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Pontifical Requiem at the Throne - Madison

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On November 2, 2015 at 7:00pm, Bishop Robert C Morlino will celebrate a pontifical requiem Mass at the throne for the feast of All Souls. Victoria's Requiem á4 will be sung. Mass will be offered for the deceased priests of the Diocese of Madison, and will be celebrated at the Bishop O'Connor Center in Madison, WI.


Message of the Holy Father to the Populus Summorum Pontificum Pilgrimage to Rome

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From the pilgrimage’s website Una Cum Papa Nostro.
To His Most Reverend Excellency
Mons. Guido Pozzo
Secretary of the Pontifical Commission Ecclesia Dei

On the occasion of the pilgrimage to Rome of the Coetus Internationalis Summorum Pontificum, which keeps the ancient Roman liturgy alive in the Church, the Holy Father Pope Francis sends his warm greetings, along with his wish that their participation in this devout visit to the tombs of the Apostles stirs up their fervent adherence to Christ, who is celebrated in the beauty of the liturgy, which brings us to contemplate the Lord transfigured in the light of glory, and that it bring renewed energy to their witness to the perennial message of the Christian faith. His Holiness invokes abundant gifts of the Divine Spirit, and the maternal protection of the Mother of God, and, as he asks for that they persevere in prayer in support of his Petrine ministry, from his heart imparts to Your Excellency, to the bishops participating, to the priests and all the faithful present in the sacred celebration, the requested Apostolic blessing, in favor of a fruitful journey with the Church.

Cardinal Pietro Parolin
Secretary of State


The Hypostatic Union as a Marriage

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Continuing my series of articles on aspects of the theology of marriage, I would like to examine a beautiful patristic comparison that is relatively little known today, but was much in the mind of the scholastics and frequently comes up in the work of the Angelic Doctor—namely, the comparison of the hypostatic union with a nuptial union.

