes to explain what is there, that is the findings of a study made by a small group of lay people of the conditions of Afro-Asians living in the locality. A panel of professional people was asked to look at the qualifications and training of a mixed sample of Afro-Asian and European workers and to place them blindly, i.e. without knowing their race, into the jobs that they ought to have. The speaker points out that over 80% of the Afro-Asians were found to have actual jobs that were well below their proper grade according to the assessment. He goes on to give a couple of examples of personal humiliation that the work has unearthed and concludes by asking us if through doing this we are not continuing to humiliate Christ himself?

The Celebrant says: Not only must we accept these people fully into our own fellowship as equals in Christ but we must each of us decide what the Gospel means in the witness of our own personal lives. It may be anything from welcoming the promotion of an Indian fellow worker to seeing the marriage of your daughter to an African as pioneering a new multiracial society. Above all we must come to know and love the strangers of another race as persons for, as Christ himself has told us in the Gospel, anything that we can do to lessen their sufferings lessens his own.

The Mass continues with the creed and special bidding prayers that have been composed for the occasion. After Mass the people crowd around the display at the side of the [p. 121] church and the people who did the study are answering questions about it. Soon people are dotted around the church in little groups asking one another what they can do to help the Afro-Asians. This is a little different from the acts of solemn silent private devotion to which we are accustomed today but it is difficult to think that God finds it the least bit out of place in his house.

There has hardly been a homily in the form that we would know it today at all. The time taken up by the liturgy of the word has been no longer than that needed for the actual readings from Scripture plus another five or ten minutes, the time usually given over to the homily today. Not only has the job that we usually expect the homily to do been done but because of all the preparatory work put in by some of the laity, it has actually been done in a really meaningful way and indeed in such a manner as to more or less guarantee some sort of constructive response. The priest is still the custodian of the word and responsible for its preaching but to be responsible for something does not always mean doing all the job oneself. [...]

[p. 122] There is almost unlimited scope for variations upon this sort of treatment of the liturgy of the word and it seems clear that it need not be restricted only to a very occasional special event. Of course, a start would have to be made by an occasional venture. A lot would depend upon developing a real sense of engagement in the work of the Church throughout a large proportion of the people. If so, this sort of treatment of the Ministry of the Word could take place fairly frequently even if not always in quite such a spectacular manner as that described above. It is to be hoped that the forthcoming revision of the Scripture readings will be done in such a way as to provide full scope for the development of more effective approaches to the Ministry of the Word along such lines as these. Also perhaps use will be made of visual aids, like projecting a single scriptural phrase onto a screen, a phrase pregnant with meaning that the preacher returns to again and again. Perhaps religious art and drama can be brought into play.

What seems to be most important is that these new experiments should be tried out in a number of parishes as soon as possible, for the results will have a bearing upon the function of liturgy as a whole. If such results can be obtained before the Commission working on the liturgy completes the major recasting of the eucharistic worship, they may be of considerable assistance to the Commission in its work.
The cover of a contemporaneous book (1967) by Oliver and Ianthe Pratt,
demonstrating their vision of liturgical “reform” for “modern man”.
(A quick word about the author of this extract: Dr Oliver Pratt was involved in the Newman Association in the UK (from 1963-65 he was its President), and at the time was Chairman of its Theological Studies Committee and Vice-Chairman of its Liturgy Committee. Shortly after the publication of this paper, he and his wife, Ianthe, would become prominent in the UK for their vocal dissent from Humanae Vitae. They were also heavily involved in the Catholic Renewal Movement (known as Catholics for a Changing Church since 1993 to avoid confusion with the Catholic Charismatic Renewal), and Ianthe Pratt would later be a founding member of the dissident group Catholic Women’s Ordination.)

Eucharistic Procession for All Saints’ Day at Wyoming Catholic College

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A few years ago, students at Wyoming Catholic College decided to ask if they could do a Eucharistic Procession on the Solemnity of All Saints, in honor of Christ, the King of all the Saints. Since students are always gone in the summer time at Corpus Christi, they wanted to find a different opportunity to express their faith in the Real Presence of Our Lord in the Most Blessed Sacrament. Thus was born an annual custom of processing from the downtown chapel (“De Smet”) to the town’s parish church of the Holy Rosary, singing English and Latin hymns. Students made banners based on their dorms’ patron saints. The traffic slows to have a look, and pedestrians step respectfully to the side, watching the long train of  students, faculty, staff, and family members pass by... watching Christ pass by.

