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Merry Christmas!

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On behalf of all the writers of New Liturgical Movement, I wish all of our readers a Merry Christmas, and every blessing from the Child that is born unto us! By the prayers of the Holy Mother of God and all the Saints, may God grant the world peace in the coming year.

The Nativity of Christ, by Pietro Cavallini, Santa Maria in the Trastevere, Rome, 1296-1300

Photopost Request: Christmas

Solemn Mass (EF), Epiphany of the Lord

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Solemn High Mass in the Extraordinary Form will be celebrated on Tuesday, January 6th (Feast of the Epiphany), beginning at 6:00 pm at Holy Ghost Church, 472 Atwells Avenue, Providence, Rhode Island. Mass will be preceded by a sacred music concert starting at 5:30 pm. In a spirit of mutual enrichment, attendees are encouraged to invite their Catholic friends who are yet unacquainted with the glories of the traditional Roman Rite, and who for their part may give generously to the collection (to benefit the Mother of Life Center). For directions and more information, click HERE.

Sacred Music Course at the Metropolitan Sheptytsky Institute in Ottawa

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The Metropolitan Sheptytsky Institute at the University of St. Paul in Ottawa, Canada is offering an Introduction to Sacred Music course during the university study week, Feb 16-21, 2015. It is a standard 3-credit undergraduate university course, compressed into one week, six hours a day. Students can also register as auditors. It is being taught by Drs. Uwe Lieflander & Brian Butcher.

A more complete description is available here: http://ustpaul.ca/upload-files/Theology/cours2014-2015/THO_2141_H_2015_-_Course_Description_2.pdf. Students can register for the course (for credit or as an auditor) by completing this fillable PDF form: http://ustpaul.ca/upload-files/Admissions-Recruitment/registration-form-special-student_new.pdf and submitting it to Christine Prévost via email at cprevost@ustpaul.ca.

Was your Christmas Mass anything like this?

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A friend of mine, a Parish Priest in the Archdiocese of Westminster, sent me a link to this video earlier today. It is an extract from the 1944 film Christmas Holiday starring Deanna Durbin and shows part of a Christmas Mass. It was filmed at St Vibiana's, the former Cathedral of the Archdiocese of LA which was damaged in the Northridge earthquake of 1994 and sold to the city. St Vibiana's has since been replaced by the new Cathedral of Our Lady of the Angels. The music in the clip includes Puer natus in Bethlehem, the Kyrie from Licinio Refice's Missa Choralis and Adeste fideles.


Our grateful thanks to a kind NLM reader who remastered the clip and made it available to us.

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Saint John's Day Blessing of Wine



     One revered custom of the Christmas season is the blessing of wine on the Feast of Saint John during 
the Christmas Octave. The instructions for the blessing state that after the last Gospel, the priest 
bless the wine in honor of Saint John, who without detriment, drank the poisoned wine proffered by his
enemies.

     The blessing starts with Psalm 22, "The Lord is my Shepherd and I will lack nothing.....He reneweth
my thirsting soul.....my cup overflows and how good it is." A sampling of the three prayers: "Bless and
sanctify this wine which Thou has vintaged for man's drink. Whosoever partakes of it on this holy
solemnity, grant him life in body and soul." "May the Blessed disciple John, Apostle and Evangelist, 
intercede for them that partake of this blessed wine and grant them security from all deadly and 
poisonous afflictions and constant good health of soul and body." "Lord, grant to all who drink this wine,
spritual joy and eternal life." 

     After a Missa Cantata this morning at Mater Ecclesiae, Berlin NJ, this picture was taken with some 
of those who had their wine blessed. May all who have had their wine blessed on this St. John's Day, have
true health and enjoy this gift of Gods creation as we celebrate the recreation of the world by His Son. 
It should be noted that all were invited with one proviso, that the pastor receive a bottle, or at least a glass, 
to celebrate the joy of the season.  Does anyone know if there is a Saints day to bless vodka?
     