Here is how St. Thomas phrases it in one passage:
Marriage before fleshly embrace signifies the conjoining of Christ to the soul by grace, which [union of grace] is indeed dissolved by a contrary spiritual disposition, namely sin. But by the fleshly embrace marriage signifies Christ’s conjoining [of himself] with the Church, as to the assumption of human nature in the unity of his person, which [union] is altogether indivisible.[1]
In his Commentary on Matthew we read this:
The fourth thing set out is that they “went out to meet the bridegroom and the bride.” Who is the bridegroom, and who is the bride? It is explained in two ways, following two marriages. One, the marriage of divinity to flesh, which was celebrated in the womb of a virgin: “For he as a bridegroom coming forth from his bridal chamber” (Ps. 18:6). The bridegroom is the Son himself, the bride human nature; hence to go out to meet the bridegroom and the bride is nothing other than to serve Christ.
          Likewise, there is the marriage of Christ and the Church: “He who has the bride is the bridegroom” (Jn. 3:29). Therefore those who prepare the lamps intend to please the bridegroom, i.e., Christ, and the bride, i.e., Mother Church.[2]
In the Commentary on John, we see a wonderful synthesis:
In the mystical sense, marriage signifies the union of Christ with his Church, because as the Apostle says: “This is a great mystery: I am speaking of Christ and his Church” (Eph 5:32). And this marriage was begun in the womb of the Virgin, when God the Father united a human nature to his Son in a unity of person. So, the chamber of this union was the womb of the Virgin: “He established a chamber for the sun” (Ps 18:6). Of this marriage it is said: “The kingdom of heaven is like a king who married his son” (Mt 22:2), that is, when God the Father joined a human nature to his Word in the womb of the Virgin. It was made public when the Church was joined to him by faith: “I will bind you to myself in faith” (Hos 2:20). We read of this marriage: “Blessed are they who are called to the marriage supper of the Lamb” (Rv 19:9). It will be consummated when the bride, i.e., the Church, is led into the resting place of the groom, i.e., into the glory of heaven.[3]
Nevertheless, St. Thomas is not entirely comfortable with the comparison of the union of natures to a marriage, because marriage requires two persons who consent to each other; a nature, as such, is not the source of consent. Envisioning the human nature and the divine nature as centers of action or volition begins to sound fishily Nestorian. Consider his response to the rather obscure question: Whether it is fitting that Christ should receive a dowry?[4]
There are two opinions on this point. For some say that there is a threefold union in Christ. One is the union of concord, whereby He is united to God in the bond of love; another is the union of condescension, whereby the human nature is united to the Divine; the third is the union whereby Christ is united to the Church. They say, then, that as regards the first two unions it is fitting for Christ to have the dowries under the notion of dowries, but as regards the third, it is fitting for Him to have the dowries in the most excellent degree, considered as to that in which they consist, but not considered under the notion of dowries; because in this union Christ is the bridegroom and the Church the bride, and a dowry is given to the bride as regards property and control, although it is given to the bridegroom as to use.
          But this does not seem congruous. For in the union of Christ with the Father by the concord of love, even if we consider Him as God, there is not said to be a marriage, since it implies no subjection such as is required in the bride towards the bridegroom. Nor again in the union of the human nature with the Divine, whether we consider the personal union or that which regards the conformity of will, can there be a dowry, properly speaking, for three reasons. First, because in a marriage where a dowry is given there should be likeness of nature between bridegroom and bride, and this is lacking in the union of the human nature with the Divine; secondly, because there is required a distinction of persons, and the human nature is not personally distinct from the Word; thirdly, because a dowry is given when the bride is first taken to the dwelling of the bridegroom and thus would seem to belong to the bride, who from being not united becomes united; whereas the human nature, which was assumed into the unity of Person by the Word, never was otherwise than perfectly united.
          Wherefore in the opinion of others we should say that the notion of dowry is either altogether unbecoming to Christ, or not so properly as to the saints; but that the things which we call dowries befit Him in the highest degree.[5]
And later in the same article:
Human nature is not properly said to be a bride in its union with the Word, since the distinction of persons, which is requisite between bridegroom and bride, is not observed therein. That human nature is sometimes described as being espoused in reference to its union with the Word is because it has a certain act of the bride, in that it is united to the Bridegroom inseparably, and in this union is subject to the Word and ruled by the Word, as the bride by the bridegroom.[6]
Not wishing, however, to jettison the comparison of the hypostatic union to a marriage, St. Thomas finds a beautiful solution, inspired by St. Bernard of Clairvaux and earlier Fathers: God asks Mary, through his messenger, to give her consent to this “marriage” on behalf of the whole human race. In this way we have two persons, representing (as it were) two natures, consenting to a conjoining which then takes place in a single Person. Here is how he formulates this elegant doctrine in the Commentary on the Sentences:
In Christ’s conception a certain marriage was sealed through the indivisible conjoining of the divine and human nature[s]. But requisite for a marriage is consent, which is both requested and brought back through the words of messengers. Therefore it was proper that God, through his angel, should seek out the consent of the Virgin, from whom he would assume human nature.[7]
In the Summa theologiae, Aquinas places it last among the reasons why “it was fitting that it be announced to the Blessed Virgin that she would conceive Christ”:
Fourth, that there would be shown to be a certain spiritual marriage between the Son of God and human nature. And so by the Annunciation the Virgin’s consent was besought in lieu of [=on behalf of] the whole of human nature.[8]

NOTES

[1] In IV Sent. d. 27, q. 1, a. 3, qa. 2, ad 1.
[2] Super Matt. 25, lec. 1, n. 2014.
[3] Super Ioan. 2, lec. 1, n. 338.
[4] According to the scholastic definition, the dowry of the blessed is “the everlasting adornment of soul and body adequate to life, lasting for ever in eternal bliss.” There are three dowries of the soul: vision, love, and fruition; and four of the body: impassibility, agility, subtlety, and clarity.
[5] In IV Sent. d. 49, q. 4, a. 3.
[6] Cf. Super Ps. 18, n. 3.
[7] In III Sent. d. 3, q. 3, a. 1, qa. 1, sc 2.
[8] Summa theol. III, q. 30, a. 1.

Follow-Up on Last Saturday’s Post about St Raphael

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This past Saturday, I wrote a bit about an Ethiopian legend that St Raphael the Archangel once saved a church that had been accidentally built on the back of whale from being destroyed, by fixing the whale in place with his spear. This was accompanied by an image from the Walters Art Gallery which showed the Archangel driving his spear through the church, but the lower part of this image, where the whale was, is missing.

Here is a more complete representation of the story, depicted in a mural from a monastery in Ethiopia. This image is reproduced here by the very kind permission of Sara Genene, author of the blog About Addis Ababa. You can see more of her images from Ethiopian monasteries by clicking here.


Abp. di Noia on the Ordinariate Liturgy

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We are pleased to present the audio of a recent talk on the forthcoming liturgical rites for the Personal Ordinariates erected under the auspices of the Apostolic Constitution Anglicanorum coetibus. The talk was given by Archbishop J. Augustine Di Noia OP, Adjunct Secretary of the Congregation for the Doctrine of the Faith, and Chairman of the Interdicasterial Working Group Anglicanæ Tradtitiones, to the 2015 Ordinariate Festival of the Personal Ordinariate of Our Lady of Walsingham in Westminster, London. The paper is entitled “Divine Worship and the Liturgical Vitality of the Church.” It is presented here with an overview published on the blog Thine Own Service, republished here with the author’s permission.



