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Pius XI, Consistory


Usus Antiquior Celebrated for Students of Oratory Prep School, Summit, New Jersey

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By way of a reader tip and in turn by way of NJ.com is the following story of a Mass celebrated in the usus antiquior for the students at the Oratory Prep School in Summit, New Jersey.

The Mass was celebrated by Fr. Michael Barone of the archdiocese of Newark, New Jersey. Attentive readers may recall that Fr. Barone has been mentioned on NLM before, most recently within the context of the Catholic Artist's Society gathering this past autumn.

Traditional Latin Mass at Oratory Prep enlightens

SUMMIT — When students at the Oratory Prep School entered the gymnasium recently for a special Mass, guest celebrant Reverend Michael Barone told them why Latin was used historically in Mass. “This is what distinguished the Catholics from the Protestants in years past. The use of Latin today heightens our sense of mystery and awe for that which is sacred.” The entire Mass was conducted in Latin by the guest celebrant and had an audience of students who are studying Latin.

Fr. Michael further explained, “We aren’t meant to understand all that’s going on in Mass; there’s mystery involved.” He went on to tell the boys in grades seven through twelve, “God won’t compete with electronic devices. Mass is not mere entertainment; it is the Mass of the Ages that endures for all time. You are being asked to preserve the traditions of the church.”

One of the traditions that Fr. Michael asked the boys to observe was to kneel during the consecration. Another tradition observed was to have the congregants kneel for the distribution of Holy Communion.

Junior Cormac Rada of Asbury said the priest’s words were important. “It’s a common misconception that priests have their backs to us at a traditional Latin Mass,” Cormac said. “But it’s a form of adoration: he’s not just officiating…he’s one of us as our representation. He is praying with us to God.”

Lenten Observances in the Vein of a New Liturgical Movement

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Lent begins this Wednesday and so it is about that time to once again give our readers some considerations for their possible Lenten observances; possibilities which I believe mesh particularly well with a new liturgical movement.


Mass

Suffice it to say, making more frequent attendance at Mass during the week is an excellent Lenten observance. The point seems so obvious as to not even need a mention, but I wish to mention it nontheless.


The Divine Office

The Divine Office provides a particularly good way -- a liturgical way -- of joining oneself to the rhythm and progression of the liturgical season of Lent -- and all of the rest of liturgical time as well. One prays with the Church's voice, with the proper of the season that the Church presents to us, and with the psalms, canticles and the scriptures generally.

Lent provides a good opportunity to help establish or re-establish the habit of praying the Divine Office by making it a part of your Lenten spiritual discipline and commitments. For those who do not own a breviary proper, various sites are available online for both the older and newer forms of the Roman breviary. For those who would note that they are not yet familiar with how to pray the Divine Office, this may well provide a good opportunity to begin to learn -- which, in its own right, could certainly be understood to be a worthwhile Lenten exercise and discipline that will bear fruit well beyond Lent itself.

Remember as well that praying the Divine Office does not mean praying all of the hours. You might choose Lauds, Vespers and Compline (Morning, Evening and Night prayer), or perhaps simply Lauds and Vespers, or perhaps even only one of the hours. Whatever the case, my suggestion to you is to establish a routine, a discipline for yourself that meshes with your schedule -- and stick to it. Essentially, praying the Divine Office needs to be built into your day to day routine and rhythms. Establishing that routine, that "horarium" if you will, will indeed help you to establish and keep the habit. For example, that might meaning praying Lauds as soon as you awake, or as soon as you have readied yourself for the day; adjust your wake up time by 15 or 20 minutes if need be, and if that seems hard to do, recall the priority we should give to God in our lives and motivate yourself with a consideration of the much greater sacrifice accomplished for our sake on the Cross. It might mean praying Vespers first thing when you return home in the evening from work, or immediately after dinner. Much will depend upon individual schedules of course, both work and family schedules. Wherever it might fit in terms of your day to day routine, make it a part of that routine. By further making it a part of your Lenten commitments, this can be of great motivational help.


Lectio Divina

A specific practice of spiritual reading that deserves more attention is the practice of "lectio divina" -- the slow, prayerful, meditative reading of the Sacred Scripture defined by four aspects: lectio (the slow reading of some passages of sacred scripture); meditatio (meditating on what has been read); oratio (prayer to God); and contemplatio (the silent adoration and contemplation of the presence of God). Our Holy Father, Pope Benedict XVI, described these stages accordingly in his Message to the Youth of the World on the occasion of the 21st World Youth Day, April 9th, 2006:

...I urge you to become familiar with the Bible, and to have it at hand so that it can be your compass pointing out the road to follow. By reading it, you will learn to know Christ. Note what Saint Jerome said in this regard: "Ignorance of the Scriptures is ignorance of Christ" (PL 24,17; cf Dei Verbum, 25). A time-honoured way to study and savour the word of God is lectio divina which constitutes a real and veritable spiritual journey marked out in stages. After the lectio, which consists of reading and rereading a passage from Sacred Scripture and taking in the main elements, we proceed to meditatio. This is a moment of interior reflection in which the soul turns to God and tries to understand what his word is saying to us today. Then comes oratio in which we linger to talk with God directly. Finally we come to contemplatio. This helps us to keep our hearts attentive to the presence of Christ whose word is "a lamp shining in a dark place, until the day dawns and the morning star rises in your hearts" (2 Pet 1:19).

Pope Benedict has, at other times as well, spoken of and encouraged this practice of lectio divina, noting that he believes the practice can help bring a new spiritual springtime within the Church:
I would like in particular to recall and recommend the ancient tradition of Lectio divina: the diligent reading of Sacred Scripture accompanied by prayer brings about that intimate dialogue in which the person reading hears God who is speaking, and in praying, responds to him with trusting openness of heart (cf. Dei Verbum, n. 25). If it is effectively promoted, this practice will bring to the Church - I am convinced of it - a new spiritual springtime.

Certainly then, this practice might indeed be something to give serious consideration for this Lent -- and beyond.


The Roman Martyrology

The Roman Martyrology presents to us the heroic acts and sufferings of the Christian martyrs, which is certainly pertinent as we bring to mind the Passion of Christ. This presents another possible Lenten consideration. If you do not own a copy, you can read it freely online here.


Other Spiritual Reading

While Lectio Divina or the reading of Sacred Scripture generally, should be of particular consideration for us in the area of spiritual reading, evidently there are other spiritual writings which are certainly of merit as well.

First, in keeping with a liturgical theme, readers may like to consider Dom Prosper Gueranger's writings for Lent.

Two years ago, each day we took readers through the different stational churches of Rome. You are certainly welcome to re-read those entries. You might also want to pick up a copy of The Stational Churches of Rome, written by Fr. Frank Phillips of the Canons Regular of St. John Cantius.


Fast and Abstinence

Lent is traditionally a time of fast and abstinence. Evidently, the obligations surrounding this have been much relaxed in the West in the past few decades, but the relaxing of the obligation does not mean there is not value in still opting to pursue these practices. Indeed, there is nothing (outside of health and age) to prevent one from taking up the practice of devotional fasts and abstinence.

Shortly after Lent begins, we traditionally observe the Lenten Ember days -- on Wednesday, February 29th, Friday, March 2nd and Saturday, March 3rd. Whether you do or don't follow the EF calendar, these days might provide a particularly good opportunity to observe the fast and abstinence discipline.


Conclusion

Each of these suggestions are all things which are not only pertinent to Lent, but also beyond Lent. Indeed, I would encourage you to make it your intent to continue them beyond Lent and through the rest of the liturgical year.

"Pastoral Liturgy" Re-considered

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On his blog, Fr. James DeViese runs a very interesting article I've been meaning to share with our readers: Building Pastoral Liturgy through Ministry.