Feast of the Epiphany in Philadelphia

Why “Mass of Catechumens” Makes Better Sense Than “Liturgy of the Word”

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Master of Portillo, Mass of St Gregory
It is well known that the Novus Ordo Missae divides the Mass into four parts: the Introductory Rites; the Liturgy of the Word; the Liturgy of the Eucharist; and the Concluding Rite. It is perhaps less known among Catholics today that this is a modern schematic and that the much more ancient distinction—still found in the traditional Latin Mass—is between the Mass of the Catechumens and the Mass of the Faithful. As we bask in the effulgence of the Incarnate Word, it would be well to reflect on why this ancient way of speaking is superior to the modern way.

The central and definitive “word” is Jesus Christ, the Logos or Verbum of the Father, made flesh for us men and for our salvation. It follows that the liturgy of the Word par excellence is the Holy Eucharist itself. To go further, the liturgy of the Word, in the fullest sense, must be the Eucharistic sacrifice, because in this sacrifice the Word which is “spoken” by the Father is offered back to Him, thanks to His human nature, in a perfect self-offering—and this oblation of Christ on the cross is the sole reason we ourselves can receive, can be made “hearers of,” the word of God in nature and in divine revelation. If, instead, one appropriates “word” to the Bible, then this portion of public worship, in terms of the phenomenology of the Mass, risks becoming an equal to the Eucharist, if not its superior.

The verbum Domini or Word of the Lord is the Logos, Jesus Christ Himself. Verbum caro factum est, et habitavit in nobis. It also refers to the “word” (in the idiomatic sense of that which summarizes: “in a word…”) of consecration, which is the mystery of faith, mysterium fidei. Christ, above all, is this mysterium fidei; all other sacred mysteries are such because of their being rooted in Him or flowing from Him. The Church is a mysterium because she is united to Christ, the great mystery, magnum mysterium. Through the consecration, we are taken from the promise of revelation (the Mass of Catechumens) to the Real Presence (the Mass of the Faithful)—a transition from verbum (in the ordinary sense of something spoken) to res (in the sense of the thing signified by word).

The problem, then, with the phrase “Liturgy of the Word” is that the Word, as such, is fully and really present only in the Liturgy of the Eucharist, when the Word Himself is personally present in His divinity and glorified humanity. The sign of the difference is that, while we offer incense to the Gospel in honor of Him whose Gospel it is, it would be sinful for someone to bow down and adore the lectionary, placing his faith and trust in it, and loving it above all things, whereas it is precisely this adoration or latreia that must be given to most holy Eucharist; indeed, as Saint Augustine says (and Benedict XVI often quotes him to this effect), we would be guilty of sinning were we not to adore It.

A Protestant confusion is thus introduced and subtly fostered. According to the Catholic faith, “God’s Word” is chiefly and primarily in the Holy Eucharist because it is Jesus Christ, and only secondarily in the Sacred Scriptures that contain His teaching and bear witness to Him. Like all mere signs, Scripture will pass away in heaven, as the Book of Revelation teaches: “I saw no temple in the city, for its temple is the Lord God the Almighty and the Lamb. And the city has no need of sun or moon to shine upon it, for the glory of God is its light, and its lamp is the Lamb” (Rev 21:22-23). Like all mere signs, it is only for the wayfarer. In Protestant churches, one often sees the Bible sitting up on the main altar, where the tabernacle ought to be, as though at the center of Christianity were a book, something written in lifeless letters on lifeless paper; such an architectural arrangement expresses the very essence of the Protestant heresy, where words replace the Word in His living and life-giving flesh and blood. The Novus Ordo structure follows, in a sense, this verbalistic architectural schema, which makes it more understandable that in Catholic churches all over the world the tabernacle was removed from the center and placed off to the side, usually not in a place of great honor.