The New Evangelization can surely take many forms, but without a doubt we need public forms like this one, a peaceful but powerful witness to our faith in Emmanuel, God among us, the Word made flesh. Once the procession reached the church, the faithful chanted Solemn Vespers, which concluded with Benediction.





















The Feast of All Saints 2017: The Angels

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From the Roman Breviary of 1529, the continuation of the sermon for the feast of All Saints.
It is God who placed the supernal kingdoms of the Heavens for the angelic spirits, to the praise and glory and honor of His name and of His majesty, in wondrous order forever. We grow afraid to say too much about them, because it belongs to God alone to know how their nature, which is invisible to us, without contamination or decrease stands firm in its purity. Yet from the witness of the Sacred Scriptures we know that there are nine orders of Angels, to fulfill the judgments and service of God; whose principalities and powers are subtly and marvelously distinguished by the will of God omnipotent. Some of them are sent to us in this world, and come to foretell future events. Others are set for this purpose, that through them signs and wonders may frequently be done. … Other armies of the Angels are so joined to God that between Him and them there are no others; the more plainly they behold the glory of His divinity, the more do they burn with love. To all these ranks of Angels, dearest brethren, so beautiful and beloved of God, we believe this solemnity is also consecrated. But behold, as we pry into the secrets of the citizens of Heaven, we have digressed beyond the measure of our frailty. Let us keep silent in the meanwhile concerning the secrets of Heaven; but before the eyes of our Creator, let us wipe away the stain of sins with our tears, that we may be able to come one day to those of whom we speak.

The Nine Choirs of Angels. In the central circle are God the Father, Christ, and the Virgin Mary in prayer; in the band around them the Sanctus is written three time; in the broader band, six each of the Cherubim, Seraphim, and Thrones. In the middle, three each of the Dominations, Principalities, and Powers, with the beginning of the Gloria above them, repeated three times. At the bottom, three each of the Virtues, Archangels, and Angels, with the words “Salus Deo nostro qui sedet super tronum et Agno” (salvation to our God, who sitteth upon the throne, and to the Lamb - Apoc. 7, 10) above their heads, three times. (From the Breviari dAmour by Matfré Ermengau of Béziers; British Library Yates Thompson 31, folio 40v.)

Relics of St Charles Borromeo

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Our thanks once again to Fr Adrian Hilton of the Cincinnati Oratory for sharing with us these photos from his relic collection, this time of St Charles Borromeo, whose feast is today. It is a letter written and signed by the Saint on December 26th, 1561, in which he communicates to certain persons that the Pope has given permission to an archbishop to delay his departure for the Council of Trent, in order to attend to some business matters of great importance to said persons. At the time, St Charles was only 23 years old, and although not yet ordained a priest, had already been appointed a cardinal, and administrator of the archdiocese of Milan. He was retained by his uncle, Pope Pius IV, in Rome, and constantly occupied with the affairs of the Church, not least among them the push to reconvene the Trent, which at that point had been suspended for almost 10 years.


From our Ambrosian correspondent Nicola de’ Grandi, here are two historically interesting photos. (And my thanks to him for deciphering the letter!) The first shows the relics of St Charles as they were formerly seen in the crypt chapel of the Duomo of Milan. In 1957, Archbishop Montini, the future Pope Paul VI, ordered that the skull be covered by a mask with the likeness of the Saint’s face.

This photograph shows the Blessed Ildefonse Schuster giving the solemn blessing at the end of a solemn Pontifical Mass on November 4th. The silver statue of St Charles seen on the far left of the altar was formerly placed on the Gospel side only for his feast day; it is now permanently left in the church.
And several more relics of St Charles from various places: first, a biretta kept at the Collegio Papio in Ascona, Canton Ticino, Switzerland. The boundary between Ambrosian territory and the Roman Rite diocese of Como passes through the college’s church; therefore, the main altar on the Ascona side is Ambrosian, and the altars of the chapels in the nave are Roman. St Charles left this biretta behind in Ascona while traveling back to Milan during his final illness, dying just a few hours after returning to his episcopal city.
A golden mitre now kept in the cathedral of Lugano, in the Ambrosian Rite territory of Switzerland.