Now I suspect that titling might bring some of our readers to mind of something that might have been written in the 1970's, but before you judge an article by its title, read on:

Building Pastoral Liturgy through Ministry


I realize that the title of this particular talk may seem to be a bit on the soft and fluffy side, given our encounters up to this point. However, my words are intentional. In this talk, I want to examine the liturgy from a pastoral and practical standpoint. We will explore briefly the questions I posed in my previous talk: the who, what, where, how of the Mass, if you will; we will look at the true nature of ministry, a nuanced understanding of pastoral ministry, and we will touch on two of the more popular phrases in liturgy today: the hermeneutic of continuity and mutual enrichment.

I. Orientation of the Liturgy

When one uses the word “orientation” in terms of the Mass, most people’s minds immediately jump to images of a priest “with his back to the people,” or “facing the same direction,” or “everyone facing east.” Books like Cardinal Ratzinger’s Spirit of the Liturgy and Michael Lang’s Turning Towards the Lord have made compelling arguments for this type of liturgical orientation from historical, theological, and spiritual points of view. I do not intend to repeat everything that they have said or written.

Instead, I want to focus on a more basic aspect of liturgical orientation, namely the focal point of liturgical worship. In the postmodern age, liturgical worship is often relegated to being thought of as a “communal act” that focuses on, emphasizes, and even centers around the gathering of the congregation. Songs like “Gather us in,” “We are the Church,” etc., have solidified this in the minds of so many Catholics. We have lost touch with the true purpose for the sacred liturgy, which is worship of God, and of God alone.

It seems that I find myself going off on a diatribe with my own parishioners on a fairly regular basis, trying to make them understand the reason we celebrate Mass, and why it is important. And I say the same thing over and over again: There is nothing more sublime or profound than the sacred action in which we worship the one God, living and true. I repeat: There is nothing more sublime or profound than the sacred action in which we worship the one God, living and true. All our efforts, and the disposition of our minds and hearts must be singularly focused on this reality. The Mass is for God, not for us.

This is not a popular sentence. But allow me to explain. The Holy Sacrifice of the Mass, insofar as it is the re-presentation of the unbloody sacrifice of Christ on Calvary for the salvation of the world, makes real for us time and time again the salvation into which we have been baptized, and in which we share as members of the Christian Faithful. The Sacrament of the Holy Eucharist, made present in the Mass, is—like all Sacraments—for the sanctification and edification of the People of God. But at its essence, the Mass remains our act of worshipping God—the new sacrifice of the Temple, the spotless lamb slain by the priest in the Holy of Holies for the expiation of sin—an offering to God, that He might be pleased with His people. It is how we worship! Plain and simple!

Yet, it is easy to see how this is often glossed over, diminished, or even outrightly rejected in favor of a more protestantized, post-modern, community-centered understanding that strips from the Mass any sense of worship aimed at the Divine, and leaves it a hollowed-out shell of a gathering that celebrates human beings and their relationship with God (which is always perfect—have you ever noticed that?!). This lack of orientation is what I’m speaking of...

Read the rest of the article here: Pastor Montanus

Culture, Liturgy, Beauty and Anthropology

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I have written before, here of the idea that liturgy and culture are linked. Each forms and reflects the other. If this is the case, then the answer to the question of how to reform a culture of ugliness, even a culture of death in any lasting way has its roots in or at least must include firmly at its heart, liturgical reform.

A true Catholic culture is one that not only reflects the liturgy, but through its compelling beauty, is so powerful that it overcomes other cultures and dominates the profane (i.e. the wider culture outside the domain of religious practice). This is the case with the gothic and the baroque. All art, architecture and music during these periods, for example, seemed to be drawing on the forms that were set in the liturgy.

In his book The Spirit of the Liturgy, Pope Benedict XVI says the following: 'The Enlightenment pushed the Faith into a kind of intellectual and even social ghetto. Contemporary culture turned away from the Faith and trod another path, so that faith took flight in historicism, the copying of the past, or else attempted to compromise, or lost itself resignation and cultural abstinence.'

In other words, by the 19th century and as a result of the Enlightenment, the culture of faith was separated from the wider culture. Catholic culture, as it was manifested at this time, was not a genuine Catholic culture of beauty, but rather an emasculated, paler version. In the area that I know well, art, we see this very clearly. There are some exceptions, but in general the academic art of the 19th century is only a poorly defined shadow of the 17th century baroque from which it is descended. For those who are interested to know more, you might read for example articles here and here or for a fuller account read the book Baroque by John Rupert Martin.

If we accept the premise and this assessment of the culture, then it indicates that in the 19th century there were problems with the liturgy as well as the culture. This would explain why the response to the Enlightenment in this period was not only intellectual, but also liturgical, with the beginnings of a liturgical reform movement. This being so, the question remains as to what it is about the Enlightenment that affected the liturgy?

I read recently Looking Again at the Question of the Liturgy with Cardinal Joseph Ratzinger: the Proceedings of the July 2001 Fontgombault Liturgical Conference, edited by Alcuin Reid. One of the presentations was by Stratford Caldecott, who runs the Thomas More College Centre for Faith and Culture in Oxford. Mr Caldecott argues that the problems lay in the fact that the anthropology - the understanding of the nature of man - had strayed from a full recognition of the tripartite anthropology described by scripture. St Paul for example, talks of body, soul and spirit. There had been tendency argues Caldecott, to equate, or at least insufficiently differentiate between, soul and spirit. (His presentation is online, at the Second Spring website, here. Go to the section on the left that says 'online reading' and then click the title of the article: Liturgy and Trinity; Towards a Liturgical Anthropology.)

His description of the 'spirit' is most interesting. Equating it with the intellectus of the Western medievals or the nous of the Eastern Church in the tradition of Church Fathers, the spirit is the spiritual receptive knowing power of the human mind. This is the aspect that 'sees', so to speak, God and is receptive to grace. While the fathers do sometimes use the word soul interchangeably with a description of the full spiritual dimension of man that includes both spirit and soul (when using the scriptural use of the terms), the distinction of the two in the minds of the medievals is never lost. Occasionally in icons the artist paints a 'bump' in the forehead. I was told that this shape drawn in the forehead, between the eyes, is sometimes considered a physical manifestation of the spiritual eye, the nous.

A quote from Josef Pieper's Leisure the Basis of Culture (p. 11-12) was helpful to me here:

The medievals distinguished between the intellect as ratio and the intellect as intellectus. Ratio is the power of discursive thought, or searching and re-searching refining and concluding, whereas the intellectus refers to the ability of 'simply looking' (simplex instuitus) to which the truth presents itself as a landscape presents itself to the eye. The spiritual knowing power of the human mind, as the ancients understood it, is really two things in one: ratio and intellectus: all knowing involved both. The path of discursive reasoning is accompanied and penetrated by the intellectus' untiring vision, which is not active but passive, or better, receptive - a receptively operating power of the intellect.

Without a full acknowledgement of the tripartite anthropology, suggests Caldecott, a flawed dualism consisting only of body and soul is created and an instability in which one of the aspects tends to dominate the other to the exclusion of God (just as Cartesian dualism was inherently unstable and led in two very different direction: materialism and idealism). According to trinitarian anthropology, the human person is by its very nature other-centred. We love God, and this opens us to the life of the other; we love our neighbour, and this opens us to the love of God. Without fully appreciating the spiritual faculty of the soul we cannot properly understand either marriage (based on the self-giving love of man and woman) or the Mass (the marriage of heaven and earth). Thus the crisis over Humanae Vitae in the 1960s was paralleled by the crisis over reforms in the liturgy because both had the same root -- an earlier loss of the sense of the spirit uniting husband and wife in openness to new life on the one hand, and of the spirit uniting priest and laity in one single work of sacrifice on the other. To those who had acquired this mentality, it seemed that the Mass had become an exercise in which the priest did his thing at the altar and the laity waited and watched or prayed their rosary in the pews. This is why why they went to the other extreme of over-stressing "activity" in the Mass, along with human fellowship and social justice, as though these were the only things that were important. Many religious orders went into steep decline as the communitarian aspect of their mission took precedence over the liturgical, the love of neighbour over the love of God. It is the spirit in man that opens us to the "vertical" dimension of grace: without it, both marriage and the liturgy are reduced to activities performed on the horizontal plane, with little or no relationship to heaven.