No one could have appreciated more than the Jewish Christians of the early Church how vast and profound a change was inaugurated by Christ in the New Covenant. It might seem logical, then, that they should discard the old forms of worship (the old wineskins, as it were) in favor of new ones. But nothing of the sort happened; the Christian worship grew organically out of the pre-existent Jewish worship. When the Christians began to worship exclusively in their own communities, no longer visiting the synagogue for the service of readings, they nevertheless kept and fostered the Jewish traditions in their own Eucharistic worship. The very fact that the Christians saw in the Holy Eucharist the fulfillment of what the Jews read about in their Scriptures indicates that the liturgical connection was understood to be much deeper than merely two back-to-back segments of ritual, one pertaining to “books” and the other to “sacrament” or “mysteries.” From a Patristic perspective, the division of “Mass of the Catechumens” and “Mass of the Faithful” renders the relationship far more accurately: the catechumens are those who, whether Jew or Gentile, remain on the outside of the fold but are approaching entrance to it, whereas the faithful are those who have embraced Jesus Christ as their Lord in the mysteries of initiation and can now, entering into the Holy of Holies, reap the fruits foretold in the Scriptures that are read aloud to everyone (including the catechumens).

The Temple of Solomon
The tradition teaches us continuity, not rupture and discontinuity, even in the midst of the most radical religious shift the world has ever seen within one religious tradition: from the Mosaic law to the grace of Christ, from the Torah to the Cross, from the many sacrifices of the Old Covenant to the one all-holy and all-sufficient sacrifice of the New Covenant. It was a transition not from letter to spirit, but from a cosmic catechumenate to an eternal fidelity, from one Mass to another Mass—or rather, a seamless transition from the outer chamber of expectant preparation to the inner chamber of loving communion.

How strange it is that, in so many respects, the attitude and decisions of those who replaced the organically developed Roman liturgy with a committee-generated fabrication treated the preceding form of Catholic worship as more foreign than the early Christians had treated the worship of the Israelites! Perhaps it is no more strange than the general loss of a sense of obligation or bond to God’s revelation of Himself in the past. We would rather have our own creation from our own time period than something handed down to us by our ancestors. Needless to say, this mentality is profoundly unscriptural, untraditional, unecclesiastical. One may wonder if it is not ineluctably bound up with the Hegelian (or Teilhardian) model of inexorable historical progress through the constant overcoming of the given, as we all march towards Absolute Spirit. But this way madness lies.

The Incarnation is the pivotal point, not the present moment; and the Christ who is the same yesterday, today, and forever, who has been given to us in the apostolic rites of the Church, is the measure of our doctrine and practice—not our own sociological models or theoretical constructs.


A Book for those Interested in the Evangelization of the Culture

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The Spiritual History of English by Andrew Thornton-Norris

What makes a piece of literature or art Christian? Some would say just the content, that is, what is said; others would say both the content and the structure, and that the way in which those truths are conveyed can communicate them more fully. In other words, its not just what you say thats important, but also how you say it. If this is the case, the style of prose or poetry can be Christian (or un-Christian), as much as the meaning of the words considered apart from that style.

Any regular reader of this blog will know that I have long maintained that the style of art is every bit as important as the content, and that since the Enlightenment style has declined because artists have rejected the traditional Catholic forms.

In this slim volume, the English Catholic poet Andrew Thornton-Norris does for poetry and prose what I have been trying to do with art. He relates the actual structure of the writing and the vocabulary used in it to the worldview of the time. He shows us, for example, how even if the poet or novelist is sincerely Catholic and trying to express truths that are consistent with the Faith, he is at a great disadvantage if he is seeking to express those truths with vocabulary and poetic form that reflect a post-Enlightenment culture.

I am not an expert in literary or poetic form and, to be honest, not interested enough in either to seek to become one. So I had to take Mr Thornton-Norriss descriptions of form at face value. However, I agree with his analysis of modernity, which he sees, right down to the present day, as ever greater degrees of the protestant heresy. Chapter by chapter, he analyses and critiques the worldview of the Enlightenment, through to the present day. The philosophies behind neo-classicism, Romanticism, Modernism and Post-Modernism are each presented as differing reactions against Christianity and ultimately, against the authority of the Catholic Church. He then connects each with the cultural forms.