Part of a shoe, now at the Sanctuary of the Holy House of Loreto.
A pyx which St Charles used to bring Communion to the sick during the plague which ravaged Milan from the summer of 1576 until the beginning of 1578
A rochet, now at the Basilica of St Eustorgius in Milan.
Finally, from an old post by John Sonnen at Orbis Catholicus, here is the reliquary containing St Charles’ heart at the church dedicated to him and St Ambrose on the via del Corso in Rome.

Dom Mark Kirby on “Ten Fruits of Summorum Pontificum”

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As part of the tenth anniversary celebrations of Summorum Pontificum (which ought to continue throughout the year!), I am happy to share with NLM readers a wonderful reflection on the motu proprio by Dom Mark Kirby, O.S.B., Prior of Silverstream Priory. Dom Mark posted this at Vultus Christi but gave NLM permission to publish it as well.

Ten Fruits of Summorum Pontificum

Dom Mark Kirby, O.S.B.
I consider Summorum Pontificum to be the single greatest gift of Pope Benedict XVI to the Church. It is a gift that some received with immense joy and immediately began to put it to profit. Others, entrenched in old ideological prejudices, looked upon the gift with suspicion and mistrust. Still others, even ten years later, remain unaware of the gift. For me, Summorum Pontificum threw open a door into the vastness and light of a liturgical tradition deeper, and higher, and wider than anything the reformed liturgical books, in use for nearly half a century, were able to offer. I say this as one who, for more than three decades, was committed to the reformed rites and wholeheartedly engaged in the reform of the reform at the academic and pastoral levels. Already, well before July 7th, 2007, I had come to see that even the noblest efforts deployed in the cause of the reform of the reform bore only scant fruit. Just when, battle–worn and weary, I thought that I would have to spend the rest of my life in a kind of post–conciliar liturgical lock–down, a door opened before me. The door was Summorum Pontificum. I crossed the threshold and went forward, never looking back. I discovered for myself the truth of Pope Benedict’s compelling words to the bishops of the Church:
What earlier generations held as sacred remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful. It behooves all of us to preserve the riches which have developed in the Church’s faith and prayer, and to give them their proper place. (Letter to the Bishops, 7 July 2007)
As I pass in review the ten past years, I can identify at least ten fruits of Summorum Pontificum. Others, in their assessment of the past ten years, may point to different fruits. From the perspective of my own garden, however — admittedly a hortus conclusus, given its monastic context — I see the following fruits:

1. A clearer manifestation of the sacred liturgy as the work of Christ the Eternal High Priest and Mediator. I have long argued that the Second Vatican Council’s Constitution on the Sacred Liturgy, Sacrosanctum Concilium, has to be read in continuity with and, in some way, through the lens of the Venerable Pope Pius XII’s encyclical Mediator Dei (20 November 1947). The recovery of the Usus Antiquior has effectively recentred the liturgical experience of many clergy and layfolk on the priestly mediation of Jesus Christ between God and men.

2. The opening, for many souls, of a secure bridge between celebration and contemplation. I am not alone in recognising the penetrating quality of what Saint John Paul II called “adoring silence” before, during, and after celebrations in the Usus Antiquior, especially when the richness of its ritual resources — chant, hieratic order, and sacred gesture — are fully deployed.
We must confess that we all have need of this silence, filled with the presence of him who is adored: in theology, so as to exploit fully its own sapiential and spiritual soul; in prayer, so that we may never forget that seeing God means coming down the mountain with a face so radiant that we are obliged to cover it with a veil (cf. Ex 34:33), and that our gatherings may make room for God’s presence and avoid self–celebration; in preaching, so as not to delude ourselves that it is enough to heap word upon word to attract people to the experience of God. (Orientale Lumen, art. 16)
3. A serene and lucid transmission of the doctrine of the faith. The sturdy givenness of the traditional rites (lex orandi) is at once the platform and the articulation of the Church’s life–giving and unchanging doctrine (lex credendi). The Usus Antiquior, not having the panoply of options that characterises the reformed rites, allows the liturgy to be celebrated without having to be subjectively reconstructed, over and over again, by the assemblage of interlocking parts.