It strikes me that such a neglect as a result of the Enlightenment should result in a cultural decline as well as a liturgical decline is made all the more understandable when one considers the role of the intellectus, or spirit, in the apprehension of beauty. In the first part of her little essay Beauty, Contemplation and the Virgin Mary, Sister Thomas Mary McBride, OP describes succinctly in just a few paragraphs, the traditional understanding of beauty and how man apprehends it. She draws on the Latin medievals and states that beauty illuminates the intellectus, describing the apprehension of beauty as the 'gifted perfection of seeing'. Then echoing Caldecott in the connection between intellectus and spirit says: 'In the light of the above, this writer would suggest that the proper place of beauty is in the spirit.'

An appropriate active participation in the liturgy is one that engages the full person in order to encourage within us the right interior disposition. Any participation in the liturgy that does not engage body, soul and spirit therefore does not engage the full person. Our participation in the liturgy is the primary educator in the Faith at all levels. A true conformity of body, soul and spirit is what is desired. One can see that any participation in which consideration of the spirit is neglected (through a balanced active participation of soul and body) will result in therefore necessarily result in a deficiency in our ability to apprehend beauty, which resides in the spirit. This explains this link between culture and liturgy and how important liturgical reform is in our efforts to create a culture of beauty today.

EF Friendly Ordinary Appointed Bishop of Lourdes

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Just a quick note before the weekend about this story today on Chiesa: The ancient rite reappears in Lourdes.

The story relates to the appointment of Mgr. Brouwet to the French diocese of Lourdes:

Following the "personal" appointment of Bishop Francis Moraglia as patriarch of Venice, Benedict XVI has hit a similar shot with the Church of France.

He did so last Saturday, February 11, the feast of the Blessed Virgin of Lourdes, when he appointed the new bishop of the diocese in which the famous Marian shrine stands, that of Tarbes and Lourdes. Pope Joseph Ratzinger has called to this post Nicolas Brouwet, who will turn 50 next August 31, since April of 2008 the auxiliary bishop of Nanterre, the diocese in which he was born and was ordained a priest in 1992.

The story continues:

The choice of Brouwet, like that of Moraglia, did not go through the scrutiny of the cardinals and bishops of the relevant congregation in one of their regular Thursday meetings. Both will take possession of their respective dioceses on March 25, the feast of the Annunciation.

[...]

Bishop Brouwet, however, although he is young, is recognized as having a liturgical sensibility that is particularly faithful to tradition. Last December 25, he celebrated Christmas Mass in the extraordinary form of the Roman rite, according to the motu proprio "Summorum Pontificum." He has also participated in the traditionalist pilgrimages from Paris to Chartres on Pentecost. His stance on moral issues is also in keeping with tradition.

This does not mean that Brouwet is a traditionalist tout court; it is enough to see his official photos in clerical dress to understand this. He belongs instead to that generation of young priests who, like pope Ratzinger, consider the traditionalist world – very lively in France even in its non-Lefebvrist component – more as a resource than as a problem, unlike the progressive old guard of the episcopate, less and less influential...

Lourdes is not a cardinal diocese, but with its famous Marian shrine it is like the spiritual heart of France. It is there, in fact, that the plenary assembly of French bishops regularly meets. Not to mention the international dimension of the diocese. Faithful, seminarians, priests, bishops and cardinals from around the world arrive there. Some problems of an administrative nature that have been seen recently in the diocese have been monitored with special attention by the Holy See as well.

For all these reasons, it is even more significant that Benedict XVI has entrusted the diocese of Lourdes to a young bishop with well-defined characteristics like Brouwet.

Read the entire story on Chiesa.

Introducing Chant into the Domestic Church

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[The following is an NLM guest article submitted to us by one of our readers after reading our post here, The Family Celebration of the Divine Office, published Dec. 1, 2011.]

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Introducing Chant into the Domestic Church


by J. Jacob Tawney

The music proper to the Roman Rite is Gregorian Chant. This point has been repeated by numerous Popes, by the Second Vatican Council, and by liturgical scholars spanning the centuries. There are many reasons for this, of course, but the primary one is that Gregorian Chant grew along side the liturgy, so much so that the two are intrinsically connected. Where there is liturgy, there is chant, and where chant is absent, the liturgy suffers greatly.

The term domestic church appears in the documents of Vatican II. There are some who say that Pope Paul VI coined the term, yet there are early church documents that refer to the family as the domestic church. It appears that this concept has been a part of Catholic tradition since the patristic era. The essence of the domestic church is that the family, and not the geographic parish, is the first “church” we encounter. This is true as a child, but it remains true even into adulthood. The Catechism of the Catholic Church teaches that the home is the first school of Christian life, the place where people learn love, forgiveness, and a life of prayer.

Piecing together these two ideas, it seems that (1) if the music proper to the Catholic Church is chant, and (2) if the domestic church is the first place that we encounter worship, then it follows that Gregorian Chant should find a place within the life of the family. I suggest that there are three ways in which sacred chant can become rooted in the family and thereby serve as a means of formation for both children and parents.

First, while the family has a primary obligation to live out a life in prayer, all prayer finds its source and summit in the sacred liturgy. It is in the sacred liturgy in that the chant of the Church finds its purpose and fulfillment. Parents who attend a parish that employs chant regularly are very fortunate indeed, for these folks will be able to find both a starting point and support for any chant introduction that they bring into the home. It is absolutely essential that we experience chant in the context of the liturgy. For those who are not fortunate enough to have a regular schola or even occasional chant, perhaps parents can find other opportunities in the area.

The second way to bring the music of the Church into the domestic church is through high quality recordings. We live in the age of the internet where albums once obscure are now available at the click of a mouse. Obtaining the chants proper to the Mass is easier than it has ever been. I recommend getting a copy of various settings of the Mass Ordinary (pieces like the Agnus Dei and the Kyrie that are a part of every Mass). Because children are already familiar with their place in the Mass, parents can introduce not only their music but also their meanings quite easily. One need not be a Latin scholar to tell a child, “This is the Lamb of God,” and to remind the child of the vernacular translation. I also recommend getting some pieces that are not familiar and whose translations may not be accessible to everyone. The reason for this is twofold. First, it is not necessary to understand the Latin words in order to appreciate the music. Sometimes it is better just to sit and be absorbed into the glory of the graceful rising and falling of notes. Second, pieces from the Mass Propers (those parts that change form Mass to Mass, such as the Introductory Chant, or Introit) are often more ornate and quite beautiful. In particular, the Communion chants that are part of the Church’s liturgy are often little masterpieces in and of themselves. Finally, I recommend getting copies of the “standards,” chants that are not necessarily a part of the Mass but help form the rich patrimony of the church’s musical tradition. These chants would include the classic Marian hymns (Ave Maria, Salve Regina, etc.) as well as other hymns such as the Te lucis and Tantum ergo.

When purchasing quality recordings, I would begin with the schola out of Oregon that calls themselves Cantores in Ecclesia and is directed by Dean Applegate. They have three albums available. The first is O Lux Beatissima, which is a collection of the Mass Ordinary and many other common Catholic chants. The second is Cantemus Domino, which contains examples of Mass Propers. The third is Inclina Domine which has more Mass parts from both the Ordinary and the Propers. (If you are looking for where to begin, my own personal opinion is with O Lux Beatissima.)

However, we live in an age where many people are posting quality recordings for free online. A quick Google search can usually lead to a plethora of high quality pieces.