Because he is dealing with the English language, he first describes the rise of the language as a distinct vernacular and connects this with the Faith. He argues that the very idea of the English as a nation comes from the Church, through Pope Gregory the Great and his emissary, St Augustine of Canterbury. He then describes how the language and its literature developed in the light of this, through the influence of figures such as Bede, Alcuin of York and King Alfred the Great.

Then, after the great heights of  writers such as Chaucer and finally Shakespeare, he argues it has all been downhill from there. As he puts it in the beginning of his concluding chapter, This book has argued that English literature has declined, almost to the point of non-existence. In this and previous chapters we have examined what remains: the entrails, the shipwrecks so to speak. It has argued that this decline has been concurrent with that of English Christianity, and it has examined the relationship between these two phenomena.

This means that he is much more suspicious of the Romantic poets, for example, than many other Catholic commentators. I like the idea of this, firstly because it makes me feel less of a philistine for finding them all dull, but also because this parallels exactly my analysis of painting, that the Romantics and all thereafter are inferior to earlier Christian forms (along with neo-Classicism, Modernism and Post-modernism).

Mr Thornton-Norris is discussing general trends, and is not inclined to dismiss all examples of English literature in these periods. Rather, he points out the great disadvantage that those poets and novelists had who were trying to express something that is consistent with the Faith. They were restricted, generally, to the vocabulary and structural forms of the language at the time in which they lived; because these were affected by one form or another of a post-Enlightenment anti-Catholic worldview, they always faced a struggle to escape their time.

Furthermore, Mr Thornton-Norris clearly believes that through the prism of literature, one can identify problems with the whole culture, which are at root related to the rejection of the Faith and its forms of worship. This idea is also very similar to my own about visual art, and appeals to me on a similar level.

The book is a short read, but it contains a lot of ideas that need time to be considered carefully. One of the reasons that the writer has managed to condense so much into just over 150 pages it is that he assumes that the reader is already aware of the broad trends in history in England since the time of Pope Gregory the Great, of the philosophical developments that took place in parallel with the historical events, and of what the literary forms that he describes are. As mentioned, I fell short particularly in the last of these areas. If he had written this for an intelligent but less well-informed audience, he would have had to spend a long time defining his terms and explaining their meaning. He chose not to do this and as a result this is unlikely to be accessible to a large readership. However, I think that the ideas that it contains should be considered and perhaps those whose mission it is to popularize ideas might look at it; if they believe that they have merit, they might then apply their skills to the contents of A Spiritual History of English.

Christmas 2014 Photopost - Part 1

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We have received a huge number of photographs of Christmas liturgies, and so we will be doing at least one other photopost, possibly two more. We will also be doing one for Epiphany. Thanks to all those who have sent them in, and a blessed New Year to all our readers.

St Walburge’s Shrine (ICKSP) - Preston, England




Trinità dei Pellegrini (FSSP) - Rome


St. Joseph Church, Mother of Divine Mercy Parish - Detroit, Michigan





Mary Immaculate of Lourdes Parish - Newton, Massachusetts





Holy Ghost Church - Tiverton, Rhode Island






Holy Family - Latrobe, Pennsylvania


Holy Innocents - Manhattan, New York City











Queen of Peace - Patton, Pennsylvania




Monastery of Our Lady of the Holy Rosary - Dominican Nuns of Summit, New Jersey



St Joseph  - Williamburg, Pennsylvania




St Mary’s - Pine Bluff, Wisconsin



Update: “Singing through the Liturgical Year” – Session 2

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The hymns of the Church are a priceless source of catechesis and inspiration. If you live in or near New York City, you may want to take part in “Singing through the Liturgical Year,” a series to learn about sacred music and to sing (even if you don’t think you have a good singing voice). Father Peter Stravinskas, Ph.D., S.T.D., guides participants through the various liturgical seasons by presenting some of the most popular hymns, in Latin and English, analyzing their theological content and seeking to apply those insights to a life in Christ attuned to the Church’s feasts and fasts. Each session culminates in singing the selected hymns.