4. A renewed appreciation for the link between worship and culture. The past fifty years have often been marked by an alienation from the Church’s cultural heritage, notably in the areas of music and architecture. The Usus Antiquior is increasingly, and especially in communities informed by the classical liturgical movement, a place where, as Joseph Cardinal Ratzinger said in 1985, “beauty — and hence truth — is at home” (The Ratzinger Report, p. 129).

5. The affirmation of the primacy of latria in the life of the Church, following the principle of Saint Benedict that “nothing is to be preferred to the work of God” (Rule, Ch. XLIII). It is immediately evident that the Usus Antiquior, like all the ancient rites of the Church in East and West, is theotropically driven. This stands in marked contrast both to the prevalent ars celebrandi of the Usus Recentior and to most Protestant forms of worship. These, by placing the accent on didactic and moralising content, are anthropotropically driven, and this at a moment in history when men and women of the millennial generation restlessly seek to “get out of themselves.” For such souls, weary of a world that seeks to cater to their ever–changing needs and appetites, and this not without exacting an inflated price, the unchanging rites of the Usus Antiquior are a tranquil and restful harbour illumined already by the gleaming shores of eternity. Pope Benedict XVI addresses the question incisively:
In the years following the Second Vatican Council, I became aware again of the priority of God and the divine liturgy. The misunderstanding of the liturgical reform that has spread widely in the Catholic Church has led to more and more emphasis on the aspect of education and its activity and creativity. The doings of men almost completely obscured the presence of God. In such a situation it became increasingly clear that the Church’s existence lives in the proper celebration of the liturgy and that the Church is in danger when the primacy of God no longer appears in the liturgy and so in life. The deepest cause of the crisis that has upset the Church lies in the obscurity of God’s priority in the liturgy. (Pope Benedict XVI, Preface of the Russian edition of his Theology of the Liturgy, 2015)
6. Encouragement given to the recovery and renewal of Benedictine monastic life in the heart of the Church. My own monastery, Silverstream Priory, was founded in the grace of the pontificate of Pope Benedict XVI, only one year after the promulgation of Summorum Pontificum. When, early in 2017, Silverstream Priory was canonically erected, its distinctive reference to Summorum Pontificum was recognised and ratified. In the opening paragraphs of the Apostolic Letter itself, Pope Benedict pointed to the distinctively Benedictine import of what he was setting forth:
Eminent among the Popes who showed such proper concern was Saint Gregory the Great, who sought to hand on to the new peoples of Europe both the Catholic faith and the treasures of worship and culture amassed by the Romans in preceding centuries. He ordered that the form of the sacred liturgy, both of the Sacrifice of the Mass and the Divine Office, as celebrated in Rome, should be defined and preserved. He greatly encouraged those monks and nuns who, following the Rule of Saint Benedict, everywhere proclaimed the Gospel and illustrated by their lives the salutary provision of the Rule that “nothing is to be preferred to the work of God.” In this way the sacred liturgy, celebrated according to the Roman usage, enriched the faith and piety, as well as the culture, of numerous peoples. It is well known that in every century of the Christian era the Church’s Latin liturgy in its various forms has inspired countless saints in their spiritual life, confirmed many peoples in the virtue of religion and enriched their devotion. (Summorum Pontificum)
The past ten years have seen a flowering of Benedictine monasteries dedicated exclusively to the celebration of the sacred liturgy in the traditional form. Impressive numbers of God–seeking young men continue to make their way to these monasteries.

7. Joy and beauty brought to Catholic family life. My direct personal experience of this particular fruit of Summorum Pontificum is limited to those young families who frequent Silverstream Priory or who are associated with our community, either because one or both parents are Benedictine Oblates, or by participation in Catholic Scouting, or because the discovery of the Usus Antiquior has infused the piety of the parents and the education of their children with the spirit of the liturgy. It is not unusual to see even the youngest children of these families utterly engaged in the action of Holy Mass and happily familiar with the feasts and seasons of the liturgical year.