The third way in which to bring the chant of the Church into the family is by actually teaching young children these “Catholic classics.” A friend of mine who grew up in Italy often reminisces about the chant that was sung in his humble home. The children all grew up knowing an entire repertoire of Gregorian selections. He also laments the absence of such an environment in our current culture. For my own part, this strikes me as but one of the ways in which we have seen a loss of Catholic identity. This music is our music; it is a part of our heritage. An Italian family would never abandon traditional pasta dishes from their dinner repertoire. Similarly, a Catholic should never abandon his own musical heritage. Despite the fact that most liturgies have, contrary to the recommendation of Vatican II, left Gregorian Chant in the dust of the 1960’s, it remains the traditional music of the Roman rite.

Our own family has taken the idea of domestic church seriously and has brought the Church’s liturgy quite literally in the home in the recitation of the Liturgy of the Hours. The Liturgy of the Hours is a set of prayers that are said at various times throughout the day. Priests are obliged to pray the Divine Office, but the laity are encouraged to do so as well. The purpose of the Hours is to sanctify the entire day by participating in the public worship of the Church. Much like each Mass is a participation in the Heavenly Liturgy, so too is the Liturgy of the Hours. The pope, each bishop, every priest, and even the Angels and Saints are praying each hour along with us. Of course, we are not here equating the Liturgy of the Hours with the Holy Sacrifice of the Mass, but rather recognizing that the Liturgy of the Hours is an echo of the Liturgy of the Mass. There is a parallel here with the domestic church and the manner in which it is an echo of the broader Church.

We have taken to reciting Compline (or Night Prayer) with the children before bedtime. Compline is well suited for children because it repeats every week. Little ones will memorize virtually the entire week in under year merely by listening. (It takes “big people” much longer, of course!) This all has bearing on the topic of Gregorian Chant because it is traditional to chant the psalms that form the backbone of each hour. This need not be done in Latin, of course, for there are easy plainchant tones that can be learned by even the musically untrained. More to the point, it is common to end the hour with a Marian chant proper to each liturgical season. For instance, in the season of Advent the chant is the Alma Redemptoris Mater. The others include Ave Regina Caelorum (Lent), Regina Caeli (Easter), and the Salve Regina (Ordinary Time). Over the years, my children have been picking up each of these (and the Ave Maria as well). This past Advent we added the last of the collection (Alma Redemptoris Mater), and nothing touched my heart more than when three of my children greeted me at the door about a week later excited to tell me that they had “learned it.” There they stood in front of the fireplace mantel, and they chanted in unison the most angelic melody I have ever heard.

Obtaining quality recordings can go a long way in helping a family to learn the chants that they will integrate into their prayer life. Of course, obtaining the musical scores is helpful as well. The internet is filled with these Gregorian scores. However, for Compline, I recommend Fr. Samuel Weber’s book by the same name published by Ignatius Press. It contains both Latin and English text and music printed in an exquisite setting for the full week of Night Prayer.

Gregorian Chant is the music that is proper to the Church. It seems only right that it should find a place in the home as well; that is but one way in which the domestic church can orient itself to the Universal Church.

7th Week in Ordinary Time, Simple English Propers


Interview with Prior of Monastère Saint-Benoît, Diocese of Fréjus-Toulon

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In December 2011 Mgr Dominique Rey, the Bishop of Fréjus-Toulon in the South of France, erected the Monastère Saint-Benoît, a new monastic community following the Rule of Saint Benedict and celebrating the Sacred Liturgy according to the older, classical forms of the Roman and monastic rites. The Superior, Dom Aidan, has given this interview -- which is, to my knowledge, the first such interview given by this monastic community.

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NLM: Father Prior, can you tell us about the origins of this monastery?

Our monastery’s origins lie in our longstanding desire to live the monastic life in accordance with the Rule of Saint Benedict. Some of us were previously formed and professed as Benedictine monks but found ourselves frustrated in living out our vocation by circumstances beyond our control. Others, too, experienced this difficulty but still wished to be monks. The resultant time away from the monastic life, painful though it was, concentrated our desire to live the traditional monastic life and each day to live its natural harmony with the classical liturgical rites and monastic office. Through circumstances that were truly Providential we were able to express this desire to Bishop Rey.

Bishop Rey received us as would a true father. Our enquiry initiated a period of discernment and of practical preparation which involved the Bishop’s own team, ourselves, my own bishop (who also showed great paternal solicitude, kindness and generosity) and the support and generosity of many friends – not to mention the warm welcome of the locals here in La Garde-Freinet. Somewhat to our own – rather happy – astonishment, it was possible to begin the full monastic horarium for the first Sunday of Advent and to celebrate our canonical erection at solemn first Vespers of the Immaculate Conception last December.

NLM: What support have you received from the Diocese of Fréjus-Toulon and its bishop?

The bishop and the diocese have been, and remain, utterly supportive. Bishop Rey’s approach is to always ask how he, as a bishop, can encourage and further the growth of the Church. He is willing to put his person and his diocese behind initiatives that he believes will further the Kingdom of God on earth. He looks for solutions, not problems. So too do his team – from the vicar general, his secretaries and canonists, his financial officer, etc. All work together in order to build up the Church – to be sure, on sound financial and canonical foundations also!

We have been given use of a very large presbytery (which already we are in the happy situation of worrying about being too small) next to the parish church. We have been given use of the church for all of our liturgical offices. The Curé, who has welcomed us warmly, lives in another village of which he is also Curé and celebrates three Masses here each week for the small, very committed, local parish. This ‘sharing’ of the church works well and provides the Mass and Office here each day in addition to the parish’s existing Masses.

The bishop has also generously given us some financial aid to us get started – the costs of health insurance alone in France are astronomical – but we need to work to become financially self-sufficient very quickly.

Practical and fraternal support has come from around the diocese and indeed from the local clergy and people, who as well as encouragement, have provided us with many of the material things necessary for this large house. A monastery is something different and new, but its arrival has been greeted with the hospitality and openness for which the local people and the clergy of this diocese are known.

NLM: Are you part of the worldwide Benedictine Confederation?

While two of us have completed valid Benedictine novitiates and have been professed monks in the Confederation, our community is established by the bishop and is of the diocese. That is not to say that we are isolated: many monks of the Confederation are good friends and we have been delighted to receive their fraternal encouragement and help. One friend, an Abbot, has accepted the bishop’s invitation to assist both ourselves and the bishop as we grow. We have asked the Abbot to be of particular assistance in the formation of novices. So whilst we are independent of the Confederation we maintain strong links with monks of it, and are very appreciative of their visits, their support and of the wisdom and experience they share with us.

NLM: Tell us about the horarium and the liturgical life of the monastery.

Our horarium is straightforward, commencing with matins at 4.00am and ending with compline at 8.00pm. It includes all the offices sung according to the Breviarium monasticum (1963) as well as conventual Mass according to the usus antiquior. The horarium is not a publicity gimmick or a fantasy – it is real – and it has to be said that, whilst it is demanding, it is a joy to live.

In our liturgical life we ‘dare to do as much as we can’ as St Thomas Aquinas would urge. Whilst we are small this is sometimes necessarily modest. But faithfully to sing all the monastic offices each day is no small endeavour. As we grow more becomes possible, and each new vocation is a gift of God’s Providence enabling the whole monastic family to praise God more fully in the sacred liturgy.

Of course the liturgical life is the life of the monastery. It is our raison d’être. We are here first and foremost to offer worship to God, to ‘put nothing before the work of God’ as Saint Benedict teaches. This gives us a clear identity and gives order to our day, and again, it is a joy. It is a particular joy that, thanks to our Holy Father’s vision and legislation (which is wholeheartedly shared, supported and promoted by Bishop Rey), the use of the older liturgical rites is not an issue. There is no controversy about our spending our days and nights singing God’s praises or offering the holy sacrifice of the Mass in the way monks have done for centuries, as indeed there should not be!

NLM: How so you foresee the monastery participating in and advocating Pope Benedict's desired new liturgical movement?