The second session of “Singing through the Liturgical Year” concerns the hymns of the Christmas Season and will take place on Thursday, January 8th, at 7:00 pm, at the Basilica of St. Patrick’s Old Cathedral, Parish House, 263 Mulberry Street, Manhattan. Other sessions will be announced throughout the liturgical year.
‟Qui cantat bene, bis orat” (He who sings well, prays twice) — St Augustine of Hippo

Good News for the New Year : A New Church for the Ambrosian EF

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I am very pleased to let our readership know that His Eminence Angelo Cardinal Scola, Archbishop of Milan, has established a new and more suitable home for the celebration of the Ambrosian liturgy in the Extraordinary Form. The church of Santa Maria della Consolazione, also know as Santa Maria al Castello, is situated in the heart of the city, in Largo Cairoli, close to the subway, and a short distance from the Cadorna railway station. The church where the traditional Ambrosian Rite has been celebrated hitherto, San Rocco al Gentilino, is much further from the city center, and in urgent need of restoration.

All ceremonies will be transferred to Santa Maria della Consolazione beginning on Sunday, January 11th; the Mass will be celebrated with the same schedule, all Sundays and Holy Days of obligation at 10 a.m. Further information may be requested by writing to messatradizionale.milano@gmail.com.


We join Una Voca Milano, and all of the faithful attached to the traditional form of the Ambrosian Liturgy, in thanking His Eminence Cardinal Scola for his pastoral solicitude on their behalf, and likewise, in thanking Mons. Claudio Fontana, the archbishop’s delegate to the communities who use the older liturgical books, and Mons. Carlo Faccendini, episcopal vicar for the city of Milan, for their efforts to arrange the transfer to the new church.

The Feast of the Circumcision 2015

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God, who is all-good, was not ashamed to undergo the circumcision of the flesh, but gave us Himself as a type and example to all unto salvation. For the Maker of the Law fulfils the requirements of the Law and the proclamations of the Prophets concerning Him. Thou who holdest all things in the palm of Thy hand, and were wrapped in swaddling clothes, o Lord, glory to you! (Idiomel at Vespers of the feast of the Circumcision in the Byzantine Rite.)

The Circumcision of Christ, as represented in the Menologion of Basil II, ca. 1000 A.D.
Οὐκ ἐπῃσχύνθη ὁ πανάγαθος Θεός, τῆς σαρκὸς τὴν περιτομὴν ἀποτμηθῆναι, ἀλλ’ ἔδωκεν ἑαυτόν, τύπον καὶ ὑπογραμμόν, πᾶσι πρὸς σωτηρίαν. ὁ γὰρ τοῦ Νόμου Ποιητής, τὰ τοῦ Νόμου ἐκπληροῖ, καὶ τῶν προφητῶν τὰ κηρυχθέντα περὶ αὐτοῦ. Ὁ πάντα περιέχων δρακί, καὶ ἐν σπαργάνοις εἱληθείς, Κύριε, δόξα σοι.

Gregorian Chant and L’Orgue Mystique of Charles Tournemire

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On 3 January at St John Cantius, Chicago, there will be a Traditional Latin High Mass with Gregorian Chant and corresponding movements from Charles Tournemire's L'Orgue Mystique. Tournemire (1870-1939) was organist at the Basilica of Sainte-Clotilde, Paris, succeeding César Franck and preceding Jean Langlais. His L'Orgue Mystique is a large cycle of works based on the Gregorian Chants of the Liturgical Year. Many organists feel that Tournemire's contribution to the Music of the Church has never had the widespread recognition which it deserves, and it is wonderful that St John Cantius is promoting this rich deposit of Catholic organ music. This will be a superb opportunity to hear some of the movements in their proper context. The organ will be played by Richard Spotts and there will be further events during the day as detailed below, and further information and tickets are available here.