“In his paper to the annual festival of the Personal Ordinariate of Our Lady of Walsingham in London on Saturday 19 September 2015, Archbishop J. Augustine Di Noia OP, Adjunct Secretary of the Congregation for the Doctrine of the Faith, presented what might be understood to be the primary theological rationale for the liturgical provision of the personal ordinariates erected under the auspices of the apostolic constitution Anglicanorum cœtibus. Archbishop Di Noia is well placed to make these observations, both as one who was intimately involved in the evolution of the personal ordinariates (even before they came into existence) and latterly as the Chairman of the Interdicasterial Working Group Anglicanæ traditiones, which was formed in 2011 to compile the liturgical provision mandated by Anglicanorum coetibus III.

“His paper, which will be published together with other writings on this subject in a forthcoming edition of Antiphon and is available to listen to above, makes a number of significant points. I wish here to deal with the first, which I consider to be the most pressing and which, in a certain sense, must be addressed before all others. Subsequent points include the pastoral significance of the liturgical provision of Divine Worship as a sign of the Church’s solicitude and concern for the salvation of souls. We are also presented with the historical weight that must be given to the promulgation of liturgical texts forged in the crucible of the sixteenth century, by the Apostolic See, and the ecumenical importance of the Anglican patrimony, as it is to be lived out in the personal ordinariates. But before these can be effected and realized, a first principle—the subject of this post—must be understood.

“This is the fundamental and intrinsic connection which exists between the structural provision of personal ordinariates, and the liturgical patrimony which has been codified and promulgated for use by their members. As the archbishop says in his talk, the publication of Divine Worship: The Missalis ‘an immensely important event’. Indeed its importance is twofold: internal and external. Internal, because it establishes the true identity of the communities of the personal ordinariates, and external, because it places these structures in their appropriate context in the wider Church and offers the distinctive Anglican liturgical patrimony as ‘a treasure to be shared.’ (ACIII)

“With regard to this internal importance, Archbishop Di Noia says, ‘Just as it would be unthinkable to describe the Catholic Church without reference to its liturgical and sacramental life, so too it would in some sense be for every ecclesial body. The manner in which an ecclesial community worships uniquely expresses its inner life.’ This is important. Although there are certainly other elements of the Anglican patrimony, other than liturgical, it is this liturgical patrimony which provides the starting point for the consideration and authentic implementation of these other concerns. It is in the actual liturgical texts promulgated in Divine Worship that the personal ordinariates reveal their true purpose, and fulfil the desires expressed in Anglicanorum coetibus. If this is so, we must ask with real honesty if an ordinariate community or parish which does not celebrate the liturgical rites of Divine Worship as the very heart and soul of its existence, can be said to be living, in an authentic way, the ecclesial existence and vitality so generously extended to us by Pope Benedict XVI in Anglicanorum coetibus. Indeed, as I have suggested before, the provision of personal ordinariates as ecclesiastical circumscriptions, seems to make sense only with the full and unswerving embrace by their members of the Anglican liturgical patrimony, now codified and approved and promulgated by the Apostolic See in Divine Worship.

“Furthermore, as Archbishop Di Noia points out, ‘The institutional importance of Divine Worship for the ordinariates is considerable. More than simply giving the ordinariates an outward distinctiveness that creates a profile for their parishes in a sea of Catholic parochial life, Divine Worship gives voice to the faith and tradition of prayer that has nourished the Catholic identity of the Anglican tradition.’ In other words, whilst other elements of the Anglican tradition are by no means insignificant, it is only possible to make sense of these if first we have attended to the liturgical life given us. If the liturgical life of an ecclesial structure ‘uniquely expresses its inner life’, how can it make sense, on the one hand, to downplay the proper liturgical rites attributed to the personal ordinariates whilst, on the other hand, seek to promote other elements of the Anglican patrimony? The liturgical rites and texts are a priority. Divine Worship is an essential element.