8. A renewal of true priestly piety. Silverstream Priory has a heart for priests labouring in the vineyard of the Lord and, consequently, offers hospitality to a steady stream of clergy. The majority of these would be priests under forty–five years of age. Those who do not already offer Holy Mass whenever possible in the Usus Antiquior are eager to be instructed in the traditional rite. The witness of these priests is impressive; access to the Usus Antiquior has awakened them to the mystery of Holy Mass as a true sacrifice and awakened them to their own participation in the mediatorship of Christ, “high priest, holy, innocent, undefiled, separated from sinners, and made higher than the heavens” (Hebrews 7:26). A renewed attention to the complexus of sacred signs that constitutes the liturgy and, in particular, to the rubrics of the Roman Missal has, in more than one instance, transformed a priest’s understanding of who he is standing at the altar. To me, it is evident that Summorum Pontificum has fostered the implementation of what the Fathers of the Second Vatican Council sought to promote:
Priests, both secular and religious, who are already working in the Lord’s vineyard are to be helped by every suitable means to understand ever more fully what it is that they are doing when they perform sacred rites; they are to be aided to live the liturgical life and to share it with the faithful entrusted to their care. (Sacrosanctum Concilium, art. 18)

9. The birth of new expressions of consecrated life that find their source and summit in the traditional liturgy, Holy Mass and Divine Office. It is beyond the scope of these reflections to compile a catalogue of the Institutes and fledgling communities that attribute their existence in the Church, directly or indirectly, to the horizons opened by Summorum Pontificum. Some of these identify with the tradition of canons regular; others engage in missionary works of evangelisation and mercy after the manner of Societies of Apostolic Life. All of these have in common a life–giving reference to the traditional liturgy made available by the dispositions of Summorum Pontificum.

10. An infusion of hope and, for young people, an experience of a beauty that renders holiness of life enchanting and attractive. Pope Benedict XVI recognised, in his letter to the bishops accompanying Summorum Pontificum that not a few young people find in the traditional liturgy a holy enchantment that draws them deeply into the priestly action of Christ and the life of the Church. Pope Benedict wrote:
Immediately after the Second Vatican Council it was presumed that requests for the use of the 1962 Missal would be limited to the older generation which had grown up with it, but in the meantime it has clearly been demonstrated that young persons too have discovered this liturgical form, felt its attraction and found in it a form of encounter with the Mystery of the Most Holy Eucharist particularly suited to them.
The experience of the Usus Antiquior as an habitual form of worship and expression of sacramental life has surprised young Catholics with an encounter not unlike the one that long ago changed the life of Saint Augustine: the discovery of a “Beauty ever ancient, ever new.” I myself am surprised, even now, to hear again on the lips of the rising generation the very words that, with a holy fear and a secret joy, I memorised over sixty years ago: Introibo ad altare Dei, ad Deum qui lætificat juventutem meam,“I will go in to the altar of God: to God who giveth joy to my youth” (Ps 42:4).

The Feast of All Saints 2017: The Patriarchs and Prophets

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From the Roman Breviary of 1529, the continuation of the sermon for the feast of All Saints.
This is also the feast of all the Saints who have been begotten in honor upon the earth from the beginning of the world; of whom the first were the patriarchs, reverent men, the fathers of the prophets and apostles, whose memory shall not be forsaken, and their name shall abide forever, … The descent of their rule ceased not until from their offspring Christ, through the womb of the untouched Virgin, He that is the hope of all nations, being born in the world appeared in glory, and retained to Himself the dominance and sole rule of the entire world. Upon these follow the chosen prophets, with whom God spoke, and showed them His secrets, so that they, enlightened by the Holy Spirit, might be able to know things which were to come as if they were present, and declare them, having become the princes of the people by foretelling the future. Some were known to God and sanctified in the womb, some in their youth, some as young men, some as old. They were found to be full of faith, greatest in devotion, …constant in holy meditation, fearless in the sight of death.