We are a small monastic community living the liturgical life as fully and as faithfully as we are able. We seek to give Almighty God the worship that is His due and in so doing to further our own conversion of life in conformity with His ways. So as we see it, the ‘new liturgical movement’ is about first becoming liturgical myself, about being steeped in the sacred liturgy, about letting it form whom I am and how I live, about allowing it to bring about that conversion of life that is at the heart of the Rule of Saint Benedict.

We have no pretentions to making any great contribution on a larger scale. But if each day we can faithfully and generously live the liturgical life, that itself will make its own little difference in the Church and in the world. In God’s Providence we will play our small part in furthering the new liturgical movement.

Certainly, we do offer a certain monastic and liturgical witness and this has its effect. Our inauguration was celebrated with solemn first vespers of the Immaculate Conception – sung entirely in chant according to the monastic rite. Friends, local clergy and parishioners and some who had not been inside a church for a long time, joined together in praying vespers – many for the first time – and they sang very well! The Church’s liturgy, resplendent in the fullness of its monastic tradition, touched many hearts that evening. If we can continue to do that – and we can – that too will make its contribution.

NLM: What could a man thinking about the monastic life expect if he asked about joining your community?

He would be welcome to visit for a short period in order to taste something of our life: talking is one thing, but experiencing the life first hand is what is necessary. After that a longer visit for further discernment would be appropriate – normally at least a month. If he then wished to apply to enter the monastery, the usual application procedures would take place followed in due course by postulancy (which is usually at least three months, but is flexible, and then the novitiate which is a year, or possibly a year and a half).

NLM: And what formation would follow?

During postulancy and novitiate formation centres on monastic life and prayer: the Rule, monastic history, the sacred liturgy and the psalms, etc. Latin and, given our location, French would also be studied. After simple profession formation would be according to the individual’s gifts and the monastery’s needs. Some will go on to studies for ordination whilst others will develop their skills in other areas – our monastic family has room for all those Almighty God sends, be they what used to be called “choir monks” or “lay brothers”. Higher studies are also something we wish to encourage where the individual has the necessary gifts and where these would serve the monastery and the Church.

But for all that, the greatest formation for any postulant or novice is striving to be faithful to the many demands of our daily life with its challenges and at times its real difficulties. Persevering through these enables those called to the monastic vocation to begin that conversion of life which is our vocation, and to taste something of the delights thereof, together with one’s brethren in an ordered fraternity, a ‘school of the Lord’s service’. It’s hard to explain, but for those called to it, it is real, sustaining, a true grace and privilege. As we sing at Sunday Prime, “Viam mandatorum tuorum cucurri, cum dilatasti cor meum.” (I have run the way of thy commandments, when thou didst enlarge my heart.) Ps. 118: 32.

NLM: Do you have novices at present?

At the moment we have not even had the time for a postulancy to run its course! We have two serious candidates for the novitiate and, God-willing, they could be clothed as novices later in the year. There are other candidates planning to make extended visits. It is important not to rush discernment and to allow each candidate the time, space and freedom necessary to take the right steps at the right time. We prefer not to talk too much about who and when and so on in order to protect this freedom: they – and also the monks – are entitled to their privacy.

NLM: Is the monastery exclusively English-speaking?

Not exclusively. Whilst we certainly speak English, each of us must each learn French. We are open to all whom God sends. Indeed, our bishop has recently entrusted to us the final formation of a seminarian and he is not an English-speaker – so our French is improving all the time! When we preach we use both French and English – many of the local people are native English speakers.

NLM: What work do members of the community do?

Our first work is prayer and our own conversion of life. Then there is the necessary work of discernment and formation of candidates. After that follow all the usual administrative and household tasks, from cooking to cleaning to answering correspondence and paying bills.

We also run a small shop and produce some of the things sold there ourselves, as well as print cards and other items. We hope to do a little publishing. We have the use of a little land to grow food. Sometimes we tutor people in liturgical or academic areas or do other intellectual work. We welcome guests and retreatants and provide some pastoral care for people in the older rites. From time to time we assist the bishop with different projects.

Apart from the basics, our work will be a response to the opportunities, talents and needs that God’s Providence sends, provided always that these do not eclipse the work of God.

NLM: Where are you situated? Is it possible for people to visit?

We are in a village high up in the midst of “the Maures” mountain range, between Fréjus and Toulon, in Provence. We are a little over ten kilometres from the Mediterranean sea, and are twenty kilometres north of Saint-Tropez. It is an exceptionally beautiful region, and our village enjoys the benefits of being small and quiet. It has splendid views, with extensive mountain walks – ideal for people on retreat. We have posted some pictures on our website.

Yes, visitors are always welcome, be that to attend the Office or Mass (all of which are open to the public), or for a few days of rest or retreat. Male guests who would like to stay in the monastery should always contact us in advance of course, but hospitality is an important part of our vocation.

Regarding getting here, there are some buses that come to the village – more on weekends and in the summer – and there is a major railway station (Les Arcs) not that far away. However car is the most convenient means of transport and there is a good road up here from the coast, and another from the major Provencal autoroute (A8). We are not thirty minutes drive from either.

NLM: How can people support the monastery?

Firstly I must record our gratitude for the many benefactions, small and large, we have received to date. We have been continually moved by the goodness of God’s Providence working through so many generous hearts. That we have been able to make a good start to our life here is in no small part due to the charity of these individuals – whose acts are known to Almighty God – and for whom we pray each day and offer Mass each month.

That said, as I said earlier, yes, we have need to become financially independent quickly. With the arrival of new vocations that need is not small. Support and benefactions are always welcome, and are a true blessing. Whilst our website mentions various ways of supporting us – from buying goods through our Amazon links, sending something from our wish list at Amazon (we do need to build up our library especially), purchasing from our monastery shop, making a donation, sending Mass offerings, etc. – we are also conscious that we must work hard and develop both industries and income ourselves. That requires both personnel and capital – but God’s Providence will not fail us so long as we are faithful to our monastic vocation.

NLM: Do you have an oblate programme?

Yes, and we had the joy of clothing our first oblate-novice, a diocesan priest and great friend of the monastery, shortly after our inauguration. Oblates are our extended family, as it were, and share in the spiritual fruits of our prayer as we benefit from their fraternity and support. Catholic men and women who are interested in oblature should consult our website.

NLM: Dom Aidan, what does the future hold for the Monastère Saint-Benoît?

It holds the next monastic office, the next opportunity to exercise fraternal charity amongst the brethren, the next occasion to endure suffering in faith and hope, the next opportunity to welcome as Christ the person who comes to the monastery who perhaps is not even aware of the need to search for God. And if I am faithful to what the Rule commands of me in each of these circumstances, the future holds – no, it promises – that God shall be praised and found, and that in this I shall be more conformed to Him.

Certainly, we have hopes and plans, but Providence will shuffle them and deal her own hand according to a greater Plan. We shall see what the future holds. But if this community can be faithful to the Rule and attentive to the voice of God, the future, whatever it brings, will be of God.

God bless you and all your readers!


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For more information on the monastery:

Monastère Saint-Benoît
2, rue de la Croix
83680 La Garde-Freinet
France

Website: www.msb-lgf.org

© Monastère Saint-Benoît 2012

The Altars of Santa Prassede

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The basilica of Santa Prassede is one of the most interesting in Rome, not least because of its beautiful mosaics which date to the reign of Pope Paschal I (817-824), and the impact of the Council of Trent on its interior, thanks to St Charles Borromeo, who was titular of this church from 1564. St Charles, for example, had no qualms about obscuring the ancient mosaics with two new display cabinets for the relics of the saints, and knocking out 24 Carolingian windows and replacing them with eight large ones.