“Archbishop Di Noia’s important paper gives a clear roadmap for the successful establishment and growth of the personal ordinariates, according to the mind of the Apostolic See, and its starting point is Divine Worship. The liturgical books approved for the use of the personal ordinariates are the first principle in this project, and the source of all other elements of the life of the ecclesial communities which these structures embody. This provision will be available to the parishes and communities of all three personal ordinariates from the First Sunday of Advent this year. Let us commit ourselves anew to living to its fullness the gift of ecclesial vitality given us by the ‘prophetic gesture’ of our beloved Pope Emeritus in Anglicanorum coetibus, both ‘as a precious gift nourishing the faith of the members of the Ordinariate and as a treasure to be shared.’ (AC III)”

All Saints’ and All Souls’ Notice - Palo Alto, California

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The Saint Ann Choir will sing the Masses at St. Thomas Aquinas Church, 751 Waverley at Homer,in Palo Alto, California, for the feast of All Saints and the Commemoration of All The Faithful Departed. Click here to visit their website for information about other upcoming feasts (OF Christ the King, Immaculate Conception.)


Mozart’s Missa Brevis (“Spatzenmesse”) for All Saints’ in McLean, Virginia

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The choir of the Church of St John the Beloved in McLean, Virginia, will sing Mozart’s Missa Brevis in C Major, KV 220 (“Spatzenmesse“ ”) with soloists and a small orchestra, as well as motets by Lassus and Victoria, at a Missa cantata on the feast of All Saints, starting at noon. Details in poster below; click to enlarge.



Photos from the Populus Summorum Pontificum Pilgrimage in Rome (Part 1)

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This past weekend, the Populus Summorum Pontificum Pilgrimage to Rome was celebrated once again, coinciding with the end of the Synod on the Family, and the EF feast of Christ the King. Mr François Nanceau has been kind enough to share links to his photo albums of the events with us, and give us permission to reproduce some of his pictures here, to which I have added to a video. More pictures tomorrow!

Friday October 23rd - Pontifical Mass celebrated by Archbishop Guido Pozzo, Secretary of the Ecclesia Dei Commission, at the Church of Santa Maria in Campitelli.
The Mass of St Anthony Maria Claret was said, with music by the Schola Sainte Cécile, conducted by our own Henri de Villiers, singing Marc-Antoine Charpentier’s Mass for Four Choirs. (The video with a recording of the Kyrie is below the third picture.) Click here to see more photographs, and here to find them on facebook.








Saturday, October 24th - Procession from San Lorenzo in Damaso to St Peter’s, followed by a Pontifical Mass celebrated by Mons. Rodolfo Laise, Bishop Emeritus of San Luis, Argentina.
The Mass of St Raphael the Archangel was said, with plainchant and polyphony by the Schola Sainte Cécile. Particularly outstanding in a day of wonderful music were the Laudes Regiae (“Christus vincit”), the motet Angeli, Archangeli by Jean Veillot († 1662) at the Offertory, and the Tantum ergo by Michel-Richard de Lalande (1657-1726) at Communion. Click here to see more photographs, and here to find them on facebook.









EF High Mass for All Saints in Shreveport, Louisiana Cathedral (and More Mozart!)

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The Cathedral of Saint John Berchmans in Shreveport, Louisiana will have a High Mass in the Extraordinary Form, sung by members of the Cathedral Choir and also members of the Shreveport Symphony Orchestra. Mozart’s Missa brevis in C-major (“Credo Mass”) will be sing, and selections from Charles Tournemire’s Orgue Mystique will be played. Click here for more details, and see the poster below.

Photopost Request - All Saints - All Souls

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Our next photopost will be for the feast of All Saints and the Commemoration of All Souls this upcoming weekend. We welcome pictures of Mass and the Divine Office/Liturgy of the Hours for both of these days. Please be sure to include the name and location of the church, and always feel free to add any other information you think important so that we can provide the most information.

Please send photos to: photopost@newliturgicalmovement.org.

Photos from the Populus Summorum Pontificum Pilgrimage in Rome (Part 2)

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Here are some more photos from the Populus Summorum Pontificum Pilgrimage to Rome celebrated past weekend, with our thanks once again to the photographer Mr François Nanceau.

October 25 - Pontifical Mass for the feast of Christ the King at the FSSP’s Roman parish, Ss.ma Trinità dei Pellegrini, celebrated by Don Jean Pateau, Abbot of Fontgombeault, .
The Mass was sung by English ensemble Cantus Magnus, conducted by Mt Matthew Schellhorn. Click here to see more photos, and here to find them on facebook.








And here are some photos of our friends from the Schola Sainte-Cécile, in the choir loft of Santa Maria in Campitelli, in the choir at St Peter’s, and in the sacristy of St Peter’s along the celebrant of the Mass that day, Mons. Rodolfo Lais, Bishop Emeritus of San Luis in Argentina.




Denis McNamara on Architecture, Part 4: the Importance of the Classical Tradition

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And no, this does not mean that every building has to look like a Roman temple.