The mosaic over the altar in the Baptistery of Florence, 13th or 14th century. In the middle, the Lamb of God surrounded by the words “Hic Deus est magnus, mitis, quem denotat Agnus. - Here (or ‘This’) is the great God, but gentle, whom the Lamb signifieth.” Around him, clockwise from upper left, the Prophets Daniel, Ezekiel, Jeremiah, Isaiah, Moses, Abraham, Isaac and Jacob. On the left of the central wheel, St John the Baptist, to whom the Baptistery is dedicated, to the right, the Virgin and Child. (Click to enlarge. Public domain image from Wikipedia.)

The Overemphasis on “New” and “Renewed”

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Liturgiam Authenticamdefended the principle that the substantial unity of the Roman Rite must prevail, plainly and evidently, in and through the plurality of expressions of it allowed by Church authority. That is, the liturgy celebrated by Roman Catholics must contain and transmit a certain historical and theological identity. The progressive view of liturgy, whose partisans find support in Magnum Principiumand the pope's letter to Cardinal Sarah, gives pragmatic primacy to ideological pluralism.[1] There is no concrete historical and theological identity of Catholicism: such a view is called “monolithic” and said to be outmoded in our times, having been dispensed with — or so it is claimed — by the Council.

For this reason, I was fascinated to find in the book Athanasius and the Church of Our Time by Dr. Rudolf Graber, Bishop of Regensburg, a summary of the work of the ex-canon Paul Roca (1830–1893), who, late in the nineteenth century, right around the time of the Americanist crisis, “prophesied” what the Church of the future must look like:
The divine cult in the form directed by the liturgy, ceremonial, ritual, and regulations of the Roman Church will shortly undergo a transformation at an ecumenical council, which will restore to it the venerable simplicity of the golden age of the Apostles, in accordance with the dictates of conscience and modern civilisation.[2]
Graber continues:
Roca’s dominating idea is the word “new.” He proclaims a “new religion,” a “new dogma,” a “new ritual,” a “new priesthood.” He calls the new priests “progressists,” he speaks of the “suppression” of the soutane and of the marriage of priests.[3]
Whatever may be said about Roca’s imaginary council or the actual Council that took place, it is undeniable that the past fifty years or so have presented the somewhat embarrassing spectacle of an obsession with newness. We have painted ourselves into a corner by insisting that everything be “new” or “renewed,” as if this adjective, all by itself, were the token and guarantee of the rightness of an enterprise. This places a subtle pressure on us to innovate, to change, to be different — to privilege motion over stability, acting over suffering, doing over being, work over contemplation. It somehow seems a flaw that a doctrine has remained the same for centuries, or a discipline has not been “adapted” or “updated.” Indeed, given the tendencies of fallen human nature together with the peculiar errors of the modern mentality, the insistence on new things goes in the direction of privileging ugliness over beauty, comfort over self-denial, efficiency over dignity.

Speaking of the cretinism of the liturgical reform, Stratford Caldecott wrote:
Intimations of transcendence — indeed, references to the soul — were minimized. Within the churches, walls were whitewashed and relics dumped in the name of ‘noble simplicity’. Unlike the much earlier Cistercian rebellion against the artistic extravagances at Cluny, this modern campaign for simplicity was not coupled with the asceticism and devotion that might alone have rendered it spiritually ‘noble.’ It fell easy victim to the prevailing culture of comfort and prosperity.[4]
All this has led not to renewal but to an inversion of means and ends, narcissism, anarchy, and, symbolic of all of them, dreadful art. “Many people judge a religion by its art, and why indeed shouldn’t they?”[5] The old axiom “nature abhors a vacuum” has been exhaustively demonstrated in our midst. When spiritually muscular, culturally dense religion vanishes, its place is quickly filled with feel-good sentimental claptrap, pop art, pseudo-mysticism, and bleeding-heart political advocacy. “When a man stops believing in God, he doesn’t believe in nothing, he believes anything,” as Chesterton didn’t say, but might as well have said.[6] We are left with the embarrassing spectacle of Church leaders, inheritors of millennia of wisdom and beauty, chasing after the miniskirts of modernity. One awakens in a Kafkaesque world where mitred ecclesiastics have metamorphosed into Beatles.
Why this feverish and irrational prejudice for the new? What has it got to do with the one true God who never changes; with the sacrifice of Christ, which is once-for-all; with divine revelation, which is complete at the death of the last apostle; with the principles of the spiritual life, which are perennially valid; with the greatness of the Christian tradition, which gives birth to new things conceived and nurtured by old things, and cherishes them all? We might say, inspired by St. Vincent of Lerins, that the Christian religion is a permanent wellspring of truth and holiness from which endless ages can draw fresh water, but it is always the same source, the same substance, the same qualities of refreshment, light, and peace.