12:00 pm Traditional Latin High Mass, 1962 Missale Romanum (church) with Gregorian Chant & Tournemire’s stunning musical meditations based upon those sublime chants.
1:15 pm Lunch in Café San Giovanni (lower level)
2:00 pm Talk on L’Orgue Mystique (church)
2:30 pm Organ Recital (church)

The photos below were taken recently at Sainte-Clotilde in Paris, and the YouTube clip below features Richard Spotts playing Triptyque from L'Orgue Mystique, performed at Westminster Choir College. The CMAA's Jennifer Donelson and Stephen Schloesser edited a wonderful book entitled Mystic Modern: The Music, Thought, and Legacy of Charles Tournemire which is available here.


Epiphany Photopost Request

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We will be doing a photopost for the feast of Epiphany, possible more than one if we get enough submissions; please send your photos (regardless of the form, rite or date of the celebration) to photopost@newliturgicalmovement.org for inclusion. We will also be glad to receive photographs of other rites from the season, such as the Epiphany blessing of water, the singing of the Te Deum on New Year’s Eve, or the Veni Creator Spiritus on New Year’s Day. I also want to thank all those who submitted photographs for our various photoposts over the course of 2014. Evangelize through beauty!!

Albertus Magnus Center Announces 2015 Summer Program

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This has just come in from the Albertus Magnus Center for Scholastic Studies, which holds a delightful summer program each year in Norcia, Italy, benefiting from the presence and the liturgies of the Benedictine monks who reside there at the birthplace of SS. Benedict and Scholastica. I highly recommend checking it out -- the academic programs are always very solid and worthwhile, the participants have a jolly time of it, the monastery is a taste of heaven on earth, and the town of Norcia just glorious at that time of year. So, without further ado, here's the announcement:
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The theme for the 2015 Summer Program is St. Paul's First Epistle to the Corinthians. We will be undertaking a thorough reading of the Letter, following St. Thomas's commentary upon the epistle as our guide. The Epistle offers the opportunity to explore in depth the subject of grace as it is found principally in the sacraments. In particular, St. Paul's letter focuses on the sacraments of Baptism, Matrimony, and the Eucharist, and so participants will gain a greater understanding not only of these sacraments, but also an understanding of how grace works through the sacraments so as to order man to his end.
In accordance with the particular mission of the Saint Albert the Great Center for Scholastic Studies, which seeks to promote the study of theology according to the mind and method of the great scholastics, the core of every Summer Program lies in the attentive reading and thoughtful discussion of the great texts of the Catholic theological tradition. After Scripture itself, pride of place belongs to the Fathers and Doctors of the Church, and especially to St. Thomas Aquinas. ...
Throughout the two weeks of the program there will also be ample opportunities for spiritual activities. Holy Mass is available in Norcia several times per day. Our schedule is constructed in such a way as to encourage participation in the daily Conventual Mass of the Benedictine monks, which is offered in Latin (usus antiquior) in the Basilica of St. Benedict. Participants are also invited to join the monks in praying the divine office: Lauds, Vespers, Compline, or even Matins at 4:00 A.M.! The priests of the monastery will of course be available for spiritual counseling, guidance, and/or confessions.
Finally, the enrichment of mind and spirit fostered by attentive reading of the Gospels and participation in the prayers and liturgical celebrations of the monastery will be complemented by moments of relaxation and cultural activities. The picturesque medieval town of Norcia is located right at the edge of the beautiful Mount Sibilini National Park. Optional excursions will be organized to nearby towns (places to be announced) - in the past, we have traveled to Assisi and Cascia. In addition, we will plan a longer weekend trip to Rome at the end of the program in order to have a relaxing but formative experience in the Eternal City, the glorious foundation seat of the Church – optional, but highly recommended!
Calendar of the program:
July 12. Sun. Arrival Day.
July 13. Mon. Normal Program Schedule.
July 14. Tues. Normal Program Schedule.
July 15. Wed. Normal Program Schedule.
July 16. Thur. Optional Excursion (Location to be announced).
July 17. Fri. Normal Program Schedule.
July 18. Sat. Normal Program Schedule.
July 19. Sun. Optional Excursion to Cascia.
July 20. Mon. Normal Program Schedule.
July 21. Tues. Normal Program Schedule.
July 22. Wed. Modified Program Schedule.
July 23. Thur. Modified Program Schedule.
July 24. Fri. Optional Excursion to Rome.
July 25. Sat. Optional Excursion to Rome.
July 26. Sun. Departure Day.
Cost: 675 Euro. As of December 29, 2014, this was roughly $825 (exchange rate 1.121). This covers tuition, room, and half-board in Norcia. Half-board includes a light breakfast and a multi-course Italian style dinner, leaving the midday meal to be arranged individually by the participants. It does not cover the cost of our trip to Rome.
For more details, see the full announcement here.