Here is the fourth in the series of short videos by Denis McNamara, Professor on the faculty of the Liturgical Institute, Mundelein; his book is Catholic Church Architecture and the Spirit of the Liturgy.

Before I sat in on some of his lectures this summer, I had been aware of Denis’ emphasis on the classical tradition in architecture. I have to admit, I did have half a suspicion that his ideal was a world of faux Roman temples - all domes and Doric columns.

As I found out, and as you can see in the video, he does not mean this at all - although it does include what most of us think of as classical style. He describes classical architecture as any style that is created out of a respect for tradition and which participates in the order of nature that “reveals the mind of God.”  This includes, for example, Gothic architecture.


Furthermore, he says that a respect for tradition does not mean that we look backwards. Rather, it provides a set of principles that will guide us as we go forward, employing forms that might echo the past closely, or creating styles previously unimagined. The potential range of styles is limitless.

Rather than painting a picture of people walking backwards, or walking reluctantly into the future while wishing they could head for the past, he is giving us one which is closer to the crew of a beautiful sloop that looks forward in optimism as it sails into the rising sun in the East, with tradition firmly at the tiller.


His reference to the mind of God is reminiscent of language used by Pope Benedict XVI in the Spirit of the Liturgy, in which he describes how the numerical description of the patterns of the cosmos give us a glimpse into the mind of the Creator. Even the beauty of this world as it is now does not reveal the divine beauty fully, for it is a fallen world. The question the good architect asks himself when designing a building is not so much, “How can I reflect the beauty of the cosmos as it is?”, but rather, “How can I reflect the beauty of the cosmos as it is meant to be?” For me, a critical point is that if we want beauty, we cannot escape this question, for there is no order outside the divine order, only disorder and ugliness. This is true of any building, or for that matter any aspect of the culture, that does not look forward to the heavenly ideal 

Onwards and Eastwards!

EF All Saints and All Souls in Philadelphia

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The Traditional Latin Mass Community of Philadelphia will celebrate the feast of All Saints at the church of St Edmond, where a regular EF Mass has been held every Sunday at noon since July. Click here for their website, and here for directions to St Edmond. In addition, for the Commemoration of All the Faithful Departed, a Solemn Requiem Mass, followed by the Absolution at the Catafalque, will be celebrated at the Cathedral Basilica of Ss Peter & Paul, (17th & Race Streets,) starting at 7 p.m. Details in the poster below.


“Zeal for the Liturgy” - All Saints and All Souls in NYC, Naples, Italy, and Our Lady of Lebanon in Ohio

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We have received and are posting a large-than-usual number of liturgical announcements for All Saints’ and All Souls’, with a lot of great music by composers like Victoria and Mozart. This was the case last year as well, when Ben noted à propos of this the words of Sacrosanctum Concilium, “Zeal for the promotion and restoration of the liturgy is rightly held to be a sign of the providential dispositions of God in our time, as a movement of the Holy Spirit in His Church. It is today a distinguishing mark of the Church’s life, indeed of the whole tenor of contemporary religious thought and action.” (no. 43) If only this had remained true longer than it took the ink with which it was written to dry! So it seems to me at least that these requests, which show a desire not only to do the liturgy well and beautifully, but also to share the experience with as many people as possible, are a sign of something very positive happening in the Church today. Of course, in far too many places good music is still the exception in church, not the norm, but events such as these are less rare than they were 30 years ago, and will continue to become more common. If you have the opportunity to go to such a liturgy this weekend, remember to say a pray for those who would love to attend something like it and cannot.

Holy Innocents in NYC - Victoria Requiem on All Souls’


EF Masses in Naples, Italy

On Sunday, November 1, at the Church of the Archconfraternity “del Soccorso all’Arenella” (piazzetta G.Gigante), 5:15 p.m, Eucaristic Adoration and recitation of the Rosary; 6:00 p.m., Missa cantata celebrated by Don Andrew Southwell.

Monday, November 2, at the Church of St Mary of the Souls in Purgatory (S. Maria delle Anime del Purgatorio ad Arco, via Tribunali 39), 5:30 p.m. Missa cantata, followed by the Absolution at the Catafalque, celebrated by Don Andrew Southwell.