“Jesus Christ is the same yesterday, today, and forever. Do not be led away by diverse and strange teachings” (Heb 13:8–9). Christ died once for all. He is the only priest who offers the sacrifice of the new covenant, with his ordained minister empowered to act on His behalf. He gives us the true religion whose dogmas never change, however much the theological understanding of them grows through the ages. The Christian religion is inherently new, permanently new, yet in essence unchanging and everlasting. That is why it is capable of never growing old.

Tradition, rightly understood, shares in this perpetual youthfulness; it is not something of the past, much less an object of nostalgia, but a vital energy in the Church that carries us forward, uniting us with the entire Church outside of our age, and with the Church Triumphant and the Church Suffering. Indeed, Jews and Christians in the past viewed our ancestors as our antecessores, those who have run ahead of us to eternity, and therefore as the ones we are following behind. This, of course, is the very opposite of how we tend to think about time and history and culture: we think that we are ahead and our ancestors are behind; they are behind the times, we are on the cutting edge. But that makes no sense, because our ancestors went before us: they have already lived their lives, they know the mysteries of life and death, and we are dependent on them. We are their pupils, their followers.

The sacred liturgy, the divine liturgy as our Byzantine brethren so tellingly call it, must unmistakably reflect the immutable essence of the Faith. As man remains essentially the same, so does Christ, and so does His Church, to whom He communicates a share in His stability. This is why the gates of hell cannot prevail against her—but only to the extent that she is living in communion with Him, the unassailable and immovable Rock. Our worship no less than our theology should not only mention or expound the divine attribute of immutability (including the unity of the history of salvation), but should contain and convey it. Even if, as a created reality unfolding in time and space, liturgy cannot be immutable in itself, it should signify all the divine attributes, so that in its ceremonies, gestures, texts, music, it is always a bearer of truths about God and His Christ, and not guilty of lying or misleading us. The liturgy we have inherited from our predecessors, the fruit of the slow growth of ages under the guiding hand of Providence, is admirably suited for this work of initiating us into the eternal mysteries of God and bringing us to perfect union with Him.


NOTES
[1] See my interview at LifeSite.
[2] Athanasius and the Church of Our Time, p. 35.
[3] Ibid., p. 36.
[4] Not as the World Gives (Kettering, OH: Angelico Press, 2014), 180.
[5] Elizabeth Jennings, quoted by Dana Gioia in his speech "The Catholic Writer Today."
[6] See "When Man Ceases to Worship God."

The Feast of All Saints 2017: The Apostles

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From the Roman Breviary of 1529, the continuation of the sermon for the feast of All Saints.
From among all those whom the world contains, divine providence chose the twelve Apostles… to lay down the foundation of the new faith, and to raise up the state of the Church while it was still young, so that the sound of their preaching might go out unto all the world, and their words go forth unto the ends of the earth. They clung to the true vine, that is to Christ, like branches, whose fruit, abiding forever, corrupts not; to whom the Lord Himself spoke, saying, “You are the light of the world. A city seated on a mountain cannot be hid. Neither do men light a candle and put it under a bushel, but upon a candlestick, that it may shine to all that are in the house. So let your light shine before men, that they may see your good works, and glorify your Father who is in heaven” And again: “I will not now call you servants: for the servant knoweth not what his lord doth. But I have called you friends: because all things whatsoever I have heard of my Father, I have made known to you.” And whatsoever you shall bind upon earth, shall be bound also in heaven; and whatsoever you shall loose upon earth, shall be loosed also in heaven.” And again He foretold that when He should come to judge the world, that they would sit on twelve thrones, and with Him judge the world. To such patrons, as we believe, this day is declared to be exalted.

The Last Judgment by Giotto, in the Scrovegni Chapel in Padua, 1306
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