Christmas 2014 Photopost - Part 2

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We have received such a large number of submissions for our Christmas photoposts that I am going to do a third one tomorrow, so as to keep them to a manageable length. Once again, our heartfelt thanks to all those who sent us these photographs.

Te Deum on New Year’s Eve at the Church of St. Michael the Archangel - Munich, Germany


Mount Saint Peter Parish - New Kensington, Pennsylvania




Ss Peter and Paul - Würzburg, Germany





St Anne’s Church - Belmont, Western Australia


Our Lady of Victory - Santiago de Chile




Our Lady of Lourdes - Philadelphia, Pennsylvania



All Saints - Minneapolis, Minnesota


Christmas 2014 Photopost - Part 3

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Our third and final photopost for Christmas of 2014. Don’t forget to send in your photos of Epiphany celebrations!

Mass of St Stephen, Damenstiftkirche (FSSP) - Munich, Germany




Holy Rosary (Dominicans) - Portland, Oregon
Midnight Mass of Christmas in the Ordinary Form





Mass of Christmas Day in the traditional Dominican Rite





Holy Family Parish - Quezon City, Diocese of Cubao, Philippine Islands









Christmas Carol Service - The Shrine of Our Lady of the Enclosed Garden, Warfhuizen, the Netherlands







St Anthony - Des Moines, Iowa







St Martin of Tours - St Louis, Missouri 



St Anthony of Padua - Jersey City, New Jersey



Sacra Liturgia USA 2015 Registration Page is Open

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The registration page is now open on the Sacra Liturgia USA webpage. Click on "Conference" in the dropdown menu and you'll see a button on the right side with the form labeled "register here." We look forward to seeing you in New York!
On the conference website you'll also find information about affordable housing and the conference venues. There is also the opportunity to donate to a scholarship fund for seminarians. 
Please note that we've worked to keep the conference fee low for everyone since there will be many priests and religious attending the conference, as well as laymen who work for the Church and are on a tight budget. Because of this, we've offered a low price for all, not just clergy, so that the conference is affordable. Partial registrations will become available at Easter.

Publication of the Date of Easter 2015 on the Day of the Epiphany

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For general explanations about this very old use of publishing the date of Easter after the gospel of the Epiphany, see our previous post of 2012 here!


ROMAN RITE

Here is the chant of the Roman rite for 2015:

Noveritis Romanum 2015

"Know, dearly beloved Brethren, that by the mercy of God, as we have been rejoicing in the Nativity of our Lord Jesus Christ, so also do we announce unto you the joy of the Resurrection of the same our Saviour.
Septuagesima Sunday will be on the 1st day of February.
Ash Wednesday and the beginning of the fast of most holy Lent will be on the 18th of the same month.
On the 5th of April we shall celebrate with joy the holy Pasch of our Lord Jesus Christ.
The Ascension of our Lord Jesus Christ will be on the 14th of May.
The Feast of Pentecost on the 24th of the same month.
The Feast of Corpus Christi on the 4th of June.
On the 29th of November will occur the first Sunday of the Advent of our Lord Jesus Christ, to whom are honour and glory for ever and ever. Amen."


This printable booklet might be useful for the deacon.


PARISIAN RITE

Here is the chant of the old rit of Paris for 2015:

Noverit Parisiense 2015


AMBROSIAN RITE

Here is the chant for the Ambrosian rite for 2015:

Noverit-Ambrosianum-2015

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