EF All Souls at the Shrine of Our Lady of Lebanon in North Jackson, Ohio

On the Commemoration of All Souls, Mass will be celebrated according in the traditional rite at the Basilica and National Shrine of Our Lady of Lebanon, 2759 North Lipkey Road, North Jackson, Ohio, starting at 7 p.m, followed by the Absolution at the Catafalque. Music will be provided by the Schola Basilicae and the Shrine St. Cecilia Chorale


Pontifical Mass at St. John Cantius Before the Relics of St Maria Goretti

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Earlier this month, as part of the tour of the relics of St. Maria Goretti around the country, they made a stop in Chicago at St. John Cantius in Chicago, where Bishop Joseph Perry celebrated a Pontifical Mass at the Faldstool. Confessions were abundant and the church was overflowing and people had to be turned away to participate in Mass from the street.

More fascinatingly for our musician readers, the propers were also newly composed for the Mass. Because of St. Maria Goretti's new status as a saint, the text of her propers had not yet been set to music. The music director of St Anne's in Charlotte, NC (a parish which received St. Maria Goretti less than a week before Cantius) had already set the Introit to an adapted Gregorian melody.  Deacon Ed Schaefer set the Alleluia, and Br. Matthew Schuster, SJC worked to set the remaining three propers (gradual, offertory and communion). Those who are interested can find the propers here, available for download.

As always, pictures can be enlarged by clicking on them












The Feast of All Saints - 2015

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From the Breviary according to the use of the Roman Curia, 1529, the beginning of the sermon for the sixth day in the Octave of All Saints.
On this day, most beloved brethren, we celebrate the particular festivity of the heavenly Jerusalem, our mother, and venerate the most worthy society of the Church Triumphant. Just as Eve was created out of the side of the sleeping Adam, so also the Church, the mother of all believers, was redeemed and brought forth and grew from the side of Christ as He slept on the Cross. By Her permanence within the ark in the midst of the flood, He foretold that She would preserve the aid given Her by the Cross, and the mystery of Baptism.

Let these things, most beloved brethren, be heard and understood, and because they are great to you, let them seem greater in these mysteries. For with solemn rejoicing we celebrate the new dedication of a temple that was formerly filled with idols unto the reverence of God and the Saints. Through this are designated our liberation from the power of the devil, and the dedication of our souls as temples of God in the washing of baptism. Since we have received this benefit from God, we are admonished that in our hearts, after casting out the idols, we must make firm the constant memory and example of Christ and the Saints, so that we may finally be able to enter the heavenly wedding banquet with them, forever to praise God.

Giusto de’ Menabuoi - Paradise, from the ceiling of the baptistery of Padua Cathedral, 1375-6
This is the sixth year in which we will keep the feast of All Saints by following a sermon from the Roman Breviary of 1529. On the feast itself and each day of its octave, the sermon for Matins follows the same pattern. The first lesson is about the institution of the feast on the part of Pope St Boniface IV (608-15), when he dedicated the Pantheon in Rome as a church. The second lesson is about God, and is followed by six lessons that descend though the hierarchy of the Saints: the Virgin Mary, the Angels, Patriarchs and Prophets, Apostles, Martyrs and Confessors. (Virgins and other holy women are usually mentioned along with the Virgin Mary.) The ninth reading is taken from a homily of St Augustine on the Gospel of the Sermon on the Mount, Matthew 5, 1-12; I do not include these ninth readings in this series, since they can easily be found in the Breviary of St Pius V.

A mid-16th century engraving of the Pantheon, labelled at the bottom “Sancta Maria Rotunda - Round St Mary’s”. This nickname was very commonly given to the church in the Middle Ages, but its official title was and remains “Sancta Maria ad Martyres - Saint Mary where the Martyrs are.” This latter name refers to the tradition that when it was dedicated as a church, Pope Boniface IV placed the relics of hundreds of martyrs in it, having removed them from their original burials in the various catacombs outside the city.

All Souls’ Requiem Mass at St John Cantius Tonight

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Tonight, November 2nd, at St John Cantius in Chicago, the annual All Souls’ Requiem Mass will be offered by Bishop Joseph N. Perry, Auxiliary Bishop of Chicago, in the Extraordinary Form of the Roman Rite (1962). The Requiem Mass in D minor (K.626) by W.A. Mozart will be sung by the St. Cecilia Choir and Orchestra. Mozart’s Ave verum will also be sung, as well as Mendelssohn’s Beati mortui.