At some point in the 13th-century the High Altar of this basilica was given a Cosmati front, but following the Council of Rome in 1725, yet another remodelling was thought to be necessary to "stress the importance of the main altar". As such, a new baldachino in the then-current Baroque style was produced, albeit utilising four columns of red porphery from the medieval baldachino. And, to match this, a new altar was put in place to a design by Francesco Ferrari. The medieval altar was thus relegated to the newly-enlarged crypt, and a fresco from the 1700s was painted above it.

To my mind, the medieval altar surpasses the Baroque altar that replaced it both in its form and in the dignity of its decoration. But at some point, someone decided that a Council necessitated a change, and the older altar was replaced. And history repeats itself, so that today even that Baroque altar is unused, having been superseded by a table covered with an unsightly white sheet, no doubt thought to have been necessitated by the Second Vatican Council despite the fact that the existing High Altar was already free-standing.

Considering the history of this basilica, and the changing of its altars, it is instructive to see how each Council stirs up in its wake such considerable structural and decorative changes, even to a venerable church such as Sta Prassede. This fact, I think, may help put into perspective the changes we have seen to our beloved churches since the 1960s, and the restoration that is, thankfully, now occurring in some places. But I suppose it's too much to hope that the medieval altar of St Prassede will be restored as the new High Altar!

Ash Wednesday, Graduale Romanum

Diocese of Trenton, New Jersey: First EF Solemn Mass

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One of our NLM readers sends this report into us:


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Quinquagesima Sunday was the occasion for the first Solemn Mass in the Extraordinary Form sponsored by the Diocese of Trenton since the restoration of the Traditional Mass.

Approximately 650 people filled the Church of St. Anthony in Hamilton, NJ. A large romanesque structure, complete with a vaulted coffered ceiling, the original polychromatic marble altar in ciborium, with heavy mosaic. Located within the neighborhoods of the state capital, St. Anthony’s is one of the most beautiful and historically significant churches in the Diocese of Trenton, built as a Franciscan parish in the mid-20th Century.

The Mass setting was Franz Schubert’s Mass in G Major, expertly sung and accompanied by students of Westminster Choir College, in Princeton, NJ. The students commented that, after having previously performed this Mass setting in concert, by singing it in its intended context, they were able more profoundly to appreciate its beauty and integrity.

The Mass was celebrated by Rev. Brian Patrick Woodrow (Ord. ’06), the Trenton Diocesan Liason for the Extraordinary Form. The Deacon was Rev. Kevin J. Kimtis (Ord. ’11), the subdeacon was Rev. H. Todd Carter (Ord. ’11). All three being junior clergy of the Diocese of Trenton. The Master of Ceremonies was Mr. Carlo Santa Teresa.

With the generous support of Bishop David M. O’Connell, C.M., Father Woodrow has been commissioned to promote and coordinate the celebration of the Traditional Latin Mass throughout the Diocese of Trenton, assisted by the Diocesan Office of Worship.

More information is available at www.latinmasstrenton.org



Quinquagesima Sunday, Rio de Janeiro

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Celebrant: Msgr. José de Matos, Apostolic Administration of St. John Marie Vianney
Church: Iglesia de Nuestra Señora de la Gloria de Outeiro













Ash Wednesday, Simple English Propers

Dom Prosper Gueranger on Ash Wednesday

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Yesterday, the world was busy in its pleasures, and the very children of God were taking a joyous farewell to mirth: but this morning, all is changed. The solemn announcement, spoken of by the prophet, has been proclaimed in Sion: the solemn fast of Lent, the season of expiation, the approach of the great anniversaries of our Redemption. Let us, then, rouse ourselves, and prepare for the spiritual combat.

But in this battling of the spirit against the flesh we need good armor. Our holy mother the Church knows how much we need it; and therefore does she summon us to enter into the house of God, that she may arm us for the holy contest. What this armor is we know from St. Paul, who thus describes it; 'Have your loins girt about with truth, and having on the breastplate of justice. And your feet shod with the preparation of the Gospel of peace. In all things, taking the shield and the sword of the Spirit, which is the word of God. The very prince of the apostles, too, addresses these solemn words to us: 'Christ having suffered in the flesh, be ye also armed with the same thought'. We are entering, today, upon a long campaign of the warfare spoken of by the apostles: forty days of battle, forty days of penance. We shall not turn cowards, if our souls can but be impressed with the conviction, that the battle and the penance must be gone through. Let us listen to the eloquence of the solemn rite which opens our Lent. Let us go whither our mother leads us, that is, to the scene of the fall.

The enemies we have to fight with, are of two kinds: internal, and external. The first are our passions; the second are the devils. Both were brought on us by pride, and man's pride began when he refused to obey his God. God forgave him his sin, but He punished him. The punishment was death, and this was the form of the divine sentence: 'Thou art dust, and into dust thou shalt return'. Oh that we had remembered this! The recollection of what we are and what we are to be, would have checked that haughty rebellion, which has so often led us to break the law of God. And if, for the time to come, we would preserve in loyalty to Him, we must humble ourselves, accept the sentence, and look on this present life as a path to the grave. The path may be long or short; but to the tomb it must lead us. Remembering this, we shall see all things in their true light. We shall love that God, who has deigned to set His heart on us notwithstanding our being creatures of death: we shall hate, with deepest contrition, the insolence and ingratitude, wherewith we have spent so many of our few days of life, that is, in sinning against our heavenly Father: and we shall be not only willing, but eager, to go through these days of penance, which He so mercifully gives us for making reparation to His offended justice.

This was the motive the Church had in enriching her liturgy with the solemn rite, at which we are to assist this morning. When, upwards a thousand years ago, she decreed the anticipation of the lenten fast by the last four days of Quinquagesima week, she instituted this impressive ceremony of signing the forehead of her children with ashes, while saying to them those awful words, wherewith God sentenced us to death: 'Remember, O man, that thou art dust, and into dust thou shalt return!' But the making use of ashes as a symbol of humiliation and penance, is of a much earlier date than the institution to which we allude. We find frequent mention of it in the Old Testament. Job, though a Gentile, sprinkled his flesh with ashes, that, thus humbled, he might propitiate the divine mercy and this was two thousand years before the coming of our Savior. The royal prophet tells us of himself, that he mingled ashes with his bread, because of the divine anger and indignation. Many such examples are to be met with in the sacred Scriptures; but so obvious is the analogy between the sinner who thus signifies his grief, and the object whereby he signifies it, that we read such instances without surprise. When fallen man would humble himself before the divine justice, which has sentenced his body to return to dust, how could he more aptly express his contrite acceptance of the sentence, than by sprinkling himself, or his food, with ashes, which is the dust of wood consumed by fire? This earnest acknowledgment of his being himself but dust and ashes, is an act of humility, and humility ever gives him confidence in that God, who resists the proud and pardons the humble.

-- Dom Prosper Gueranger, The Liturgical Year

What Can Singers Do for Lent?

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The lovers of chant have to be creative these days. This much we’ve discovered. The challenge is to find ways to share the love even in an environment where there are so many obstacles, so much misunderstanding of liturgy, an usual degree of musical illiteracy, and an entrenched musical culture in parishes that embed a strong bias toward the status quo of pop hymns instead of true liturgical art.

In every parish situation I know of, the moment of change comes when the chant advocates stop thinking of themselves as demanding something and starting thinking of themselves as servants of the others in the parish community and the faith generally. That’s when the ice begins to melt, the hearts open, people start listening, and progress begins to happen.

Service is the watchword here. It assures the pastoral staff and other parishioners of good faith. Having that frame of mind is good for the singer too. It has something to do with the willingness to make a sacrifice in order to achieve the goal. We need first to bury our own egos in order to see the the triumph of a music that is the ultimate non-egoistic art, the art that is not only directed outside ourselves but even outside the passage of time on this earth.

Lent is upon us -- rather suddenly it seems -- and I’ve been trying to think of ways to integrate Lent and interest in chant. In my household, we’ve usually sung night prayer with a great consistency than throughout the rest of the year. This practice has been made possible because of a wonderful book simply called Compline, as put together by Fr. Samuel Weber. It has the office of Compline for the full liturgical year with English and Latin on facing pages.

I highly recommend this practice as a lovely Lenten discipline. It will help you discover the Psalms as never before. Somehow chanting them in this way opens up the treasures to our hearts and minds - and more poignantly than merely listening on Sunday. The antiphons become part of your life in a beautiful way. It only takes 10 or 15 minutes but it offers great benefits.

I’ve been thinking of ways to expand on this model. The answer finally occurred to me this week. I was in a discussion with a mother of three very young children, one of which truly loves music. She would like to see a way to foster this interest. But like many people today, she doesn’t think she is a musician at all. She doesn’t think she can sing and it would never occur to her that she could lead any kind of sung prayer in her house.

I was listening to this scenario when it suddenly struck me. This is something that I can actually help with. This is something I can do. It wouldn’t take much time at all. I could swing by quickly on my way home from work or in the early evening, pass out the books, and just sing Compline with the family. They wouldn’t have to go anywhere. They could build it into the course of their evening routines. I would arrive and be gone again in a short 20 minutes, and repeat this as often as possible throughout the season.

At first the chants would be completely out of reach for them. They would be lost in the book. They would find the notation odd. They wouldn’t know how to repeat on their own anything that happened. That situation would be true for the first fire times, even the first week or longer. But after two weeks? Three weeks? The method would start to stick. The repeated parts would start to become familiar and memorized.

Think of it. By they end of Lent, what will the family take away from this experience? They will have forever in their hearts the sound of the Church at prayer. It will affect parents and children. It will give them a strong taste for the beauty of prayer. This will create in all present a special place in their hearts for this ancient tradition. They will have new ways to pray wherever they are. The Psalms will be implanted in their minds. For the children, they will carry this throughout their lives.

And all of this happens by giving up 20 minutes a day. That’s remarkable if you think of it. It really is like the loaves and fishes in the story. The singer is the apostle who has the food. The blessing is multiplied by Jesus himself and miraculously shared with others even as it does nothing to diminish the original contents of the basket.

I’m sharing this idea because I’m wondering if other musicians might consider doing the same thing as a Lenten discipline. If we all did this, many lives would be changed. If a choir dispatched singers throughout the parish into homes, many more people in the parish could come to love the chant and be supportive of it in the Mass on Sunday.

So I’m imagining a dream scenario here. Imagine that the pastor of the parish decides to make this a parish program. He first goes to the choir and asks everyone in the choir to learn to sing Compline in its most simple form. Then he asks each member of the choir to help this Lent by volunteering to go into homes of parishioners.

Once he has them committed to this idea, he announces to the whole parish that there is a sing up sheet in the back of the parish for any parishioner who would welcome a choir member to come to sing Compline in their home during the season. I suspect that there would be many people thrilled to sign up for such a service brought right into their homes.

Think of people at home with all sorts of issues and difficulties for whom a nightly sung prayer would be such a blessing. Maybe there is a problem with the kids. Maybe someone at home is caring for an aging parent. Maybe there are family issues that are putting strains on everyone. For everyone to come together for just a few minutes a day to sing the Psalms might bring a kind of heavenly peace to a household.

But most people believe that they cannot do this on their own. They need help. Members of the choir can help perform this service. It is also a way to give choir members practice in leading others in chant prayer. That can only improve their singing talent on Sunday.

This might seem like a small thing but it can have huge effects. If a dozen or so families in the parish accept this offer, they will enter the Easter season with a new talent and a new love for the beautiful art of sung prayer.

What’s more, this is a gift that musicians can give to their parish. Yes, it takes time. Yes, there are other things that one could be doing during cocktail hour. But the last years have taught chanting musicians something extremely important. The most important step toward achieving progress toward the goal of beautiful liturgical music is to show to others and yourself that the driving motivation is the same one that led tot he composition and perpetuation of chant: humility in the service of God.

NLM Quiz no. 11: What Is Happening In This Scene?

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Can you guess what is taking place in this illustration from a liturgical book? Please give your answer in the comments, and give whatever detail you can about the context, and the type of liturgical book from which the image is taken. To make this more interesting, please make your answer in the combox before reading the other comments.

Permission to use this image has been very kindly granted by the courtesy of the Pitts Theological Library, Candler School of Theology at Emory University. (Going to their website to look up the answer totally counts as cheating; I may never know, but God will!)

Pope Benedict XVI On the Decorations of St. Peter's Basilica

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Under the normal rules for the translation of a feast, St. Peter's Chair would be moved from yesterday to today, since Ash Wednesday can never be impeded by any feast. This year, however, it was anticipated in the Vatican Basilica to Sunday the 19th, the day after the Consistory. Pope Benedict XVI concelebrated the Mass of St. Peter's Chair in the Basilica, with the 22 Cardinals created the previous day. During his homily, he offered this beautiful reflection on one of the artistic masterpieces of the church, the great bronze Throne of St. Peter by Gian Lorenzo Bernini. The full text of the Holy Father's discourse may be read here on the Vatican website; a video of the ceremony and a photo gallery are also available.
Bernini's Chair decorated with candles for the feast of St. Peter's Chair last year.
Dear brothers and sisters, this Gospel episode that has been proclaimed to us (Matthew 16, 13-19) finds a further and more eloquent explanation in one of the most famous artistic treasures of this Vatican Basilica: the altar of the Chair. After passing through the magnificent central nave, and continuing past the transepts, the pilgrim arrives in the apse and sees before him an enormous bronze throne that seems to hover in mid-air, but in reality is supported by the four statues of great Fathers of the Church from East and West. And above the throne, surrounded by triumphant angels suspended in the air, the glory of the Holy Spirit shines through the oval window. What does this sculptural composition say to us, this product of Bernini’s genius? It represents a vision of the essence of the Church and the place within the Church of the Petrine Magisterium.

The window of the apse opens the Church towards the outside, towards the whole of creation, while the image of the Holy Spirit in the form of a dove shows God as the source of light. But there is also another aspect to point out: the Church herself is like a window, the place where God draws near to us, where he comes towards our world. The Church does not exist for her own sake, she is not the point of arrival, but she has to point upwards, beyond herself, to the realms above. The Church is truly herself to the extent that she allows the Other, with a capital “O”, to shine through her – the One from whom she comes and to whom she leads. The Church is the place where God “reaches” us and where we “set off” towards him: she has the task of opening up, beyond itself, a world which tends to become enclosed within itself, the task of bringing to the world the light that comes from above, without which it would be uninhabitable.

The great bronze throne encloses a wooden chair from the ninth century, which was long thought to be Saint Peter’s own chair and was placed above this monumental altar because of its great symbolic value. It expresses the permanent presence of the Apostle in the Magisterium of his successors. Saint Peter’s chair, we could say, is the throne of truth which takes its origin from Christ’s commission after the confession at Caesarea Philippi. The magisterial chair also reminds us of the words spoken to Peter by the Lord during the Last Supper: “I have prayed for you that your faith may not fail; and when you have turned again, strengthen your brethren” (Luke 22:32).

The chair of Peter evokes another memory: the famous expression from Saint Ignatius of Antioch’s letter to the Romans, where he says of the Church of Rome that she “presides in charity” (Salutation, PG 5, 801). In truth, presiding in faith is inseparably linked to presiding in love. Faith without love would no longer be an authentic Christian faith. But the words of Saint Ignatius have another much more concrete implication: the word “charity”, in fact, was also used by the early Church to indicate the Eucharist. The Eucharist is the Sacramentum caritatis Christi, through which Christ continues to draw us all to himself, as he did when raised up on the Cross (cf. John 12:32). Therefore, to “preside in charity” is to draw men and women into a eucharistic embrace – the embrace of Christ – which surpasses every barrier and every division, creating communion from all manner of differences. The Petrine ministry is therefore a primacy of love in the eucharistic sense, that is to say solicitude for the universal communion of the Church in Christ. And the Eucharist is the shape and the measure of this communion, a guarantee that it will remain faithful to the criterion of the tradition of the faith.