A New Requiem Set by Clare Short

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A vestment-maker from England, Clare Short of DiClara vestments, has just completed a black Requiem set, and sent us the following images and description. It is often imagined that the traditional liturgy for the dead is somehow bleak or depressing because it uses black vestments, or because of some of the words of the Dies irae, etc. But in point of fact, this is a very shallow assessment. There are many aspects of it which reflect Our Lord’s own attitude to death, of which C.S. Lewis wrote, “Christ shed tears at the grave of Lazarus, and sweated blood in Gethsemane; the Life of Lives that was in Him detested this penal obscenity not less than we do, but more.” (Miracles, chapter 14) But there are also a great many expressions of hope in the Resurrection within the traditional liturgy, as for example, the Psalm of the Dead par excellence, the De profundis, which begins with the words “Out of the depths I have cried to Thee, o Lord... If thou, O Lord, wilt mark iniquities: Lord, who shall stand it,” but concludes with “Because with the Lord there is mercy: and with him plentiful redemption. And he shall redeem Israel from all his iniquities.” This vestment strikes, I think, a nice balance between these two aspects of the Christian attitude towards death.


“I have been wanting to make a Funeral/All-Souls set for a while. Black is not usually seen nowadays in vestments; in fact, I can honestly tell you that in my 35 years on this earth I have never seen a priest wearing black vestments. This really seems a shame because actually they can be really stunning.

“Black is, of course, the color we associate with death, and it would be easy to fall into the trap of designing a set that was rather stark or even bleak. But for Christians death is not the end, but the door we pass through into eternal life. We have Jesus’ Resurrection to guide us through our grief, and bring us to hope and peace.

“I wanted to make the Resurrection the main theme of this set. Other very old black sets I’ve seen can be really quite macabre, and may even be decorated with skeletons and skulls, like this 17th-century chasuble from Kremsmünster. I suppose attitudes towards death in the 17th-century were much more matter of fact; I doubt a priest could get away with wearing it today!


“The design of my embroidery uses lilies and pomegranates. White lilies are traditionally an Easter flower and are a symbol of the Resurrection, and are also associated with the Virgin Mary as a Christian symbol of chastity, innocence and purity. In pictures of the Annunciation, the Archangel Gabriel is often shown holding a lily branch, or Mary herself is clasping one, or there may be a lily somewhere else in the scene. The Lily in the language of flowers means, “Majesty”.


“I never realised the pomegranate was a symbol of the Resurrection until I visited the Wintour vestment collection earlier this year at Douai abbey in Reading, UK. There I saw highly raised hand-embroidered pomegranates with their seeds bursting out, a symbol of new life which represents Christ emerging from the tomb. I also decided to use the Chi-Rho symbol with the Alpha and Omega to either side. The Chi and Rho are P and X in Latin, and also suggest the word “Pax”. These letters remind us that Christ is the beginning and the end, and reassure us that in Him we can find peace. The embroidery really stands out against the black velvet; I decided to keep the gold braid to a minimum, as I felt the intricate embriodery would benefit more from a plain background.”


Information about purchasing this set can be had by contacting Clare through her website, or writing to her at clare@diclara.co.uk, and here is the link to DiClara’s facebook page.

Romano Guardini on Evening, Death, and Eternal Life

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On this day, the Commemoration of All the Souls of the Faithful Departed, we pray the Lord, in His abundant mercy, may deign to raise up the faithful departed to the vision of His supernal glory. Requiem aeternam, dona eis, Domine, et lux perpetua luceat eis.

Reflections on death, judgment, heaven, and hell were abundant in Catholic preaching and literature of the past, but one is saddened to see that these topics have suffered an enormous eclipse since the Second Vatican Council, an eclipse that has barely abated. Death has been, in a sense, forbidden as a theological topic or pastoral theme, "papered over"; we spend our efforts (at least in affluent Western societies) putting off the day of human reckoning as long as possible, and when it finally comes, nobody knows what to say, think, or do, as evidenced by a widespread lack of profound rituals of mourning and suitably somber liturgical ceremonies focused on praying for the salvation of the departed. As for divine judgment, the pendulum has swung from a supposedly exaggerated fear of the Pantocrator in olden times to our modern non-judgmental God of Elysian fields who holds out crowns for every man, woman, and child, like free tickets to a public event. No matter how one looks at it, there is a serious need for a serious return to traditional meditation and preaching on the Four Last Things.

I have always been struck by a particular meditation offered by Romano Guardini in his marvelous little book, Sacred Signs. Many will already know of this book, because it is one of the best introductions to liturgical symbolism ever written. I remember first finding out about it through a lecture by Fr. Cassian Folsom, O.S.B., Prior of Norcia, in which he took various points from Guardini and used them as a way of explaining how we can pray liturgically with greater understanding of what we are doing and why we are doing it, and with a greater integration of body and soul.