The great Chair is supported by the Fathers of the Church. The two Eastern masters, Saint John Chrysostom and Saint Athanasius, together with the Latins, Saint Ambrose and Saint Augustine, represent the whole of the tradition, and hence the richness of expression of the true faith of the holy and one Church. This aspect of the altar teaches us that love rests upon faith. Love collapses if man no longer trusts in God and disobeys him. Everything in the Church rests upon faith: the sacraments, the liturgy, evangelization, charity. Likewise the law and the Church’s authority rest upon faith. The Church is not self-regulating, she does not determine her own structure but receives it from the word of God, to which she listens in faith as she seeks to understand it and to live it. Within the ecclesial community, the Fathers of the Church fulfil the function of guaranteeing fidelity to sacred Scripture. They ensure that the Church receives reliable and solid exegesis, capable of forming with the Chair of Peter a stable and consistent whole. The sacred Scriptures, authoritatively interpreted by the Magisterium in the light of the Fathers, shed light upon the Church’s journey through time, providing her with a stable foundation amid the vicissitudes of history.

After considering the various elements of the altar of the Chair, let us take a look at it in its entirety. We see that it is characterized by a twofold movement: ascending and descending. This is the reciprocity between faith and love. The Chair is placed in a prominent position in this place, because this is where Saint Peter’s tomb is located, but this too tends towards the love of God. Indeed, faith is oriented towards love. A selfish faith would be an unreal faith. Whoever believes in Jesus Christ and enters into the dynamic of love that finds its source in the Eucharist, discovers true joy and becomes capable in turn of living according to the logic this gift. True faith is illumined by love and leads towards love, leads on high, just as the altar of the Chair points upwards towards the luminous window, the glory of the Holy Spirit, which constitutes the true focus for the pilgrim’s gaze as he crosses the threshold of the Vatican Basilica. That window is given great prominence by the triumphant angels and the great golden rays, with a sense of overflowing fullness that expresses the richness of communion with God. God is not isolation, but glorious and joyful love, spreading outwards and radiant with light.

Lumen Christi Missal: An Ordinary Form Book for the Pew

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Guest Piece by Adam Bartlett

I am grateful to Shawn Tribe and Jeffrey Tucker for posting weekly here practice videos of the Simple English Propers, a book of English chant for the Ordinary Form that I composed and edited, and that was published by the Church Music Association of America in the summer of 2011. And I am especially thankful to the readership of the New Liturgical Movement for welcoming this offering which is aimed at enacting a shift in the musical orientation of liturgical celebrations in common parish life.

The SEP, as it now commonly called, is a book for the average, volunteer, parish choir or schola. Its aim is to offer an achievable repertoire of proper chants for the Introit, Offertory and Communion, in English, to those who may have never sung propers before, and may be largely unfamiliar with the idiom of liturgical chant.

I can confirm, through my own work on the ground in an OF parish in transition, that the methods employed in the SEP work. Hundreds of other parishes around the US and throughout the English-speaking world have also reported similar success. It is all so exciting to see. For many, this is a first step toward giving Gregorian chant "first place" in the liturgy. It is an achievable first step for those who are willing to take up the task, toward the Gregorian ideal that is enshrined in Sacrosanctum Concilium.

What many parishes are beginning to discover, though, is that while the SEP offers the choir and schola what they need for success, the people in the pews are often left in the dark. The common hymnals and missalettes are not adequate, and really have little to no place any more. What is needed is an Ordinary Form book for the pew that gives parish congregations what they need to fruitfully participate in the liturgy according ideals of the new liturgical movement.

Introducing the Lumen Christi Missal. (Pre-orders are now being taken here.)

The Lumen Christi Missal answers this need. It is a complete resource that can replace common parish disposable "missalette" programs, and is permanent, hard bound, beautiful and dignified, bespeaking the permanence, beauty and dignity of the sacred liturgy. All musical settings are in square note chant notation, and the layout is clear and in continuity with the tradition of beautiful Catholic liturgical books.

The Lumen Christi Missal is not a hymnal; it contains no hymns. It is a book for the Mass, though it is not necessarily a hand missal either.

It contains Lectionary Readings, Antiphons of the Graduale Romanum and Roman Missal for the Entrance, Offertory and Communion (Latin and English in two columns for Graduale texts), simple chant style Responsorial Psalms and Alleluias, in addition to the various chants and texts that are found in the Roman Missal throughout the year (such as the sequences, various chants for Holy Week, Presentation of the Lord, etc.).

In addition to the Proper of Time, the propers and antiphons of the Proper of Saints, antiphons for all Daily Masses (including chant settings of daily Responsorial Psalms), various Ritual Masses, Votive Masses, and Commons are also included. View Sample Contents.

The Lumen Christi Missal also contains the Order of Mass according to the new English translation of the Roman Missal, set to be sung, and contains 4 new simple English chant Ordinaries, the 5 Ordinaries of the Kyriale Simplex, and 8 of the most commonly sung Ordinaries of the Kyriale Romanum. View Sample Contents.

Every Latin chant setting in the Lumen Christi Missal has an English translation directly below the Latin text for the better comprehension of those with little to no familiarity with Latin.

The Lumen Christi Missal also contains over 300 simple chant antiphon settings that may be sung by parish congregations in a proper or seasonal manner. These are contained in a separate section, toward the back of the book, and are numbered and "disguised" as congregational hymns. The reality in most Ordinary Form parishes today is that replacing congregational hymns at the Entrance, Offertory and Communion with propers sung by the choir alone is too drastic a leap. The antiphons in this section are offered as an achievable repertoire of congregational liturgical chant that can begin to slowly replace the problematic hymn repertoires of parishes. These may be sung in conjunction with the schola's singing of the fully proper chant, whether in the vernacular, or in its full Gregorian setting, or in various other polyphonic possibilities. The aim here is to wean parishes off of hymns. The reality in most parishes today is that even when propers are introduced, the hymns never really go away, but are sung in conjunction with congregational hymns. The Lumen Christi Missal offers an alternative that can be slowly introduced into any existing parish repertoire. View Sample Contents.

And finally, the Lumen Christi Missal contains a section of devotions including prayers before and after Mass (taken from the Roman Missal), an examination of conscience, formulas of Catholic doctrine, prayers before and after confession including the Seven Penitential Psalms, and the Rite of Reconciliation, various common prayers (from the Compendium of the Catechism of the Catholic Church), common litanies, the Stations of the Cross, Eucharistic Adoration and Benediction, and more. View Sample Contents.

The Lumen Christi Missal is currently in the final stages of preparation and will be available in the Spring to Summer of 2012. You can now pre-order a copy at a discounted price here.

While it is a book that is intended for the pew in parishes, it will also be very amenable to personal use.

A "new era of liturgical renewal" is now upon us, and the fruits are beginning to bud forth every where we look. The future of the Church's sacred liturgy is indeed very bright, and much grace awaits us as we press on in the work of renewal and reform. It is my hope that the Lumen Christi Missal will assist parishes and dioceses in this movement of the Holy Spirit that will continue to bring an abundance of graces into the life of the Church.

If you have any questions or if you would like to consider bringing the Lumen Christi Missal to your parish, please don't hesitate to contact me.

Return of the Altar Rail

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We recently learnt that Fr. Jay Finelli (better known to some as the "iPadre") and his parish, Holy Ghost in Tiverton, Rhode Island, are returning to the use of the altar rail for the reception of Holy Communion:

For the past few years, a number of people have asked why we can’t use the Altar Rail for Sunday Masses. So, after much thought and prayer, distribution of Holy Communion will take place at the Altar Rail, beginning on the 1st Sunday of Lent.

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