Here is Fr. Guardini's reflection on the meaning of the day's ending, each day's ending:

EVENING
         Evening also has its mystery. The mystery of evening is death. The day draws to a close and we make ready to enter the silence of sleep. The vigor which came with the morning has by evening run down, and what we seek then is rest. The secret note of death is sounded; and though our imaginations may be too crowded with the day’s doings or too intent on tomorrow’s plans for us to hear it distinctly, some perception of it, however remote, does reach us. And there are evenings when we have very much the feeling that life is drawing on to the long night “wherein no man can work.”
         What matters is to have a right understanding of what death means. Dying is more than the end of life. Death is the last summons that life serves on us. Dying is the final, the all-decisive act. With individuals as with nations the events that precede extinction in themselves conclude and settle nothing. After the thing has happened, it remains to be determined, by nations as by individuals, what is to be made of it, how it is to be regarded. The past event is neither good nor evil; in itself it is nothing. It is the face we put upon it, our way of viewing it, that makes it what it is. A great calamity, let us say, has overtaken a nation. The event has happened, but it is not over with. The nation may give way to despair. It may also think the matter through again, rejudge it, and make a fresh start. Not until we have decided how to take it is the event, long past though it may be, completed. The deep significance of death is that it is the final sentence a man passes on his whole life. It is the definite character he stamps upon it. When he comes to die a man must decide whether he will or will not once more take his whole life in hand, be sorry for all he has done amiss, and plunge and recast it in the burning heat of repentance, give God humble thanks for what was well done, (to him be the honor!) and cast the whole upon God in entire abandonment. Or he may give way to despondency and weakly and ignobly let life slip from him. In this case life comes to no conclusion; it merely, without shape or character, ceases to be.
         The high “art of dying” is to accept the life that is leaving us, and by a single act of affirmation put it into God’s hands.
         Each evening we should practice this high art of giving life an effectual conclusion by reshaping the past and impressing it with a final validity and an eternal character. The evening hour is the hour of completion. We stand then before God with a premonition of the day on which we shall stand before him face to face and give in our final reckoning. We have a sense of the past being past, with its good and evil, its losses and waste. We place ourselves before God to whom all time, past or future, is the living present, before God who is able to restore to the penitent even what is lost. We think back over the day gone by. What was not well done contrition seizes upon and thinks anew. For what was well done we give God humble thanks, sincerely taking no credit to ourselves. What we are uncertain about, or failed to accomplish, the whole sorry remnant, we sink in entire abandonment into God’s all-powerful love.


SOURCE

Sacred Signs. First published 1911. Trans. Grace Branham (St. Louis: Pio Decimo Press, 1956). [Last year, I took the public domain text and re-typeset it completely so that my students could have a nice edition. Then I decided to make it available to the public: see here.]

Other excerpts from this book — the sections on kneeling and incense — may be found here.

The Feast of All Saints 2015 - God, the Author of Our Sanctification

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From the Breviary according to the use of the Roman Curia, 1529, the continuation of the sermon for the sixth day in the Octave of All Saints.
On today’s feast, one of such sublime dignity, let us first set before our mind’s eye the memory of our God, praiseworthy above all. But let us take warning, brethren, for praise is not beautiful in the mouth of a sinner. He truly prays to God who humbly sees that he is dust, and attributes no virtue to himself, and knows that the good things which he does are from the mercy of God. And so, perseverance in uninterrupted love devotes itself to His praise with attentive mind, a simple heart, and a disciplined body, not only with a loud voice, but also with the groan of remorse for sin. To obtain these, we are helped by purity, so that in every place and time we may restrain ourselves from illicit deeds, and curb both the ear and the tongue from useless words. For whatever things one happens to do, speak or hear more often, must perforce recur to the mind, which becomes as it were their customary and proper place. And just as swine are wont to frequent filthy wallows, and doves the clear streams of water; so also vain and harmful thoughts disturb an impure mind, while spiritual thoughts betoken men of the spirit. Therefore, in the words of the prophet, let our soul bless the Lord in every place of His dominion, and all that is within us His holy name, which is blessed unto all ages. Amen.

The right wing of the St John Altarpiece, by Hans Memling, ca. 1479, showing the Apostle John and his vision of the Trinity.
The “words of the prophet” cited above are the beginning of Psalm 102, which on most days is sung as the first antiphon of the Byzantine Divine Liturgy. Here is a setting of the Old Church Slavonic version.

Bless the Lord, O my soul: blessed are Thou, o Lord.
Bless the Lord, O my soul, and let all that is within me bless his holy name.
Bless the Lord, O my soul, and never forget all he hath done for thee.
The Lord is compassionate and merciful: long-suffering and plenteous in mercy.
Bless the Lord, O my soul, and let all that is within me bless his holy name: blessed are Thou, o Lord.
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